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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EDBC0 it is the complementary color #F1243F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EDBC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EDBC0 shade: #13DBBB, #24EDCE, #35FFE1, #46FFF4 and #57FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EDBC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EDBC0 shade: #0EDBC0, #00C9AD, #00B79A, #00A587 and #009374

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EDBC0 shade: #0EDCC1, #0EDC89, #0EDC51, #0EDC1A and #39DC0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EDBC0 shade: #0EDCC1, #0EC0DC, #0E88DC, #0E50DC and #0E19DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EDBC0 shade matches the following richer shades: #0EDCC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EDBC0 shade: #0EDCC1, #21C9B3, #34B6A5, #47A397 and #599089

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EDBC0 shade: #0EDC52, #0EDC89, #0EDCC0, #0EC0DC and #0E89DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EDBC0 shade: #098E7D, #0BB59F, #0EDCC1, #22F0D5 and #49F3DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EDBC0 shade: #0EDBC0, #1B0EDC and #DC6E0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EDBC0 shade: #0EDBC0, #C00EDC and #DCC00E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EDBC0 shade: #0EDBC0, #1B0EDC, #DC0E29 and #CEDC0E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EDBC0 shade: #0EDBC0, #590EDC, #DC0E29 and #90DC0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 12 / 14

HEX #0EDBC0

RGB 14 219 192

HSL 172.1, 0.88%, 0.46%

LAB 78.79, -50.1, 0.79

 

Complementary color

CMYK 0 / 85 / 74 / 5

HEX #F1243F

RGB 241 36 63

HSL 352.1, 0.88%, 0.54%

LAB 52.2, 73.75, 38.89

 

CMYK 91 / 0 / 15 / 14

HEX #13DBBB

RGB 19 219 187

HSL 170.4, 0.84%, 0.47%

LAB 78.69, -51.23, 3.31

 

CMYK 85 / 0 / 13 / 7

HEX #24EDCE

RGB 36 237 206

HSL 170.75, 0.85%, 0.54%

LAB 84.69, -52.71, 1.99

 

CMYK 79 / 0 / 12 / 0

HEX #35FFE1

RGB 53 255 225

HSL 171.09, 1%, 0.6%

LAB 90.65, -53.87, 0.77

 

CMYK 73 / 0 / 4 / 0

HEX #46FFF4

RGB 70 255 244

HSL 176.43, 1%, 0.64%

LAB 91.39, -47.22, -7.96

 

CMYK 66 / 0 / 0 / 0

HEX #57FFFF

RGB 87 255 255

HSL 180, 1%, 0.67%

LAB 92.03, -42.17, -12.68

 

CMYK 94 / 0 / 12 / 14

HEX #0EDBC0

RGB 14 219 192

HSL 172.1, 0.88%, 0.46%

LAB 78.79, -50.1, 0.79

 

CMYK 100 / 0 / 14 / 21

HEX #00C9AD

RGB 0 201 173

HSL 171.64, 1%, 0.39%

LAB 72.75, -48.17, 2.21

 

CMYK 100 / 0 / 16 / 28

HEX #00B79A

RGB 0 183 154

HSL 170.49, 1%, 0.36%

LAB 66.67, -45.83, 3.78

 

CMYK 100 / 0 / 18 / 35

HEX #00A587

RGB 0 165 135

HSL 169.09, 1%, 0.32%

LAB 60.48, -43.44, 5.42

 

CMYK 100 / 0 / 21 / 42

HEX #009374

RGB 0 147 116

HSL 167.35, 1%, 0.29%

LAB 54.16, -41, 7.13

 

CMYK 94 / 0 / 12 / 14

HEX #0EDCC1

RGB 14 220 193

HSL 172.14, 0.88%, 0.46%

LAB 79.12, -50.24, 0.73

 

CMYK 94 / 0 / 38 / 14

HEX #0EDC89

RGB 14 220 137

HSL 155.83, 0.88%, 0.46%

LAB 77.93, -63.33, 28.53

 

