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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F4550 it is the complementary color #F0BAAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F4550. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F4550 shade: #14454B, #25575E, #366971, #477B84 and #588D97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F4550. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F4550 shade: #0F4550, #00333D, #00212A, #000F17 and #000004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F4550 shade: #0F4651, #0F3451, #0F2251, #0F1051 and #1F0F51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F4550 shade: #0F4651, #0F3451, #0F2251, #0F1051 and #0F0F51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F4550 shade matches the following richer shades: #0F4651 and #074B59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F4550 shade: #0F4651, #174149, #1F3B41, #273639 and #2E3132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F4550 shade: #0F5139, #0F514A, #0F4651, #0F3451 and #0F2351

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F4550 shade: #020A0C, #08282E, #0F4651, #166474 and #1C8296

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F4550 shade: #0F4550, #270F51 and #51420F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F4550 shade: #0F4550, #510F46 and #46510F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F4550 shade: #0F4550, #270F51, #511A0F and #39510F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F4550 shade: #0F4550, #3B0F51, #511A0F and #25510F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 14 / 0 / 69

HEX #0F4550

RGB 15 69 80

HSL 190.15, 0.68%, 0.19%

LAB 26.55, -12.86, -11.58

 

Complementary color

CMYK 0 / 23 / 27 / 6

HEX #F0BAAF

RGB 240 186 175

HSL 10.15, 0.68%, 0.81%

LAB 80.03, 17.9, 13.06

 

CMYK 73 / 8 / 0 / 71

HEX #14454B

RGB 20 69 75

HSL 186.55, 0.58%, 0.19%

LAB 26.49, -13.87, -8.41

 

CMYK 61 / 7 / 0 / 63

HEX #25575E

RGB 37 87 94

HSL 187.37, 0.44%, 0.26%

LAB 34.02, -14.42, -9.14

 

CMYK 52 / 7 / 0 / 56

HEX #366971

RGB 54 105 113

HSL 188.14, 0.35%, 0.33%

LAB 41.34, -14.69, -9.77

 

CMYK 46 / 7 / 0 / 48

HEX #477B84

RGB 71 123 132

HSL 188.85, 0.3%, 0.4%

LAB 48.48, -14.82, -10.34

 

CMYK 42 / 7 / 0 / 41

HEX #588D97

RGB 88 141 151

HSL 189.52, 0.26%, 0.47%

LAB 55.44, -14.89, -10.87

 

CMYK 81 / 14 / 0 / 69

HEX #0F4550

RGB 15 69 80

HSL 190.15, 0.68%, 0.19%

LAB 26.55, -12.86, -11.58

 

CMYK 100 / 16 / 0 / 76

HEX #00333D

RGB 0 51 61

HSL 189.84, 1%, 0.12%

LAB 18.82, -11.45, -10.77

 

CMYK 100 / 21 / 0 / 84

HEX #00212A

RGB 0 33 42

HSL 192.86, 1%, 0.08%

LAB 10.96, -8.04, -9.46

 

CMYK 100 / 35 / 0 / 91

HEX #000F17

RGB 0 15 23

HSL 200.87, 1%, 0.05%

LAB 3.64, -2.38, -6.18

 

CMYK 100 / 100 / 0 / 98

HEX #000004

RGB 0 0 4

HSL 240, 1%, 0.01%

LAB 0.08, 0.56, -1.51

 

CMYK 81 / 14 / 0 / 68

HEX #0F4651

RGB 15 70 81

HSL 190, 0.69%, 0.19%

LAB 26.95, -13.08, -11.63

 

CMYK 81 / 36 / 0 / 68

HEX #0F3451

RGB 15 52 81

HSL 206.36, 0.69%, 0.19%

LAB 20.64, -1.51, -21.42

 

CMYK 81 / 58 / 0 / 68

HEX #0F2251

RGB 15 34 81

HSL 222.73, 0.69%, 0.19%

LAB 14.62, 11.66, -31.04

 

CMYK 81 / 80 / 0 / 68

HEX #0F1051

RGB 15 16 81

HSL 239.09, 0.69%, 0.19%

LAB 9.53, 24.87, -39.37

 

CMYK 62 / 81 / 0 / 68

HEX #1F0F51

RGB 31 15 81

HSL 254.55, 0.69%, 0.19%

LAB 10.76, 27.62, -37.3

 

CMYK 81 / 14 / 0 / 68

HEX #0F4651

RGB 15 70 81

HSL 190, 0.69%, 0.19%

LAB 26.95, -13.08, -11.63

 

CMYK 81 / 36 / 0 / 68

HEX #0F3451

RGB 15 52 81

HSL 206.36, 0.69%, 0.19%

LAB 20.64, -1.51, -21.42

 

CMYK 81 / 58 / 0 / 68

HEX #0F2251

RGB 15 34 81

HSL 222.73, 0.69%, 0.19%

LAB 14.62, 11.66, -31.04

 

CMYK 81 / 80 / 0 / 68

HEX #0F1051

RGB 15 16 81

HSL 239.09, 0.69%, 0.19%

LAB 9.53, 24.87, -39.37

 

CMYK 81 / 81 / 0 / 68

HEX #0F0F51

RGB 15 15 81

HSL 240, 0.69%, 0.19%

LAB 9.3, 25.53, -39.75

 

CMYK 81 / 14 / 0 / 68

HEX #0F4651

RGB 15 70 81

HSL 190, 0.69%, 0.19%

LAB 26.95, -13.08, -11.63

 

CMYK 92 / 16 / 0 / 65

HEX #074B59

RGB 7 75 89

HSL 190.24, 0.85%, 0.19%

LAB 28.9, -13.9, -13.83

 

