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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E6194 it is the complementary color #F19E6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E6194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E6194 shade: #13618F, #2473A2, #3585B5, #4697C8 and #57A9DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E6194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E6194 shade: #0E6194, #004F81, #003D6E, #002B5B and #001948

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E6194 shade: #0D6195, #0D3D95, #0D1895, #270D95 and #4C0D95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E6194 shade: #0D6195, #0D3D95, #0D1895 and #0D0D95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E6194 shade matches the following richer shades: #0D6195 and #0064A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E6194 shade: #0D6195, #1B5E88, #285B7A, #35586D and #425560

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E6194 shade: #0D957E, #0D8795, #0D6395, #0D3F95 and #0D1B95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E6194 shade: #063049, #0A496F, #0D6195, #117ABB and #1493E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E6194 shade: #0E6194, #5A0D95 and #95900D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E6194 shade: #0E6194, #950D63 and #63950D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E6194 shade: #0E6194, #5A0D95, #953F0D and #48950D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E6194 shade: #0E6194, #830D95, #953F0D and #1F950D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 34 / 0 / 42

HEX #0E6194

RGB 14 97 148

HSL 202.84, 0.83%, 0.32%

LAB 39.21, -3.5, -34.35

 

Complementary color

CMYK 0 / 34 / 56 / 5

HEX #F19E6B

RGB 241 158 107

HSL 22.84, 0.83%, 0.68%

LAB 72.37, 25.8, 39.16

 

CMYK 87 / 32 / 0 / 44

HEX #13618F

RGB 19 97 143

HSL 202.26, 0.77%, 0.32%

LAB 39.02, -5.11, -31.63

 

CMYK 78 / 29 / 0 / 36

HEX #2473A2

RGB 36 115 162

HSL 202.38, 0.64%, 0.39%

LAB 45.97, -7, -31.99

 

CMYK 71 / 27 / 0 / 29

HEX #3585B5

RGB 53 133 181

HSL 202.5, 0.55%, 0.46%

LAB 52.8, -8.4, -32.29

 

CMYK 65 / 25 / 0 / 22

HEX #4697C8

RGB 70 151 200

HSL 202.62, 0.54%, 0.53%

LAB 59.53, -9.46, -32.56

 

CMYK 60 / 23 / 0 / 14

HEX #57A9DB

RGB 87 169 219

HSL 202.73, 0.65%, 0.6%

LAB 66.15, -10.27, -32.8

 

CMYK 91 / 34 / 0 / 42

HEX #0E6194

RGB 14 97 148

HSL 202.84, 0.83%, 0.32%

LAB 39.21, -3.5, -34.35

 

CMYK 100 / 39 / 0 / 49

HEX #004F81

RGB 0 79 129

HSL 203.26, 1%, 0.25%

LAB 32.21, -0.64, -33.88

 

CMYK 100 / 45 / 0 / 57

HEX #003D6E

RGB 0 61 110

HSL 206.73, 1%, 0.22%

LAB 25.15, 3.3, -33.21

 

CMYK 100 / 53 / 0 / 64

HEX #002B5B

RGB 0 43 91

HSL 211.65, 1%, 0.18%

LAB 17.84, 7.67, -32.58

 

CMYK 100 / 65 / 0 / 72

HEX #001948

RGB 0 25 72

HSL 219.17, 1%, 0.14%

LAB 10.28, 12.61, -31.94

 

CMYK 91 / 35 / 0 / 42

HEX #0D6195

RGB 13 97 149

HSL 202.94, 0.84%, 0.32%

LAB 39.25, -3.17, -34.88

 

CMYK 91 / 59 / 0 / 42

HEX #0D3D95

RGB 13 61 149

HSL 218.82, 0.84%, 0.32%

LAB 28.36, 20.93, -52.39

 

CMYK 91 / 84 / 0 / 42

HEX #0D1895

RGB 13 24 149

HSL 235.15, 0.84%, 0.32%

LAB 19.67, 44.4, -66.7

 

CMYK 74 / 91 / 0 / 42

HEX #270D95

RGB 39 13 149

HSL 251.47, 0.84%, 0.32%

LAB 19.59, 50.05, -66.8

 

CMYK 49 / 91 / 0 / 42

HEX #4C0D95

RGB 76 13 149

HSL 267.79, 0.84%, 0.32%

LAB 23.65, 53.11, -59.95

 

CMYK 91 / 35 / 0 / 42

HEX #0D6195

RGB 13 97 149

HSL 202.94, 0.84%, 0.32%

LAB 39.25, -3.17, -34.88

 

CMYK 91 / 59 / 0 / 42

HEX #0D3D95

RGB 13 61 149

HSL 218.82, 0.84%, 0.32%

LAB 28.36, 20.93, -52.39

 

CMYK 91 / 84 / 0 / 42

HEX #0D1895

RGB 13 24 149

HSL 235.15, 0.84%, 0.32%

LAB 19.67, 44.4, -66.7

 

CMYK 91 / 91 / 0 / 42

HEX #0D0D95

RGB 13 13 149

HSL 240, 0.84%, 0.32%

LAB 18.11, 49.07, -69.3

 

CMYK 91 / 35 / 0 / 42

HEX #0D6195

RGB 13 97 149

HSL 202.94, 0.84%, 0.32%

LAB 39.25, -3.17, -34.88

 

CMYK 100 / 38 / 0 / 36

HEX #0064A2

RGB 0 100 162

HSL 202.96, 1%, 0.32%

LAB 40.77, -0.47, -40.24

 

CMYK 91 / 35 / 0 / 42

HEX #0D6195

RGB 13 97 149

HSL 202.94, 0.84%, 0.32%

LAB 39.25, -3.17, -34.88

 

