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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E953E it is the complementary color #F16AC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E953E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E953E shade: #139539, #24A74C, #35B95F, #46CB72 and #57DD85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E953E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E953E shade: #0E953E, #00832B, #007118, #005F05 and #004D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E953E shade: #0D953E, #0D9519, #26950D, #4B950D and #6F950D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E953E shade: #0D953E, #0D9562, #0D9587, #0D7F95 and #0D5A95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E953E shade matches the following richer shades: #0D953E and #00A23A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E953E shade: #0D953E, #1B8841, #287A45, #356D49 and #42604D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E953E shade: #26950D, #0D9519, #0D953D, #0D9561 and #0D9585

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E953E shade: #06491E, #0A6F2E, #0D953E, #11BB4D and #14E05D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E953E shade: #0E953E, #0D4A95 and #950D14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E953E shade: #0E953E, #3D0D95 and #953D0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E953E shade: #0E953E, #0D4A95, #950D65 and #95580D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E953E shade: #0E953E, #0D2295, #950D65 and #95810D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 58 / 42

HEX #0E953E

RGB 14 149 62

HSL 141.33, 0.83%, 0.32%

LAB 53.96, -52.13, 36.26

 

Complementary color

CMYK 0 / 56 / 20 / 5

HEX #F16AC1

RGB 241 106 193

HSL 321.33, 0.83%, 0.68%

LAB 64.05, 61.42, -20.4

 

CMYK 87 / 0 / 62 / 42

HEX #139539

RGB 19 149 57

HSL 137.54, 0.77%, 0.33%

LAB 53.95, -52.4, 38.68

 

CMYK 78 / 0 / 54 / 35

HEX #24A74C

RGB 36 167 76

HSL 138.32, 0.65%, 0.4%

LAB 60.37, -53.96, 37.1

 

CMYK 71 / 0 / 49 / 27

HEX #35B95F

RGB 53 185 95

HSL 139.09, 0.55%, 0.47%

LAB 66.73, -54.9, 35.53

 

CMYK 66 / 0 / 44 / 20

HEX #46CB72

RGB 70 203 114

HSL 139.85, 0.56%, 0.54%

LAB 73.04, -55.45, 34.01

 

CMYK 61 / 0 / 40 / 13

HEX #57DD85

RGB 87 221 133

HSL 140.6, 0.66%, 0.6%

LAB 79.29, -55.72, 32.58

 

CMYK 91 / 0 / 58 / 42

HEX #0E953E

RGB 14 149 62

HSL 141.33, 0.83%, 0.32%

LAB 53.96, -52.13, 36.26

 

CMYK 100 / 0 / 67 / 49

HEX #00832B

RGB 0 131 43

HSL 139.69, 1%, 0.26%

LAB 47.5, -49.67, 37.86

 

CMYK 100 / 0 / 79 / 56

HEX #007118

RGB 0 113 24

HSL 132.74, 1%, 0.22%

LAB 41.02, -45.91, 39.02

 

CMYK 100 / 0 / 95 / 63

HEX #005F05

RGB 0 95 5

HSL 123.16, 1%, 0.19%

LAB 34.39, -41.55, 38.84

 

CMYK 100 / 0 / 100 / 70

HEX #004D00

RGB 0 77 0

HSL 120, 1%, 0.15%

LAB 27.59, -36.22, 34.92

 

CMYK 91 / 0 / 58 / 42

HEX #0D953E

RGB 13 149 62

HSL 141.62, 0.84%, 0.32%

LAB 53.95, -52.2, 36.25

 

CMYK 91 / 0 / 83 / 42

HEX #0D9519

RGB 13 149 25

HSL 125.29, 0.84%, 0.32%

LAB 53.65, -55.92, 50.87

 

CMYK 74 / 0 / 91 / 42

HEX #26950D

RGB 38 149 13

HSL 108.97, 0.84%, 0.32%

LAB 53.96, -53.4, 54.12

 

CMYK 50 / 0 / 91 / 42

HEX #4B950D

RGB 75 149 13

HSL 92.65, 0.84%, 0.32%

LAB 55.09, -44.14, 55.53

 

CMYK 26 / 0 / 91 / 42

HEX #6F950D

RGB 111 149 13

HSL 76.76, 0.84%, 0.32%

LAB 56.98, -30.8, 57.87

 

CMYK 91 / 0 / 58 / 42

HEX #0D953E

RGB 13 149 62

HSL 141.62, 0.84%, 0.32%

LAB 53.95, -52.2, 36.25

 

CMYK 91 / 0 / 34 / 42

HEX #0D9562

RGB 13 149 98

HSL 157.5, 0.84%, 0.32%

LAB 54.51, -45.55, 17.83

 

CMYK 91 / 0 / 9 / 42

HEX #0D9587

RGB 13 149 135

HSL 173.82, 0.84%, 0.32%

LAB 55.41, -35.89, -1.94

 

CMYK 91 / 15 / 0 / 42

HEX #0D7F95

RGB 13 127 149

HSL 189.71, 0.84%, 0.32%

LAB 48.8, -20.52, -19.99

 

CMYK 91 / 40 / 0 / 42

HEX #0D5A95

RGB 13 90 149

HSL 206.03, 0.84%, 0.32%

LAB 37.06, 1.28, -38.37

 

CMYK 91 / 0 / 58 / 42

HEX #0D953E

RGB 13 149 62

HSL 141.62, 0.84%, 0.32%

LAB 53.95, -52.2, 36.25

 

CMYK 100 / 0 / 64 / 36

HEX #00A23A

RGB 0 162 58

HSL 141.48, 1%, 0.32%

LAB 58.18, -57.67, 42.99

 

