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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E900C it is the complementary color #F16FF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E900C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E900C shade: #139007, #24A21A, #35B42D, #46C640 and #57D853

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E900C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E900C shade: #0E900C, #007E00, #006C00, #005A00 and #004800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E900C shade: #0D920B, #32920B, #56920B, #7A920B and #92850B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E900C shade: #0D920B, #0B922E, #0B9252, #0B9276 and #0B8992

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E900C shade matches the following richer shades: #0D920B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E900C shade: #0D920B, #1A8518, #267825, #336B32 and #3F5F3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E900C shade: #55920B, #31920B, #0E920B, #0B922D and #0B9251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E900C shade: #064505, #0A6C08, #0D920B, #11B80E and #15DE12

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E900C shade: #0E900C, #0B7992 and #920B43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E900C shade: #0E900C, #0B0E92 and #920B0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E900C shade: #0E900C, #0B7992, #900B92 and #92240B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E900C shade: #0E900C, #0B5192, #900B92 and #924C0B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 92 / 44

HEX #0E900C

RGB 14 144 12

HSL 119.09, 0.85%, 0.31%

LAB 51.91, -54.96, 52.41

 

Complementary color

CMYK 1 / 54 / 0 / 5

HEX #F16FF3

RGB 241 111 243

HSL 299.09, 0.85%, 0.69%

LAB 66.93, 66.97, -43.86

 

CMYK 87 / 0 / 95 / 44

HEX #139007

RGB 19 144 7

HSL 114.74, 0.91%, 0.3%

LAB 51.95, -54.66, 53.33

 

CMYK 78 / 0 / 84 / 36

HEX #24A21A

RGB 36 162 26

HSL 115.59, 0.72%, 0.37%

LAB 58.31, -57.3, 54.99

 

CMYK 71 / 0 / 75 / 29

HEX #35B42D

RGB 53 180 45

HSL 116.44, 0.6%, 0.44%

LAB 64.63, -59.04, 55.25

 

CMYK 65 / 0 / 68 / 22

HEX #46C640

RGB 70 198 64

HSL 117.31, 0.54%, 0.51%

LAB 70.91, -60.16, 54.7

 

CMYK 60 / 0 / 62 / 15

HEX #57D853

RGB 87 216 83

HSL 118.2, 0.63%, 0.59%

LAB 77.14, -60.85, 53.76

 

CMYK 90 / 0 / 92 / 44

HEX #0E900C

RGB 14 144 12

HSL 119.09, 0.85%, 0.31%

LAB 51.91, -54.96, 52.41

 

CMYK 100 / 0 / 100 / 51

HEX #007E00

RGB 0 126 0

HSL 120, 1%, 0.25%

LAB 45.53, -51.12, 49.34

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 100 / 0 / 100 / 65

HEX #005A00

RGB 0 90 0

HSL 120, 1%, 0.18%

LAB 32.51, -40.3, 38.9

 

CMYK 100 / 0 / 100 / 72

HEX #004800

RGB 0 72 0

HSL 120, 1%, 0.14%

LAB 25.67, -34.62, 33.21

 

CMYK 91 / 0 / 92 / 43

HEX #0D920B

RGB 13 146 11

HSL 119.11, 0.86%, 0.31%

LAB 52.58, -55.67, 53.16

 

CMYK 66 / 0 / 92 / 43

HEX #32920B

RGB 50 146 11

HSL 102.67, 0.86%, 0.31%

LAB 53.23, -50.01, 53.97

 

CMYK 41 / 0 / 92 / 43

HEX #56920B

RGB 86 146 11

HSL 86.67, 0.86%, 0.31%

LAB 54.62, -39.22, 55.69

 

CMYK 16 / 0 / 92 / 43

HEX #7A920B

RGB 122 146 11

HSL 70.67, 0.86%, 0.31%

LAB 56.8, -24.74, 58.37

 

CMYK 0 / 9 / 92 / 43

HEX #92850B

RGB 146 133 11

HSL 54.22, 0.86%, 0.31%

LAB 54.98, -7.06, 57.78

 

CMYK 91 / 0 / 92 / 43

HEX #0D920B

RGB 13 146 11

HSL 119.11, 0.86%, 0.31%

LAB 52.58, -55.67, 53.16

 

CMYK 92 / 0 / 68 / 43

HEX #0B922E

RGB 11 146 46

HSL 135.56, 0.86%, 0.31%

LAB 52.76, -53.38, 42.32

 

CMYK 92 / 0 / 44 / 43

HEX #0B9252

RGB 11 146 82

HSL 151.56, 0.86%, 0.31%

LAB 53.21, -47.9, 24.92

 

CMYK 92 / 0 / 19 / 43

HEX #0B9276

RGB 11 146 118

HSL 167.56, 0.86%, 0.31%

LAB 53.96, -39.48, 5.71

 

CMYK 92 / 6 / 0 / 43

HEX #0B8992

RGB 11 137 146

HSL 184, 0.86%, 0.31%

LAB 51.88, -26.83, -13.55

 

CMYK 91 / 0 / 92 / 43

HEX #0D920B

RGB 13 146 11

HSL 119.11, 0.86%, 0.31%

LAB 52.58, -55.67, 53.16

 

CMYK 91 / 0 / 92 / 43

HEX #0D920B

RGB 13 146 11

HSL 119.11, 0.86%, 0.31%

LAB 52.58, -55.67, 53.16

 

