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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E9C2B it is the complementary color #F163D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E9C2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E9C2B shade: #139C26, #24AE39, #35C04C, #46D25F and #57E472

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E9C2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E9C2B shade: #0E9C2B, #008A18, #007805, #006600 and #005400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E9C2B shade: #0D9A2A, #169A0D, #3C9A0D, #629A0D and #899A0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E9C2B shade: #0D9A2A, #0D9A50, #0D9A76, #0D989A and #0D729A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E9C2B shade matches the following richer shades: #0D9A2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E9C2B shade: #0D9A2A, #1B8D32, #287F3A, #367142 and #43644A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E9C2B shade: #3C9A0D, #169A0D, #0D9A29, #0D9A4F and #0D9A75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E9C2B shade: #064E15, #0A741F, #0D9A2A, #10C034 and #14E63F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E9C2B shade: #0E9C2B, #0D629A and #9A0D29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E9C2B shade: #0E9C2B, #290D9A and #9A290D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E9C2B shade: #0E9C2B, #0D629A, #9A0D7E and #9A460D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E9C2B shade: #0E9C2B, #0D379A, #9A0D7E and #9A700D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 72 / 39

HEX #0E9C2B

RGB 14 156 43

HSL 132.25, 0.84%, 0.33%

LAB 56.13, -56.61, 47.14

 

Complementary color

CMYK 0 / 59 / 12 / 5

HEX #F163D4

RGB 241 99 212

HSL 312.25, 0.84%, 0.67%

LAB 63.65, 67.22, -31.72

 

CMYK 88 / 0 / 76 / 39

HEX #139C26

RGB 19 156 38

HSL 128.32, 0.78%, 0.34%

LAB 56.14, -56.65, 49.06

 

CMYK 79 / 0 / 67 / 32

HEX #24AE39

RGB 36 174 57

HSL 129.13, 0.66%, 0.41%

LAB 62.46, -58.69, 48.26

 

CMYK 72 / 0 / 60 / 25

HEX #35C04C

RGB 53 192 76

HSL 129.93, 0.57%, 0.48%

LAB 68.74, -60.01, 47.06

 

CMYK 67 / 0 / 55 / 18

HEX #46D25F

RGB 70 210 95

HSL 130.71, 0.61%, 0.55%

LAB 74.96, -60.84, 45.71

 

CMYK 62 / 0 / 50 / 11

HEX #57E472

RGB 87 228 114

HSL 131.49, 0.72%, 0.62%

LAB 81.14, -61.32, 44.33

 

CMYK 91 / 0 / 72 / 39

HEX #0E9C2B

RGB 14 156 43

HSL 132.25, 0.84%, 0.33%

LAB 56.13, -56.61, 47.14

 

CMYK 100 / 0 / 83 / 46

HEX #008A18

RGB 0 138 24

HSL 130.43, 1%, 0.27%

LAB 49.79, -53.56, 47.52

 

CMYK 100 / 0 / 96 / 53

HEX #007805

RGB 0 120 5

HSL 122.5, 1%, 0.24%

LAB 43.42, -49.15, 46.51

 

CMYK 100 / 0 / 100 / 60

HEX #006600

RGB 0 102 0

HSL 120, 1%, 0.2%

LAB 36.93, -43.98, 42.45

 

CMYK 100 / 0 / 100 / 67

HEX #005400

RGB 0 84 0

HSL 120, 1%, 0.16%

LAB 30.26, -38.43, 37.09

 

CMYK 92 / 0 / 73 / 40

HEX #0D9A2A

RGB 13 154 42

HSL 132.34, 0.84%, 0.33%

LAB 55.45, -56.15, 46.82

 

CMYK 86 / 0 / 92 / 40

HEX #169A0D

RGB 22 154 13

HSL 116.17, 0.84%, 0.33%

LAB 55.39, -57.17, 55.25

 

CMYK 61 / 0 / 92 / 40

HEX #3C9A0D

RGB 60 154 13

HSL 100, 0.84%, 0.33%

LAB 56.19, -50.33, 56.24

 

CMYK 36 / 0 / 92 / 40

HEX #629A0D

RGB 98 154 13

HSL 83.83, 0.84%, 0.33%

LAB 57.79, -38.19, 58.22

 

CMYK 11 / 0 / 92 / 40

HEX #899A0D

RGB 137 154 13

HSL 67.23, 0.84%, 0.33%

LAB 60.3, -22.14, 61.31

 

CMYK 92 / 0 / 73 / 40

HEX #0D9A2A

RGB 13 154 42

HSL 132.34, 0.84%, 0.33%

LAB 55.45, -56.15, 46.82

 

CMYK 92 / 0 / 48 / 40

HEX #0D9A50

RGB 13 154 80

HSL 148.51, 0.84%, 0.33%

LAB 55.86, -51.02, 29.41

 

CMYK 92 / 0 / 23 / 40

HEX #0D9A76

RGB 13 154 118

HSL 164.68, 0.84%, 0.33%

LAB 56.59, -42.74, 9.46

 

CMYK 92 / 1 / 0 / 40

HEX #0D989A

RGB 13 152 154

HSL 180.85, 0.84%, 0.33%

LAB 56.95, -31.49, -10.52

 

CMYK 92 / 26 / 0 / 40

HEX #0D729A

RGB 13 114 154

HSL 197.02, 0.84%, 0.33%

LAB 44.88, -11.45, -29.01

 

CMYK 92 / 0 / 73 / 40

HEX #0D9A2A

RGB 13 154 42

HSL 132.34, 0.84%, 0.33%

LAB 55.45, -56.15, 46.82

 

CMYK 92 / 0 / 73 / 40

HEX #0D9A2A

RGB 13 154 42

HSL 132.34, 0.84%, 0.33%

LAB 55.45, -56.15, 46.82

 

