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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E4AA8 it is the complementary color #F1B557. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E4AA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E4AA8 shade: #134AA3, #245CB6, #356EC9, #4680DC and #5792EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E4AA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E4AA8 shade: #0E4AA8, #003895, #002682, #00146F and #00025C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E4AA8 shade: #0D4AA9, #0D20A9, #250DA9, #4F0DA9 and #790DA9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E4AA8 shade: #0D4AA9, #0D20A9 and #0D0DA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E4AA8 shade matches the following richer shades: #0D4AA9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E4AA8 shade: #0D4AA9, #1C4D9A, #2B518C, #3A547D and #49576E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E4AA8 shade: #0D9FA9, #0D75A9, #0D4CA9, #0D22A9 and #220DA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E4AA8 shade: #07295D, #0A3983, #0D4AA9, #105BCF and #1D6EEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E4AA8 shade: #0E4AA8, #8A0DA9 and #8AA90D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E4AA8 shade: #0E4AA8, #A90D4C and #4CA90D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E4AA8 shade: #0E4AA8, #8A0DA9, #A96B0D and #2CA90D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E4AA8 shade: #0E4AA8, #A90D9A, #A96B0D and #0DA91D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 56 / 0 / 34

HEX #0E4AA8

RGB 14 74 168

HSL 216.62, 0.85%, 0.36%

LAB 33.6, 19.84, -55.35

 

Complementary color

CMYK 0 / 25 / 64 / 5

HEX #F1B557

RGB 241 181 87

HSL 36.62, 0.85%, 0.64%

LAB 77.54, 12.25, 55.16

 

CMYK 88 / 55 / 0 / 36

HEX #134AA3

RGB 19 74 163

HSL 217.08, 0.79%, 0.36%

LAB 33.31, 18.1, -52.82

 

CMYK 80 / 49 / 0 / 29

HEX #245CB6

RGB 36 92 182

HSL 216.99, 0.67%, 0.43%

LAB 40.26, 15.12, -52.83

 

CMYK 74 / 45 / 0 / 21

HEX #356EC9

RGB 53 110 201

HSL 216.89, 0.58%, 0.5%

LAB 47.14, 12.77, -52.75

 

CMYK 68 / 42 / 0 / 14

HEX #4680DC

RGB 70 128 220

HSL 216.8, 0.68%, 0.57%

LAB 53.93, 10.9, -52.63

 

CMYK 64 / 39 / 0 / 6

HEX #5792EF

RGB 87 146 239

HSL 216.71, 0.83%, 0.64%

LAB 60.62, 9.38, -52.52

 

CMYK 92 / 56 / 0 / 34

HEX #0E4AA8

RGB 14 74 168

HSL 216.62, 0.85%, 0.36%

LAB 33.6, 19.84, -55.35

 

CMYK 100 / 62 / 0 / 42

HEX #003895

RGB 0 56 149

HSL 217.45, 1%, 0.29%

LAB 26.73, 23.78, -55.06

 

CMYK 100 / 71 / 0 / 49

HEX #002682

RGB 0 38 130

HSL 222.46, 1%, 0.25%

LAB 20.04, 28.49, -54.24

 

CMYK 100 / 82 / 0 / 56

HEX #00146F

RGB 0 20 111

HSL 229.19, 1%, 0.22%

LAB 13.52, 32.84, -52.84

 

CMYK 100 / 98 / 0 / 64

HEX #00025C

RGB 0 2 92

HSL 238.7, 1%, 0.18%

LAB 7.37, 36.22, -50.48

 

CMYK 92 / 56 / 0 / 34

HEX #0D4AA9

RGB 13 74 169

HSL 216.54, 0.86%, 0.36%

LAB 33.66, 20.2, -55.84

 

CMYK 92 / 81 / 0 / 34

HEX #0D20A9

RGB 13 32 169

HSL 232.69, 0.86%, 0.36%

LAB 23.62, 46.93, -72.37

 

CMYK 78 / 92 / 0 / 34

HEX #250DA9

RGB 37 13 169

HSL 249.23, 0.86%, 0.36%

LAB 22.11, 55.48, -74.85

 

CMYK 53 / 92 / 0 / 34

HEX #4F0DA9

RGB 79 13 169

HSL 265.38, 0.86%, 0.36%

LAB 26.2, 58.24, -67.94

 

CMYK 28 / 92 / 0 / 34

HEX #790DA9

RGB 121 13 169

HSL 281.54, 0.86%, 0.36%

LAB 32.3, 63.17, -57.7

 

CMYK 92 / 56 / 0 / 34

HEX #0D4AA9

RGB 13 74 169

HSL 216.54, 0.86%, 0.36%

LAB 33.66, 20.2, -55.84

 

CMYK 92 / 81 / 0 / 34

HEX #0D20A9

RGB 13 32 169

HSL 232.69, 0.86%, 0.36%

LAB 23.62, 46.93, -72.37

 

CMYK 92 / 92 / 0 / 34

HEX #0D0DA9

RGB 13 13 169

HSL 240, 0.86%, 0.36%

LAB 20.97, 54.82, -76.78

 

CMYK 92 / 56 / 0 / 34

HEX #0D4AA9

RGB 13 74 169

HSL 216.54, 0.86%, 0.36%

LAB 33.66, 20.2, -55.84

 

CMYK 92 / 56 / 0 / 34

HEX #0D4AA9

RGB 13 74 169

HSL 216.54, 0.86%, 0.36%

LAB 33.66, 20.2, -55.84

 

