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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EA5AC it is the complementary color #F15A53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EA5AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EA5AC shade: #13A5A7, #24B7BA, #35C9CD, #46DBE0 and #57EDF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EA5AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EA5AC shade: #0EA5AC, #009399, #008186, #006F73 and #005D60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EA5AC shade: #0DA2A9, #0D78A9, #0D4EA9, #0D24A9 and #200DA9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EA5AC shade: #0DA2A9, #0D78A9, #0D4EA9, #0D24A9 and #0D0DA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EA5AC shade matches the following richer shades: #0DA2A9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EA5AC shade: #0DA2A9, #1C959A, #2B878C, #3A7A7D and #496C6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EA5AC shade: #0DA95B, #0DA985, #0DA4A9, #0D7BA9 and #0D51A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EA5AC shade: #07595D, #0A7E83, #0DA2A9, #10C7CF and #1DE3EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EA5AC shade: #0EA5AC, #320DA9 and #A9700D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EA5AC shade: #0EA5AC, #A90DA4 and #A4A90D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EA5AC shade: #0EA5AC, #320DA9, #A9120D and #85A90D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EA5AC shade: #0EA5AC, #610DA9, #A9120D and #56A90D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 4 / 0 / 33

HEX #0EA5AC

RGB 14 165 172

HSL 182.66, 0.85%, 0.36%

LAB 61.64, -31.98, -13.67

 

Complementary color

CMYK 0 / 63 / 66 / 5

HEX #F15A53

RGB 241 90 83

HSL 2.66, 0.85%, 0.64%

LAB 58.64, 57.59, 35.15

 

CMYK 89 / 1 / 0 / 35

HEX #13A5A7

RGB 19 165 167

HSL 180.81, 0.8%, 0.36%

LAB 61.51, -33.3, -11.04

 

CMYK 81 / 2 / 0 / 27

HEX #24B7BA

RGB 36 183 186

HSL 181.2, 0.68%, 0.44%

LAB 67.86, -34.74, -12.09

 

CMYK 74 / 2 / 0 / 20

HEX #35C9CD

RGB 53 201 205

HSL 181.58, 0.6%, 0.51%

LAB 74.15, -35.83, -13.02

 

CMYK 69 / 2 / 0 / 12

HEX #46DBE0

RGB 70 219 224

HSL 181.95, 0.71%, 0.58%

LAB 80.37, -36.66, -13.87

 

CMYK 64 / 2 / 0 / 5

HEX #57EDF3

RGB 87 237 243

HSL 182.31, 0.87%, 0.65%

LAB 86.54, -37.29, -14.64

 

CMYK 92 / 4 / 0 / 33

HEX #0EA5AC

RGB 14 165 172

HSL 182.66, 0.85%, 0.36%

LAB 61.64, -31.98, -13.67

 

CMYK 100 / 4 / 0 / 40

HEX #009399

RGB 0 147 153

HSL 182.35, 1%, 0.3%

LAB 55.24, -29.96, -12.53

 

CMYK 100 / 4 / 0 / 47

HEX #008186

RGB 0 129 134

HSL 182.24, 1%, 0.26%

LAB 48.79, -27.36, -11.22

 

CMYK 100 / 3 / 0 / 55

HEX #006F73

RGB 0 111 115

HSL 182.09, 1%, 0.23%

LAB 42.16, -24.69, -9.87

 

CMYK 100 / 3 / 0 / 62

HEX #005D60

RGB 0 93 96

HSL 181.88, 1%, 0.19%

LAB 35.35, -21.96, -8.47

 

CMYK 92 / 4 / 0 / 34

HEX #0DA2A9

RGB 13 162 169

HSL 182.69, 0.86%, 0.36%

LAB 60.6, -31.54, -13.56

 

CMYK 92 / 29 / 0 / 34

HEX #0D78A9

RGB 13 120 169

HSL 198.85, 0.86%, 0.36%

LAB 47.47, -9.26, -33.75

 

