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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E7570 it is the complementary color #F18A8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E7570. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E7570 shade: #13756B, #24877E, #359991, #46ABA4 and #57BDB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E7570. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E7570 shade: #0E7570, #00635D, #00514A, #003F37 and #002D24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E7570 shade: #0D7671, #0D7655, #0D7639, #0D761C and #1B760D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E7570 shade: #0D7671, #0D5F76, #0D4376, #0D2776 and #0D0D76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E7570 shade matches the following richer shades: #0D7671 and #03817B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E7570 shade: #0D7671, #186B67, #23615E, #2E5654 and #384B4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E7570 shade: #0D7639, #0D7655, #0D7671, #0D5F76 and #0D4476

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E7570 shade: #052C2A, #09514E, #0D7671, #129B94 and #16C0B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E7570 shade: #0E7570, #1D0D76 and #76470D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E7570 shade: #0E7570, #710D76 and #76710D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E7570 shade: #0E7570, #1D0D76, #760D13 and #66760D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E7570 shade: #0E7570, #3D0D76, #760D13 and #47760D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 4 / 54

HEX #0E7570

RGB 14 117 112

HSL 177.09, 0.79%, 0.26%

LAB 44.21, -27.76, -4.99

 

Complementary color

CMYK 0 / 43 / 41 / 5

HEX #F18A8F

RGB 241 138 143

HSL 357.09, 0.79%, 0.74%

LAB 68.65, 39.62, 14.61

 

CMYK 84 / 0 / 9 / 54

HEX #13756B

RGB 19 117 107

HSL 173.88, 0.72%, 0.27%

LAB 44.12, -28.88, -2.12

 

CMYK 73 / 0 / 7 / 47

HEX #24877E

RGB 36 135 126

HSL 174.55, 0.58%, 0.34%

LAB 50.93, -29.85, -3.28

 

CMYK 65 / 0 / 5 / 40

HEX #359991

RGB 53 153 145

HSL 175.2, 0.49%, 0.4%

LAB 57.64, -30.44, -4.29

 

CMYK 59 / 0 / 4 / 33

HEX #46ABA4

RGB 70 171 164

HSL 175.84, 0.42%, 0.47%

LAB 64.25, -30.8, -5.19

 

CMYK 54 / 0 / 3 / 26

HEX #57BDB7

RGB 87 189 183

HSL 176.47, 0.44%, 0.54%

LAB 70.76, -31, -6

 

CMYK 88 / 0 / 4 / 54

HEX #0E7570

RGB 14 117 112

HSL 177.09, 0.79%, 0.26%

LAB 44.21, -27.76, -4.99

 

CMYK 100 / 0 / 6 / 61

HEX #00635D

RGB 0 99 93

HSL 176.36, 1%, 0.19%

LAB 37.32, -26.03, -3.66

 

CMYK 100 / 0 / 9 / 68

HEX #00514A

RGB 0 81 74

HSL 174.81, 1%, 0.16%

LAB 30.35, -23.32, -2.03

 

CMYK 100 / 0 / 13 / 75

HEX #003F37

RGB 0 63 55

HSL 172.38, 1%, 0.12%

LAB 23.1, -20.51, -0.28

 

CMYK 100 / 0 / 20 / 82

HEX #002D24

RGB 0 45 36

HSL 168, 1%, 0.09%

LAB 15.51, -17.58, 1.65

 

CMYK 89 / 0 / 4 / 54

HEX #0D7671

RGB 13 118 113

HSL 177.14, 0.8%, 0.26%

LAB 44.57, -28.01, -5.06

 

CMYK 89 / 0 / 28 / 54

HEX #0D7655

RGB 13 118 85

HSL 161.14, 0.8%, 0.26%

LAB 43.8, -36.06, 10.51

 

CMYK 89 / 0 / 52 / 54

HEX #0D7639

RGB 13 118 57

HSL 145.14, 0.8%, 0.26%

LAB 43.27, -42.13, 25.84

 

CMYK 89 / 0 / 76 / 54

HEX #0D761C

RGB 13 118 28

HSL 128.57, 0.8%, 0.26%

LAB 42.95, -45.99, 39.47

 

CMYK 77 / 0 / 89 / 54

HEX #1B760D

RGB 27 118 13

HSL 112, 0.8%, 0.26%

LAB 43.09, -45.09, 44.56

 

CMYK 89 / 0 / 4 / 54

HEX #0D7671

RGB 13 118 113

HSL 177.14, 0.8%, 0.26%

LAB 44.57, -28.01, -5.06

 

CMYK 89 / 19 / 0 / 54

HEX #0D5F76

RGB 13 95 118

HSL 193.14, 0.8%, 0.26%

LAB 37.07, -14.04, -19.45

 

CMYK 89 / 43 / 0 / 54

HEX #0D4376

RGB 13 67 118

HSL 209.14, 0.8%, 0.26%

LAB 27.87, 3.65, -33.92

 

CMYK 89 / 67 / 0 / 54

HEX #0D2776

RGB 13 39 118

HSL 225.14, 0.8%, 0.26%

LAB 19.41, 23.6, -47.62

 

CMYK 89 / 89 / 0 / 54

HEX #0D0D76

RGB 13 13 118

HSL 240, 0.8%, 0.26%

LAB 13.72, 39.51, -57.04

 

CMYK 89 / 0 / 4 / 54

HEX #0D7671

RGB 13 118 113

HSL 177.14, 0.8%, 0.26%

LAB 44.57, -28.01, -5.06

 

CMYK 98 / 0 / 5 / 49

HEX #03817B

RGB 3 129 123

HSL 177.14, 0.95%, 0.26%

LAB 48.45, -30.76, -5.25

 

