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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E8F08 it is the complementary color #F170F7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E8F08. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E8F08 shade: #138F03, #24A116, #35B329, #46C53C and #57D74F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E8F08. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E8F08 shade: #0E8F08, #007D00, #006B00, #005900 and #004700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E8F08 shade: #0E9008, #339008, #579008, #7C9008 and #907F08

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E8F08 shade: #0E9008, #089027, #08904B, #089070 and #088B90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E8F08 shade matches the following richer shades: #0E9008

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E8F08 shade: #0E9008, #198414, #257721, #306B2D and #3B5F39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E8F08 shade: #579008, #339008, #0F9008, #089025 and #08904A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E8F08 shade: #064203, #0A6906, #0E9008, #12B70A and #16DE0C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E8F08 shade: #0E8F08, #087C90 and #900845

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E8F08 shade: #0E8F08, #080F90 and #90080F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E8F08 shade: #0E8F08, #087C90, #890890 and #901C08

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E8F08 shade: #0E8F08, #085390, #890890 and #904508

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 94 / 44

HEX #0E8F08

RGB 14 143 8

HSL 117.33, 0.89%, 0.3%

LAB 51.56, -54.79, 52.81

 

Complementary color

CMYK 2 / 55 / 0 / 3

HEX #F170F7

RGB 241 112 247

HSL 297.33, 0.89%, 0.7%

LAB 67.28, 67.21, -45.52

 

CMYK 87 / 0 / 98 / 44

HEX #138F03

RGB 19 143 3

HSL 113.14, 0.96%, 0.29%

LAB 51.6, -54.49, 53.74

 

CMYK 78 / 0 / 86 / 37

HEX #24A116

RGB 36 161 22

HSL 113.96, 0.76%, 0.36%

LAB 57.96, -57.18, 55.69

 

CMYK 70 / 0 / 77 / 30

HEX #35B329

RGB 53 179 41

HSL 114.78, 0.63%, 0.43%

LAB 64.29, -59, 56.26

 

CMYK 64 / 0 / 70 / 23

HEX #46C53C

RGB 70 197 60

HSL 115.62, 0.54%, 0.5%

LAB 70.57, -60.17, 55.91

 

CMYK 60 / 0 / 63 / 16

HEX #57D74F

RGB 87 215 79

HSL 116.47, 0.63%, 0.58%

LAB 76.79, -60.9, 55.08

 

CMYK 90 / 0 / 94 / 44

HEX #0E8F08

RGB 14 143 8

HSL 117.33, 0.89%, 0.3%

LAB 51.56, -54.79, 52.81

 

CMYK 100 / 0 / 100 / 51

HEX #007D00

RGB 0 125 0

HSL 120, 1%, 0.25%

LAB 45.18, -50.82, 49.05

 

CMYK 100 / 0 / 100 / 58

HEX #006B00

RGB 0 107 0

HSL 120, 1%, 0.21%

LAB 38.75, -45.49, 43.9

 

CMYK 100 / 0 / 100 / 65

HEX #005900

RGB 0 89 0

HSL 120, 1%, 0.17%

LAB 32.13, -39.99, 38.6

 

CMYK 100 / 0 / 100 / 72

HEX #004700

RGB 0 71 0

HSL 120, 1%, 0.14%

LAB 25.28, -34.3, 32.84

 

CMYK 90 / 0 / 94 / 44

HEX #0E9008

RGB 14 144 8

HSL 117.35, 0.89%, 0.3%

LAB 51.9, -55.09, 53.1

 

CMYK 65 / 0 / 94 / 44

HEX #339008

RGB 51 144 8

HSL 101.03, 0.89%, 0.3%

LAB 52.58, -49.17, 53.94

 

CMYK 40 / 0 / 94 / 44

HEX #579008

RGB 87 144 8

HSL 85.15, 0.89%, 0.3%

LAB 54.02, -38.07, 55.71

 

CMYK 14 / 0 / 94 / 44

HEX #7C9008

RGB 124 144 8

HSL 68.82, 0.89%, 0.3%

LAB 56.34, -22.92, 58.54

 

CMYK 0 / 12 / 94 / 44

HEX #907F08

RGB 144 127 8

HSL 52.5, 0.89%, 0.3%

LAB 53.09, -4.74, 56.77

 

CMYK 90 / 0 / 94 / 44

HEX #0E9008

RGB 14 144 8

HSL 117.35, 0.89%, 0.3%

LAB 51.9, -55.09, 53.1

 

CMYK 94 / 0 / 73 / 44

HEX #089027

RGB 8 144 39

HSL 133.68, 0.89%, 0.3%

LAB 52, -53.65, 44.41

 

CMYK 94 / 0 / 48 / 44

HEX #08904B

RGB 8 144 75

HSL 149.56, 0.89%, 0.3%

LAB 52.4, -48.68, 27.65

 

CMYK 94 / 0 / 22 / 44

HEX #089070

RGB 8 144 112

HSL 165.88, 0.89%, 0.3%

LAB 53.13, -40.38, 7.96

 

CMYK 94 / 3 / 0 / 44

HEX #088B90

RGB 8 139 144

HSL 182.21, 0.89%, 0.3%

LAB 52.43, -28.62, -11.56

 

CMYK 90 / 0 / 94 / 44

HEX #0E9008

RGB 14 144 8

HSL 117.35, 0.89%, 0.3%

LAB 51.9, -55.09, 53.1

 

CMYK 90 / 0 / 94 / 44

HEX #0E9008

RGB 14 144 8

HSL 117.35, 0.89%, 0.3%

LAB 51.9, -55.09, 53.1

 