CMYK 80 / 0 / 82 / 48

HEX #1A8518

RGB 26 133 24

HSL 118.9, 0.69%, 0.31%

LAB 48.34, -49.6, 46.24

 

CMYK 68 / 0 / 69 / 53

HEX #267825

RGB 38 120 37

HSL 119.28, 0.53%, 0.31%

LAB 44.2, -41.75, 37.12

 

CMYK 52 / 0 / 53 / 58

HEX #336B32

RGB 51 107 50

HSL 118.95, 0.36%, 0.31%

LAB 40.33, -31.24, 26.23

 

CMYK 34 / 0 / 34 / 63

HEX #3F5F3F

RGB 63 95 63

HSL 120, 0.2%, 0.31%

LAB 37.11, -18.97, 14.7

 

CMYK 42 / 0 / 92 / 43

HEX #55920B

RGB 85 146 11

HSL 87.11, 0.86%, 0.31%

LAB 54.57, -39.57, 55.63

 

CMYK 66 / 0 / 92 / 43

HEX #31920B

RGB 49 146 11

HSL 103.11, 0.86%, 0.31%

LAB 53.21, -50.24, 53.94

 

CMYK 90 / 0 / 92 / 43

HEX #0E920B

RGB 14 146 11

HSL 118.67, 0.86%, 0.31%

LAB 52.59, -55.59, 53.18

 

CMYK 92 / 0 / 69 / 43

HEX #0B922D

RGB 11 146 45

HSL 135.11, 0.86%, 0.31%

LAB 52.75, -53.49, 42.74

 

CMYK 92 / 0 / 45 / 43

HEX #0B9251

RGB 11 146 81

HSL 151.11, 0.86%, 0.31%

LAB 53.19, -48.1, 25.44

 

CMYK 91 / 0 / 93 / 73

HEX #064505

RGB 6 69 5

HSL 119.06, 0.86%, 0.15%

LAB 24.66, -32.1, 30.25

 

CMYK 91 / 0 / 93 / 58

HEX #0A6C08

RGB 10 108 8

HSL 118.8, 0.86%, 0.23%

LAB 39.25, -44.4, 42.28

 

CMYK 91 / 0 / 92 / 43

HEX #0D920B

RGB 13 146 11

HSL 119.11, 0.86%, 0.31%

LAB 52.58, -55.67, 53.16

 

CMYK 91 / 0 / 92 / 28

HEX #11B80E

RGB 17 184 14

HSL 118.94, 0.86%, 0.39%

LAB 65.3, -66.27, 63.48

 

CMYK 91 / 0 / 92 / 13

HEX #15DE12

RGB 21 222 18

HSL 119.12, 0.85%, 0.47%

LAB 77.55, -76.41, 73.22

 

CMYK 90 / 0 / 92 / 44

HEX #0E900C

RGB 14 144 12

HSL 119.09, 0.85%, 0.31%

LAB 51.91, -54.96, 52.41

 

CMYK 92 / 17 / 0 / 43

HEX #0B7992

RGB 11 121 146

HSL 191.11, 0.86%, 0.31%

LAB 46.74, -18.46, -21.4

 

CMYK 0 / 92 / 54 / 43

HEX #920B43

RGB 146 11 67

HSL 335.11, 0.86%, 0.31%

LAB 31.24, 53.89, 5.65

 

CMYK 90 / 0 / 92 / 44

HEX #0E900C

RGB 14 144 12

HSL 119.09, 0.85%, 0.31%

LAB 51.91, -54.96, 52.41

 

CMYK 92 / 90 / 0 / 43

HEX #0B0E92

RGB 11 14 146

HSL 238.67, 0.86%, 0.31%

LAB 17.74, 47.77, -68.07

 

CMYK 0 / 92 / 90 / 43

HEX #920B0E

RGB 146 11 14

HSL 358.67, 0.86%, 0.31%

LAB 30.36, 51.39, 37.87

 

CMYK 90 / 0 / 92 / 44

HEX #0E900C

RGB 14 144 12

HSL 119.09, 0.85%, 0.31%

LAB 51.91, -54.96, 52.41

 

CMYK 92 / 17 / 0 / 43

HEX #0B7992

RGB 11 121 146

HSL 191.11, 0.86%, 0.31%

LAB 46.74, -18.46, -21.4

 

CMYK 1 / 92 / 0 / 43

HEX #900B92

RGB 144 11 146

HSL 299.11, 0.86%, 0.31%

LAB 34.49, 63.05, -39.99

 

CMYK 0 / 75 / 92 / 43

HEX #92240B

RGB 146 36 11

HSL 11.11, 0.86%, 0.31%

LAB 32.69, 44.69, 40.94

 

CMYK 90 / 0 / 92 / 44

HEX #0E900C

RGB 14 144 12

HSL 119.09, 0.85%, 0.31%

LAB 51.91, -54.96, 52.41

 

CMYK 92 / 45 / 0 / 43

HEX #0B5192

RGB 11 81 146

HSL 208.89, 0.86%, 0.31%

LAB 34.05, 5.82, -41.36

 

CMYK 1 / 92 / 0 / 43

HEX #900B92

RGB 144 11 146

HSL 299.11, 0.86%, 0.31%

LAB 34.49, 63.05, -39.99

 

CMYK 0 / 48 / 92 / 43

HEX #924C0B

RGB 146 76 11

HSL 28.89, 0.86%, 0.31%

LAB 40.09, 25.4, 46.38

 

Description

Color code: HEX #0E900C | qconv.com Color code: HEX #0E900C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 144 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 144 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 92 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 92% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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