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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EA5D6 it is the complementary color #F15A29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EA5D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EA5D6 shade: #13A5D1, #24B7E4, #35C9F7, #46DBFF and #57EDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EA5D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EA5D6 shade: #0EA5D6, #0093C3, #0081B0, #006F9D and #005D8A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EA5D6 shade: #0DA6D7, #0D6FD7, #0D39D7, #180DD7 and #4F0DD7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EA5D6 shade: #0DA6D7, #0D6FD7, #0D39D7 and #0D0DD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EA5D6 shade matches the following richer shades: #0DA6D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EA5D6 shade: #0DA6D7, #209CC5, #3293B2, #4589A0 and #58808D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EA5D6 shade: #0DD79B, #0DD7D0, #0DA8D7, #0D72D7 and #0D3CD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EA5D6 shade: #086A8A, #0B88B0, #0DA6D7, #1EBDF0 and #44C8F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EA5D6 shade: #0EA5D6, #650DD7 and #D7B60D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EA5D6 shade: #0EA5D6, #D70DA8 and #A8D70D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EA5D6 shade: #0EA5D6, #650DD7, #D73C0D and #80D70D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EA5D6 shade: #0EA5D6, #A10DD7, #D73C0D and #43D70D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 23 / 0 / 16

HEX #0EA5D6

RGB 14 165 214

HSL 194.7, 0.88%, 0.45%

LAB 63.23, -17.86, -34.7

 

Complementary color

CMYK 0 / 63 / 83 / 5

HEX #F15A29

RGB 241 90 41

HSL 14.7, 0.88%, 0.55%

LAB 58.2, 55.9, 56.2

 

CMYK 91 / 21 / 0 / 18

HEX #13A5D1

RGB 19 165 209

HSL 193.89, 0.83%, 0.45%

LAB 63.05, -19.4, -32.19

 

CMYK 84 / 20 / 0 / 11

HEX #24B7E4

RGB 36 183 228

HSL 194.06, 0.78%, 0.52%

LAB 69.36, -21.31, -32.87

 

CMYK 79 / 19 / 0 / 3

HEX #35C9F7

RGB 53 201 247

HSL 194.23, 0.92%, 0.59%

LAB 75.6, -22.84, -33.47

 

CMYK 73 / 14 / 0 / 0

HEX #46DBFF

RGB 70 219 255

HSL 191.68, 1%, 0.64%

LAB 81.39, -27.5, -28.8

 

CMYK 66 / 7 / 0 / 0

HEX #57EDFF

RGB 87 237 255

HSL 186.43, 1%, 0.67%

LAB 86.91, -33.93, -20.38

 

CMYK 93 / 23 / 0 / 16

HEX #0EA5D6

RGB 14 165 214

HSL 194.7, 0.88%, 0.45%

LAB 63.23, -17.86, -34.7

 

CMYK 100 / 25 / 0 / 24

HEX #0093C3

RGB 0 147 195

HSL 194.77, 1%, 0.38%

LAB 56.89, -15.37, -33.95

 

CMYK 100 / 27 / 0 / 31

HEX #0081B0

RGB 0 129 176

HSL 196.02, 1%, 0.35%

LAB 50.49, -12.35, -33.09

 

CMYK 100 / 29 / 0 / 38

HEX #006F9D

RGB 0 111 157

HSL 197.58, 1%, 0.31%

LAB 43.95, -9.18, -32.25

 

CMYK 100 / 33 / 0 / 46

HEX #005D8A

RGB 0 93 138

HSL 199.57, 1%, 0.27%

LAB 37.23, -5.84, -31.44

 

CMYK 94 / 23 / 0 / 16

HEX #0DA6D7

RGB 13 166 215

HSL 194.55, 0.89%, 0.45%

LAB 63.56, -18.08, -34.73

 

CMYK 94 / 48 / 0 / 16

HEX #0D6FD7

RGB 13 111 215

HSL 210.89, 0.89%, 0.45%

LAB 47.44, 14.28, -60.3

 

CMYK 94 / 73 / 0 / 16

HEX #0D39D7

RGB 13 57 215

HSL 226.93, 0.89%, 0.45%

LAB 33.81, 48.69, -82.59

 

CMYK 89 / 94 / 0 / 16

HEX #180DD7

RGB 24 13 215

HSL 243.27, 0.89%, 0.45%

LAB 27.81, 67.34, -92.56

 

CMYK 63 / 94 / 0 / 16

HEX #4F0DD7

RGB 79 13 215

HSL 259.6, 0.89%, 0.45%

LAB 31.48, 69.31, -86.36

 

CMYK 94 / 23 / 0 / 16

HEX #0DA6D7

RGB 13 166 215

HSL 194.55, 0.89%, 0.45%

LAB 63.56, -18.08, -34.73

 

CMYK 94 / 48 / 0 / 16

HEX #0D6FD7

RGB 13 111 215

HSL 210.89, 0.89%, 0.45%

LAB 47.44, 14.28, -60.3

 

CMYK 94 / 73 / 0 / 16

HEX #0D39D7

RGB 13 57 215

HSL 226.93, 0.89%, 0.45%

LAB 33.81, 48.69, -82.59

 

CMYK 94 / 94 / 0 / 16

HEX #0D0DD7

RGB 13 13 215

HSL 240, 0.89%, 0.45%

LAB 27.52, 67.21, -93.07

 

CMYK 94 / 23 / 0 / 16

HEX #0DA6D7

RGB 13 166 215

HSL 194.55, 0.89%, 0.45%

LAB 63.56, -18.08, -34.73

 

CMYK 94 / 23 / 0 / 16

HEX #0DA6D7

RGB 13 166 215

HSL 194.55, 0.89%, 0.45%

LAB 63.56, -18.08, -34.73

 

