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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E6C64 it is the complementary color #F1939B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E6C64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E6C64 shade: #136C5F, #247E72, #359085, #46A298 and #57B4AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E6C64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E6C64 shade: #0E6C64, #005A51, #00483E, #00362B and #002418

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E6C64 shade: #0E6C64, #0E6C4A, #0E6C31, #0E6C18 and #1D6C0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E6C64 shade: #0E6C64, #0E5A6C, #0E416C, #0E286C and #0E0E6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E6C64 shade matches the following richer shades: #0E6C64 and #04766C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E6C64 shade: #0E6C64, #17625C, #215853, #2B4E4B and #354443

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E6C64 shade: #0E6C30, #0E6C49, #0E6C62, #0E5C6C and #0E436C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E6C64 shade: #042320, #094742, #0E6C64, #129086 and #17B5A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E6C64 shade: #0E6C64, #170E6C and #6C3D0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E6C64 shade: #0E6C64, #620E6C and #6C620E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E6C64 shade: #0E6C64, #170E6C, #6C0E17 and #626C0E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E6C64 shade: #0E6C64, #330E6C, #6C0E17 and #466C0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 7 / 58

HEX #0E6C64

RGB 14 108 100

HSL 174.89, 0.77%, 0.24%

LAB 40.8, -27.13, -2.8

 

Complementary color

CMYK 0 / 39 / 36 / 5

HEX #F1939B

RGB 241 147 155

HSL 354.89, 0.77%, 0.76%

LAB 70.83, 36.32, 10.98

 

CMYK 82 / 0 / 12 / 58

HEX #136C5F

RGB 19 108 95

HSL 171.24, 0.7%, 0.25%

LAB 40.72, -28.16, 0.13

 

CMYK 71 / 0 / 10 / 51

HEX #247E72

RGB 36 126 114

HSL 172, 0.56%, 0.32%

LAB 47.64, -28.99, -1.08

 

CMYK 63 / 0 / 8 / 44

HEX #359085

RGB 53 144 133

HSL 172.75, 0.46%, 0.39%

LAB 54.45, -29.45, -2.12

 

CMYK 57 / 0 / 6 / 36

HEX #46A298

RGB 70 162 152

HSL 173.48, 0.4%, 0.45%

LAB 61.14, -29.69, -3.04

 

CMYK 52 / 0 / 5 / 29

HEX #57B4AB

RGB 87 180 171

HSL 174.19, 0.38%, 0.52%

LAB 67.73, -29.8, -3.87

 

CMYK 87 / 0 / 7 / 58

HEX #0E6C64

RGB 14 108 100

HSL 174.89, 0.77%, 0.24%

LAB 40.8, -27.13, -2.8

 

CMYK 100 / 0 / 10 / 65

HEX #005A51

RGB 0 90 81

HSL 174, 1%, 0.18%

LAB 33.79, -25.5, -1.41

 

CMYK 100 / 0 / 14 / 72

HEX #00483E

RGB 0 72 62

HSL 171.67, 1%, 0.14%

LAB 26.68, -22.76, 0.34

 

CMYK 100 / 0 / 20 / 79

HEX #00362B

RGB 0 54 43

HSL 167.78, 1%, 0.11%

LAB 19.28, -19.9, 2.24

 

CMYK 100 / 0 / 33 / 86

HEX #002418

RGB 0 36 24

HSL 160, 1%, 0.07%

LAB 11.47, -16.83, 4.41

 

CMYK 87 / 0 / 7 / 58

HEX #0E6C64

RGB 14 108 100

HSL 174.89, 0.77%, 0.24%

LAB 40.8, -27.13, -2.8

 

CMYK 87 / 0 / 31 / 58

HEX #0E6C4A

RGB 14 108 74

HSL 158.3, 0.77%, 0.24%

LAB 40.1, -34.46, 11.91

 