CMYK 94 / 0 / 63 / 14

HEX #0EDC51

RGB 14 220 81

HSL 139.51, 0.88%, 0.46%

LAB 77.21, -72.01, 54.37

 

CMYK 94 / 0 / 88 / 14

HEX #0EDC1A

RGB 14 220 26

HSL 123.5, 0.88%, 0.46%

LAB 76.89, -75.99, 71.39

 

CMYK 74 / 0 / 94 / 14

HEX #39DC0E

RGB 57 220 14

HSL 107.48, 0.88%, 0.46%

LAB 77.33, -72.16, 73.71

 

CMYK 94 / 0 / 12 / 14

HEX #0EDCC1

RGB 14 220 193

HSL 172.14, 0.88%, 0.46%

LAB 79.12, -50.24, 0.73

 

CMYK 94 / 13 / 0 / 14

HEX #0EC0DC

RGB 14 192 220

HSL 188.16, 0.88%, 0.46%

LAB 71.53, -29.62, -25.18

 

CMYK 94 / 38 / 0 / 14

HEX #0E88DC

RGB 14 136 220

HSL 204.47, 0.88%, 0.46%

LAB 54.94, 0.78, -51.1

 

CMYK 94 / 64 / 0 / 14

HEX #0E50DC

RGB 14 80 220

HSL 220.78, 0.88%, 0.46%

LAB 39.58, 36.34, -75.96

 

CMYK 94 / 89 / 0 / 14

HEX #0E19DC

RGB 14 25 220

HSL 236.8, 0.88%, 0.46%

LAB 29.3, 65.27, -92.98

 

CMYK 94 / 0 / 12 / 14

HEX #0EDCC1

RGB 14 220 193

HSL 172.14, 0.88%, 0.46%

LAB 79.12, -50.24, 0.73

 

CMYK 94 / 0 / 12 / 14

HEX #0EDCC1

RGB 14 220 193

HSL 172.14, 0.88%, 0.46%

LAB 79.12, -50.24, 0.73

 

CMYK 84 / 0 / 11 / 21

HEX #21C9B3

RGB 33 201 179

HSL 172.14, 0.72%, 0.46%

LAB 73.12, -45.04, -0.47

 

CMYK 71 / 0 / 9 / 29

HEX #34B6A5

RGB 52 182 165

HSL 172.15, 0.56%, 0.46%

LAB 67.2, -38.55, -1.44

 

CMYK 56 / 0 / 7 / 36

HEX #47A397

RGB 71 163 151

HSL 172.17, 0.39%, 0.46%

LAB 61.45, -30.24, -2.02

 

CMYK 38 / 0 / 5 / 44

HEX #599089

RGB 89 144 137

HSL 172.36, 0.24%, 0.46%

LAB 55.96, -19.86, -2.03

 

CMYK 94 / 0 / 63 / 14

HEX #0EDC52

RGB 14 220 82

HSL 139.81, 0.88%, 0.46%

LAB 77.21, -71.9, 53.96

 

CMYK 94 / 0 / 38 / 14

HEX #0EDC89

RGB 14 220 137

HSL 155.83, 0.88%, 0.46%

LAB 77.93, -63.33, 28.53

 

CMYK 94 / 0 / 13 / 14

HEX #0EDCC0

RGB 14 220 192

HSL 171.84, 0.88%, 0.46%

LAB 79.09, -50.51, 1.23

 

CMYK 94 / 13 / 0 / 14

HEX #0EC0DC

RGB 14 192 220

HSL 188.16, 0.88%, 0.46%

LAB 71.53, -29.62, -25.18

 

CMYK 94 / 38 / 0 / 14

HEX #0E89DC

RGB 14 137 220

HSL 204.17, 0.88%, 0.46%

LAB 55.23, 0.18, -50.64

 