CMYK 84 / 21 / 0 / 23

HEX #209CC5

RGB 32 156 197

HSL 194.91, 0.72%, 0.45%

LAB 59.99, -17.97, -30.22

 

CMYK 72 / 17 / 0 / 30

HEX #3293B2

RGB 50 147 178

HSL 194.53, 0.56%, 0.45%

LAB 56.84, -17.64, -24.33

 

CMYK 57 / 14 / 0 / 37

HEX #4589A0

RGB 69 137 160

HSL 195.16, 0.4%, 0.45%

LAB 53.7, -14.67, -18.77

 

CMYK 38 / 9 / 0 / 45

HEX #58808D

RGB 88 128 141

HSL 194.72, 0.23%, 0.45%

LAB 51.19, -10.41, -11.45

 

CMYK 94 / 0 / 28 / 16

HEX #0DD79B

RGB 13 215 155

HSL 162.18, 0.89%, 0.45%

LAB 76.71, -57.74, 17.49

 

CMYK 94 / 0 / 3 / 16

HEX #0DD7D0

RGB 13 215 208

HSL 177.92, 0.89%, 0.45%

LAB 78.02, -43.98, -8.91

 

CMYK 94 / 22 / 0 / 16

HEX #0DA8D7

RGB 13 168 215

HSL 193.96, 0.89%, 0.45%

LAB 64.16, -19.14, -33.8

 

CMYK 94 / 47 / 0 / 16

HEX #0D72D7

RGB 13 114 215

HSL 210, 0.89%, 0.45%

LAB 48.29, 12.37, -58.93

 

CMYK 94 / 72 / 0 / 16

HEX #0D3CD7

RGB 13 60 215

HSL 226.04, 0.89%, 0.45%

LAB 34.44, 46.93, -81.55

 

CMYK 94 / 23 / 0 / 46

HEX #086A8A

RGB 8 106 138

HSL 194.77, 0.89%, 0.29%

LAB 41.52, -13.16, -24.71

 

CMYK 94 / 23 / 0 / 31

HEX #0B88B0

RGB 11 136 176

HSL 194.55, 0.88%, 0.37%

LAB 52.75, -15.83, -29.57

 

CMYK 94 / 23 / 0 / 16

HEX #0DA6D7

RGB 13 166 215

HSL 194.55, 0.89%, 0.45%

LAB 63.56, -18.08, -34.73

 

CMYK 88 / 21 / 0 / 6

HEX #1EBDF0

RGB 30 189 240

HSL 194.57, 0.88%, 0.53%

LAB 71.53, -20.75, -36.03

 

CMYK 72 / 18 / 0 / 5

HEX #44C8F3

RGB 68 200 243

HSL 194.74, 0.88%, 0.61%

LAB 75.46, -21.98, -31.52

 

CMYK 93 / 23 / 0 / 16

HEX #0EA5D6

RGB 14 165 214

HSL 194.7, 0.88%, 0.45%

LAB 63.23, -17.86, -34.7

 

CMYK 53 / 94 / 0 / 16

HEX #650DD7

RGB 101 13 215

HSL 266.14, 0.89%, 0.45%

LAB 33.9, 70.85, -82.27

 

CMYK 0 / 15 / 94 / 16

HEX #D7B60D

RGB 215 182 13

HSL 50.2, 0.89%, 0.45%

LAB 74.78, -2.11, 75.38

 

CMYK 93 / 23 / 0 / 16

HEX #0EA5D6

RGB 14 165 214

HSL 194.7, 0.88%, 0.45%

LAB 63.23, -17.86, -34.7

 

CMYK 0 / 94 / 22 / 16

HEX #D70DA8

RGB 215 13 168

HSL 313.96, 0.89%, 0.45%

LAB 48.96, 79.18, -29.52

 

CMYK 22 / 0 / 94 / 16

HEX #A8D70D

RGB 168 215 13

HSL 73.96, 0.89%, 0.45%

LAB 80.15, -38.14, 77.9

 

CMYK 93 / 23 / 0 / 16

HEX #0EA5D6

RGB 14 165 214

HSL 194.7, 0.88%, 0.45%

LAB 63.23, -17.86, -34.7

 

CMYK 53 / 94 / 0 / 16

HEX #650DD7

RGB 101 13 215

HSL 266.14, 0.89%, 0.45%

LAB 33.9, 70.85, -82.27

 

CMYK 0 / 72 / 94 / 16

HEX #D73C0D

RGB 215 60 13

HSL 13.96, 0.89%, 0.45%

LAB 49.14, 58.57, 57.57

 

CMYK 40 / 0 / 94 / 16

HEX #80D70D

RGB 128 215 13

HSL 85.84, 0.89%, 0.45%

LAB 78, -52.79, 75.28

 

CMYK 93 / 23 / 0 / 16

HEX #0EA5D6

RGB 14 165 214

HSL 194.7, 0.88%, 0.45%

LAB 63.23, -17.86, -34.7

 

CMYK 25 / 94 / 0 / 16

HEX #A10DD7

RGB 161 13 215

HSL 283.96, 0.89%, 0.45%

LAB 42.42, 77.32, -67.97

 

CMYK 0 / 72 / 94 / 16

HEX #D73C0D

RGB 215 60 13

HSL 13.96, 0.89%, 0.45%

LAB 49.14, 58.57, 57.57

 

CMYK 69 / 0 / 94 / 16

HEX #43D70D

RGB 67 215 13

HSL 103.96, 0.89%, 0.45%

LAB 75.96, -68.97, 72.77

 

Description

Color code: HEX #0EA5D6 | qconv.com Color code: HEX #0EA5D6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 165 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 165 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 23 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 23% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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