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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E6499 it is the complementary color #F19B66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E6499. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E6499 shade: #136494, #2476A7, #3588BA, #469ACD and #57ACE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E6499. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E6499 shade: #0E6499, #005286, #004073, #002E60 and #001C4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E6499 shade: #0E6499, #0E3F99, #0E1999, #280E99 and #4E0E99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E6499 shade: #0E6499, #0E3F99, #0E1999 and #0E0E99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E6499 shade matches the following richer shades: #0E6499 and #0067A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E6499 shade: #0E6499, #1B618C, #295E7E, #375B71 and #445763

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E6499 shade: #0E9982, #0E8C99, #0E6699, #0E4199 and #0E1C99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E6499 shade: #07334E, #0A4C74, #0E6499, #117DBF and #1596E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E6499 shade: #0E6499, #5D0E99 and #99950E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E6499 shade: #0E6499, #990E66 and #66990E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E6499 shade: #0E6499, #5D0E99, #99410E and #4A990E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E6499 shade: #0E6499, #870E99, #99410E and #20990E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 35 / 0 / 40

HEX #0E6499

RGB 14 100 153

HSL 202.88, 0.83%, 0.33%

LAB 40.42, -3.38, -35.42

 

Complementary color

CMYK 0 / 36 / 58 / 5

HEX #F19B66

RGB 241 155 102

HSL 22.88, 0.83%, 0.67%

LAB 71.62, 27, 40.84

 

CMYK 87 / 32 / 0 / 42

HEX #136494

RGB 19 100 148

HSL 202.33, 0.77%, 0.33%

LAB 40.23, -5, -32.73

 

CMYK 78 / 29 / 0 / 35

HEX #2476A7

RGB 36 118 167

HSL 202.44, 0.65%, 0.4%

LAB 47.13, -6.94, -33.09

 

CMYK 72 / 27 / 0 / 27

HEX #3588BA

RGB 53 136 186

HSL 202.56, 0.56%, 0.47%

LAB 53.93, -8.38, -33.39

 

CMYK 66 / 25 / 0 / 20

HEX #469ACD

RGB 70 154 205

HSL 202.67, 0.57%, 0.54%

LAB 60.62, -9.48, -33.66

 

CMYK 61 / 23 / 0 / 12

HEX #57ACE0

RGB 87 172 224

HSL 202.77, 0.69%, 0.61%

LAB 67.21, -10.34, -33.91

 

CMYK 91 / 35 / 0 / 40

HEX #0E6499

RGB 14 100 153

HSL 202.88, 0.83%, 0.33%

LAB 40.42, -3.38, -35.42

 

CMYK 100 / 39 / 0 / 47

HEX #005286

RGB 0 82 134

HSL 203.28, 1%, 0.26%

LAB 33.47, -0.5, -34.96

 

CMYK 100 / 44 / 0 / 55

HEX #004073

RGB 0 64 115

HSL 206.61, 1%, 0.23%

LAB 26.46, 3.42, -34.29

 

CMYK 100 / 52 / 0 / 62

HEX #002E60

RGB 0 46 96

HSL 211.25, 1%, 0.19%

LAB 19.22, 7.75, -33.66

 

CMYK 100 / 64 / 0 / 70

HEX #001C4D

RGB 0 28 77

HSL 218.18, 1%, 0.15%

LAB 11.73, 12.62, -33.03

 

CMYK 91 / 35 / 0 / 40

HEX #0E6499

RGB 14 100 153

HSL 202.88, 0.83%, 0.33%

LAB 40.42, -3.38, -35.42

 

CMYK 91 / 59 / 0 / 40

HEX #0E3F99

RGB 14 63 153

HSL 218.85, 0.83%, 0.33%

LAB 29.28, 21.25, -53.33

 

CMYK 91 / 84 / 0 / 40

HEX #0E1999

RGB 14 25 153

HSL 235.25, 0.83%, 0.33%

LAB 20.4, 45.24, -67.97

 

CMYK 74 / 91 / 0 / 40

HEX #280E99

RGB 40 14 153

HSL 251.22, 0.83%, 0.33%

LAB 20.3, 50.91, -68.09

 

CMYK 49 / 91 / 0 / 40

HEX #4E0E99

RGB 78 14 153

HSL 267.63, 0.83%, 0.33%

LAB 24.43, 54.04, -61.12

 

CMYK 91 / 35 / 0 / 40

HEX #0E6499

RGB 14 100 153

HSL 202.88, 0.83%, 0.33%

LAB 40.42, -3.38, -35.42

 

CMYK 91 / 59 / 0 / 40

HEX #0E3F99

RGB 14 63 153

HSL 218.85, 0.83%, 0.33%

LAB 29.28, 21.25, -53.33

 

CMYK 91 / 84 / 0 / 40

HEX #0E1999

RGB 14 25 153

HSL 235.25, 0.83%, 0.33%

LAB 20.4, 45.24, -67.97

 

CMYK 91 / 91 / 0 / 40

HEX #0E0E99

RGB 14 14 153

HSL 240, 0.83%, 0.33%

LAB 18.83, 49.92, -70.58

 

CMYK 91 / 35 / 0 / 40

HEX #0E6499

RGB 14 100 153

HSL 202.88, 0.83%, 0.33%

LAB 40.42, -3.38, -35.42

 

CMYK 100 / 38 / 0 / 35

HEX #0067A7

RGB 0 103 167

HSL 202.99, 1%, 0.33%

LAB 41.99, -0.33, -41.26

 

CMYK 91 / 35 / 0 / 40

HEX #0E6499

RGB 14 100 153

HSL 202.88, 0.83%, 0.33%

LAB 40.42, -3.38, -35.42

 