CMYK 94 / 0 / 12 / 44

HEX #098E7D

RGB 9 142 125

HSL 172.33, 0.88%, 0.3%

LAB 52.82, -35.86, 0.03

 

CMYK 94 / 0 / 12 / 29

HEX #0BB59F

RGB 11 181 159

HSL 172.24, 0.89%, 0.38%

LAB 66.23, -43.22, 0.39

 

CMYK 94 / 0 / 12 / 14

HEX #0EDCC1

RGB 14 220 193

HSL 172.14, 0.88%, 0.46%

LAB 79.12, -50.24, 0.73

 

CMYK 86 / 0 / 11 / 6

HEX #22F0D5

RGB 34 240 213

HSL 172.14, 0.87%, 0.54%

LAB 85.74, -52.23, -0.16

 

CMYK 70 / 0 / 9 / 5

HEX #49F3DD

RGB 73 243 221

HSL 172.24, 0.88%, 0.62%

LAB 87.36, -47.75, -1.92

 

CMYK 94 / 0 / 12 / 14

HEX #0EDBC0

RGB 14 219 192

HSL 172.1, 0.88%, 0.46%

LAB 78.79, -50.1, 0.79

 

CMYK 88 / 94 / 0 / 14

HEX #1B0EDC

RGB 27 14 220

HSL 243.79, 0.88%, 0.46%

LAB 28.68, 68.47, -94

 

CMYK 0 / 50 / 94 / 14

HEX #DC6E0E

RGB 220 110 14

HSL 27.96, 0.88%, 0.46%

LAB 58.41, 38.21, 63.77

 

CMYK 94 / 0 / 12 / 14

HEX #0EDBC0

RGB 14 219 192

HSL 172.1, 0.88%, 0.46%

LAB 78.79, -50.1, 0.79

 

CMYK 13 / 94 / 0 / 14

HEX #C00EDC

RGB 192 14 220

HSL 291.84, 0.88%, 0.46%

LAB 47.86, 82.47, -61.76

 

CMYK 0 / 13 / 94 / 14

HEX #DCC00E

RGB 220 192 14

HSL 51.84, 0.88%, 0.46%

LAB 77.84, -5.1, 77.75

 

CMYK 94 / 0 / 12 / 14

HEX #0EDBC0

RGB 14 219 192

HSL 172.1, 0.88%, 0.46%

LAB 78.79, -50.1, 0.79

 

CMYK 88 / 94 / 0 / 14

HEX #1B0EDC

RGB 27 14 220

HSL 243.79, 0.88%, 0.46%

LAB 28.68, 68.47, -94

 

CMYK 0 / 94 / 81 / 14

HEX #DC0E29

RGB 220 14 41

HSL 352.14, 0.88%, 0.46%

LAB 46.56, 71.03, 44.03

 

CMYK 6 / 0 / 94 / 14

HEX #CEDC0E

RGB 206 220 14

HSL 64.08, 0.88%, 0.46%

LAB 84.14, -25.01, 82.01

 

CMYK 94 / 0 / 12 / 14

HEX #0EDBC0

RGB 14 219 192

HSL 172.1, 0.88%, 0.46%

LAB 78.79, -50.1, 0.79

 

CMYK 60 / 94 / 0 / 14

HEX #590EDC

RGB 89 14 220

HSL 261.84, 0.88%, 0.46%

LAB 33.15, 70.95, -86.45

 

CMYK 0 / 94 / 81 / 14

HEX #DC0E29

RGB 220 14 41

HSL 352.14, 0.88%, 0.46%

LAB 46.56, 71.03, 44.03

 

CMYK 35 / 0 / 94 / 14

HEX #90DC0E

RGB 144 220 14

HSL 82.14, 0.88%, 0.46%

LAB 80.26, -49.27, 77.31

 

Description

Color code: HEX #0EDBC0 | qconv.com Color code: HEX #0EDBC0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 219 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 219 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 12 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 12% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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