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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E657F it is the complementary color #F19A80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E657F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E657F shade: #13657A, #24778D, #3589A0, #469BB3 and #57ADC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E657F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E657F shade: #0E657F, #00536C, #004159, #002F46 and #001D33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E657F shade: #0E6680, #0E4780, #0E2880, #120E80 and #310E80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E657F shade: #0E6680, #0E4780, #0E2880 and #0E0E80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E657F shade matches the following richer shades: #0E6680 and #026C8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E657F shade: #0E6680, #195F74, #255969, #30535D and #3C4D52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E657F shade: #0E805C, #0E807A, #0E6780, #0E4980 and #0E2A80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E657F shade: #062B36, #0A485B, #0E6680, #1283A5 and #16A1CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E657F shade: #0E657F, #3D0E80 and #806B0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E657F shade: #0E657F, #800E67 and #67800E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E657F shade: #0E657F, #3D0E80, #80270E and #50800E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E657F shade: #0E657F, #600E80, #80270E and #2E800E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 20 / 0 / 50

HEX #0E657F

RGB 14 101 127

HSL 193.81, 0.8%, 0.28%

LAB 39.47, -14.05, -21.25

 

Complementary color

CMYK 0 / 36 / 47 / 5

HEX #F19A80

RGB 241 154 128

HSL 13.81, 0.8%, 0.72%

LAB 71.81, 29.75, 27.2

 

CMYK 84 / 17 / 0 / 52

HEX #13657A

RGB 19 101 122

HSL 192.23, 0.73%, 0.28%

LAB 39.33, -15.46, -18.41

 

CMYK 74 / 16 / 0 / 45

HEX #24778D

RGB 36 119 141

HSL 192.57, 0.59%, 0.35%

LAB 46.3, -16.79, -19.08

 

CMYK 67 / 14 / 0 / 37

HEX #3589A0

RGB 53 137 160

HSL 192.9, 0.5%, 0.42%

LAB 53.15, -17.7, -19.66

 

CMYK 61 / 13 / 0 / 30

HEX #469BB3

RGB 70 155 179

HSL 193.21, 0.44%, 0.49%

LAB 59.89, -18.33, -20.17

 

CMYK 56 / 13 / 0 / 22

HEX #57ADC6

RGB 87 173 198

HSL 193.51, 0.49%, 0.56%

LAB 66.51, -18.79, -20.64

 

CMYK 89 / 20 / 0 / 50

HEX #0E657F

RGB 14 101 127

HSL 193.81, 0.8%, 0.28%

LAB 39.47, -14.05, -21.25

 

CMYK 100 / 23 / 0 / 58

HEX #00536C

RGB 0 83 108

HSL 193.89, 1%, 0.21%

LAB 32.41, -11.82, -20.47

 

CMYK 100 / 27 / 0 / 65

HEX #004159

RGB 0 65 89

HSL 196.18, 1%, 0.17%

LAB 25.27, -8.51, -19.46

 

CMYK 100 / 33 / 0 / 73

HEX #002F46

RGB 0 47 70

HSL 199.71, 1%, 0.14%

LAB 17.81, -4.93, -18.49

 

CMYK 100 / 43 / 0 / 80

HEX #001D33

RGB 0 29 51

HSL 205.88, 1%, 0.1%

LAB 9.94, -0.9, -17.6

 

CMYK 89 / 20 / 0 / 50

HEX #0E6680

RGB 14 102 128

HSL 193.68, 0.8%, 0.28%

LAB 39.84, -14.25, -21.28

 

CMYK 89 / 45 / 0 / 50

HEX #0E4780

RGB 14 71 128

HSL 210, 0.8%, 0.28%

LAB 29.81, 5.23, -37.08

 

CMYK 89 / 69 / 0 / 50

HEX #0E2880

RGB 14 40 128

HSL 226.32, 0.8%, 0.28%

LAB 20.71, 27.04, -51.85

 

CMYK 86 / 89 / 0 / 50

HEX #120E80

RGB 18 14 128

HSL 242.11, 0.8%, 0.28%

LAB 15.49, 42.45, -60.48

 

CMYK 62 / 89 / 0 / 50

HEX #310E80

RGB 49 14 128

HSL 258.42, 0.8%, 0.28%

LAB 18.03, 44.56, -56.19

 

CMYK 89 / 20 / 0 / 50

HEX #0E6680

RGB 14 102 128

HSL 193.68, 0.8%, 0.28%

LAB 39.84, -14.25, -21.28

 

CMYK 89 / 45 / 0 / 50

HEX #0E4780

RGB 14 71 128

HSL 210, 0.8%, 0.28%

LAB 29.81, 5.23, -37.08

 

CMYK 89 / 69 / 0 / 50

HEX #0E2880

RGB 14 40 128

HSL 226.32, 0.8%, 0.28%

LAB 20.71, 27.04, -51.85

 

CMYK 89 / 89 / 0 / 50

HEX #0E0E80

RGB 14 14 128

HSL 240, 0.8%, 0.28%

LAB 15.31, 42.3, -60.8

 

CMYK 89 / 20 / 0 / 50

HEX #0E6680

RGB 14 102 128

HSL 193.68, 0.8%, 0.28%

LAB 39.84, -14.25, -21.28

 

CMYK 99 / 23 / 0 / 45

HEX #026C8C

RGB 2 108 140

HSL 193.91, 0.97%, 0.28%

LAB 42.2, -13.88, -24.86

 

CMYK 89 / 20 / 0 / 50

HEX #0E6680

RGB 14 102 128

HSL 193.68, 0.8%, 0.28%

LAB 39.84, -14.25, -21.28

 

