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Color name
HEX #0E787A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E787A it is the complementary color #F18785. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E787A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E787A shade: #137875, #248A88, #359C9B, #46AEAE and #57C0C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E787A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E787A shade: #0E787A, #006667, #005454, #004241 and #00302E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E787A shade: #0E797B, #0E5B7B, #0E3E7B, #0E217B and #190E7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E787A shade: #0E797B, #0E5B7B, #0E3E7B, #0E217B and #0E0E7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E787A shade matches the following richer shades: #0E797B and #038386

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E787A shade: #0E797B, #196E70, #246364, #2F5959 and #3B4E4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E787A shade: #0E7B43, #0E7B60, #0E797B, #0E5C7B and #0E3F7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E787A shade: #053031, #0A5456, #0E797B, #129DA0 and #17C1C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E787A shade: #0E787A, #260E7B and #7B510E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E787A shade: #0E787A, #7B0E79 and #797B0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E787A shade: #0E787A, #260E7B, #7B100E and #637B0E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E787A shade: #0E787A, #460E7B, #7B100E and #437B0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 2 / 0 / 52

HEX #0E787A

RGB 14 120 122

HSL 181.11, 0.79%, 0.27%

LAB 45.54, -26.03, -8.98

 

Complementary color

CMYK 0 / 44 / 45 / 5

HEX #F18785

RGB 241 135 133

HSL 1.11, 0.79%, 0.73%

LAB 67.82, 40.12, 19.05

 

CMYK 84 / 0 / 3 / 53

HEX #137875

RGB 19 120 117

HSL 178.22, 0.73%, 0.27%

LAB 45.44, -27.24, -6.15

 

CMYK 74 / 0 / 1 / 46

HEX #248A88

RGB 36 138 136

HSL 178.82, 0.59%, 0.34%

LAB 52.21, -28.32, -7.22

 

CMYK 66 / 0 / 1 / 39

HEX #359C9B

RGB 53 156 155

HSL 179.42, 0.49%, 0.41%

LAB 58.88, -29.02, -8.14

 

CMYK 60 / 0 / 0 / 32

HEX #46AEAE

RGB 70 174 174

HSL 180, 0.43%, 0.48%

LAB 65.46, -29.48, -8.96

 

CMYK 55 / 1 / 0 / 24

HEX #57C0C1

RGB 87 192 193

HSL 180.57, 0.46%, 0.55%

LAB 71.94, -29.77, -9.71

 

CMYK 89 / 2 / 0 / 52

HEX #0E787A

RGB 14 120 122

HSL 181.11, 0.79%, 0.27%

LAB 45.54, -26.03, -8.98

 

CMYK 100 / 1 / 0 / 60

HEX #006667

RGB 0 102 103

HSL 180.58, 1%, 0.2%

LAB 38.69, -24.19, -7.78

 

CMYK 100 / 0 / 0 / 67

HEX #005454

RGB 0 84 84

HSL 180, 1%, 0.16%

LAB 31.76, -21.44, -6.3

 

CMYK 100 / 0 / 2 / 74

HEX #004241

RGB 0 66 65

HSL 179.09, 1%, 0.13%

LAB 24.57, -18.59, -4.75

 

CMYK 100 / 0 / 4 / 81

HEX #00302E

RGB 0 48 46

HSL 177.5, 1%, 0.09%

LAB 17.04, -15.63, -3.09

 

CMYK 89 / 2 / 0 / 52

HEX #0E797B

RGB 14 121 123

HSL 181.1, 0.8%, 0.27%

LAB 45.9, -26.21, -9.03

 

CMYK 89 / 26 / 0 / 52

HEX #0E5B7B

RGB 14 91 123

HSL 197.61, 0.8%, 0.27%

LAB 36, -9.68, -24.2

 

CMYK 89 / 50 / 0 / 52

HEX #0E3E7B

RGB 14 62 123

HSL 213.58, 0.8%, 0.27%

LAB 26.65, 9.33, -39.03

 

