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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EC5E0 it is the complementary color #F13A1F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EC5E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EC5E0 shade: #13C5DB, #24D7EE, #35E9FF, #46FBFF and #57FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EC5E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EC5E0 shade: #0EC5E0, #00B3CD, #00A1BA, #008FA7 and #007D94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EC5E0 shade: #0EC6E1, #0E8DE1, #0E54E1, #0E1BE1 and #3A0EE1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EC5E0 shade: #0EC6E1, #0E8DE1, #0E54E1, #0E1BE1 and #0E0EE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EC5E0 shade matches the following richer shades: #0EC6E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EC5E0 shade: #0EC6E1, #21B7CD, #35A9BA, #489AA7 and #5B8C93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EC5E0 shade: #0EE189, #0EE1C1, #0EC8E1, #0E90E1 and #0E58E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EC5E0 shade: #098193, #0BA4BA, #0EC6E1, #27D7F1 and #4EDEF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EC5E0 shade: #0EC5E0, #510EE1 and #E1A50E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EC5E0 shade: #0EC5E0, #E10EC8 and #C8E10E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EC5E0 shade: #0EC5E0, #510EE1, #E1260E and #9EE10E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EC5E0 shade: #0EC5E0, #900EE1, #E1260E and #5FE10E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 12 / 0 / 12

HEX #0EC5E0

RGB 14 197 224

HSL 187.71, 0.88%, 0.47%

LAB 73.16, -30.76, -24.86

 

Complementary color

CMYK 0 / 76 / 87 / 5

HEX #F13A1F

RGB 241 58 31

HSL 7.71, 0.88%, 0.53%

LAB 53.84, 67.42, 56.8

 

CMYK 91 / 10 / 0 / 14

HEX #13C5DB

RGB 19 197 219

HSL 186.6, 0.84%, 0.47%

LAB 73.01, -32.18, -22.37

 

CMYK 85 / 10 / 0 / 7

HEX #24D7EE

RGB 36 215 238

HSL 186.83, 0.86%, 0.54%

LAB 79.13, -33.9, -23.27

 

CMYK 79 / 9 / 0 / 0

HEX #35E9FF

RGB 53 233 255

HSL 186.53, 1%, 0.6%

LAB 85.13, -35.91, -23.13

 

CMYK 73 / 2 / 0 / 0

HEX #46FBFF

RGB 70 251 255

HSL 181.3, 1%, 0.64%

LAB 90.56, -42.46, -14.91

 

CMYK 66 / 0 / 0 / 0

HEX #57FFFF

RGB 87 255 255

HSL 180, 1%, 0.67%

LAB 92.03, -42.17, -12.68

 

CMYK 94 / 12 / 0 / 12

HEX #0EC5E0

RGB 14 197 224

HSL 187.71, 0.88%, 0.47%

LAB 73.16, -30.76, -24.86

 

CMYK 100 / 13 / 0 / 20

HEX #00B3CD

RGB 0 179 205

HSL 187.61, 1%, 0.4%

LAB 67.01, -28.56, -23.89

 

CMYK 100 / 13 / 0 / 27

HEX #00A1BA

RGB 0 161 186

HSL 188.06, 1%, 0.36%

LAB 60.81, -25.93, -22.81

 

CMYK 100 / 14 / 0 / 35

HEX #008FA7

RGB 0 143 167

HSL 188.62, 1%, 0.33%

LAB 54.49, -23.23, -21.72

 

CMYK 100 / 16 / 0 / 42

HEX #007D94

RGB 0 125 148

HSL 189.32, 1%, 0.29%

LAB 48.01, -20.45, -20.62

 

CMYK 94 / 12 / 0 / 12

HEX #0EC6E1

RGB 14 198 225

HSL 187.68, 0.88%, 0.47%

LAB 73.49, -30.92, -24.89

 

