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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F636F it is the complementary color #F09C90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F636F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F636F shade: #14636A, #25757D, #368790, #4799A3 and #58ABB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F636F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F636F shade: #0F636F, #00515C, #003F49, #002D36 and #001B23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F636F shade: #0F6470, #0F4970, #0F2F70, #0F1570 and #230F70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F636F shade: #0F6470, #0F4970, #0F2F70, #0F1570 and #0F0F70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F636F shade matches the following richer shades: #0F6470 and #046B7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F636F shade: #0F6470, #195C65, #23545B, #2E4C51 and #384546

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F636F shade: #0F7047, #0F7061, #0F6470, #0F4B70 and #0F3170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F636F shade: #052327, #0A434B, #0F6470, #148494 and #19A4B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F636F shade: #0F636F, #2D0F70 and #70540F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F636F shade: #0F636F, #700F64 and #64700F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F636F shade: #0F636F, #2D0F70, #701A0F and #51700F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F636F shade: #0F636F, #4B0F70, #701A0F and #34700F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 11 / 0 / 56

HEX #0F636F

RGB 15 99 111

HSL 187.5, 0.76%, 0.25%

LAB 38.15, -18.68, -13.49

 

Complementary color

CMYK 0 / 35 / 40 / 6

HEX #F09C90

RGB 240 156 144

HSL 7.5, 0.76%, 0.75%

LAB 72.44, 29.97, 19.3

 

CMYK 81 / 7 / 0 / 58

HEX #14636A

RGB 20 99 106

HSL 184.88, 0.68%, 0.25%

LAB 38.04, -19.91, -10.57

 

CMYK 70 / 6 / 0 / 51

HEX #25757D

RGB 37 117 125

HSL 185.45, 0.54%, 0.32%

LAB 45.08, -20.89, -11.43

 

CMYK 63 / 6 / 0 / 44

HEX #368790

RGB 54 135 144

HSL 186, 0.45%, 0.39%

LAB 51.98, -21.5, -12.16

 

CMYK 56 / 6 / 0 / 36

HEX #4799A3

RGB 71 153 163

HSL 186.52, 0.39%, 0.46%

LAB 58.76, -21.89, -12.82

 

CMYK 52 / 6 / 0 / 29

HEX #58ABB6

RGB 88 171 182

HSL 187.02, 0.39%, 0.53%

LAB 65.42, -22.13, -13.41

 

CMYK 86 / 11 / 0 / 56

HEX #0F636F

RGB 15 99 111

HSL 187.5, 0.76%, 0.25%

LAB 38.15, -18.68, -13.49

 

CMYK 100 / 12 / 0 / 64

HEX #00515C

RGB 0 81 92

HSL 187.17, 1%, 0.18%

LAB 31.01, -16.89, -12.52

 

CMYK 100 / 14 / 0 / 71

HEX #003F49

RGB 0 63 73

HSL 188.22, 1%, 0.14%

LAB 23.79, -13.85, -11.23

 

CMYK 100 / 17 / 0 / 79

HEX #002D36

RGB 0 45 54

HSL 190, 1%, 0.11%

LAB 16.22, -10.63, -9.91

 

CMYK 100 / 23 / 0 / 86

HEX #001B23

RGB 0 27 35

HSL 193.71, 1%, 0.07%

LAB 8.18, -6.76, -8.58

 

CMYK 87 / 11 / 0 / 56

HEX #0F6470

RGB 15 100 112

HSL 187.42, 0.76%, 0.25%

LAB 38.53, -18.88, -13.53

 

CMYK 87 / 35 / 0 / 56

HEX #0F4970

RGB 15 73 112

HSL 204.12, 0.76%, 0.25%

LAB 29.5, -2.7, -27.53

 

CMYK 87 / 58 / 0 / 56

HEX #0F2F70

RGB 15 47 112

HSL 220.21, 0.76%, 0.25%

LAB 21.22, 15.45, -40.81

 

CMYK 87 / 81 / 0 / 56

HEX #0F1570

RGB 15 21 112

HSL 236.29, 0.76%, 0.25%

LAB 14.44, 33.36, -51.94

 

CMYK 69 / 87 / 0 / 56

HEX #230F70

RGB 35 15 112

HSL 252.37, 0.76%, 0.25%

LAB 14.78, 38.11, -51.33

 

CMYK 87 / 11 / 0 / 56

HEX #0F6470

RGB 15 100 112

HSL 187.42, 0.76%, 0.25%

LAB 38.53, -18.88, -13.53

 

CMYK 87 / 35 / 0 / 56

HEX #0F4970

RGB 15 73 112

HSL 204.12, 0.76%, 0.25%

LAB 29.5, -2.7, -27.53

 

CMYK 87 / 58 / 0 / 56

HEX #0F2F70

RGB 15 47 112

HSL 220.21, 0.76%, 0.25%

LAB 21.22, 15.45, -40.81

 

CMYK 87 / 81 / 0 / 56

HEX #0F1570

RGB 15 21 112

HSL 236.29, 0.76%, 0.25%

LAB 14.44, 33.36, -51.94

 

CMYK 87 / 87 / 0 / 56

HEX #0F0F70

RGB 15 15 112

HSL 240, 0.76%, 0.25%

LAB 13.31, 36.66, -53.82

 

CMYK 87 / 11 / 0 / 56

HEX #0F6470

RGB 15 100 112

HSL 187.42, 0.76%, 0.25%

LAB 38.53, -18.88, -13.53

 

CMYK 97 / 12 / 0 / 52

HEX #046B7A

RGB 4 107 122

HSL 187.63, 0.94%, 0.25%

LAB 41.13, -19.88, -15.67

 