CMYK 89 / 0 / 4 / 54

HEX #0D7671

RGB 13 118 113

HSL 177.14, 0.8%, 0.26%

LAB 44.57, -28.01, -5.06

 

CMYK 78 / 0 / 4 / 58

HEX #186B67

RGB 24 107 103

HSL 177.11, 0.63%, 0.26%

LAB 40.72, -24.6, -4.72

 

CMYK 64 / 0 / 3 / 62

HEX #23615E

RGB 35 97 94

HSL 177.1, 0.47%, 0.26%

LAB 37.33, -20.39, -4.2

 

CMYK 47 / 0 / 2 / 66

HEX #2E5654

RGB 46 86 84

HSL 177, 0.3%, 0.26%

LAB 33.72, -14.64, -3.25

 

CMYK 25 / 0 / 1 / 71

HEX #384B4A

RGB 56 75 74

HSL 176.84, 0.15%, 0.26%

LAB 30.32, -7.65, -1.84

 

CMYK 89 / 0 / 52 / 54

HEX #0D7639

RGB 13 118 57

HSL 145.14, 0.8%, 0.26%

LAB 43.27, -42.13, 25.84

 

CMYK 89 / 0 / 28 / 54

HEX #0D7655

RGB 13 118 85

HSL 161.14, 0.8%, 0.26%

LAB 43.8, -36.06, 10.51

 

CMYK 89 / 0 / 4 / 54

HEX #0D7671

RGB 13 118 113

HSL 177.14, 0.8%, 0.26%

LAB 44.57, -28.01, -5.06

 

CMYK 89 / 19 / 0 / 54

HEX #0D5F76

RGB 13 95 118

HSL 193.14, 0.8%, 0.26%

LAB 37.07, -14.04, -19.45

 

CMYK 89 / 42 / 0 / 54

HEX #0D4476

RGB 13 68 118

HSL 208.57, 0.8%, 0.26%

LAB 28.19, 2.96, -33.41

 

CMYK 89 / 0 / 5 / 83

HEX #052C2A

RGB 5 44 42

HSL 176.92, 0.8%, 0.1%

LAB 15.49, -13.73, -2.58

 

CMYK 89 / 0 / 4 / 68

HEX #09514E

RGB 9 81 78

HSL 177.5, 0.8%, 0.18%

LAB 30.62, -21.02, -4.17

 

CMYK 89 / 0 / 4 / 54

HEX #0D7671

RGB 13 118 113

HSL 177.14, 0.8%, 0.26%

LAB 44.57, -28.01, -5.06

 

CMYK 88 / 0 / 5 / 39

HEX #129B94

RGB 18 155 148

HSL 176.93, 0.79%, 0.34%

LAB 57.76, -34.48, -5.89

 

CMYK 89 / 0 / 4 / 25

HEX #16C0B8

RGB 22 192 184

HSL 177.18, 0.79%, 0.42%

LAB 70.41, -40.42, -7.21

 

CMYK 88 / 0 / 4 / 54

HEX #0E7570

RGB 14 117 112

HSL 177.09, 0.79%, 0.26%

LAB 44.21, -27.76, -4.99

 

CMYK 75 / 89 / 0 / 54

HEX #1D0D76

RGB 29 13 118

HSL 249.14, 0.8%, 0.26%

LAB 14.72, 40.35, -55.34

 

CMYK 0 / 40 / 89 / 54

HEX #76470D

RGB 118 71 13

HSL 33.14, 0.8%, 0.26%

LAB 34.78, 15.57, 39.78

 

CMYK 88 / 0 / 4 / 54

HEX #0E7570

RGB 14 117 112

HSL 177.09, 0.79%, 0.26%

LAB 44.21, -27.76, -4.99

 

CMYK 4 / 89 / 0 / 54

HEX #710D76

RGB 113 13 118

HSL 297.14, 0.8%, 0.26%

LAB 27.04, 52.29, -34.72

 

CMYK 0 / 4 / 89 / 54

HEX #76710D

RGB 118 113 13

HSL 57.14, 0.8%, 0.26%

LAB 46.57, -9.13, 49.55

 

CMYK 88 / 0 / 4 / 54

HEX #0E7570

RGB 14 117 112

HSL 177.09, 0.79%, 0.26%

LAB 44.21, -27.76, -4.99

 

CMYK 75 / 89 / 0 / 54

HEX #1D0D76

RGB 29 13 118

HSL 249.14, 0.8%, 0.26%

LAB 14.72, 40.35, -55.34

 

CMYK 0 / 89 / 84 / 54

HEX #760D13

RGB 118 13 19

HSL 356.57, 0.8%, 0.26%

LAB 24.28, 43.04, 27.33

 

CMYK 14 / 0 / 89 / 54

HEX #66760D

RGB 102 118 13

HSL 69.14, 0.8%, 0.26%

LAB 46.73, -19.32, 49.12

 

CMYK 88 / 0 / 4 / 54

HEX #0E7570

RGB 14 117 112

HSL 177.09, 0.79%, 0.26%

LAB 44.21, -27.76, -4.99

 

CMYK 48 / 89 / 0 / 54

HEX #3D0D76

RGB 61 13 118

HSL 267.43, 0.8%, 0.26%

LAB 18.31, 43.59, -49.29

 

CMYK 0 / 89 / 84 / 54

HEX #760D13

RGB 118 13 19

HSL 356.57, 0.8%, 0.26%

LAB 24.28, 43.04, 27.33

 

CMYK 40 / 0 / 89 / 54

HEX #47760D

RGB 71 118 13

HSL 86.86, 0.8%, 0.26%

LAB 44.7, -32.47, 46.59

 

Description

Color code: HEX #0E7570 | qconv.com Color code: HEX #0E7570 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 117 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 117 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 4 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 4% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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