CMYK 80 / 31 / 0 / 47

HEX #1B5E88

RGB 27 94 136

HSL 203.12, 0.67%, 0.32%

LAB 37.87, -5.17, -29.19

 

CMYK 67 / 25 / 0 / 52

HEX #285B7A

RGB 40 91 122

HSL 202.68, 0.51%, 0.32%

LAB 36.63, -6.55, -22.55

 

CMYK 51 / 19 / 0 / 57

HEX #35586D

RGB 53 88 109

HSL 202.5, 0.35%, 0.32%

LAB 35.68, -6.22, -15.93

 

CMYK 31 / 11 / 0 / 62

HEX #425560

RGB 66 85 96

HSL 202, 0.19%, 0.32%

LAB 35, -4.37, -8.76

 

CMYK 91 / 0 / 15 / 42

HEX #0D957E

RGB 13 149 126

HSL 169.85, 0.84%, 0.32%

LAB 55.16, -38.47, 2.86

 

CMYK 91 / 9 / 0 / 42

HEX #0D8795

RGB 13 135 149

HSL 186.18, 0.84%, 0.32%

LAB 51.36, -24.71, -16.08

 

CMYK 91 / 34 / 0 / 42

HEX #0D6395

RGB 13 99 149

HSL 202.06, 0.84%, 0.32%

LAB 39.88, -4.41, -33.89

 

CMYK 91 / 58 / 0 / 42

HEX #0D3F95

RGB 13 63 149

HSL 217.94, 0.84%, 0.32%

LAB 28.93, 19.54, -51.46

 

CMYK 91 / 82 / 0 / 42

HEX #0D1B95

RGB 13 27 149

HSL 233.82, 0.84%, 0.32%

LAB 20.2, 42.86, -65.83

 

CMYK 92 / 34 / 0 / 71

HEX #063049

RGB 6 48 73

HSL 202.39, 0.85%, 0.15%

LAB 18.51, -3.42, -19.41

 

CMYK 91 / 34 / 0 / 56

HEX #0A496F

RGB 10 73 111

HSL 202.57, 0.83%, 0.24%

LAB 29.36, -3.55, -27.14

 

CMYK 91 / 35 / 0 / 42

HEX #0D6195

RGB 13 97 149

HSL 202.94, 0.84%, 0.32%

LAB 39.25, -3.17, -34.88

 

CMYK 91 / 35 / 0 / 27

HEX #117ABB

RGB 17 122 187

HSL 202.94, 0.83%, 0.4%

LAB 49.04, -3.35, -41.71

 

CMYK 91 / 34 / 0 / 12

HEX #1493E0

RGB 20 147 224

HSL 202.65, 0.84%, 0.48%

LAB 58.41, -3.94, -47.81

 

CMYK 91 / 34 / 0 / 42

HEX #0E6194

RGB 14 97 148

HSL 202.84, 0.83%, 0.32%

LAB 39.21, -3.5, -34.35

 

CMYK 40 / 91 / 0 / 42

HEX #5A0D95

RGB 90 13 149

HSL 273.97, 0.84%, 0.32%

LAB 25.66, 54.78, -56.58

 

CMYK 0 / 3 / 91 / 42

HEX #95900D

RGB 149 144 13

HSL 57.79, 0.84%, 0.32%

LAB 58.38, -11.58, 60.21

 

CMYK 91 / 34 / 0 / 42

HEX #0E6194

RGB 14 97 148

HSL 202.84, 0.83%, 0.32%

LAB 39.21, -3.5, -34.35

 

CMYK 0 / 91 / 34 / 42

HEX #950D63

RGB 149 13 99

HSL 322.06, 0.84%, 0.32%

LAB 33.09, 57.35, -12.54

 

CMYK 34 / 0 / 91 / 42

HEX #63950D

RGB 99 149 13

HSL 82.06, 0.84%, 0.32%

LAB 56.26, -35.6, 56.99

 

CMYK 91 / 34 / 0 / 42

HEX #0E6194

RGB 14 97 148

HSL 202.84, 0.83%, 0.32%

LAB 39.21, -3.5, -34.35

 

CMYK 40 / 91 / 0 / 42

HEX #5A0D95

RGB 90 13 149

HSL 273.97, 0.84%, 0.32%

LAB 25.66, 54.78, -56.58

 

CMYK 0 / 58 / 91 / 42

HEX #953F0D

RGB 149 63 13

HSL 22.06, 0.84%, 0.32%

LAB 37.8, 33.71, 44.23

 

CMYK 52 / 0 / 91 / 42

HEX #48950D

RGB 72 149 13

HSL 93.97, 0.84%, 0.32%

LAB 54.97, -45.08, 55.38

 

CMYK 91 / 34 / 0 / 42

HEX #0E6194

RGB 14 97 148

HSL 202.84, 0.83%, 0.32%

LAB 39.21, -3.5, -34.35

 

CMYK 12 / 91 / 0 / 42

HEX #830D95

RGB 131 13 149

HSL 292.06, 0.84%, 0.32%

LAB 32.44, 60.97, -45.24

 

CMYK 0 / 58 / 91 / 42

HEX #953F0D

RGB 149 63 13

HSL 22.06, 0.84%, 0.32%

LAB 37.8, 33.71, 44.23

 

CMYK 79 / 0 / 91 / 42

HEX #1F950D

RGB 31 149 13

HSL 112.06, 0.84%, 0.32%

LAB 53.83, -54.52, 53.96

 

Description

Color code: HEX #0E6194 | qconv.com Color code: HEX #0E6194 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 97 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 97 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 34 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 34% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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