CMYK 81 / 31 / 0 / 45

HEX #1B618C

RGB 27 97 140

HSL 202.83, 0.68%, 0.33%

LAB 39.03, -5.48, -29.79

 

CMYK 67 / 25 / 0 / 51

HEX #295E7E

RGB 41 94 126

HSL 202.59, 0.51%, 0.33%

LAB 37.81, -6.76, -23.15

 

CMYK 51 / 19 / 0 / 56

HEX #375B71

RGB 55 91 113

HSL 202.76, 0.35%, 0.33%

LAB 36.9, -6.23, -16.51

 

CMYK 31 / 12 / 0 / 61

HEX #445763

RGB 68 87 99

HSL 203.23, 0.19%, 0.33%

LAB 35.88, -4.1, -9.3

 

CMYK 91 / 0 / 15 / 40

HEX #0E9982

RGB 14 153 130

HSL 170.07, 0.83%, 0.33%

LAB 56.57, -39.05, 2.62

 

CMYK 91 / 8 / 0 / 40

HEX #0E8C99

RGB 14 140 153

HSL 185.61, 0.83%, 0.33%

LAB 53.11, -25.86, -15.74

 

CMYK 91 / 33 / 0 / 40

HEX #0E6699

RGB 14 102 153

HSL 202.01, 0.83%, 0.33%

LAB 41.05, -4.61, -34.43

 

CMYK 91 / 58 / 0 / 40

HEX #0E4199

RGB 14 65 153

HSL 217.99, 0.83%, 0.33%

LAB 29.85, 19.86, -52.41

 

CMYK 91 / 82 / 0 / 40

HEX #0E1C99

RGB 14 28 153

HSL 233.96, 0.83%, 0.33%

LAB 20.92, 43.71, -67.1

 

CMYK 91 / 35 / 0 / 69

HEX #07334E

RGB 7 51 78

HSL 202.82, 0.84%, 0.17%

LAB 19.89, -3.17, -20.6

 

CMYK 91 / 34 / 0 / 55

HEX #0A4C74

RGB 10 76 116

HSL 202.64, 0.84%, 0.25%

LAB 30.63, -3.43, -28.28

 

CMYK 91 / 35 / 0 / 40

HEX #0E6499

RGB 14 100 153

HSL 202.88, 0.83%, 0.33%

LAB 40.42, -3.38, -35.42

 

CMYK 91 / 35 / 0 / 25

HEX #117DBF

RGB 17 125 191

HSL 202.76, 0.84%, 0.41%

LAB 50.15, -3.61, -42.25

 

CMYK 91 / 34 / 0 / 10

HEX #1596E5

RGB 21 150 229

HSL 202.79, 0.83%, 0.49%

LAB 59.55, -3.77, -48.79

 

CMYK 91 / 35 / 0 / 40

HEX #0E6499

RGB 14 100 153

HSL 202.88, 0.83%, 0.33%

LAB 40.42, -3.38, -35.42

 

CMYK 39 / 91 / 0 / 40

HEX #5D0E99

RGB 93 14 153

HSL 274.1, 0.83%, 0.33%

LAB 26.57, 55.83, -57.53

 

CMYK 0 / 3 / 91 / 40

HEX #99950E

RGB 153 149 14

HSL 58.27, 0.83%, 0.33%

LAB 60.16, -12.4, 61.58

 

CMYK 91 / 35 / 0 / 40

HEX #0E6499

RGB 14 100 153

HSL 202.88, 0.83%, 0.33%

LAB 40.42, -3.38, -35.42

 

CMYK 0 / 91 / 33 / 40

HEX #990E66

RGB 153 14 102

HSL 322.01, 0.83%, 0.33%

LAB 34.08, 58.44, -12.88

 

CMYK 33 / 0 / 91 / 40

HEX #66990E

RGB 102 153 14

HSL 82.01, 0.83%, 0.33%

LAB 57.69, -36.2, 58.06

 

CMYK 91 / 35 / 0 / 40

HEX #0E6499

RGB 14 100 153

HSL 202.88, 0.83%, 0.33%

LAB 40.42, -3.38, -35.42

 

CMYK 39 / 91 / 0 / 40

HEX #5D0E99

RGB 93 14 153

HSL 274.1, 0.83%, 0.33%

LAB 26.57, 55.83, -57.53

 

CMYK 0 / 58 / 91 / 40

HEX #99410E

RGB 153 65 14

HSL 22.01, 0.83%, 0.33%

LAB 38.87, 34.32, 44.99

 

CMYK 52 / 0 / 91 / 40

HEX #4A990E

RGB 74 153 14

HSL 94.1, 0.83%, 0.33%

LAB 56.36, -45.99, 56.4

 

CMYK 91 / 35 / 0 / 40

HEX #0E6499

RGB 14 100 153

HSL 202.88, 0.83%, 0.33%

LAB 40.42, -3.38, -35.42

 

CMYK 12 / 91 / 0 / 40

HEX #870E99

RGB 135 14 153

HSL 292.23, 0.83%, 0.33%

LAB 33.49, 62.18, -45.96

 

CMYK 0 / 58 / 91 / 40

HEX #99410E

RGB 153 65 14

HSL 22.01, 0.83%, 0.33%

LAB 38.87, 34.32, 44.99

 

CMYK 79 / 0 / 91 / 40

HEX #20990E

RGB 32 153 14

HSL 112.23, 0.83%, 0.33%

LAB 55.2, -55.59, 54.95

 

Description

Color code: HEX #0E6499 | qconv.com Color code: HEX #0E6499 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 100 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 100 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 35 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 35% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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