CMYK 94 / 37 / 0 / 12

HEX #0E8DE1

RGB 14 141 225

HSL 203.89, 0.88%, 0.47%

LAB 56.66, -0.29, -51.15

 

CMYK 94 / 63 / 0 / 12

HEX #0E54E1

RGB 14 84 225

HSL 220.09, 0.88%, 0.47%

LAB 41.01, 35.66, -76.46

 

CMYK 94 / 88 / 0 / 12

HEX #0E1BE1

RGB 14 27 225

HSL 236.3, 0.88%, 0.47%

LAB 30.19, 65.99, -94.37

 

CMYK 74 / 94 / 0 / 12

HEX #3A0EE1

RGB 58 14 225

HSL 252.51, 0.88%, 0.47%

LAB 31, 70.56, -92.97

 

CMYK 94 / 12 / 0 / 12

HEX #0EC6E1

RGB 14 198 225

HSL 187.68, 0.88%, 0.47%

LAB 73.49, -30.92, -24.89

 

CMYK 94 / 37 / 0 / 12

HEX #0E8DE1

RGB 14 141 225

HSL 203.89, 0.88%, 0.47%

LAB 56.66, -0.29, -51.15

 

CMYK 94 / 63 / 0 / 12

HEX #0E54E1

RGB 14 84 225

HSL 220.09, 0.88%, 0.47%

LAB 41.01, 35.66, -76.46

 

CMYK 94 / 88 / 0 / 12

HEX #0E1BE1

RGB 14 27 225

HSL 236.3, 0.88%, 0.47%

LAB 30.19, 65.99, -94.37

 

CMYK 94 / 94 / 0 / 12

HEX #0E0EE1

RGB 14 14 225

HSL 240, 0.88%, 0.47%

LAB 29.01, 69.58, -96.33

 

CMYK 94 / 12 / 0 / 12

HEX #0EC6E1

RGB 14 198 225

HSL 187.68, 0.88%, 0.47%

LAB 73.49, -30.92, -24.89

 

CMYK 94 / 12 / 0 / 12

HEX #0EC6E1

RGB 14 198 225

HSL 187.68, 0.88%, 0.47%

LAB 73.49, -30.92, -24.89

 

CMYK 84 / 11 / 0 / 20

HEX #21B7CD

RGB 33 183 205

HSL 187.67, 0.72%, 0.47%

LAB 68.46, -29.07, -21.65

 

CMYK 72 / 9 / 0 / 27

HEX #35A9BA

RGB 53 169 186

HSL 187.67, 0.56%, 0.47%

LAB 63.9, -26.1, -18.04

 

CMYK 57 / 8 / 0 / 35

HEX #489AA7

RGB 72 154 167

HSL 188.21, 0.4%, 0.47%

LAB 59.23, -21.03, -14.37

 

CMYK 38 / 5 / 0 / 42

HEX #5B8C93

RGB 91 140 147

HSL 187.5, 0.24%, 0.47%

LAB 55.16, -14.59, -8.97

 

CMYK 94 / 0 / 39 / 12

HEX #0EE189

RGB 14 225 137

HSL 154.98, 0.88%, 0.47%

LAB 79.47, -65.05, 30.59

 

CMYK 94 / 0 / 14 / 12

HEX #0EE1C1

RGB 14 225 193

HSL 170.9, 0.88%, 0.47%

LAB 80.62, -52.28, 2.92

 

CMYK 94 / 11 / 0 / 12

HEX #0EC8E1

RGB 14 200 225

HSL 187.11, 0.88%, 0.47%

LAB 74.09, -31.89, -23.98

 

CMYK 94 / 36 / 0 / 12

HEX #0E90E1

RGB 14 144 225

HSL 203.03, 0.88%, 0.47%

LAB 57.54, -2.06, -49.76

 

CMYK 94 / 61 / 0 / 12

HEX #0E58E1

RGB 14 88 225

HSL 218.96, 0.88%, 0.47%

LAB 42.01, 33.09, -74.81

 