CMYK 81 / 0 / 85 / 48

HEX #198414

RGB 25 132 20

HSL 117.32, 0.74%, 0.3%

LAB 47.96, -49.66, 47.08

 

CMYK 69 / 0 / 72 / 53

HEX #257721

RGB 37 119 33

HSL 117.21, 0.57%, 0.3%

LAB 43.79, -42.01, 38.43

 

CMYK 55 / 0 / 58 / 58

HEX #306B2D

RGB 48 107 45

HSL 117.1, 0.41%, 0.3%

LAB 40.14, -32.88, 28.66

 

CMYK 38 / 0 / 40 / 63

HEX #3B5F39

RGB 59 95 57

HSL 116.84, 0.25%, 0.3%

LAB 36.76, -21.55, 17.77

 

CMYK 40 / 0 / 94 / 44

HEX #579008

RGB 87 144 8

HSL 85.15, 0.89%, 0.3%

LAB 54.02, -38.07, 55.71

 

CMYK 65 / 0 / 94 / 44

HEX #339008

RGB 51 144 8

HSL 101.03, 0.89%, 0.3%

LAB 52.58, -49.17, 53.94

 

CMYK 90 / 0 / 94 / 44

HEX #0F9008

RGB 15 144 8

HSL 116.91, 0.89%, 0.3%

LAB 51.91, -55.01, 53.11

 

CMYK 94 / 0 / 74 / 44

HEX #089025

RGB 8 144 37

HSL 132.79, 0.89%, 0.3%

LAB 51.99, -53.84, 45.18

 

CMYK 94 / 0 / 49 / 44

HEX #08904A

RGB 8 144 74

HSL 149.12, 0.89%, 0.3%

LAB 52.39, -48.86, 28.17

 

CMYK 91 / 0 / 95 / 74

HEX #064203

RGB 6 66 3

HSL 117.14, 0.91%, 0.14%

LAB 23.48, -31.22, 29.9

 

CMYK 90 / 0 / 94 / 59

HEX #0A6906

RGB 10 105 6

HSL 117.58, 0.89%, 0.22%

LAB 38.17, -43.54, 41.85

 

CMYK 90 / 0 / 94 / 44

HEX #0E9008

RGB 14 144 8

HSL 117.35, 0.89%, 0.3%

LAB 51.9, -55.09, 53.1

 

CMYK 90 / 0 / 95 / 28

HEX #12B70A

RGB 18 183 10

HSL 117.23, 0.9%, 0.38%

LAB 64.98, -66.02, 63.74

 

CMYK 90 / 0 / 95 / 13

HEX #16DE0C

RGB 22 222 12

HSL 117.14, 0.9%, 0.46%

LAB 77.54, -76.48, 73.93

 

CMYK 90 / 0 / 94 / 44

HEX #0E8F08

RGB 14 143 8

HSL 117.33, 0.89%, 0.3%

LAB 51.56, -54.79, 52.81

 

CMYK 94 / 14 / 0 / 44

HEX #087C90

RGB 8 124 144

HSL 188.82, 0.89%, 0.3%

LAB 47.6, -20.94, -18.9

 

CMYK 0 / 94 / 52 / 44

HEX #900845

RGB 144 8 69

HSL 333.09, 0.89%, 0.3%

LAB 30.72, 53.99, 3.51

 

CMYK 90 / 0 / 94 / 44

HEX #0E8F08

RGB 14 143 8

HSL 117.33, 0.89%, 0.3%

LAB 51.56, -54.79, 52.81

 

CMYK 94 / 90 / 0 / 44

HEX #080F90

RGB 8 15 144

HSL 236.91, 0.89%, 0.3%

LAB 17.49, 46.72, -67.24

 

CMYK 0 / 94 / 90 / 44

HEX #90080F

RGB 144 8 15

HSL 356.91, 0.89%, 0.3%

LAB 29.76, 51.32, 36.71

 

CMYK 90 / 0 / 94 / 44

HEX #0E8F08

RGB 14 143 8

HSL 117.33, 0.89%, 0.3%

LAB 51.56, -54.79, 52.81

 

CMYK 94 / 14 / 0 / 44

HEX #087C90

RGB 8 124 144

HSL 188.82, 0.89%, 0.3%

LAB 47.6, -20.94, -18.9

 

CMYK 5 / 94 / 0 / 44

HEX #890890

RGB 137 8 144

HSL 296.91, 0.89%, 0.3%

LAB 32.93, 61.89, -41.32

 

CMYK 0 / 81 / 94 / 44

HEX #901C08

RGB 144 28 8

HSL 8.82, 0.89%, 0.3%

LAB 31.29, 46.7, 40.98

 

CMYK 90 / 0 / 94 / 44

HEX #0E8F08

RGB 14 143 8

HSL 117.33, 0.89%, 0.3%

LAB 51.56, -54.79, 52.81

 

CMYK 94 / 42 / 0 / 44

HEX #085390

RGB 8 83 144

HSL 206.91, 0.89%, 0.3%

LAB 34.5, 3.5, -39.42

 

CMYK 5 / 94 / 0 / 44

HEX #890890

RGB 137 8 144

HSL 296.91, 0.89%, 0.3%

LAB 32.93, 61.89, -41.32

 

CMYK 0 / 52 / 94 / 44

HEX #904508

RGB 144 69 8

HSL 26.91, 0.89%, 0.3%

LAB 38.2, 28.35, 45.74

 

Description

Color code: HEX #0E8F08 | qconv.com Color code: HEX #0E8F08 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 143 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 143 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 94 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 94% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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