CMYK 92 / 54 / 0 / 34

HEX #0D4EA9

RGB 13 78 169

HSL 215, 0.86%, 0.36%

LAB 34.8, 17.48, -54

 

CMYK 92 / 79 / 0 / 34

HEX #0D24A9

RGB 13 36 169

HSL 231.15, 0.86%, 0.36%

LAB 24.36, 44.78, -71.14

 

CMYK 81 / 92 / 0 / 34

HEX #200DA9

RGB 32 13 169

HSL 247.31, 0.86%, 0.36%

LAB 21.8, 55.3, -75.38

 

CMYK 92 / 4 / 0 / 34

HEX #0DA2A9

RGB 13 162 169

HSL 182.69, 0.86%, 0.36%

LAB 60.6, -31.54, -13.56

 

CMYK 92 / 29 / 0 / 34

HEX #0D78A9

RGB 13 120 169

HSL 198.85, 0.86%, 0.36%

LAB 47.47, -9.26, -33.75

 

CMYK 92 / 54 / 0 / 34

HEX #0D4EA9

RGB 13 78 169

HSL 215, 0.86%, 0.36%

LAB 34.8, 17.48, -54

 

CMYK 92 / 79 / 0 / 34

HEX #0D24A9

RGB 13 36 169

HSL 231.15, 0.86%, 0.36%

LAB 24.36, 44.78, -71.14

 

CMYK 92 / 92 / 0 / 34

HEX #0D0DA9

RGB 13 13 169

HSL 240, 0.86%, 0.36%

LAB 20.97, 54.82, -76.78

 

CMYK 92 / 4 / 0 / 34

HEX #0DA2A9

RGB 13 162 169

HSL 182.69, 0.86%, 0.36%

LAB 60.6, -31.54, -13.56

 

CMYK 92 / 4 / 0 / 34

HEX #0DA2A9

RGB 13 162 169

HSL 182.69, 0.86%, 0.36%

LAB 60.6, -31.54, -13.56

 

CMYK 82 / 3 / 0 / 40

HEX #1C959A

RGB 28 149 154

HSL 182.38, 0.69%, 0.36%

LAB 56.16, -29.01, -11.69

 

CMYK 69 / 4 / 0 / 45

HEX #2B878C

RGB 43 135 140

HSL 183.09, 0.53%, 0.36%

LAB 51.54, -24.59, -10.53

 

CMYK 54 / 2 / 0 / 51

HEX #3A7A7D

RGB 58 122 125

HSL 182.69, 0.37%, 0.36%

LAB 47.36, -19.49, -7.92

 

CMYK 34 / 2 / 0 / 57

HEX #496C6E

RGB 73 108 110

HSL 183.24, 0.2%, 0.36%

LAB 43.16, -11.91, -5.13

 

CMYK 92 / 0 / 46 / 34

HEX #0DA95B

RGB 13 169 91

HSL 150, 0.86%, 0.36%

LAB 60.97, -54.31, 30.16

 

CMYK 92 / 0 / 21 / 34

HEX #0DA985

RGB 13 169 133

HSL 166.15, 0.86%, 0.36%

LAB 61.79, -45.07, 8.42

 

CMYK 92 / 3 / 0 / 34

HEX #0DA4A9

RGB 13 164 169

HSL 181.92, 0.86%, 0.36%

LAB 61.22, -32.5, -12.61

 

CMYK 92 / 27 / 0 / 34

HEX #0D7BA9

RGB 13 123 169

HSL 197.69, 0.86%, 0.36%

LAB 48.41, -11, -32.29

 

CMYK 92 / 52 / 0 / 34

HEX #0D51A9

RGB 13 81 169

HSL 213.85, 0.86%, 0.36%

LAB 35.66, 15.45, -52.59

 

