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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F6F5B it is the complementary color #F090A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F6F5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F6F5B shade: #146F56, #258169, #36937C, #47A58F and #58B7A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F6F5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F6F5B shade: #0F6F5B, #005D48, #004B35, #003922 and #00270F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F6F5B shade: #0F705C, #0F7041, #0F7027, #10700F and #2B700F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F6F5B shade: #0F705C, #0F6A70, #0F5070, #0F3570 and #0F1B70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F6F5B shade matches the following richer shades: #0F705C and #047A62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F6F5B shade: #0F705C, #196555, #235B4F, #2E5149 and #384643

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F6F5B shade: #0F7027, #0F7041, #0F705B, #0F6B70 and #0F5170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F6F5B shade: #052720, #0A4B3E, #0F705C, #149479 and #19B897

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F6F5B shade: #0F6F5B, #0F1070 and #70340F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F6F5B shade: #0F6F5B, #5B0F70 and #705B0F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F6F5B shade: #0F6F5B, #0F1070, #700F24 and #706E0F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F6F5B shade: #0F6F5B, #2A0F70, #700F24 and #54700F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 18 / 56

HEX #0F6F5B

RGB 15 111 91

HSL 167.5, 0.76%, 0.25%

LAB 41.57, -31.16, 3.78

 

Complementary color

CMYK 0 / 40 / 32 / 6

HEX #F090A4

RGB 240 144 164

HSL 347.5, 0.76%, 0.75%

LAB 70.28, 38.62, 5.17

 

CMYK 82 / 0 / 23 / 56

HEX #146F56

RGB 20 111 86

HSL 163.52, 0.69%, 0.26%

LAB 41.52, -32.01, 6.72

 

CMYK 71 / 0 / 19 / 49

HEX #258169

RGB 37 129 105

HSL 164.35, 0.55%, 0.33%

LAB 48.4, -32.74, 5.33

 

CMYK 63 / 0 / 16 / 42

HEX #36937C

RGB 54 147 124

HSL 165.16, 0.46%, 0.39%

LAB 55.18, -33.1, 4.12

 

CMYK 57 / 0 / 13 / 35

HEX #47A58F

RGB 71 165 143

HSL 165.96, 0.4%, 0.46%

LAB 61.85, -33.25, 3.07

 

CMYK 52 / 0 / 11 / 28

HEX #58B7A2

RGB 88 183 162

HSL 166.74, 0.4%, 0.53%

LAB 68.42, -33.28, 2.11

 

CMYK 86 / 0 / 18 / 56

HEX #0F6F5B

RGB 15 111 91

HSL 167.5, 0.76%, 0.25%

LAB 41.57, -31.16, 3.78

 

CMYK 100 / 0 / 23 / 64

HEX #005D48

RGB 0 93 72

HSL 166.45, 1%, 0.18%

LAB 34.59, -29.68, 5.38

 

CMYK 100 / 0 / 29 / 71

HEX #004B35

RGB 0 75 53

HSL 162.4, 1%, 0.15%

LAB 27.54, -26.93, 7.38

 

CMYK 100 / 0 / 40 / 78

HEX #003922

RGB 0 57 34

HSL 155.79, 1%, 0.11%

LAB 20.21, -24, 9.59

 

CMYK 100 / 0 / 62 / 85

HEX #00270F

RGB 0 39 15

HSL 143.08, 1%, 0.08%

LAB 12.52, -20.7, 11.63

 

CMYK 87 / 0 / 18 / 56

HEX #0F705C

RGB 15 112 92

HSL 167.63, 0.76%, 0.25%

LAB 41.94, -31.33, 3.71

 

CMYK 87 / 0 / 42 / 56

HEX #0F7041

RGB 15 112 65

HSL 150.93, 0.76%, 0.25%

LAB 41.33, -38.07, 18.86

 