CMYK 81 / 0 / 65 / 45

HEX #1B8D32

RGB 27 141 50

HSL 132.11, 0.68%, 0.33%

LAB 51.28, -49.7, 38.94

 

CMYK 69 / 0 / 54 / 50

HEX #287F3A

RGB 40 127 58

HSL 132.41, 0.52%, 0.33%

LAB 46.89, -41.27, 29.9

 

CMYK 52 / 0 / 42 / 56

HEX #367142

RGB 54 113 66

HSL 132.2, 0.35%, 0.33%

LAB 42.74, -30.41, 20.34

 

CMYK 33 / 0 / 26 / 61

HEX #43644A

RGB 67 100 74

HSL 132.73, 0.2%, 0.33%

LAB 39.25, -18.02, 11.01

 

CMYK 61 / 0 / 92 / 40

HEX #3C9A0D

RGB 60 154 13

HSL 100, 0.84%, 0.33%

LAB 56.19, -50.33, 56.24

 

CMYK 86 / 0 / 92 / 40

HEX #169A0D

RGB 22 154 13

HSL 116.17, 0.84%, 0.33%

LAB 55.39, -57.17, 55.25

 

CMYK 92 / 0 / 73 / 40

HEX #0D9A29

RGB 13 154 41

HSL 131.91, 0.84%, 0.33%

LAB 55.44, -56.24, 47.2

 

CMYK 92 / 0 / 49 / 40

HEX #0D9A4F

RGB 13 154 79

HSL 148.09, 0.84%, 0.33%

LAB 55.85, -51.2, 29.91

 

CMYK 92 / 0 / 24 / 40

HEX #0D9A75

RGB 13 154 117

HSL 164.26, 0.84%, 0.33%

LAB 56.57, -42.99, 9.99

 

CMYK 92 / 0 / 73 / 69

HEX #064E15

RGB 6 78 21

HSL 132.5, 0.86%, 0.16%

LAB 28.23, -33.76, 27.02

 

CMYK 91 / 0 / 73 / 55

HEX #0A741F

RGB 10 116 31

HSL 131.89, 0.84%, 0.25%

LAB 42.24, -45.33, 37.49

 

CMYK 92 / 0 / 73 / 40

HEX #0D9A2A

RGB 13 154 42

HSL 132.34, 0.84%, 0.33%

LAB 55.45, -56.15, 46.82

 

CMYK 92 / 0 / 73 / 25

HEX #10C034

RGB 16 192 52

HSL 132.27, 0.85%, 0.41%

LAB 68.06, -66.52, 56.05

 

CMYK 91 / 0 / 73 / 10

HEX #14E63F

RGB 20 230 63

HSL 132.29, 0.84%, 0.49%

LAB 80.24, -76.35, 64.57

 

CMYK 91 / 0 / 72 / 39

HEX #0E9C2B

RGB 14 156 43

HSL 132.25, 0.84%, 0.33%

LAB 56.13, -56.61, 47.14

 

CMYK 92 / 36 / 0 / 40

HEX #0D629A

RGB 13 98 154

HSL 203.83, 0.84%, 0.33%

LAB 39.84, -1.79, -36.95

 

CMYK 0 / 92 / 73 / 40

HEX #9A0D29

RGB 154 13 41

HSL 348.09, 0.84%, 0.33%

LAB 32.52, 54.1, 24.77

 

CMYK 91 / 0 / 72 / 39

HEX #0E9C2B

RGB 14 156 43

HSL 132.25, 0.84%, 0.33%

LAB 56.13, -56.61, 47.14

 

CMYK 73 / 92 / 0 / 40

HEX #290D9A

RGB 41 13 154

HSL 251.91, 0.84%, 0.33%

LAB 20.41, 51.55, -68.52

 

CMYK 0 / 73 / 92 / 40

HEX #9A290D

RGB 154 41 13

HSL 11.91, 0.84%, 0.33%

LAB 34.97, 45.55, 42.52

 

CMYK 91 / 0 / 72 / 39

HEX #0E9C2B

RGB 14 156 43

HSL 132.25, 0.84%, 0.33%

LAB 56.13, -56.61, 47.14

 

CMYK 92 / 36 / 0 / 40

HEX #0D629A

RGB 13 98 154

HSL 203.83, 0.84%, 0.33%

LAB 39.84, -1.79, -36.95

 

CMYK 0 / 92 / 18 / 40

HEX #9A0D7E

RGB 154 13 126

HSL 311.91, 0.84%, 0.33%

LAB 35.33, 61.76, -26.13

 

CMYK 0 / 55 / 92 / 40

HEX #9A460D

RGB 154 70 13

HSL 24.26, 0.84%, 0.33%

LAB 40.05, 32.11, 46.29

 

CMYK 91 / 0 / 72 / 39

HEX #0E9C2B

RGB 14 156 43

HSL 132.25, 0.84%, 0.33%

LAB 56.13, -56.61, 47.14

 

CMYK 92 / 64 / 0 / 40

HEX #0D379A

RGB 13 55 154

HSL 222.13, 0.84%, 0.33%

LAB 27.16, 27.13, -57.41

 

CMYK 0 / 92 / 18 / 40

HEX #9A0D7E

RGB 154 13 126

HSL 311.91, 0.84%, 0.33%

LAB 35.33, 61.76, -26.13

 

CMYK 0 / 27 / 92 / 40

HEX #9A700D

RGB 154 112 13

HSL 42.13, 0.84%, 0.33%

LAB 50.08, 8.5, 53.95

 

Description

Color code: HEX #0E9C2B | qconv.com Color code: HEX #0E9C2B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 156 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 156 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 72 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 72% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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