CMYK 92 / 4 / 0 / 64

HEX #07595D

RGB 7 89 93

HSL 182.79, 0.86%, 0.2%

LAB 33.94, -20.29, -8.7

 

CMYK 92 / 4 / 0 / 49

HEX #0A7E83

RGB 10 126 131

HSL 182.48, 0.86%, 0.28%

LAB 47.78, -26.33, -10.95

 

CMYK 92 / 4 / 0 / 34

HEX #0DA2A9

RGB 13 162 169

HSL 182.69, 0.86%, 0.36%

LAB 60.6, -31.54, -13.56

 

CMYK 92 / 4 / 0 / 19

HEX #10C7CF

RGB 16 199 207

HSL 182.51, 0.86%, 0.44%

LAB 73.2, -36.99, -15.58

 

CMYK 88 / 4 / 0 / 7

HEX #1DE3EC

RGB 29 227 236

HSL 182.61, 0.84%, 0.52%

LAB 82.52, -40.46, -17.08

 

CMYK 92 / 4 / 0 / 33

HEX #0EA5AC

RGB 14 165 172

HSL 182.66, 0.85%, 0.36%

LAB 61.64, -31.98, -13.67

 

CMYK 70 / 92 / 0 / 34

HEX #320DA9

RGB 50 13 169

HSL 254.23, 0.86%, 0.36%

LAB 23.1, 56.1, -73.17

 

CMYK 0 / 34 / 92 / 34

HEX #A9700D

RGB 169 112 13

HSL 38.08, 0.86%, 0.36%

LAB 51.9, 15.4, 56.13

 

CMYK 92 / 4 / 0 / 33

HEX #0EA5AC

RGB 14 165 172

HSL 182.66, 0.85%, 0.36%

LAB 61.64, -31.98, -13.67

 

CMYK 0 / 92 / 3 / 34

HEX #A90DA4

RGB 169 13 164

HSL 301.92, 0.86%, 0.36%

LAB 40.25, 70.05, -41.44

 

CMYK 3 / 0 / 92 / 34

HEX #A4A90D

RGB 164 169 13

HSL 61.92, 0.86%, 0.36%

LAB 66.75, -17.87, 67.29

 

CMYK 92 / 4 / 0 / 33

HEX #0EA5AC

RGB 14 165 172

HSL 182.66, 0.85%, 0.36%

LAB 61.64, -31.98, -13.67

 

CMYK 70 / 92 / 0 / 34

HEX #320DA9

RGB 50 13 169

HSL 254.23, 0.86%, 0.36%

LAB 23.1, 56.1, -73.17

 

CMYK 0 / 89 / 92 / 34

HEX #A9120D

RGB 169 18 13

HSL 1.92, 0.86%, 0.36%

LAB 35.78, 56.56, 44.53

 

CMYK 21 / 0 / 92 / 34

HEX #85A90D

RGB 133 169 13

HSL 73.85, 0.86%, 0.36%

LAB 64.48, -31.15, 64.53

 

CMYK 92 / 4 / 0 / 33

HEX #0EA5AC

RGB 14 165 172

HSL 182.66, 0.85%, 0.36%

LAB 61.64, -31.98, -13.67

 

CMYK 43 / 92 / 0 / 34

HEX #610DA9

RGB 97 13 169

HSL 272.31, 0.86%, 0.36%

LAB 28.63, 60.11, -63.86

 

CMYK 0 / 89 / 92 / 34

HEX #A9120D

RGB 169 18 13

HSL 1.92, 0.86%, 0.36%

LAB 35.78, 56.56, 44.53

 

CMYK 49 / 0 / 92 / 34

HEX #56A90D

RGB 86 169 13

HSL 91.92, 0.86%, 0.36%

LAB 61.98, -48.48, 61.47

 

Description

Color code: HEX #0EA5AC | qconv.com Color code: HEX #0EA5AC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 165 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 165 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 4 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 4% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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