CMYK 91 / 0 / 58 / 42

HEX #0D953E

RGB 13 149 62

HSL 141.62, 0.84%, 0.32%

LAB 53.95, -52.2, 36.25

 

CMYK 80 / 0 / 52 / 47

HEX #1B8841

RGB 27 136 65

HSL 140.92, 0.67%, 0.32%

LAB 49.77, -45.79, 29.69

 

CMYK 67 / 0 / 43 / 52

HEX #287A45

RGB 40 122 69

HSL 141.22, 0.51%, 0.32%

LAB 45.36, -37.35, 21.96

 

CMYK 51 / 0 / 33 / 57

HEX #356D49

RGB 53 109 73

HSL 141.43, 0.35%, 0.32%

LAB 41.49, -27.43, 14.58

 

CMYK 31 / 0 / 20 / 62

HEX #42604D

RGB 66 96 77

HSL 142, 0.19%, 0.32%

LAB 37.95, -15.55, 7.36

 

CMYK 74 / 0 / 91 / 42

HEX #26950D

RGB 38 149 13

HSL 108.97, 0.84%, 0.32%

LAB 53.96, -53.4, 54.12

 

CMYK 91 / 0 / 83 / 42

HEX #0D9519

RGB 13 149 25

HSL 125.29, 0.84%, 0.32%

LAB 53.65, -55.92, 50.87

 

CMYK 91 / 0 / 59 / 42

HEX #0D953D

RGB 13 149 61

HSL 141.18, 0.84%, 0.32%

LAB 53.94, -52.34, 36.73

 

CMYK 91 / 0 / 35 / 42

HEX #0D9561

RGB 13 149 97

HSL 157.06, 0.84%, 0.32%

LAB 54.49, -45.77, 18.36

 

CMYK 91 / 0 / 11 / 42

HEX #0D9585

RGB 13 149 133

HSL 172.94, 0.84%, 0.32%

LAB 55.35, -36.48, -0.87

 

CMYK 92 / 0 / 59 / 71

HEX #06491E

RGB 6 73 30

HSL 141.49, 0.85%, 0.15%

LAB 26.44, -30.52, 20.13

 

CMYK 91 / 0 / 59 / 56

HEX #0A6F2E

RGB 10 111 46

HSL 141.39, 0.83%, 0.24%

LAB 40.62, -41.68, 28.49

 

CMYK 91 / 0 / 58 / 42

HEX #0D953E

RGB 13 149 62

HSL 141.62, 0.84%, 0.32%

LAB 53.95, -52.2, 36.25

 

CMYK 91 / 0 / 59 / 27

HEX #11BB4D

RGB 17 187 77

HSL 141.18, 0.83%, 0.4%

LAB 66.67, -62.24, 44.08

 

CMYK 91 / 0 / 58 / 12

HEX #14E05D

RGB 20 224 93

HSL 141.47, 0.84%, 0.48%

LAB 78.61, -71.49, 50.76

 

CMYK 91 / 0 / 58 / 42

HEX #0E953E

RGB 14 149 62

HSL 141.33, 0.83%, 0.32%

LAB 53.96, -52.13, 36.26

 

CMYK 91 / 50 / 0 / 42

HEX #0D4A95

RGB 13 74 149

HSL 213.09, 0.84%, 0.32%

LAB 32.15, 11.93, -46.23

 

CMYK 0 / 91 / 87 / 42

HEX #950D14

RGB 149 13 20

HSL 356.91, 0.84%, 0.32%

LAB 31.18, 52.02, 35.72

 

CMYK 91 / 0 / 58 / 42

HEX #0E953E

RGB 14 149 62

HSL 141.33, 0.83%, 0.32%

LAB 53.96, -52.13, 36.26

 

CMYK 59 / 91 / 0 / 42

HEX #3D0D95

RGB 61 13 149

HSL 261.18, 0.84%, 0.32%

LAB 21.76, 51.63, -63.13

 

CMYK 0 / 59 / 91 / 42

HEX #953D0D

RGB 149 61 13

HSL 21.18, 0.84%, 0.32%

LAB 37.4, 34.73, 43.93

 

CMYK 91 / 0 / 58 / 42

HEX #0E953E

RGB 14 149 62

HSL 141.33, 0.83%, 0.32%

LAB 53.96, -52.13, 36.26

 

CMYK 91 / 50 / 0 / 42

HEX #0D4A95

RGB 13 74 149

HSL 213.09, 0.84%, 0.32%

LAB 32.15, 11.93, -46.23

 

CMYK 0 / 91 / 32 / 42

HEX #950D65

RGB 149 13 101

HSL 321.18, 0.84%, 0.32%

LAB 33.17, 57.57, -13.7

 

CMYK 0 / 41 / 91 / 42

HEX #95580D

RGB 149 88 13

HSL 33.09, 0.84%, 0.32%

LAB 43.36, 19.98, 48.49

 

CMYK 91 / 0 / 58 / 42

HEX #0E953E

RGB 14 149 62

HSL 141.33, 0.83%, 0.32%

LAB 53.96, -52.13, 36.26

 

CMYK 91 / 77 / 0 / 42

HEX #0D2295

RGB 13 34 149

HSL 230.74, 0.84%, 0.32%

LAB 21.58, 38.9, -63.54

 

CMYK 0 / 91 / 32 / 42

HEX #950D65

RGB 149 13 101

HSL 321.18, 0.84%, 0.32%

LAB 33.17, 57.57, -13.7

 

CMYK 0 / 13 / 91 / 42

HEX #95810D

RGB 149 129 13

HSL 51.18, 0.84%, 0.32%

LAB 54.15, -3.42, 56.89

 

Description

Color code: HEX #0E953E | qconv.com Color code: HEX #0E953E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 149 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 149 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 58 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 58% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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