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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F5648 it is the complementary color #F0A9B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F5648. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F5648 shade: #145643, #256856, #367A69, #478C7C and #589E8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F5648. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F5648 shade: #0F5648, #004435, #003222, #00200F and #000E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F5648 shade: #0F5648, #0F5635, #0F5622, #0F560F and #22560F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F5648 shade: #0F5648, #0F5156, #0F3E56, #0F2B56 and #0F1756

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F5648 shade matches the following richer shades: #0F5648 and #075E4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F5648 shade: #0F5648, #174E43, #1F463E, #283D39 and #303534

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F5648 shade: #0F5622, #0F5635, #0F5648, #0F5156 and #0F3E56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F5648 shade: #02100D, #09332B, #0F5648, #157965 and #1B9C83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F5648 shade: #0F5648, #0F0F56 and #562B0F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F5648 shade: #0F5648, #480F56 and #56480F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F5648 shade: #0F5648, #0F0F56, #560F1D and #56560F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F5648 shade: #0F5648, #240F56, #560F1D and #41560F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 16 / 66

HEX #0F5648

RGB 15 86 72

HSL 168.17, 0.7%, 0.2%

LAB 32.31, -24.8, 2.13

 

Complementary color

CMYK 0 / 30 / 24 / 6

HEX #F0A9B7

RGB 240 169 183

HSL 348.17, 0.7%, 0.8%

LAB 76.27, 28.03, 3.33

 

CMYK 77 / 0 / 22 / 66

HEX #145643

RGB 20 86 67

HSL 162.73, 0.62%, 0.21%

LAB 32.28, -25.5, 5.24

 

CMYK 64 / 0 / 17 / 59

HEX #256856

RGB 37 104 86

HSL 163.88, 0.48%, 0.28%

LAB 39.52, -25.89, 3.92

 

CMYK 56 / 0 / 14 / 52

HEX #367A69

RGB 54 122 105

HSL 165, 0.39%, 0.35%

LAB 46.61, -25.98, 2.81

 

CMYK 49 / 0 / 11 / 45

HEX #478C7C

RGB 71 140 124

HSL 166.09, 0.33%, 0.41%

LAB 53.55, -25.93, 1.83

 

CMYK 44 / 0 / 9 / 38

HEX #589E8F

RGB 88 158 143

HSL 167.14, 0.28%, 0.48%

LAB 60.35, -25.81, 0.96

 

CMYK 83 / 0 / 16 / 66

HEX #0F5648

RGB 15 86 72

HSL 168.17, 0.7%, 0.2%

LAB 32.31, -24.8, 2.13

 

CMYK 100 / 0 / 22 / 73

HEX #004435

RGB 0 68 53

HSL 166.76, 1%, 0.13%

LAB 24.92, -23.66, 3.67

 

CMYK 100 / 0 / 32 / 80

HEX #003222

RGB 0 50 34

HSL 160.8, 1%, 0.1%

LAB 17.44, -20.74, 5.78

 

CMYK 100 / 0 / 53 / 87

HEX #00200F

RGB 0 32 15

HSL 148.13, 1%, 0.06%

LAB 9.54, -16.44, 7.49

 

CMYK 100 / 0 / 100 / 95

HEX #000E00

RGB 0 14 0

HSL 120, 1%, 0.03%

LAB 2.84, -5.8, 4.14

 

CMYK 83 / 0 / 16 / 66

HEX #0F5648

RGB 15 86 72

HSL 168.17, 0.7%, 0.2%

LAB 32.31, -24.8, 2.13

 

CMYK 83 / 0 / 38 / 66

HEX #0F5635

RGB 15 86 53

HSL 152.11, 0.7%, 0.2%

LAB 31.84, -29.89, 13.32

 

CMYK 83 / 0 / 60 / 66

HEX #0F5622

RGB 15 86 34

HSL 136.06, 0.7%, 0.2%

LAB 31.52, -33.63, 24.04

 

CMYK 83 / 0 / 83 / 66

HEX #0F560F

RGB 15 86 15

HSL 120, 0.7%, 0.2%

LAB 31.33, -35.91, 32.89

 

CMYK 60 / 0 / 83 / 66

HEX #22560F

RGB 34 86 15

HSL 103.94, 0.7%, 0.2%

LAB 31.88, -31.38, 33.62

 

CMYK 83 / 0 / 16 / 66

HEX #0F5648

RGB 15 86 72

HSL 168.17, 0.7%, 0.2%

LAB 32.31, -24.8, 2.13

 

CMYK 83 / 6 / 0 / 66

HEX #0F5156

RGB 15 81 86

HSL 184.23, 0.7%, 0.2%

LAB 31.02, -17.59, -8.68

 

CMYK 83 / 28 / 0 / 66

HEX #0F3E56

RGB 15 62 86

HSL 200.28, 0.7%, 0.2%

LAB 24.38, -6.15, -18.86

 

CMYK 83 / 50 / 0 / 66

HEX #0F2B56

RGB 15 43 86

HSL 216.34, 0.7%, 0.2%

LAB 17.92, 7.1, -29.09

 

CMYK 83 / 73 / 0 / 66

HEX #0F1756

RGB 15 23 86

HSL 233.24, 0.7%, 0.2%

LAB 11.87, 22.02, -38.94

 

CMYK 83 / 0 / 16 / 66

HEX #0F5648

RGB 15 86 72

HSL 168.17, 0.7%, 0.2%

LAB 32.31, -24.8, 2.13

 

CMYK 93 / 0 / 18 / 63

HEX #075E4D

RGB 7 94 77

HSL 168.28, 0.86%, 0.2%

LAB 35.18, -28.01, 3.12

 