CMYK 87 / 0 / 55 / 58

HEX #0E6C31

RGB 14 108 49

HSL 142.34, 0.77%, 0.24%

LAB 39.65, -39.7, 25.71

 

CMYK 87 / 0 / 78 / 58

HEX #0E6C18

RGB 14 108 24

HSL 126.38, 0.77%, 0.24%

LAB 39.39, -42.92, 37.43

 

CMYK 73 / 0 / 87 / 58

HEX #1D6C0E

RGB 29 108 14

HSL 110.43, 0.77%, 0.24%

LAB 39.61, -41.19, 41.17

 

CMYK 87 / 0 / 7 / 58

HEX #0E6C64

RGB 14 108 100

HSL 174.89, 0.77%, 0.24%

LAB 40.8, -27.13, -2.8

 

CMYK 87 / 17 / 0 / 58

HEX #0E5A6C

RGB 14 90 108

HSL 191.49, 0.77%, 0.24%

LAB 34.98, -14.81, -16.49

 

CMYK 87 / 40 / 0 / 58

HEX #0E416C

RGB 14 65 108

HSL 207.45, 0.77%, 0.24%

LAB 26.61, 0.87, -29.58

 

CMYK 87 / 63 / 0 / 58

HEX #0E286C

RGB 14 40 108

HSL 223.4, 0.77%, 0.24%

LAB 18.77, 18.76, -42.22

 

CMYK 87 / 87 / 0 / 58

HEX #0E0E6C

RGB 14 14 108

HSL 240, 0.77%, 0.24%

LAB 12.55, 35.76, -52.48

 

CMYK 87 / 0 / 7 / 58

HEX #0E6C64

RGB 14 108 100

HSL 174.89, 0.77%, 0.24%

LAB 40.8, -27.13, -2.8

 

CMYK 97 / 0 / 8 / 54

HEX #04766C

RGB 4 118 108

HSL 174.74, 0.93%, 0.24%

LAB 44.33, -30.16, -2.43

 

CMYK 87 / 0 / 7 / 58

HEX #0E6C64

RGB 14 108 100

HSL 174.89, 0.77%, 0.24%

LAB 40.8, -27.13, -2.8

 

CMYK 77 / 0 / 6 / 62

HEX #17625C

RGB 23 98 92

HSL 175.2, 0.62%, 0.24%

LAB 37.28, -23.6, -3.07

 

CMYK 63 / 0 / 6 / 65

HEX #215853

RGB 33 88 83

HSL 174.55, 0.45%, 0.24%

LAB 33.83, -19.33, -2.52

 

CMYK 45 / 0 / 4 / 69

HEX #2B4E4B

RGB 43 78 75

HSL 174.86, 0.29%, 0.24%

LAB 30.57, -13.5, -2.21

 

CMYK 22 / 0 / 1 / 73

HEX #354443

RGB 53 68 67

HSL 176, 0.12%, 0.24%

LAB 27.56, -6.24, -1.39

 

CMYK 87 / 0 / 56 / 58

HEX #0E6C30

RGB 14 108 48

HSL 141.7, 0.77%, 0.24%

LAB 39.63, -39.87, 26.24

 

CMYK 87 / 0 / 32 / 58

HEX #0E6C49

RGB 14 108 73

HSL 157.66, 0.77%, 0.24%

LAB 40.08, -34.71, 12.48

 

CMYK 87 / 0 / 9 / 58

HEX #0E6C62

RGB 14 108 98

HSL 173.62, 0.77%, 0.24%

LAB 40.74, -27.75, -1.67

 

CMYK 87 / 15 / 0 / 58

HEX #0E5C6C

RGB 14 92 108

HSL 190.21, 0.77%, 0.24%

LAB 35.66, -15.95, -15.45

 

CMYK 87 / 38 / 0 / 58

HEX #0E436C

RGB 14 67 108

HSL 206.17, 0.77%, 0.24%

LAB 27.27, -0.48, -28.53

 