CMYK 89 / 73 / 0 / 52

HEX #0E217B

RGB 14 33 123

HSL 229.54, 0.8%, 0.27%

LAB 18.41, 29.83, -52.46

 

CMYK 80 / 89 / 0 / 52

HEX #190E7B

RGB 25 14 123

HSL 246.06, 0.8%, 0.27%

LAB 15.23, 41.23, -57.72

 

CMYK 89 / 2 / 0 / 52

HEX #0E797B

RGB 14 121 123

HSL 181.1, 0.8%, 0.27%

LAB 45.9, -26.21, -9.03

 

CMYK 89 / 26 / 0 / 52

HEX #0E5B7B

RGB 14 91 123

HSL 197.61, 0.8%, 0.27%

LAB 36, -9.68, -24.2

 

CMYK 89 / 50 / 0 / 52

HEX #0E3E7B

RGB 14 62 123

HSL 213.58, 0.8%, 0.27%

LAB 26.65, 9.33, -39.03

 

CMYK 89 / 73 / 0 / 52

HEX #0E217B

RGB 14 33 123

HSL 229.54, 0.8%, 0.27%

LAB 18.41, 29.83, -52.46

 

CMYK 89 / 89 / 0 / 52

HEX #0E0E7B

RGB 14 14 123

HSL 240, 0.8%, 0.27%

LAB 14.61, 40.71, -58.76

 

CMYK 89 / 2 / 0 / 52

HEX #0E797B

RGB 14 121 123

HSL 181.1, 0.8%, 0.27%

LAB 45.9, -26.21, -9.03

 

CMYK 98 / 2 / 0 / 47

HEX #038386

RGB 3 131 134

HSL 181.37, 0.96%, 0.27%

LAB 49.46, -28.19, -10.2

 

CMYK 89 / 2 / 0 / 52

HEX #0E797B

RGB 14 121 123

HSL 181.1, 0.8%, 0.27%

LAB 45.9, -26.21, -9.03

 

CMYK 78 / 2 / 0 / 56

HEX #196E70

RGB 25 110 112

HSL 181.38, 0.64%, 0.27%

LAB 42.04, -23.13, -8.2

 

CMYK 64 / 1 / 0 / 61

HEX #246364

RGB 36 99 100

HSL 180.94, 0.47%, 0.27%

LAB 38.23, -19.4, -6.55

 

CMYK 47 / 0 / 0 / 65

HEX #2F5959

RGB 47 89 89

HSL 180, 0.31%, 0.27%

LAB 34.94, -14.62, -4.58

 

CMYK 24 / 0 / 0 / 69

HEX #3B4E4E

RGB 59 78 78

HSL 180, 0.14%, 0.27%

LAB 31.64, -7.35, -2.43

 

CMYK 89 / 0 / 46 / 52

HEX #0E7B43

RGB 14 123 67

HSL 149.17, 0.8%, 0.27%

LAB 45.17, -42.04, 22.75

 

CMYK 89 / 0 / 22 / 52

HEX #0E7B60

RGB 14 123 96

HSL 165.14, 0.8%, 0.27%

LAB 45.78, -35.25, 6.81

 

CMYK 89 / 2 / 0 / 52

HEX #0E797B

RGB 14 121 123

HSL 181.1, 0.8%, 0.27%

LAB 45.9, -26.21, -9.03

 

CMYK 89 / 25 / 0 / 52

HEX #0E5C7B

RGB 14 92 123

HSL 197.06, 0.8%, 0.27%

LAB 36.32, -10.28, -23.68

 

CMYK 89 / 49 / 0 / 52

HEX #0E3F7B

RGB 14 63 123

HSL 213.03, 0.8%, 0.27%

LAB 26.96, 8.63, -38.53

 

