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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F743D it is the complementary color #F08BC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F743D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F743D shade: #147438, #25864B, #36985E, #47AA71 and #58BC84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F743D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F743D shade: #0F743D, #00622A, #005017, #003E04 and #002C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F743D shade: #0F753D, #0F7522, #17750F, #33750F and #4E750F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F743D shade: #0F753D, #0F7559, #0F7574, #0F5A75 and #0F3E75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F743D shade matches the following richer shades: #0F753D and #04803C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F743D shade: #0F753D, #196A3E, #245F3F, #2F5540 and #3A4A41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F743D shade: #17750F, #0F7521, #0F753D, #0F7558 and #0F7573

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F743D shade: #052C17, #0A502A, #0F753D, #139950 and #18BE64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F743D shade: #0F743D, #0F3275 and #75140F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F743D shade: #0F743D, #3D0F75 and #753D0F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F743D shade: #0F743D, #0F3275, #750F47 and #75510F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F743D shade: #0F743D, #0F1475, #750F47 and #75700F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 47 / 55

HEX #0F743D

RGB 15 116 61

HSL 147.33, 0.77%, 0.26%

LAB 42.66, -40.44, 22.86

 

Complementary color

CMYK 0 / 42 / 19 / 6

HEX #F08BC2

RGB 240 139 194

HSL 327.33, 0.77%, 0.74%

LAB 70.1, 45.32, -11.83

 

CMYK 83 / 0 / 52 / 55

HEX #147438

RGB 20 116 56

HSL 142.5, 0.71%, 0.27%

LAB 42.65, -40.78, 25.64

 

CMYK 72 / 0 / 44 / 47

HEX #25864B

RGB 37 134 75

HSL 143.51, 0.57%, 0.34%

LAB 49.44, -41.7, 23.91

 

CMYK 64 / 0 / 38 / 40

HEX #36985E

RGB 54 152 94

HSL 144.49, 0.48%, 0.4%

LAB 56.14, -42.12, 22.35

 

CMYK 58 / 0 / 34 / 33

HEX #47AA71

RGB 71 170 113

HSL 145.45, 0.41%, 0.47%

LAB 62.74, -42.25, 20.93

 

CMYK 53 / 0 / 30 / 26

HEX #58BC84

RGB 88 188 132

HSL 146.4, 0.43%, 0.54%

LAB 69.26, -42.21, 19.64

 

CMYK 87 / 0 / 47 / 55

HEX #0F743D

RGB 15 116 61

HSL 147.33, 0.77%, 0.26%

LAB 42.66, -40.44, 22.86

 

CMYK 100 / 0 / 57 / 62

HEX #00622A

RGB 0 98 42

HSL 145.71, 1%, 0.19%

LAB 35.8, -38.63, 24.78

 

CMYK 100 / 0 / 71 / 69

HEX #005017

RGB 0 80 23

HSL 137.25, 1%, 0.16%

LAB 28.9, -35.11, 26.74

 

CMYK 100 / 0 / 94 / 76

HEX #003E04

RGB 0 62 4

HSL 123.87, 1%, 0.12%

LAB 21.78, -30.94, 27.68

 

CMYK 100 / 0 / 100 / 83

HEX #002C00

RGB 0 44 0

HSL 120, 1%, 0.09%

LAB 14.41, -25.26, 20.55

 

CMYK 87 / 0 / 48 / 54

HEX #0F753D

RGB 15 117 61

HSL 147.06, 0.77%, 0.26%

LAB 43, -40.82, 23.31

 

CMYK 87 / 0 / 71 / 54

HEX #0F7522

RGB 15 117 34

HSL 131.18, 0.77%, 0.26%

LAB 42.67, -44.85, 36.67

 

CMYK 80 / 0 / 87 / 54

HEX #17750F

RGB 23 117 15

HSL 115.29, 0.77%, 0.26%

LAB 42.67, -45.32, 43.63

 

CMYK 56 / 0 / 87 / 54

HEX #33750F

RGB 51 117 15

HSL 98.82, 0.77%, 0.26%

LAB 43.45, -38.85, 44.62

 

CMYK 33 / 0 / 87 / 54

HEX #4E750F

RGB 78 117 15

HSL 82.94, 0.77%, 0.26%

LAB 44.77, -29.17, 46.3

 

CMYK 87 / 0 / 48 / 54

HEX #0F753D

RGB 15 117 61

HSL 147.06, 0.77%, 0.26%

LAB 43, -40.82, 23.31

 

CMYK 87 / 0 / 24 / 54

HEX #0F7559

RGB 15 117 89

HSL 163.53, 0.77%, 0.26%

LAB 43.57, -34.41, 7.83

 

CMYK 87 / 0 / 1 / 54

HEX #0F7574

RGB 15 117 116

HSL 179.41, 0.77%, 0.26%

LAB 44.35, -26.41, -7.17

 

CMYK 87 / 23 / 0 / 54

HEX #0F5A75

RGB 15 90 117

HSL 195.88, 0.77%, 0.26%

LAB 35.4, -11.32, -21.43

 

CMYK 87 / 47 / 0 / 54

HEX #0F3E75

RGB 15 62 117

HSL 212.35, 0.77%, 0.26%

LAB 26.25, 6.86, -35.88

 

CMYK 87 / 0 / 48 / 54

HEX #0F753D

RGB 15 117 61

HSL 147.06, 0.77%, 0.26%

LAB 43, -40.82, 23.31

 

CMYK 97 / 0 / 53 / 50

HEX #04803C

RGB 4 128 60

HSL 147.1, 0.94%, 0.26%

LAB 46.7, -45.91, 28.48

 