CMYK 89 / 0 / 9 / 86

HEX #042320

RGB 4 35 32

HSL 174.19, 0.79%, 0.08%

LAB 11.5, -12.29, -1.33

 

CMYK 87 / 0 / 7 / 72

HEX #094742

RGB 9 71 66

HSL 175.16, 0.78%, 0.16%

LAB 26.61, -19.76, -2.36

 

CMYK 87 / 0 / 7 / 58

HEX #0E6C64

RGB 14 108 100

HSL 174.89, 0.77%, 0.24%

LAB 40.8, -27.13, -2.8

 

CMYK 88 / 0 / 7 / 44

HEX #129086

RGB 18 144 134

HSL 175.24, 0.78%, 0.32%

LAB 53.81, -33.58, -3.71

 

CMYK 87 / 0 / 8 / 29

HEX #17B5A7

RGB 23 181 167

HSL 174.68, 0.77%, 0.4%

LAB 66.54, -40.38, -3.58

 

CMYK 87 / 0 / 7 / 58

HEX #0E6C64

RGB 14 108 100

HSL 174.89, 0.77%, 0.24%

LAB 40.8, -27.13, -2.8

 

CMYK 79 / 87 / 0 / 58

HEX #170E6C

RGB 23 14 108

HSL 245.74, 0.77%, 0.24%

LAB 13.1, 36.3, -51.54

 

CMYK 0 / 44 / 87 / 58

HEX #6C3D0E

RGB 108 61 14

HSL 30, 0.77%, 0.24%

LAB 30.78, 16.88, 35.38

 

CMYK 87 / 0 / 7 / 58

HEX #0E6C64

RGB 14 108 100

HSL 174.89, 0.77%, 0.24%

LAB 40.8, -27.13, -2.8

 

CMYK 9 / 87 / 0 / 58

HEX #620E6C

RGB 98 14 108

HSL 293.62, 0.77%, 0.24%

LAB 23.65, 47.31, -33.87

 

CMYK 0 / 9 / 87 / 58

HEX #6C620E

RGB 108 98 14

HSL 53.62, 0.77%, 0.24%

LAB 41.14, -5.41, 44.36

 

CMYK 87 / 0 / 7 / 58

HEX #0E6C64

RGB 14 108 100

HSL 174.89, 0.77%, 0.24%

LAB 40.8, -27.13, -2.8

 

CMYK 79 / 87 / 0 / 58

HEX #170E6C

RGB 23 14 108

HSL 245.74, 0.77%, 0.24%

LAB 13.1, 36.3, -51.54

 

CMYK 0 / 87 / 79 / 58

HEX #6C0E17

RGB 108 14 23

HSL 354.26, 0.77%, 0.24%

LAB 22.17, 39.88, 21.86

 

CMYK 9 / 0 / 87 / 58

HEX #626C0E

RGB 98 108 14

HSL 66.38, 0.77%, 0.24%

LAB 43.29, -15.81, 45.83

 

CMYK 87 / 0 / 7 / 58

HEX #0E6C64

RGB 14 108 100

HSL 174.89, 0.77%, 0.24%

LAB 40.8, -27.13, -2.8

 

CMYK 53 / 87 / 0 / 58

HEX #330E6C

RGB 51 14 108

HSL 263.62, 0.77%, 0.24%

LAB 16.01, 39.22, -46.64

 

CMYK 0 / 87 / 79 / 58

HEX #6C0E17

RGB 108 14 23

HSL 354.26, 0.77%, 0.24%

LAB 22.17, 39.88, 21.86

 

CMYK 35 / 0 / 87 / 58

HEX #466C0E

RGB 70 108 14

HSL 84.26, 0.77%, 0.24%

LAB 41.31, -28.2, 43.34

 

Description

Color code: HEX #0E6C64 | qconv.com Color code: HEX #0E6C64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 108 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 108 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 7 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 7% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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