CMYK 82 / 50 / 0 / 40

HEX #1C4D9A

RGB 28 77 154

HSL 216.67, 0.69%, 0.36%

LAB 33.75, 13.17, -46.67

 

CMYK 69 / 42 / 0 / 45

HEX #2B518C

RGB 43 81 140

HSL 216.49, 0.53%, 0.36%

LAB 34.58, 7.06, -36.79

 

CMYK 54 / 33 / 0 / 51

HEX #3A547D

RGB 58 84 125

HSL 216.72, 0.37%, 0.36%

LAB 35.44, 2.89, -26.18

 

CMYK 34 / 21 / 0 / 57

HEX #49576E

RGB 73 87 110

HSL 217.3, 0.2%, 0.36%

LAB 36.67, 0.64, -14.92

 

CMYK 92 / 6 / 0 / 34

HEX #0D9FA9

RGB 13 159 169

HSL 183.85, 0.86%, 0.36%

LAB 59.66, -30.09, -14.97

 

CMYK 92 / 31 / 0 / 34

HEX #0D75A9

RGB 13 117 169

HSL 200, 0.86%, 0.36%

LAB 46.54, -7.49, -35.22

 

CMYK 92 / 55 / 0 / 34

HEX #0D4CA9

RGB 13 76 169

HSL 215.77, 0.86%, 0.36%

LAB 34.23, 18.84, -54.92

 

CMYK 92 / 80 / 0 / 34

HEX #0D22A9

RGB 13 34 169

HSL 231.92, 0.86%, 0.36%

LAB 23.98, 45.87, -71.77

 

CMYK 80 / 92 / 0 / 34

HEX #220DA9

RGB 34 13 169

HSL 248.08, 0.86%, 0.36%

LAB 21.92, 55.37, -75.18

 

CMYK 92 / 56 / 0 / 64

HEX #07295D

RGB 7 41 93

HSL 216.28, 0.86%, 0.2%

LAB 17.56, 10.8, -34.35

 

CMYK 92 / 56 / 0 / 49

HEX #0A3983

RGB 10 57 131

HSL 216.69, 0.86%, 0.28%

LAB 25.65, 16.01, -45.66

 

CMYK 92 / 56 / 0 / 34

HEX #0D4AA9

RGB 13 74 169

HSL 216.54, 0.86%, 0.36%

LAB 33.66, 20.2, -55.84

 

CMYK 92 / 56 / 0 / 19

HEX #105BCF

RGB 16 91 207

HSL 216.44, 0.86%, 0.44%

LAB 41.37, 24.21, -65.57

 

CMYK 88 / 53 / 0 / 7

HEX #1D6EEC

RGB 29 110 236

HSL 216.52, 0.84%, 0.52%

LAB 48.85, 23.83, -69.87

 

CMYK 92 / 56 / 0 / 34

HEX #0E4AA8

RGB 14 74 168

HSL 216.62, 0.85%, 0.36%

LAB 33.6, 19.84, -55.35

 

CMYK 18 / 92 / 0 / 34

HEX #8A0DA9

RGB 138 13 169

HSL 288.08, 0.86%, 0.36%

LAB 35.11, 65.67, -52.99

 

CMYK 18 / 0 / 92 / 34

HEX #8AA90D

RGB 138 169 13

HSL 71.92, 0.86%, 0.36%

LAB 64.81, -29.07, 64.94

 

CMYK 92 / 56 / 0 / 34

HEX #0E4AA8

RGB 14 74 168

HSL 216.62, 0.85%, 0.36%

LAB 33.6, 19.84, -55.35

 

CMYK 0 / 92 / 55 / 34

HEX #A90D4C

RGB 169 13 76

HSL 335.77, 0.86%, 0.36%

LAB 36.45, 60.04, 7.79

 

CMYK 55 / 0 / 92 / 34

HEX #4CA90D

RGB 76 169 13

HSL 95.77, 0.86%, 0.36%

LAB 61.6, -51.46, 61

 

CMYK 92 / 56 / 0 / 34

HEX #0E4AA8

RGB 14 74 168

HSL 216.62, 0.85%, 0.36%

LAB 33.6, 19.84, -55.35

 

CMYK 18 / 92 / 0 / 34

HEX #8A0DA9

RGB 138 13 169

HSL 288.08, 0.86%, 0.36%

LAB 35.11, 65.67, -52.99

 

CMYK 0 / 37 / 92 / 34

HEX #A96B0D

RGB 169 107 13

HSL 36.15, 0.86%, 0.36%

LAB 50.66, 18.22, 55.2

 

CMYK 74 / 0 / 92 / 34

HEX #2CA90D

RGB 44 169 13

HSL 108.08, 0.86%, 0.36%

LAB 60.73, -58.74, 59.91

 

CMYK 92 / 56 / 0 / 34

HEX #0E4AA8

RGB 14 74 168

HSL 216.62, 0.85%, 0.36%

LAB 33.6, 19.84, -55.35

 

CMYK 0 / 92 / 9 / 34

HEX #A90D9A

RGB 169 13 154

HSL 305.77, 0.86%, 0.36%

LAB 39.67, 68.59, -36.32

 

CMYK 0 / 37 / 92 / 34

HEX #A96B0D

RGB 169 107 13

HSL 36.15, 0.86%, 0.36%

LAB 50.66, 18.22, 55.2

 

CMYK 92 / 0 / 83 / 34

HEX #0DA91D

RGB 13 169 29

HSL 126.15, 0.86%, 0.36%

LAB 60.38, -61.61, 55.99

 

Description

Color code: HEX #0E4AA8 | qconv.com Color code: HEX #0E4AA8 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 74 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 74 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 56 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 56% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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