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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E8FAE it is the complementary color #F17051. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E8FAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E8FAE shade: #138FA9, #24A1BC, #35B3CF, #46C5E2 and #57D7F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E8FAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E8FAE shade: #0E8FAE, #007D9B, #006B88, #005975 and #004762

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E8FAE shade: #0E8FAE, #0E64AE, #0E38AE, #0E0EAE and #390EAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E8FAE shade: #0E8FAE, #0E64AE, #0E38AE and #0E0EAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E8FAE shade matches the following richer shades: #0E8FAE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E8FAE shade: #0E8FAE, #1D869F, #2C7C90, #3B7380 and #4B6A71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E8FAE shade: #0EAE76, #0EAEA1, #0E91AE, #0E66AE and #0E3BAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E8FAE shade: #075062, #0B7088, #0E8FAE, #11AED4 and #22C5ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E8FAE shade: #0E8FAE, #4B0EAE and #AE8B0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E8FAE shade: #0E8FAE, #AE0E91 and #91AE0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E8FAE shade: #0E8FAE, #4B0EAE, #AE2B0E and #71AE0E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E8FAE shade: #0E8FAE, #7B0EAE, #AE2B0E and #40AE0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 18 / 0 / 32

HEX #0E8FAE

RGB 14 143 174

HSL 191.63, 0.85%, 0.37%

LAB 54.86, -20.21, -25.15

 

Complementary color

CMYK 0 / 54 / 66 / 5

HEX #F17051

RGB 241 112 81

HSL 11.63, 0.85%, 0.63%

LAB 62.41, 47.51, 40.79

 

CMYK 89 / 15 / 0 / 34

HEX #138FA9

RGB 19 143 169

HSL 190.4, 0.8%, 0.37%

LAB 54.71, -21.67, -22.51

 

CMYK 81 / 14 / 0 / 26

HEX #24A1BC

RGB 36 161 188

HSL 190.66, 0.68%, 0.44%

LAB 61.22, -23.3, -23.28

 

CMYK 74 / 14 / 0 / 19

HEX #35B3CF

RGB 53 179 207

HSL 190.91, 0.62%, 0.51%

LAB 67.65, -24.54, -23.96

 

CMYK 69 / 13 / 0 / 11

HEX #46C5E2

RGB 70 197 226

HSL 191.15, 0.73%, 0.58%

LAB 74.01, -25.49, -24.57

 

CMYK 64 / 12 / 0 / 4

HEX #57D7F5

RGB 87 215 245

HSL 191.39, 0.89%, 0.65%

LAB 80.3, -26.23, -25.12

 

CMYK 92 / 18 / 0 / 32

HEX #0E8FAE

RGB 14 143 174

HSL 191.63, 0.85%, 0.37%

LAB 54.86, -20.21, -25.15

 

CMYK 100 / 19 / 0 / 39

HEX #007D9B

RGB 0 125 155

HSL 191.61, 1%, 0.3%

LAB 48.3, -17.91, -24.29

 

CMYK 100 / 21 / 0 / 47

HEX #006B88

RGB 0 107 136

HSL 192.79, 1%, 0.27%

LAB 41.68, -14.94, -23.27

 

CMYK 100 / 24 / 0 / 54

HEX #005975

RGB 0 89 117

HSL 194.36, 1%, 0.23%

LAB 34.86, -11.83, -22.28

 

CMYK 100 / 28 / 0 / 62

HEX #004762

RGB 0 71 98

HSL 196.53, 1%, 0.19%

LAB 27.81, -8.54, -21.3

 

CMYK 92 / 18 / 0 / 32

HEX #0E8FAE

RGB 14 143 174

HSL 191.63, 0.85%, 0.37%

LAB 54.86, -20.21, -25.15

 

CMYK 92 / 43 / 0 / 32

HEX #0E64AE

RGB 14 100 174

HSL 207.75, 0.85%, 0.37%

LAB 41.63, 5.03, -45.94

 

CMYK 92 / 68 / 0 / 32

HEX #0E38AE

RGB 14 56 174

HSL 224.25, 0.85%, 0.37%

LAB 29.36, 34.36, -65.88

 

CMYK 92 / 92 / 0 / 32

HEX #0E0EAE

RGB 14 14 174

HSL 240, 0.85%, 0.37%

LAB 21.81, 55.94, -78.4

 

CMYK 67 / 92 / 0 / 32

HEX #390EAE

RGB 57 14 174

HSL 256.13, 0.85%, 0.37%

LAB 24.45, 57.56, -73.93

 

CMYK 92 / 18 / 0 / 32

HEX #0E8FAE

RGB 14 143 174

HSL 191.63, 0.85%, 0.37%

LAB 54.86, -20.21, -25.15

 

CMYK 92 / 43 / 0 / 32

HEX #0E64AE

RGB 14 100 174

HSL 207.75, 0.85%, 0.37%

LAB 41.63, 5.03, -45.94

 

CMYK 92 / 68 / 0 / 32

HEX #0E38AE

RGB 14 56 174

HSL 224.25, 0.85%, 0.37%

LAB 29.36, 34.36, -65.88

 

CMYK 92 / 92 / 0 / 32

HEX #0E0EAE

RGB 14 14 174

HSL 240, 0.85%, 0.37%

LAB 21.81, 55.94, -78.4

 

CMYK 92 / 18 / 0 / 32

HEX #0E8FAE

RGB 14 143 174

HSL 191.63, 0.85%, 0.37%

LAB 54.86, -20.21, -25.15

 

CMYK 92 / 18 / 0 / 32

HEX #0E8FAE

RGB 14 143 174

HSL 191.63, 0.85%, 0.37%

LAB 54.86, -20.21, -25.15

 