CMYK 83 / 0 / 16 / 66

HEX #0F5648

RGB 15 86 72

HSL 168.17, 0.7%, 0.2%

LAB 32.31, -24.8, 2.13

 

CMYK 71 / 0 / 14 / 69

HEX #174E43

RGB 23 78 67

HSL 168, 0.54%, 0.2%

LAB 29.5, -20.91, 1.26

 

CMYK 56 / 0 / 11 / 73

HEX #1F463E

RGB 31 70 62

HSL 167.69, 0.39%, 0.2%

LAB 26.79, -16.14, 0.59

 

CMYK 34 / 0 / 7 / 76

HEX #283D39

RGB 40 61 57

HSL 168.57, 0.21%, 0.2%

LAB 23.95, -9.36, -0.2

 

CMYK 9 / 0 / 2 / 79

HEX #303534

RGB 48 53 52

HSL 168, 0.05%, 0.2%

LAB 21.66, -2.38, -0.11

 

CMYK 83 / 0 / 60 / 66

HEX #0F5622

RGB 15 86 34

HSL 136.06, 0.7%, 0.2%

LAB 31.52, -33.63, 24.04

 

CMYK 83 / 0 / 38 / 66

HEX #0F5635

RGB 15 86 53

HSL 152.11, 0.7%, 0.2%

LAB 31.84, -29.89, 13.32

 

CMYK 83 / 0 / 16 / 66

HEX #0F5648

RGB 15 86 72

HSL 168.17, 0.7%, 0.2%

LAB 32.31, -24.8, 2.13

 

CMYK 83 / 6 / 0 / 66

HEX #0F5156

RGB 15 81 86

HSL 184.23, 0.7%, 0.2%

LAB 31.02, -17.59, -8.68

 

CMYK 83 / 28 / 0 / 66

HEX #0F3E56

RGB 15 62 86

HSL 200.28, 0.7%, 0.2%

LAB 24.38, -6.15, -18.86

 

CMYK 88 / 0 / 19 / 94

HEX #02100D

RGB 2 16 13

HSL 167.14, 0.78%, 0.04%

LAB 3.73, -4.47, 0.05

 

CMYK 82 / 0 / 16 / 80

HEX #09332B

RGB 9 51 43

HSL 168.57, 0.7%, 0.12%

LAB 18.37, -16.54, 0.96

 

CMYK 83 / 0 / 16 / 66

HEX #0F5648

RGB 15 86 72

HSL 168.17, 0.7%, 0.2%

LAB 32.31, -24.8, 2.13

 

CMYK 83 / 0 / 17 / 53

HEX #157965

RGB 21 121 101

HSL 168, 0.7%, 0.28%

LAB 45.32, -32.32, 3.21

 

CMYK 83 / 0 / 16 / 39

HEX #1B9C83

RGB 27 156 131

HSL 168.37, 0.7%, 0.36%

LAB 57.7, -39.11, 3.7

 

CMYK 83 / 0 / 16 / 66

HEX #0F5648

RGB 15 86 72

HSL 168.17, 0.7%, 0.2%

LAB 32.31, -24.8, 2.13

 

CMYK 83 / 83 / 0 / 66

HEX #0F0F56

RGB 15 15 86

HSL 240, 0.7%, 0.2%

LAB 9.92, 27.42, -42.15

 

CMYK 0 / 50 / 83 / 66

HEX #562B0F

RGB 86 43 15

HSL 23.66, 0.7%, 0.2%

LAB 22.79, 17.44, 26.12

 

CMYK 83 / 0 / 16 / 66

HEX #0F5648

RGB 15 86 72

HSL 168.17, 0.7%, 0.2%

LAB 32.31, -24.8, 2.13

 

CMYK 16 / 83 / 0 / 66

HEX #480F56

RGB 72 15 86

HSL 288.17, 0.7%, 0.2%

LAB 17.42, 37.14, -29.59

 

CMYK 0 / 16 / 83 / 66

HEX #56480F

RGB 86 72 15

HSL 48.17, 0.7%, 0.2%

LAB 30.99, -0.83, 34.1

 

CMYK 83 / 0 / 16 / 66

HEX #0F5648

RGB 15 86 72

HSL 168.17, 0.7%, 0.2%

LAB 32.31, -24.8, 2.13

 

CMYK 83 / 83 / 0 / 66

HEX #0F0F56

RGB 15 15 86

HSL 240, 0.7%, 0.2%

LAB 9.92, 27.42, -42.15

 

CMYK 0 / 83 / 66 / 66

HEX #560F1D

RGB 86 15 29

HSL 348.17, 0.7%, 0.2%

LAB 17.5, 32.79, 10.86

 

CMYK 0 / 0 / 83 / 66

HEX #56560F

RGB 86 86 15

HSL 60, 0.7%, 0.2%

LAB 35.34, -9.22, 38.11

 

CMYK 83 / 0 / 16 / 66

HEX #0F5648

RGB 15 86 72

HSL 168.17, 0.7%, 0.2%

LAB 32.31, -24.8, 2.13

 

CMYK 58 / 83 / 0 / 66

HEX #240F56

RGB 36 15 86

HSL 257.75, 0.7%, 0.2%

LAB 11.88, 30.05, -38.84

 

CMYK 0 / 83 / 66 / 66

HEX #560F1D

RGB 86 15 29

HSL 348.17, 0.7%, 0.2%

LAB 17.5, 32.79, 10.86

 

CMYK 24 / 0 / 83 / 66

HEX #41560F

RGB 65 86 15

HSL 77.75, 0.7%, 0.2%

LAB 33.59, -19.27, 35.86

 

Description

Color code: HEX #0F5648 | qconv.com Color code: HEX #0F5648 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 86 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 86 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 16 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 16% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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