CMYK 94 / 12 / 0 / 42

HEX #098193

RGB 9 129 147

HSL 187.83, 0.88%, 0.31%

LAB 49.33, -22.48, -18.01

 

CMYK 94 / 12 / 0 / 27

HEX #0BA4BA

RGB 11 164 186

HSL 187.54, 0.89%, 0.39%

LAB 61.8, -27.06, -21.29

 

CMYK 94 / 12 / 0 / 12

HEX #0EC6E1

RGB 14 198 225

HSL 187.68, 0.88%, 0.47%

LAB 73.49, -30.92, -24.89

 

CMYK 84 / 11 / 0 / 5

HEX #27D7F1

RGB 39 215 241

HSL 187.72, 0.88%, 0.55%

LAB 79.26, -32.77, -24.66

 

CMYK 68 / 9 / 0 / 5

HEX #4EDEF3

RGB 78 222 243

HSL 187.64, 0.87%, 0.63%

LAB 82.02, -31.53, -21.47

 

CMYK 94 / 12 / 0 / 12

HEX #0EC5E0

RGB 14 197 224

HSL 187.71, 0.88%, 0.47%

LAB 73.16, -30.76, -24.86

 

CMYK 64 / 94 / 0 / 12

HEX #510EE1

RGB 81 14 225

HSL 259.05, 0.88%, 0.47%

LAB 32.92, 71.63, -89.72

 

CMYK 0 / 27 / 94 / 12

HEX #E1A50E

RGB 225 165 14

HSL 42.94, 0.88%, 0.47%

LAB 71.52, 11.25, 73.32

 

CMYK 94 / 12 / 0 / 12

HEX #0EC5E0

RGB 14 197 224

HSL 187.71, 0.88%, 0.47%

LAB 73.16, -30.76, -24.86

 

CMYK 0 / 94 / 11 / 12

HEX #E10EC8

RGB 225 14 200

HSL 307.11, 0.88%, 0.47%

LAB 52.39, 84.95, -42.71

 

CMYK 11 / 0 / 94 / 12

HEX #C8E10E

RGB 200 225 14

HSL 67.11, 0.88%, 0.47%

LAB 85.08, -29.85, 82.54

 

CMYK 94 / 12 / 0 / 12

HEX #0EC5E0

RGB 14 197 224

HSL 187.71, 0.88%, 0.47%

LAB 73.16, -30.76, -24.86

 

CMYK 64 / 94 / 0 / 12

HEX #510EE1

RGB 81 14 225

HSL 259.05, 0.88%, 0.47%

LAB 32.92, 71.63, -89.72

 

CMYK 0 / 83 / 94 / 12

HEX #E1260E

RGB 225 38 14

HSL 6.82, 0.88%, 0.47%

LAB 48.79, 67.92, 58.06

 

CMYK 30 / 0 / 94 / 12

HEX #9EE10E

RGB 158 225 14

HSL 79.05, 0.88%, 0.47%

LAB 82.46, -46.28, 79.37

 

CMYK 94 / 12 / 0 / 12

HEX #0EC5E0

RGB 14 197 224

HSL 187.71, 0.88%, 0.47%

LAB 73.16, -30.76, -24.86

 

CMYK 36 / 94 / 0 / 12

HEX #900EE1

RGB 144 14 225

HSL 276.97, 0.88%, 0.47%

LAB 40.7, 77.01, -76.61

 

CMYK 0 / 83 / 94 / 12

HEX #E1260E

RGB 225 38 14

HSL 6.82, 0.88%, 0.47%

LAB 48.79, 67.92, 58.06

 

CMYK 58 / 0 / 94 / 12

HEX #5FE10E

RGB 95 225 14

HSL 96.97, 0.88%, 0.47%

LAB 79.79, -66.07, 76.1

 

Description

Color code: HEX #0EC5E0 | qconv.com Color code: HEX #0EC5E0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 197 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 197 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 12 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 12% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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