CMYK 82 / 16 / 0 / 38

HEX #1D869F

RGB 29 134 159

HSL 191.54, 0.69%, 0.37%

LAB 51.63, -19.57, -21.47

 

CMYK 69 / 14 / 0 / 44

HEX #2C7C90

RGB 44 124 144

HSL 192, 0.53%, 0.37%

LAB 48.22, -17.34, -17.9

 

CMYK 54 / 10 / 0 / 50

HEX #3B7380

RGB 59 115 128

HSL 191.3, 0.37%, 0.37%

LAB 45.29, -14.53, -12.82

 

CMYK 34 / 6 / 0 / 56

HEX #4B6A71

RGB 75 106 113

HSL 191.05, 0.2%, 0.37%

LAB 42.76, -9.33, -7.54

 

CMYK 92 / 0 / 32 / 32

HEX #0EAE76

RGB 14 174 118

HSL 159, 0.85%, 0.37%

LAB 63.07, -50.61, 18.49

 

CMYK 92 / 0 / 7 / 32

HEX #0EAEA1

RGB 14 174 161

HSL 175.13, 0.85%, 0.37%

LAB 64.11, -39.48, -3.83

 

CMYK 92 / 17 / 0 / 32

HEX #0E91AE

RGB 14 145 174

HSL 190.88, 0.85%, 0.37%

LAB 55.48, -21.27, -24.19

 

CMYK 92 / 41 / 0 / 32

HEX #0E66AE

RGB 14 102 174

HSL 207, 0.85%, 0.37%

LAB 42.23, 3.75, -44.98

 

CMYK 92 / 66 / 0 / 32

HEX #0E3BAE

RGB 14 59 174

HSL 223.13, 0.85%, 0.37%

LAB 30.1, 32.39, -64.66

 

CMYK 93 / 18 / 0 / 62

HEX #075062

RGB 7 80 98

HSL 191.87, 0.87%, 0.21%

LAB 31.03, -13.38, -16.3

 

CMYK 92 / 18 / 0 / 47

HEX #0B7088

RGB 11 112 136

HSL 191.52, 0.85%, 0.29%

LAB 43.41, -17.13, -20.58

 

CMYK 92 / 18 / 0 / 32

HEX #0E8FAE

RGB 14 143 174

HSL 191.63, 0.85%, 0.37%

LAB 54.86, -20.21, -25.15

 

CMYK 92 / 18 / 0 / 17

HEX #11AED4

RGB 17 174 212

HSL 191.69, 0.85%, 0.45%

LAB 65.86, -23.15, -29.51

 

CMYK 86 / 17 / 0 / 7

HEX #22C5ED

RGB 34 197 237

HSL 191.82, 0.85%, 0.53%

LAB 73.8, -25.58, -30.9

 

CMYK 92 / 18 / 0 / 32

HEX #0E8FAE

RGB 14 143 174

HSL 191.63, 0.85%, 0.37%

LAB 54.86, -20.21, -25.15

 

CMYK 57 / 92 / 0 / 32

HEX #4B0EAE

RGB 75 14 174

HSL 262.88, 0.85%, 0.37%

LAB 26.35, 58.88, -70.72

 

CMYK 0 / 20 / 92 / 32

HEX #AE8B0E

RGB 174 139 14

HSL 46.88, 0.85%, 0.37%

LAB 59.43, 2.61, 61.88

 

CMYK 92 / 18 / 0 / 32

HEX #0E8FAE

RGB 14 143 174

HSL 191.63, 0.85%, 0.37%

LAB 54.86, -20.21, -25.15

 

CMYK 0 / 92 / 17 / 32

HEX #AE0E91

RGB 174 14 145

HSL 310.88, 0.85%, 0.37%

LAB 40.18, 68.19, -30

 

CMYK 17 / 0 / 92 / 32

HEX #91AE0E

RGB 145 174 14

HSL 70.88, 0.85%, 0.37%

LAB 66.77, -28.51, 66.55

 

CMYK 92 / 18 / 0 / 32

HEX #0E8FAE

RGB 14 143 174

HSL 191.63, 0.85%, 0.37%

LAB 54.86, -20.21, -25.15

 

CMYK 57 / 92 / 0 / 32

HEX #4B0EAE

RGB 75 14 174

HSL 262.88, 0.85%, 0.37%

LAB 26.35, 58.88, -70.72

 

CMYK 0 / 75 / 92 / 32

HEX #AE2B0E

RGB 174 43 14

HSL 10.88, 0.85%, 0.37%

LAB 39.17, 51.43, 46.94

 

CMYK 35 / 0 / 92 / 32

HEX #71AE0E

RGB 113 174 14

HSL 82.88, 0.85%, 0.37%

LAB 64.82, -41.23, 64.16

 

CMYK 92 / 18 / 0 / 32

HEX #0E8FAE

RGB 14 143 174

HSL 191.63, 0.85%, 0.37%

LAB 54.86, -20.21, -25.15

 

CMYK 29 / 92 / 0 / 32

HEX #7B0EAE

RGB 123 14 174

HSL 280.88, 0.85%, 0.37%

LAB 33.09, 64.26, -59.38

 

CMYK 0 / 75 / 92 / 32

HEX #AE2B0E

RGB 174 43 14

HSL 10.88, 0.85%, 0.37%

LAB 39.17, 51.43, 46.94

 

CMYK 63 / 0 / 92 / 32

HEX #40AE0E

RGB 64 174 14

HSL 101.25, 0.85%, 0.37%

LAB 62.84, -56.3, 61.72

 

Description

Color code: HEX #0E8FAE | qconv.com Color code: HEX #0E8FAE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 143 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 143 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 18 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 18% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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