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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EC755 it is the complementary color #F138AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EC755. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EC755 shade: #13C750, #24D963, #35EB76, #46FD89 and #57FF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EC755. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EC755 shade: #0EC755, #00B542, #00A32F, #00911C and #007F09

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EC755 shade: #0DC855, #0DC823, #2AC80D, #5DC80D and #8FC80D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EC755 shade: #0DC855, #0DC887, #0DC8B9, #0DA4C8 and #0D72C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EC755 shade matches the following richer shades: #0DC855

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EC755 shade: #0DC855, #1FB659, #30A55D, #419461 and #538265

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EC755 shade: #29C80D, #0DC823, #0DC855, #0DC887 and #0DC8B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EC755 shade: #087B34, #0BA144, #0DC855, #11EE66 and #37F17E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EC755 shade: #0EC755, #0D5BC8 and #C80D11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EC755 shade: #0EC755, #550DC8 and #C8550D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EC755 shade: #0EC755, #0D5BC8, #C80D80 and #C87A0D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EC755 shade: #0EC755, #0D23C8, #C80D80 and #C8B20D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 57 / 22

HEX #0EC755

RGB 14 199 85

HSL 143.03, 0.87%, 0.42%

LAB 70.59, -65.11, 44.98

 

Complementary color

CMYK 0 / 77 / 29 / 5

HEX #F138AA

RGB 241 56 170

HSL 323.03, 0.87%, 0.58%

LAB 56.52, 76.97, -18.66

 

CMYK 90 / 0 / 60 / 22

HEX #13C750

RGB 19 199 80

HSL 140.33, 0.83%, 0.43%

LAB 70.57, -65.5, 47.25

 

CMYK 83 / 0 / 54 / 15

HEX #24D963

RGB 36 217 99

HSL 140.88, 0.72%, 0.5%

LAB 76.62, -67.35, 45.69

 

CMYK 77 / 0 / 50 / 8

HEX #35EB76

RGB 53 235 118

HSL 141.43, 0.82%, 0.56%

LAB 82.64, -68.68, 44.12

 

CMYK 72 / 0 / 46 / 1

HEX #46FD89

RGB 70 253 137

HSL 141.97, 0.98%, 0.63%

LAB 88.62, -69.6, 42.59

 

CMYK 66 / 0 / 39 / 0

HEX #57FF9C

RGB 87 255 156

HSL 144.64, 1%, 0.67%

LAB 89.83, -64.5, 34.94

 

CMYK 93 / 0 / 57 / 22

HEX #0EC755

RGB 14 199 85

HSL 143.03, 0.87%, 0.42%

LAB 70.59, -65.11, 44.98

 

CMYK 100 / 0 / 64 / 29

HEX #00B542

RGB 0 181 66

HSL 141.88, 1%, 0.35%

LAB 64.52, -62.57, 46.57

 

CMYK 100 / 0 / 71 / 36

HEX #00A32F

RGB 0 163 47

HSL 137.3, 1%, 0.32%

LAB 58.41, -59.17, 47.92

 

CMYK 100 / 0 / 81 / 43

HEX #00911C

RGB 0 145 28

HSL 131.59, 1%, 0.28%

LAB 52.21, -55.37, 48.57

 

CMYK 100 / 0 / 93 / 50

HEX #007F09

RGB 0 127 9

HSL 124.25, 1%, 0.25%

LAB 45.9, -51.06, 47.77

 

CMYK 94 / 0 / 58 / 22

HEX #0DC855

RGB 13 200 85

HSL 143.1, 0.88%, 0.42%

LAB 70.91, -65.47, 45.35

 

CMYK 94 / 0 / 83 / 22

HEX #0DC823

RGB 13 200 35

HSL 127.06, 0.88%, 0.42%

LAB 70.54, -70.13, 63.76

 

CMYK 79 / 0 / 94 / 22

HEX #2AC80D

RGB 42 200 13

HSL 110.7, 0.88%, 0.42%

LAB 70.75, -68.43, 68.28

 

CMYK 54 / 0 / 94 / 22

HEX #5DC80D

RGB 93 200 13

HSL 94.33, 0.88%, 0.42%

LAB 72, -57.94, 69.82

 

CMYK 29 / 0 / 94 / 22

HEX #8FC80D

RGB 143 200 13

HSL 78.29, 0.88%, 0.42%

LAB 74.3, -41.2, 72.64

 

CMYK 94 / 0 / 58 / 22

HEX #0DC855

RGB 13 200 85

HSL 143.1, 0.88%, 0.42%

LAB 70.91, -65.47, 45.35

 

CMYK 94 / 0 / 33 / 22

HEX #0DC887

RGB 13 200 135

HSL 159.14, 0.88%, 0.42%

LAB 71.65, -56.63, 21.1

 

CMYK 94 / 0 / 8 / 22

HEX #0DC8B9

RGB 13 200 185

HSL 175.19, 0.88%, 0.42%

LAB 72.82, -44.04, -4.19

 

CMYK 94 / 18 / 0 / 22

HEX #0DA4C8

RGB 13 164 200

HSL 191.55, 0.88%, 0.42%

LAB 62.34, -22.25, -28.28

 

CMYK 94 / 43 / 0 / 22

HEX #0D72C8

RGB 13 114 200

HSL 207.59, 0.88%, 0.42%

LAB 47.35, 6.46, -51.88

 

CMYK 94 / 0 / 58 / 22

HEX #0DC855

RGB 13 200 85

HSL 143.1, 0.88%, 0.42%

LAB 70.91, -65.47, 45.35

 

CMYK 94 / 0 / 58 / 22

HEX #0DC855

RGB 13 200 85

HSL 143.1, 0.88%, 0.42%

LAB 70.91, -65.47, 45.35

 

