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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E6D75 it is the complementary color #F1928A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E6D75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E6D75 shade: #136D70, #247F83, #359196, #46A3A9 and #57B5BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E6D75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E6D75 shade: #0E6D75, #005B62, #00494F, #00373C and #002529

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E6D75 shade: #0D6E76, #0D5276, #0D3676, #0D1976 and #1E0D76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E6D75 shade: #0D6E76, #0D5276, #0D3676, #0D1976 and #0D0D76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E6D75 shade matches the following richer shades: #0D6E76 and #037781

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E6D75 shade: #0D6E76, #18656B, #235C61, #2E5356 and #384A4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E6D75 shade: #0D7645, #0D7661, #0D6F76, #0D5376 and #0D3776

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E6D75 shade: #05292C, #094C51, #0D6E76, #12909B and #16B3C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E6D75 shade: #0E6D75, #290D76 and #76530D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E6D75 shade: #0E6D75, #760D6F and #6F760D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E6D75 shade: #0E6D75, #290D76, #76140D and #5A760D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E6D75 shade: #0E6D75, #490D76, #76140D and #3B760D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 7 / 0 / 54

HEX #0E6D75

RGB 14 109 117

HSL 184.66, 0.79%, 0.26%

LAB 41.71, -22.05, -11.75

 

Complementary color

CMYK 0 / 39 / 43 / 5

HEX #F1928A

RGB 241 146 138

HSL 4.66, 0.79%, 0.74%

LAB 70.24, 34.95, 19.6

 

CMYK 83 / 3 / 0 / 56

HEX #136D70

RGB 19 109 112

HSL 181.94, 0.71%, 0.26%

LAB 41.6, -23.29, -8.87

 

CMYK 73 / 3 / 0 / 49

HEX #247F83

RGB 36 127 131

HSL 182.53, 0.57%, 0.33%

LAB 48.5, -24.34, -9.83

 

CMYK 65 / 3 / 0 / 41

HEX #359196

RGB 53 145 150

HSL 183.09, 0.48%, 0.4%

LAB 55.29, -25.02, -10.66

 

CMYK 59 / 4 / 0 / 34

HEX #46A3A9

RGB 70 163 169

HSL 183.64, 0.41%, 0.47%

LAB 61.96, -25.45, -11.39

 

CMYK 54 / 4 / 0 / 26

HEX #57B5BC

RGB 87 181 188

HSL 184.16, 0.43%, 0.54%

LAB 68.54, -25.73, -12.06

 

CMYK 88 / 7 / 0 / 54

HEX #0E6D75

RGB 14 109 117

HSL 184.66, 0.79%, 0.26%

LAB 41.71, -22.05, -11.75

 

CMYK 100 / 7 / 0 / 62

HEX #005B62

RGB 0 91 98

HSL 184.29, 1%, 0.19%

LAB 34.73, -20.18, -10.65

 

CMYK 100 / 8 / 0 / 69

HEX #00494F

RGB 0 73 79

HSL 184.56, 1%, 0.15%

LAB 27.65, -17.29, -9.28

 

CMYK 100 / 8 / 0 / 76

HEX #00373C

RGB 0 55 60

HSL 185, 1%, 0.12%

LAB 20.28, -14.27, -7.86

 

CMYK 100 / 10 / 0 / 84

HEX #002529

RGB 0 37 41

HSL 185.85, 1%, 0.08%

LAB 12.5, -11.08, -6.37

 

CMYK 89 / 7 / 0 / 54

HEX #0D6E76

RGB 13 110 118

HSL 184.57, 0.8%, 0.26%

LAB 42.07, -22.31, -11.81

 

CMYK 89 / 31 / 0 / 54

HEX #0D5276

RGB 13 82 118

HSL 200.57, 0.8%, 0.26%

LAB 32.76, -6.2, -26.16

 

CMYK 89 / 54 / 0 / 54

HEX #0D3676

RGB 13 54 118

HSL 216.57, 0.8%, 0.26%

LAB 23.78, 12.79, -40.5

 

CMYK 89 / 79 / 0 / 54

HEX #0D1976

RGB 13 25 118

HSL 233.14, 0.8%, 0.26%

LAB 15.95, 33.02, -53.33

 

CMYK 75 / 89 / 0 / 54

HEX #1E0D76

RGB 30 13 118

HSL 249.71, 0.8%, 0.26%

LAB 14.8, 40.42, -55.21

 

CMYK 89 / 7 / 0 / 54

HEX #0D6E76

RGB 13 110 118

HSL 184.57, 0.8%, 0.26%

LAB 42.07, -22.31, -11.81

 

CMYK 89 / 31 / 0 / 54

HEX #0D5276

RGB 13 82 118

HSL 200.57, 0.8%, 0.26%

LAB 32.76, -6.2, -26.16

 

CMYK 89 / 54 / 0 / 54

HEX #0D3676

RGB 13 54 118

HSL 216.57, 0.8%, 0.26%

LAB 23.78, 12.79, -40.5

 

CMYK 89 / 79 / 0 / 54

HEX #0D1976

RGB 13 25 118

HSL 233.14, 0.8%, 0.26%

LAB 15.95, 33.02, -53.33

 

CMYK 89 / 89 / 0 / 54

HEX #0D0D76

RGB 13 13 118

HSL 240, 0.8%, 0.26%

LAB 13.72, 39.51, -57.04

 

CMYK 89 / 7 / 0 / 54

HEX #0D6E76

RGB 13 110 118

HSL 184.57, 0.8%, 0.26%

LAB 42.07, -22.31, -11.81

 

CMYK 98 / 8 / 0 / 49

HEX #037781

RGB 3 119 129

HSL 184.76, 0.95%, 0.26%

LAB 45.36, -23.82, -13.44

 