CMYK 78 / 18 / 0 / 55

HEX #195F74

RGB 25 95 116

HSL 193.85, 0.65%, 0.28%

LAB 37.21, -13.52, -17.99

 

CMYK 65 / 15 / 0 / 59

HEX #255969

RGB 37 89 105

HSL 194.12, 0.48%, 0.28%

LAB 35.12, -11.91, -14.36

 

CMYK 48 / 11 / 0 / 64

HEX #30535D

RGB 48 83 93

HSL 193.33, 0.32%, 0.28%

LAB 33.15, -9.62, -9.78

 

CMYK 27 / 6 / 0 / 68

HEX #3C4D52

RGB 60 77 82

HSL 193.64, 0.15%, 0.28%

LAB 31.53, -5.32, -5.15

 

CMYK 89 / 0 / 28 / 50

HEX #0E805C

RGB 14 128 92

HSL 161.05, 0.8%, 0.28%

LAB 47.37, -38.44, 11.4

 

CMYK 89 / 0 / 5 / 50

HEX #0E807A

RGB 14 128 122

HSL 176.84, 0.8%, 0.28%

LAB 48.18, -29.96, -5.04

 

CMYK 89 / 20 / 0 / 50

HEX #0E6780

RGB 14 103 128

HSL 193.16, 0.8%, 0.28%

LAB 40.17, -14.82, -20.77

 

CMYK 89 / 43 / 0 / 50

HEX #0E4980

RGB 14 73 128

HSL 208.95, 0.8%, 0.28%

LAB 30.44, 3.87, -36.07

 

CMYK 89 / 67 / 0 / 50

HEX #0E2A80

RGB 14 42 128

HSL 225.26, 0.8%, 0.28%

LAB 21.24, 25.65, -50.99

 

CMYK 89 / 20 / 0 / 79

HEX #062B36

RGB 6 43 54

HSL 193.75, 0.8%, 0.12%

LAB 15.66, -8.19, -10.76

 

CMYK 89 / 21 / 0 / 64

HEX #0A485B

RGB 10 72 91

HSL 194.07, 0.8%, 0.2%

LAB 27.99, -11.04, -16.51

 

CMYK 89 / 20 / 0 / 50

HEX #0E6680

RGB 14 102 128

HSL 193.68, 0.8%, 0.28%

LAB 39.84, -14.25, -21.28

 

CMYK 89 / 21 / 0 / 35

HEX #1283A5

RGB 18 131 165

HSL 193.88, 0.8%, 0.36%

LAB 50.78, -16.69, -26.27

 

CMYK 89 / 20 / 0 / 21

HEX #16A1CA

RGB 22 161 202

HSL 193.67, 0.8%, 0.44%

LAB 61.59, -19.57, -30.56

 

CMYK 89 / 20 / 0 / 50

HEX #0E657F

RGB 14 101 127

HSL 193.81, 0.8%, 0.28%

LAB 39.47, -14.05, -21.25

 

CMYK 52 / 89 / 0 / 50

HEX #3D0E80

RGB 61 14 128

HSL 264.74, 0.8%, 0.28%

LAB 19.49, 45.85, -53.73

 

CMYK 0 / 16 / 89 / 50

HEX #806B0E

RGB 128 107 14

HSL 48.95, 0.8%, 0.28%

LAB 45.82, -0.91, 49.09

 

CMYK 89 / 20 / 0 / 50

HEX #0E657F

RGB 14 101 127

HSL 193.81, 0.8%, 0.28%

LAB 39.47, -14.05, -21.25

 

CMYK 0 / 89 / 20 / 50

HEX #800E67

RGB 128 14 103

HSL 313.16, 0.8%, 0.28%

LAB 29.11, 52.89, -21.6

 

CMYK 20 / 0 / 89 / 50

HEX #67800E

RGB 103 128 14

HSL 73.16, 0.8%, 0.28%

LAB 49.92, -23.97, 51.6

 

CMYK 89 / 20 / 0 / 50

HEX #0E657F

RGB 14 101 127

HSL 193.81, 0.8%, 0.28%

LAB 39.47, -14.05, -21.25

 

CMYK 52 / 89 / 0 / 50

HEX #3D0E80

RGB 61 14 128

HSL 264.74, 0.8%, 0.28%

LAB 19.49, 45.85, -53.73

 

CMYK 0 / 70 / 89 / 50

HEX #80270E

RGB 128 39 14

HSL 13.16, 0.8%, 0.28%

LAB 29.59, 37.19, 35.69

 

CMYK 38 / 0 / 89 / 50

HEX #50800E

RGB 80 128 14

HSL 85.26, 0.8%, 0.28%

LAB 48.48, -33.49, 49.81

 

CMYK 89 / 20 / 0 / 50

HEX #0E657F

RGB 14 101 127

HSL 193.81, 0.8%, 0.28%

LAB 39.47, -14.05, -21.25

 

CMYK 25 / 89 / 0 / 50

HEX #600E80

RGB 96 14 128

HSL 283.16, 0.8%, 0.28%

LAB 24.83, 50.88, -44.79

 

CMYK 0 / 70 / 89 / 50

HEX #80270E

RGB 128 39 14

HSL 13.16, 0.8%, 0.28%

LAB 29.59, 37.19, 35.69

 

CMYK 64 / 0 / 89 / 50

HEX #2E800E

RGB 46 128 14

HSL 103.16, 0.8%, 0.28%

LAB 47.04, -44.47, 48

 

Description

Color code: HEX #0E657F | qconv.com Color code: HEX #0E657F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 101 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 101 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 20 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 20% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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