CMYK 81 / 14 / 0 / 68

HEX #0F4651

RGB 15 70 81

HSL 190, 0.69%, 0.19%

LAB 26.95, -13.08, -11.63

 

CMYK 68 / 11 / 0 / 71

HEX #174149

RGB 23 65 73

HSL 189.6, 0.52%, 0.19%

LAB 25.09, -11.61, -9.2

 

CMYK 52 / 9 / 0 / 75

HEX #1F3B41

RGB 31 59 65

HSL 190.59, 0.35%, 0.19%

LAB 23, -8.65, -7.01

 

CMYK 32 / 5 / 0 / 78

HEX #273639

RGB 39 54 57

HSL 190, 0.19%, 0.19%

LAB 21.45, -5.29, -3.9

 

CMYK 8 / 2 / 0 / 80

HEX #2E3132

RGB 46 49 50

HSL 195, 0.04%, 0.19%

LAB 20.07, -1.06, -1.09

 

CMYK 81 / 0 / 30 / 68

HEX #0F5139

RGB 15 81 57

HSL 158.18, 0.69%, 0.19%

LAB 30.11, -26.63, 8.47

 

CMYK 81 / 0 / 9 / 68

HEX #0F514A

RGB 15 81 74

HSL 173.64, 0.69%, 0.19%

LAB 30.59, -21.64, -1.64

 

CMYK 81 / 14 / 0 / 68

HEX #0F4651

RGB 15 70 81

HSL 190, 0.69%, 0.19%

LAB 26.95, -13.08, -11.63

 

CMYK 81 / 36 / 0 / 68

HEX #0F3451

RGB 15 52 81

HSL 206.36, 0.69%, 0.19%

LAB 20.64, -1.51, -21.42

 

CMYK 81 / 57 / 0 / 68

HEX #0F2351

RGB 15 35 81

HSL 221.82, 0.69%, 0.19%

LAB 14.94, 10.9, -30.53

 

CMYK 83 / 17 / 0 / 95

HEX #020A0C

RGB 2 10 12

HSL 192, 0.71%, 0.03%

LAB 2.32, -1.8, -1.54

 

CMYK 83 / 13 / 0 / 82

HEX #08282E

RGB 8 40 46

HSL 189.47, 0.7%, 0.11%

LAB 14.21, -9.07, -7.33

 

CMYK 81 / 14 / 0 / 68

HEX #0F4651

RGB 15 70 81

HSL 190, 0.69%, 0.19%

LAB 26.95, -13.08, -11.63

 

CMYK 81 / 14 / 0 / 55

HEX #166474

RGB 22 100 116

HSL 190.21, 0.68%, 0.27%

LAB 38.8, -16.74, -15.55

 

CMYK 81 / 13 / 0 / 41

HEX #1C8296

RGB 28 130 150

HSL 189.84, 0.69%, 0.35%

LAB 49.99, -20.61, -18.73

 

CMYK 81 / 14 / 0 / 69

HEX #0F4550

RGB 15 69 80

HSL 190.15, 0.68%, 0.19%

LAB 26.55, -12.86, -11.58

 

CMYK 52 / 81 / 0 / 68

HEX #270F51

RGB 39 15 81

HSL 261.82, 0.69%, 0.19%

LAB 11.74, 29, -35.65

 

CMYK 0 / 19 / 81 / 68

HEX #51420F

RGB 81 66 15

HSL 46.36, 0.69%, 0.19%

LAB 28.59, 0.34, 31.62

 

CMYK 81 / 14 / 0 / 69

HEX #0F4550

RGB 15 69 80

HSL 190.15, 0.68%, 0.19%

LAB 26.55, -12.86, -11.58

 

CMYK 0 / 81 / 14 / 68

HEX #510F46

RGB 81 15 70

HSL 310, 0.69%, 0.19%

LAB 18.07, 36.28, -17.53

 

CMYK 14 / 0 / 81 / 68

HEX #46510F

RGB 70 81 15

HSL 70, 0.69%, 0.19%

LAB 32.31, -14.18, 34.78

 

CMYK 81 / 14 / 0 / 69

HEX #0F4550

RGB 15 69 80

HSL 190.15, 0.68%, 0.19%

LAB 26.55, -12.86, -11.58

 

CMYK 52 / 81 / 0 / 68

HEX #270F51

RGB 39 15 81

HSL 261.82, 0.69%, 0.19%

LAB 11.74, 29, -35.65

 

CMYK 0 / 68 / 81 / 68

HEX #511A0F

RGB 81 26 15

HSL 10, 0.69%, 0.19%

LAB 18.02, 25.06, 20.54

 

CMYK 30 / 0 / 81 / 68

HEX #39510F

RGB 57 81 15

HSL 81.82, 0.69%, 0.19%

LAB 31.32, -20.24, 33.5

 

CMYK 81 / 14 / 0 / 69

HEX #0F4550

RGB 15 69 80

HSL 190.15, 0.68%, 0.19%

LAB 26.55, -12.86, -11.58

 

CMYK 27 / 81 / 0 / 68

HEX #3B0F51

RGB 59 15 81

HSL 280, 0.69%, 0.19%

LAB 14.77, 33.1, -30.59

 

CMYK 0 / 68 / 81 / 68

HEX #511A0F

RGB 81 26 15

HSL 10, 0.69%, 0.19%

LAB 18.02, 25.06, 20.54

 

CMYK 54 / 0 / 81 / 68

HEX #25510F

RGB 37 81 15

HSL 100, 0.69%, 0.19%

LAB 30.19, -28.24, 32.01

 

Description

Color code: HEX #0F4550 | qconv.com Color code: HEX #0F4550 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 69 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 69 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 14 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 14% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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