CMYK 87 / 0 / 65 / 56

HEX #0F7027

RGB 15 112 39

HSL 134.85, 0.76%, 0.25%

LAB 40.95, -42.53, 32.45

 

CMYK 86 / 0 / 87 / 56

HEX #10700F

RGB 16 112 15

HSL 119.38, 0.76%, 0.25%

LAB 40.79, -44.66, 41.87

 

CMYK 62 / 0 / 87 / 56

HEX #2B700F

RGB 43 112 15

HSL 102.68, 0.76%, 0.25%

LAB 41.43, -39.21, 42.7

 

CMYK 87 / 0 / 18 / 56

HEX #0F705C

RGB 15 112 92

HSL 167.63, 0.76%, 0.25%

LAB 41.94, -31.33, 3.71

 

CMYK 87 / 5 / 0 / 56

HEX #0F6A70

RGB 15 106 112

HSL 183.71, 0.76%, 0.25%

LAB 40.54, -22.09, -10.48

 

CMYK 87 / 29 / 0 / 56

HEX #0F5070

RGB 15 80 112

HSL 199.79, 0.76%, 0.25%

LAB 31.83, -7.17, -23.88

 

CMYK 87 / 53 / 0 / 56

HEX #0F3570

RGB 15 53 112

HSL 216.49, 0.76%, 0.25%

LAB 23.06, 11.1, -37.83

 

CMYK 87 / 76 / 0 / 56

HEX #0F1B70

RGB 15 27 112

HSL 232.58, 0.76%, 0.25%

LAB 15.77, 29.6, -49.74

 

CMYK 87 / 0 / 18 / 56

HEX #0F705C

RGB 15 112 92

HSL 167.63, 0.76%, 0.25%

LAB 41.94, -31.33, 3.71

 

CMYK 97 / 0 / 20 / 52

HEX #047A62

RGB 4 122 98

HSL 167.8, 0.94%, 0.25%

LAB 45.4, -34.95, 5.07

 

CMYK 87 / 0 / 18 / 56

HEX #0F705C

RGB 15 112 92

HSL 167.63, 0.76%, 0.25%

LAB 41.94, -31.33, 3.71

 

CMYK 75 / 0 / 16 / 60

HEX #196555

RGB 25 101 85

HSL 167.37, 0.6%, 0.25%

LAB 38.15, -26.9, 2.51

 

CMYK 62 / 0 / 13 / 64

HEX #235B4F

RGB 35 91 79

HSL 167.14, 0.44%, 0.25%

LAB 34.81, -21.65, 1.43

 

CMYK 43 / 0 / 10 / 68

HEX #2E5149

RGB 46 81 73

HSL 166.29, 0.28%, 0.25%

LAB 31.69, -14.86, 0.72

 

CMYK 20 / 0 / 4 / 73

HEX #384643

RGB 56 70 67

HSL 167.14, 0.11%, 0.25%

LAB 28.45, -6.34, -0.06

 

CMYK 87 / 0 / 65 / 56

HEX #0F7027

RGB 15 112 39

HSL 134.85, 0.76%, 0.25%

LAB 40.95, -42.53, 32.45

 

CMYK 87 / 0 / 42 / 56

HEX #0F7041

RGB 15 112 65

HSL 150.93, 0.76%, 0.25%

LAB 41.33, -38.07, 18.86

 

CMYK 87 / 0 / 19 / 56

HEX #0F705B

RGB 15 112 91

HSL 167.01, 0.76%, 0.25%

LAB 41.92, -31.62, 4.27

 

CMYK 87 / 4 / 0 / 56

HEX #0F6B70

RGB 15 107 112

HSL 183.09, 0.76%, 0.25%

LAB 40.88, -22.62, -9.98

 

CMYK 87 / 28 / 0 / 56

HEX #0F5170

RGB 15 81 112

HSL 199.18, 0.76%, 0.25%

LAB 32.16, -7.79, -23.36

 