CMYK 90 / 2 / 0 / 81

HEX #053031

RGB 5 48 49

HSL 181.36, 0.81%, 0.11%

LAB 17.31, -13.49, -4.76

 

CMYK 88 / 2 / 0 / 66

HEX #0A5456

RGB 10 84 86

HSL 181.58, 0.79%, 0.19%

LAB 31.98, -19.78, -7.23

 

CMYK 89 / 2 / 0 / 52

HEX #0E797B

RGB 14 121 123

HSL 181.1, 0.8%, 0.27%

LAB 45.9, -26.21, -9.03

 

CMYK 89 / 2 / 0 / 37

HEX #129DA0

RGB 18 157 160

HSL 181.27, 0.8%, 0.35%

LAB 58.77, -31.73, -11.21

 

CMYK 88 / 2 / 0 / 23

HEX #17C1C5

RGB 23 193 197

HSL 181.38, 0.79%, 0.43%

LAB 71.11, -36.95, -13.26

 

CMYK 89 / 2 / 0 / 52

HEX #0E787A

RGB 14 120 122

HSL 181.11, 0.79%, 0.27%

LAB 45.54, -26.03, -8.98

 

CMYK 69 / 89 / 0 / 52

HEX #260E7B

RGB 38 14 123

HSL 253.21, 0.8%, 0.27%

LAB 16.29, 42.14, -55.93

 

CMYK 0 / 34 / 89 / 52

HEX #7B510E

RGB 123 81 14

HSL 36.88, 0.8%, 0.27%

LAB 38.07, 12, 42.46

 

CMYK 89 / 2 / 0 / 52

HEX #0E787A

RGB 14 120 122

HSL 181.11, 0.79%, 0.27%

LAB 45.54, -26.03, -8.98

 

CMYK 0 / 89 / 2 / 52

HEX #7B0E79

RGB 123 14 121

HSL 301.1, 0.8%, 0.27%

LAB 29.17, 54.56, -33.1

 

CMYK 2 / 0 / 89 / 52

HEX #797B0E

RGB 121 123 14

HSL 61.1, 0.8%, 0.27%

LAB 49.81, -13.19, 52.09

 

CMYK 89 / 2 / 0 / 52

HEX #0E787A

RGB 14 120 122

HSL 181.11, 0.79%, 0.27%

LAB 45.54, -26.03, -8.98

 

CMYK 69 / 89 / 0 / 52

HEX #260E7B

RGB 38 14 123

HSL 253.21, 0.8%, 0.27%

LAB 16.29, 42.14, -55.93

 

CMYK 0 / 87 / 89 / 52

HEX #7B100E

RGB 123 16 14

HSL 1.1, 0.8%, 0.27%

LAB 25.6, 43.68, 31.82

 

CMYK 20 / 0 / 89 / 52

HEX #637B0E

RGB 99 123 14

HSL 73.21, 0.8%, 0.27%

LAB 48.07, -23.21, 49.93

 

CMYK 89 / 2 / 0 / 52

HEX #0E787A

RGB 14 120 122

HSL 181.11, 0.79%, 0.27%

LAB 45.54, -26.03, -8.98

 

CMYK 43 / 89 / 0 / 52

HEX #460E7B

RGB 70 14 123

HSL 270.83, 0.8%, 0.27%

LAB 20.23, 45.74, -49.29

 

CMYK 0 / 87 / 89 / 52

HEX #7B100E

RGB 123 16 14

HSL 1.1, 0.8%, 0.27%

LAB 25.6, 43.68, 31.82

 

CMYK 46 / 0 / 89 / 52

HEX #437B0E

RGB 67 123 14

HSL 90.83, 0.8%, 0.27%

LAB 46.17, -36.1, 47.54

 

Description

Color code: HEX #0E787A | qconv.com Color code: HEX #0E787A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 120 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 120 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 2 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 2% 0% 52% C M Y K

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Provide designers and agencies with accurate color values.

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