CMYK 87 / 11 / 0 / 56

HEX #0F6470

RGB 15 100 112

HSL 187.42, 0.76%, 0.25%

LAB 38.53, -18.88, -13.53

 

CMYK 75 / 9 / 0 / 60

HEX #195C65

RGB 25 92 101

HSL 187.11, 0.6%, 0.25%

LAB 35.6, -17.13, -11.17

 

CMYK 62 / 8 / 0 / 64

HEX #23545B

RGB 35 84 91

HSL 187.5, 0.44%, 0.25%

LAB 32.82, -14.12, -9.07

 

CMYK 43 / 6 / 0 / 68

HEX #2E4C51

RGB 46 76 81

HSL 188.57, 0.28%, 0.25%

LAB 30.26, -9.64, -6.49

 

CMYK 20 / 1 / 0 / 73

HEX #384546

RGB 56 69 70

HSL 184.29, 0.11%, 0.25%

LAB 28.22, -4.96, -2.35

 

CMYK 87 / 0 / 37 / 56

HEX #0F7047

RGB 15 112 71

HSL 154.64, 0.76%, 0.25%

LAB 41.45, -36.75, 15.52

 

CMYK 87 / 0 / 13 / 56

HEX #0F7061

RGB 15 112 97

HSL 170.72, 0.76%, 0.25%

LAB 42.08, -29.88, 0.9

 

CMYK 87 / 11 / 0 / 56

HEX #0F6470

RGB 15 100 112

HSL 187.42, 0.76%, 0.25%

LAB 38.53, -18.88, -13.53

 

CMYK 87 / 33 / 0 / 56

HEX #0F4B70

RGB 15 75 112

HSL 202.89, 0.76%, 0.25%

LAB 30.17, -3.99, -26.49

 

CMYK 87 / 56 / 0 / 56

HEX #0F3170

RGB 15 49 112

HSL 218.97, 0.76%, 0.25%

LAB 21.83, 13.99, -39.82

 

CMYK 87 / 10 / 0 / 85

HEX #052327

RGB 5 35 39

HSL 187.06, 0.77%, 0.09%

LAB 11.83, -9.31, -5.92

 

CMYK 87 / 11 / 0 / 71

HEX #0A434B

RGB 10 67 75

HSL 187.38, 0.76%, 0.17%

LAB 25.52, -14.2, -9.89

 

CMYK 87 / 11 / 0 / 56

HEX #0F6470

RGB 15 100 112

HSL 187.42, 0.76%, 0.25%

LAB 38.53, -18.88, -13.53

 

CMYK 86 / 11 / 0 / 42

HEX #148494

RGB 20 132 148

HSL 187.5, 0.76%, 0.33%

LAB 50.44, -23.05, -16.9

 

CMYK 86 / 11 / 0 / 28

HEX #19A4B8

RGB 25 164 184

HSL 187.55, 0.76%, 0.41%

LAB 61.84, -27.01, -20.09

 

CMYK 86 / 11 / 0 / 56

HEX #0F636F

RGB 15 99 111

HSL 187.5, 0.76%, 0.25%

LAB 38.15, -18.68, -13.49

 

CMYK 60 / 87 / 0 / 56

HEX #2D0F70

RGB 45 15 112

HSL 258.56, 0.76%, 0.25%

LAB 15.85, 39.18, -49.54

 

CMYK 0 / 25 / 87 / 56

HEX #70540F

RGB 112 84 15

HSL 42.68, 0.76%, 0.25%

LAB 37.52, 4.88, 41.1

 

CMYK 86 / 11 / 0 / 56

HEX #0F636F

RGB 15 99 111

HSL 187.5, 0.76%, 0.25%

LAB 38.15, -18.68, -13.49

 

CMYK 0 / 87 / 11 / 56

HEX #700F64

RGB 112 15 100

HSL 307.42, 0.76%, 0.25%

LAB 25.88, 48.66, -24.95

 

CMYK 11 / 0 / 87 / 56

HEX #64700F

RGB 100 112 15

HSL 67.42, 0.76%, 0.25%

LAB 44.71, -17, 46.84

 

CMYK 86 / 11 / 0 / 56

HEX #0F636F

RGB 15 99 111

HSL 187.5, 0.76%, 0.25%

LAB 38.15, -18.68, -13.49

 

CMYK 60 / 87 / 0 / 56

HEX #2D0F70

RGB 45 15 112

HSL 258.56, 0.76%, 0.25%

LAB 15.85, 39.18, -49.54

 

CMYK 0 / 77 / 87 / 56

HEX #701A0F

RGB 112 26 15

HSL 6.8, 0.76%, 0.25%

LAB 24.38, 36.9, 29.31

 

CMYK 28 / 0 / 87 / 56

HEX #51700F

RGB 81 112 15

HSL 79.18, 0.76%, 0.25%

LAB 43.32, -25.5, 45.1

 

CMYK 86 / 11 / 0 / 56

HEX #0F636F

RGB 15 99 111

HSL 187.5, 0.76%, 0.25%

LAB 38.15, -18.68, -13.49

 

CMYK 33 / 87 / 0 / 56

HEX #4B0F70

RGB 75 15 112

HSL 277.11, 0.76%, 0.25%

LAB 20.07, 43.57, -42.44

 

CMYK 0 / 77 / 87 / 56

HEX #701A0F

RGB 112 26 15

HSL 6.8, 0.76%, 0.25%

LAB 24.38, 36.9, 29.31

 

CMYK 54 / 0 / 87 / 56

HEX #34700F

RGB 52 112 15

HSL 97.11, 0.76%, 0.25%

LAB 41.77, -36.51, 43.13

 

Description

Color code: HEX #0F636F | qconv.com Color code: HEX #0F636F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 99 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 99 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 11 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 11% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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