CMYK 87 / 0 / 18 / 85

HEX #052720

RGB 5 39 32

HSL 167.65, 0.77%, 0.09%

LAB 13.15, -14.35, 1.1

 

CMYK 87 / 0 / 17 / 71

HEX #0A4B3E

RGB 10 75 62

HSL 168, 0.76%, 0.17%

LAB 27.97, -22.99, 2.22

 

CMYK 87 / 0 / 18 / 56

HEX #0F705C

RGB 15 112 92

HSL 167.63, 0.76%, 0.25%

LAB 41.94, -31.33, 3.71

 

CMYK 86 / 0 / 18 / 42

HEX #149479

RGB 20 148 121

HSL 167.34, 0.76%, 0.33%

LAB 54.77, -38.93, 5.17

 

CMYK 86 / 0 / 18 / 28

HEX #19B897

RGB 25 184 151

HSL 167.55, 0.76%, 0.41%

LAB 67.07, -45.9, 6.02

 

CMYK 86 / 0 / 18 / 56

HEX #0F6F5B

RGB 15 111 91

HSL 167.5, 0.76%, 0.25%

LAB 41.57, -31.16, 3.78

 

CMYK 87 / 86 / 0 / 56

HEX #0F1070

RGB 15 16 112

HSL 239.38, 0.76%, 0.25%

LAB 13.48, 36.14, -53.53

 

CMYK 0 / 54 / 87 / 56

HEX #70340F

RGB 112 52 15

HSL 22.89, 0.76%, 0.25%

LAB 29.25, 24.05, 33.8

 

CMYK 86 / 0 / 18 / 56

HEX #0F6F5B

RGB 15 111 91

HSL 167.5, 0.76%, 0.25%

LAB 41.57, -31.16, 3.78

 

CMYK 19 / 87 / 0 / 56

HEX #5B0F70

RGB 91 15 112

HSL 287.01, 0.76%, 0.25%

LAB 22.78, 46.45, -37.93

 

CMYK 0 / 19 / 87 / 56

HEX #705B0F

RGB 112 91 15

HSL 47.01, 0.76%, 0.25%

LAB 39.52, 0.69, 42.83

 

CMYK 86 / 0 / 18 / 56

HEX #0F6F5B

RGB 15 111 91

HSL 167.5, 0.76%, 0.25%

LAB 41.57, -31.16, 3.78

 

CMYK 87 / 86 / 0 / 56

HEX #0F1070

RGB 15 16 112

HSL 239.38, 0.76%, 0.25%

LAB 13.48, 36.14, -53.53

 

CMYK 0 / 87 / 68 / 56

HEX #700F24

RGB 112 15 36

HSL 347.01, 0.76%, 0.25%

LAB 23.38, 41.52, 14.73

 

CMYK 0 / 2 / 87 / 56

HEX #706E0F

RGB 112 110 15

HSL 58.76, 0.76%, 0.25%

LAB 45.12, -10.26, 47.61

 

CMYK 86 / 0 / 18 / 56

HEX #0F6F5B

RGB 15 111 91

HSL 167.5, 0.76%, 0.25%

LAB 41.57, -31.16, 3.78

 

CMYK 63 / 87 / 0 / 56

HEX #2A0F70

RGB 42 15 112

HSL 256.7, 0.76%, 0.25%

LAB 15.51, 38.84, -50.11

 

CMYK 0 / 87 / 68 / 56

HEX #700F24

RGB 112 15 36

HSL 347.01, 0.76%, 0.25%

LAB 23.38, 41.52, 14.73

 

CMYK 25 / 0 / 87 / 56

HEX #54700F

RGB 84 112 15

HSL 77.32, 0.76%, 0.25%

LAB 43.52, -24.21, 45.35

 

Description

Color code: HEX #0F6F5B | qconv.com Color code: HEX #0F6F5B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 111 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 111 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 18 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 18% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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