CMYK 83 / 0 / 51 / 29

HEX #1FB659

RGB 31 182 89

HSL 143.05, 0.71%, 0.42%

LAB 65.33, -57.73, 36.71

 

CMYK 71 / 0 / 44 / 35

HEX #30A55D

RGB 48 165 93

HSL 143.08, 0.55%, 0.42%

LAB 60.18, -48.62, 28.18

 

CMYK 56 / 0 / 34 / 42

HEX #419461

RGB 65 148 97

HSL 143.13, 0.39%, 0.42%

LAB 55.24, -37.32, 19.55

 

CMYK 36 / 0 / 22 / 49

HEX #538265

RGB 83 130 101

HSL 142.98, 0.22%, 0.42%

LAB 50.39, -22.73, 10.71

 

CMYK 80 / 0 / 94 / 22

HEX #29C80D

RGB 41 200 13

HSL 111.02, 0.88%, 0.42%

LAB 70.74, -68.56, 68.26

 

CMYK 94 / 0 / 83 / 22

HEX #0DC823

RGB 13 200 35

HSL 127.06, 0.88%, 0.42%

LAB 70.54, -70.13, 63.76

 

CMYK 94 / 0 / 58 / 22

HEX #0DC855

RGB 13 200 85

HSL 143.1, 0.88%, 0.42%

LAB 70.91, -65.47, 45.35

 

CMYK 94 / 0 / 33 / 22

HEX #0DC887

RGB 13 200 135

HSL 159.14, 0.88%, 0.42%

LAB 71.65, -56.63, 21.1

 

CMYK 94 / 0 / 8 / 22

HEX #0DC8B8

RGB 13 200 184

HSL 174.87, 0.88%, 0.42%

LAB 72.8, -44.32, -3.69

 

CMYK 93 / 0 / 58 / 52

HEX #087B34

RGB 8 123 52

HSL 142.96, 0.88%, 0.26%

LAB 44.89, -45.16, 30.48

 

CMYK 93 / 0 / 58 / 37

HEX #0BA144

RGB 11 161 68

HSL 142.8, 0.87%, 0.34%

LAB 58.02, -55.44, 38.14

 

CMYK 94 / 0 / 58 / 22

HEX #0DC855

RGB 13 200 85

HSL 143.1, 0.88%, 0.42%

LAB 70.91, -65.47, 45.35

 

CMYK 93 / 0 / 57 / 7

HEX #11EE66

RGB 17 238 102

HSL 143.08, 0.87%, 0.5%

LAB 83.03, -74.73, 51.93

 

CMYK 77 / 0 / 48 / 5

HEX #37F17E

RGB 55 241 126

HSL 142.9, 0.87%, 0.58%

LAB 84.6, -69.22, 42.75

 

CMYK 93 / 0 / 57 / 22

HEX #0EC755

RGB 14 199 85

HSL 143.03, 0.87%, 0.42%

LAB 70.59, -65.11, 44.98

 

CMYK 94 / 55 / 0 / 22

HEX #0D5BC8

RGB 13 91 200

HSL 214.97, 0.88%, 0.42%

LAB 40.8, 21.32, -62.46

 

CMYK 0 / 94 / 92 / 22

HEX #C80D11

RGB 200 13 17

HSL 358.72, 0.88%, 0.42%

LAB 42.17, 65.6, 50.34

 

CMYK 93 / 0 / 57 / 22

HEX #0EC755

RGB 14 199 85

HSL 143.03, 0.87%, 0.42%

LAB 70.59, -65.11, 44.98

 

CMYK 58 / 94 / 0 / 22

HEX #550DC8

RGB 85 13 200

HSL 263.1, 0.88%, 0.42%

LAB 30.37, 66.14, -79.44

 

CMYK 0 / 58 / 94 / 22

HEX #C8550D

RGB 200 85 13

HSL 23.1, 0.88%, 0.42%

LAB 50.46, 42.79, 57.14

 

CMYK 93 / 0 / 57 / 22

HEX #0EC755

RGB 14 199 85

HSL 143.03, 0.87%, 0.42%

LAB 70.59, -65.11, 44.98

 

CMYK 94 / 55 / 0 / 22

HEX #0D5BC8

RGB 13 91 200

HSL 214.97, 0.88%, 0.42%

LAB 40.8, 21.32, -62.46

 

CMYK 0 / 94 / 36 / 22

HEX #C80D80

RGB 200 13 128

HSL 323.1, 0.88%, 0.42%

LAB 44.41, 71.74, -12.63

 

CMYK 0 / 39 / 94 / 22

HEX #C87A0D

RGB 200 122 13

HSL 34.97, 0.88%, 0.42%

LAB 58.25, 23.57, 62.56

 

CMYK 93 / 0 / 57 / 22

HEX #0EC755

RGB 14 199 85

HSL 143.03, 0.87%, 0.42%

LAB 70.59, -65.11, 44.98

 

CMYK 94 / 83 / 0 / 22

HEX #0D23C8

RGB 13 35 200

HSL 232.94, 0.88%, 0.42%

LAB 28, 55.41, -83.52

 

CMYK 0 / 94 / 36 / 22

HEX #C80D80

RGB 200 13 128

HSL 323.1, 0.88%, 0.42%

LAB 44.41, 71.74, -12.63

 

CMYK 0 / 11 / 94 / 22

HEX #C8B20D

RGB 200 178 13

HSL 52.94, 0.88%, 0.42%

LAB 72.33, -6.62, 72.92

 

Description

Color code: HEX #0EC755 | qconv.com Color code: HEX #0EC755 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 199 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 199 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 57 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 57% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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