CMYK 89 / 7 / 0 / 54

HEX #0D6E76

RGB 13 110 118

HSL 184.57, 0.8%, 0.26%

LAB 42.07, -22.31, -11.81

 

CMYK 78 / 6 / 0 / 58

HEX #18656B

RGB 24 101 107

HSL 184.34, 0.63%, 0.26%

LAB 38.83, -20.16, -9.98

 

CMYK 64 / 5 / 0 / 62

HEX #235C61

RGB 35 92 97

HSL 184.84, 0.47%, 0.26%

LAB 35.74, -16.71, -8.43

 

CMYK 47 / 3 / 0 / 66

HEX #2E5356

RGB 46 83 86

HSL 184.5, 0.3%, 0.26%

LAB 32.79, -12.32, -5.91

 

CMYK 25 / 1 / 0 / 71

HEX #384A4B

RGB 56 74 75

HSL 183.16, 0.15%, 0.26%

LAB 30.03, -6.77, -2.92

 

CMYK 89 / 0 / 42 / 54

HEX #0D7645

RGB 13 118 69

HSL 152, 0.8%, 0.26%

LAB 43.47, -39.8, 19.38

 

CMYK 89 / 0 / 18 / 54

HEX #0D7661

RGB 13 118 97

HSL 168, 0.8%, 0.26%

LAB 44.1, -32.83, 3.81

 

CMYK 89 / 6 / 0 / 54

HEX #0D6F76

RGB 13 111 118

HSL 184, 0.8%, 0.26%

LAB 42.4, -22.83, -11.31

 

CMYK 89 / 30 / 0 / 54

HEX #0D5376

RGB 13 83 118

HSL 200, 0.8%, 0.26%

LAB 33.09, -6.83, -25.65

 

CMYK 89 / 53 / 0 / 54

HEX #0D3776

RGB 13 55 118

HSL 216, 0.8%, 0.26%

LAB 24.08, 12.07, -40.01

 

CMYK 89 / 7 / 0 / 83

HEX #05292C

RGB 5 41 44

HSL 184.62, 0.8%, 0.1%

LAB 14.4, -11.15, -5.63

 

CMYK 89 / 6 / 0 / 68

HEX #094C51

RGB 9 76 81

HSL 184.17, 0.8%, 0.18%

LAB 28.96, -17.26, -8.59

 

CMYK 89 / 7 / 0 / 54

HEX #0D6E76

RGB 13 110 118

HSL 184.57, 0.8%, 0.26%

LAB 42.07, -22.31, -11.81

 

CMYK 88 / 7 / 0 / 39

HEX #12909B

RGB 18 144 155

HSL 184.82, 0.79%, 0.34%

LAB 54.49, -26.97, -14.8

 

CMYK 89 / 7 / 0 / 25

HEX #16B3C0

RGB 22 179 192

HSL 184.59, 0.79%, 0.42%

LAB 66.69, -31.97, -17.19

 

CMYK 88 / 7 / 0 / 54

HEX #0E6D75

RGB 14 109 117

HSL 184.66, 0.79%, 0.26%

LAB 41.71, -22.05, -11.75

 

CMYK 65 / 89 / 0 / 54

HEX #290D76

RGB 41 13 118

HSL 256, 0.8%, 0.26%

LAB 15.84, 41.33, -53.46

 

CMYK 0 / 30 / 89 / 54

HEX #76530D

RGB 118 83 13

HSL 40, 0.8%, 0.26%

LAB 37.96, 8.36, 42.44

 

CMYK 88 / 7 / 0 / 54

HEX #0E6D75

RGB 14 109 117

HSL 184.66, 0.79%, 0.26%

LAB 41.71, -22.05, -11.75

 

CMYK 0 / 89 / 6 / 54

HEX #760D6F

RGB 118 13 111

HSL 304, 0.8%, 0.26%

LAB 27.54, 52.13, -29.38

 

CMYK 6 / 0 / 89 / 54

HEX #6F760D

RGB 111 118 13

HSL 64, 0.8%, 0.26%

LAB 47.45, -15.18, 50.02

 

CMYK 88 / 7 / 0 / 54

HEX #0E6D75

RGB 14 109 117

HSL 184.66, 0.79%, 0.26%

LAB 41.71, -22.05, -11.75

 

CMYK 65 / 89 / 0 / 54

HEX #290D76

RGB 41 13 118

HSL 256, 0.8%, 0.26%

LAB 15.84, 41.33, -53.46

 

CMYK 0 / 83 / 89 / 54

HEX #76140D

RGB 118 20 13

HSL 4, 0.8%, 0.26%

LAB 24.89, 40.96, 31.25

 

CMYK 24 / 0 / 89 / 54

HEX #5A760D

RGB 90 118 13

HSL 76, 0.8%, 0.26%

LAB 45.85, -24.67, 48.04

 

CMYK 88 / 7 / 0 / 54

HEX #0E6D75

RGB 14 109 117

HSL 184.66, 0.79%, 0.26%

LAB 41.71, -22.05, -11.75

 

CMYK 38 / 89 / 0 / 54

HEX #490D76

RGB 73 13 118

HSL 274.29, 0.8%, 0.26%

LAB 20.09, 45.28, -46.3

 

CMYK 0 / 83 / 89 / 54

HEX #76140D

RGB 118 20 13

HSL 4, 0.8%, 0.26%

LAB 24.89, 40.96, 31.25

 

CMYK 50 / 0 / 89 / 54

HEX #3B760D

RGB 59 118 13

HSL 93.71, 0.8%, 0.26%

LAB 44.11, -36.79, 45.85

 

Description

Color code: HEX #0E6D75 | qconv.com Color code: HEX #0E6D75 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 109 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 109 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 7 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 7% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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