CMYK 87 / 0 / 48 / 54

HEX #0F753D

RGB 15 117 61

HSL 147.06, 0.77%, 0.26%

LAB 43, -40.82, 23.31

 

CMYK 76 / 0 / 42 / 58

HEX #196A3E

RGB 25 106 62

HSL 147.41, 0.62%, 0.26%

LAB 39.35, -34.89, 18.01

 

CMYK 62 / 0 / 34 / 63

HEX #245F3F

RGB 36 95 63

HSL 147.46, 0.45%, 0.26%

LAB 35.83, -27.49, 12.73

 

CMYK 45 / 0 / 25 / 67

HEX #2F5540

RGB 47 85 64

HSL 146.84, 0.29%, 0.26%

LAB 32.86, -19.02, 8.08

 

CMYK 22 / 0 / 12 / 71

HEX #3A4A41

RGB 58 74 65

HSL 146.25, 0.12%, 0.26%

LAB 29.86, -8.49, 3.29

 

CMYK 80 / 0 / 87 / 54

HEX #17750F

RGB 23 117 15

HSL 115.29, 0.77%, 0.26%

LAB 42.67, -45.32, 43.63

 

CMYK 87 / 0 / 72 / 54

HEX #0F7521

RGB 15 117 33

HSL 130.59, 0.77%, 0.26%

LAB 42.66, -44.96, 37.1

 

CMYK 87 / 0 / 48 / 54

HEX #0F753D

RGB 15 117 61

HSL 147.06, 0.77%, 0.26%

LAB 43, -40.82, 23.31

 

CMYK 87 / 0 / 25 / 54

HEX #0F7558

RGB 15 117 88

HSL 162.94, 0.77%, 0.26%

LAB 43.55, -34.67, 8.39

 

CMYK 87 / 0 / 2 / 54

HEX #0F7573

RGB 15 117 115

HSL 178.82, 0.77%, 0.26%

LAB 44.32, -26.73, -6.62

 

CMYK 89 / 0 / 48 / 83

HEX #052C17

RGB 5 44 23

HSL 147.69, 0.8%, 0.1%

LAB 14.93, -19.61, 9.86

 

CMYK 88 / 0 / 48 / 69

HEX #0A502A

RGB 10 80 42

HSL 147.43, 0.78%, 0.18%

LAB 29.33, -30.47, 16.68

 

CMYK 87 / 0 / 48 / 54

HEX #0F753D

RGB 15 117 61

HSL 147.06, 0.77%, 0.26%

LAB 43, -40.82, 23.31

 

CMYK 88 / 0 / 48 / 40

HEX #139950

RGB 19 153 80

HSL 147.31, 0.78%, 0.34%

LAB 55.58, -50.23, 29.06

 

CMYK 87 / 0 / 47 / 25

HEX #18BE64

RGB 24 190 100

HSL 147.47, 0.78%, 0.42%

LAB 67.98, -59.27, 34.48

 

CMYK 87 / 0 / 47 / 55

HEX #0F743D

RGB 15 116 61

HSL 147.33, 0.77%, 0.26%

LAB 42.66, -40.44, 22.86

 

CMYK 87 / 57 / 0 / 54

HEX #0F3275

RGB 15 50 117

HSL 219.41, 0.77%, 0.26%

LAB 22.54, 15.41, -41.87

 

CMYK 0 / 83 / 87 / 54

HEX #75140F

RGB 117 20 15

HSL 2.94, 0.77%, 0.26%

LAB 24.69, 40.69, 29.97

 

CMYK 87 / 0 / 47 / 55

HEX #0F743D

RGB 15 116 61

HSL 147.33, 0.77%, 0.26%

LAB 42.66, -40.44, 22.86

 

CMYK 48 / 87 / 0 / 54

HEX #3D0F75

RGB 61 15 117

HSL 267.06, 0.77%, 0.26%

LAB 18.44, 42.63, -48.42

 

CMYK 0 / 48 / 87 / 54

HEX #753D0F

RGB 117 61 15

HSL 27.06, 0.77%, 0.26%

LAB 32.15, 21.1, 36.69

 

CMYK 87 / 0 / 47 / 55

HEX #0F743D

RGB 15 116 61

HSL 147.33, 0.77%, 0.26%

LAB 42.66, -40.44, 22.86

 

CMYK 87 / 57 / 0 / 54

HEX #0F3275

RGB 15 50 117

HSL 219.41, 0.77%, 0.26%

LAB 22.54, 15.41, -41.87

 

CMYK 0 / 87 / 39 / 54

HEX #750F47

RGB 117 15 71

HSL 327.06, 0.77%, 0.26%

LAB 25.5, 45.98, -6.17

 

CMYK 0 / 31 / 87 / 54

HEX #75510F

RGB 117 81 15

HSL 38.82, 0.77%, 0.26%

LAB 37.3, 9.13, 41.16

 

CMYK 87 / 0 / 47 / 55

HEX #0F743D

RGB 15 116 61

HSL 147.33, 0.77%, 0.26%

LAB 42.66, -40.44, 22.86

 

CMYK 87 / 83 / 0 / 54

HEX #0F1475

RGB 15 20 117

HSL 237.06, 0.77%, 0.26%

LAB 14.88, 35.72, -54.46

 

CMYK 0 / 87 / 39 / 54

HEX #750F47

RGB 117 15 71

HSL 327.06, 0.77%, 0.26%

LAB 25.5, 45.98, -6.17

 

CMYK 0 / 4 / 87 / 54

HEX #75700F

RGB 117 112 15

HSL 57.06, 0.77%, 0.26%

LAB 46.18, -9, 48.68

 

Description

Color code: HEX #0F743D | qconv.com Color code: HEX #0F743D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 116 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 116 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 47 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 47% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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