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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F703A it is the complementary color #F08FC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F703A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F703A shade: #147035, #258248, #36945B, #47A66E and #58B881

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F703A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F703A shade: #0F703A, #005E27, #004C14, #003A01 and #002800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F703A shade: #0F703A, #0F7020, #18700F, #32700F and #4C700F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F703A shade: #0F703A, #0F7054, #0F706E, #0F5770 and #0F3D70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F703A shade matches the following richer shades: #0F703A and #047A39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F703A shade: #0F703A, #19653B, #235B3C, #2E513D and #38463E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F703A shade: #18700F, #0F701F, #0F7039, #0F7053 and #0F706C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F703A shade: #052714, #0A4B27, #0F703A, #14944D and #19B85F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F703A shade: #0F703A, #0F3270 and #70120F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F703A shade: #0F703A, #390F70 and #70390F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F703A shade: #0F703A, #0F3270, #700F46 and #704C0F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F703A shade: #0F703A, #0F1570, #700F46 and #70690F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 48 / 56

HEX #0F703A

RGB 15 112 58

HSL 146.6, 0.76%, 0.25%

LAB 41.21, -39.48, 22.69

 

Complementary color

CMYK 0 / 40 / 18 / 6

HEX #F08FC5

RGB 240 143 197

HSL 326.6, 0.76%, 0.75%

LAB 71.01, 43.71, -12.13

 

CMYK 82 / 0 / 53 / 56

HEX #147035

RGB 20 112 53

HSL 141.52, 0.7%, 0.26%

LAB 41.21, -39.78, 25.48

 

CMYK 72 / 0 / 45 / 49

HEX #258248

RGB 37 130 72

HSL 142.58, 0.56%, 0.33%

LAB 48.04, -40.66, 23.76

 

CMYK 64 / 0 / 39 / 42

HEX #36945B

RGB 54 148 91

HSL 143.62, 0.47%, 0.4%

LAB 54.78, -41.04, 22.2

 

CMYK 57 / 0 / 34 / 35

HEX #47A66E

RGB 71 166 110

HSL 144.63, 0.4%, 0.46%

LAB 61.43, -41.13, 20.78

 

CMYK 52 / 0 / 30 / 28

HEX #58B881

RGB 88 184 129

HSL 145.63, 0.4%, 0.53%

LAB 67.98, -41.07, 19.5

 

CMYK 87 / 0 / 48 / 56

HEX #0F703A

RGB 15 112 58

HSL 146.6, 0.76%, 0.25%

LAB 41.21, -39.48, 22.69

 

CMYK 100 / 0 / 59 / 63

HEX #005E27

RGB 0 94 39

HSL 144.89, 1%, 0.18%

LAB 34.3, -37.69, 24.6

 

CMYK 100 / 0 / 74 / 70

HEX #004C14

RGB 0 76 20

HSL 135.79, 1%, 0.15%

LAB 27.35, -34.09, 26.52

 

CMYK 100 / 0 / 98 / 77

HEX #003A01

RGB 0 58 1

HSL 121.03, 1%, 0.11%

LAB 20.16, -29.92, 27.13

 

CMYK 100 / 0 / 100 / 84

HEX #002800

RGB 0 40 0

HSL 120, 1%, 0.08%

LAB 12.72, -23.74, 18.31

 

CMYK 87 / 0 / 48 / 56

HEX #0F703A

RGB 15 112 58

HSL 146.6, 0.76%, 0.25%

LAB 41.21, -39.48, 22.69

 

CMYK 87 / 0 / 71 / 56

HEX #0F7020

RGB 15 112 32

HSL 130.52, 0.76%, 0.25%

LAB 40.89, -43.37, 35.64

 

CMYK 79 / 0 / 87 / 56

HEX #18700F

RGB 24 112 15

HSL 114.43, 0.76%, 0.25%

LAB 40.92, -43.47, 42.04

 

CMYK 55 / 0 / 87 / 56

HEX #32700F

RGB 50 112 15

HSL 98.35, 0.76%, 0.25%

LAB 41.69, -37.15, 43.03

 

CMYK 32 / 0 / 87 / 56

HEX #4C700F

RGB 76 112 15

HSL 82.27, 0.76%, 0.25%

LAB 43, -27.6, 44.7

 

CMYK 87 / 0 / 48 / 56

HEX #0F703A

RGB 15 112 58

HSL 146.6, 0.76%, 0.25%

LAB 41.21, -39.48, 22.69

 

CMYK 87 / 0 / 25 / 56

HEX #0F7054

RGB 15 112 84

HSL 162.68, 0.76%, 0.25%

LAB 41.74, -33.53, 8.22

 

CMYK 87 / 0 / 2 / 56

HEX #0F706E

RGB 15 112 110

HSL 178.76, 0.76%, 0.25%

LAB 42.48, -25.84, -6.35

 

CMYK 87 / 22 / 0 / 56

HEX #0F5770

RGB 15 87 112

HSL 195.46, 0.76%, 0.25%

LAB 34.17, -11.45, -20.24

 

CMYK 87 / 46 / 0 / 56

HEX #0F3D70

RGB 15 61 112

HSL 211.55, 0.76%, 0.25%

LAB 25.59, 5.42, -33.76

 

CMYK 87 / 0 / 48 / 56

HEX #0F703A

RGB 15 112 58

HSL 146.6, 0.76%, 0.25%

LAB 41.21, -39.48, 22.69

 

CMYK 97 / 0 / 53 / 52

HEX #047A39

RGB 4 122 57

HSL 146.95, 0.94%, 0.25%

LAB 44.58, -44.3, 27.45

 

CMYK 87 / 0 / 48 / 56

HEX #0F703A

RGB 15 112 58

HSL 146.6, 0.76%, 0.25%

LAB 41.21, -39.48, 22.69

 

CMYK 75 / 0 / 42 / 60

HEX #19653B

RGB 25 101 59

HSL 146.84, 0.6%, 0.25%

LAB 37.54, -33.41, 17.37

 

CMYK 62 / 0 / 34 / 64

HEX #235B3C

RGB 35 91 60

HSL 146.79, 0.44%, 0.25%

LAB 34.33, -26.5, 12.5

 

CMYK 43 / 0 / 25 / 68

HEX #2E513D

RGB 46 81 61

HSL 145.71, 0.28%, 0.25%

LAB 31.35, -17.87, 7.85

 

CMYK 20 / 0 / 11 / 73

HEX #38463E

RGB 56 70 62

HSL 145.71, 0.11%, 0.25%

LAB 28.3, -7.54, 2.96

 

CMYK 79 / 0 / 87 / 56

HEX #18700F

RGB 24 112 15

HSL 114.43, 0.76%, 0.25%

LAB 40.92, -43.47, 42.04

 

CMYK 87 / 0 / 72 / 56

HEX #0F701F

RGB 15 112 31

HSL 129.9, 0.76%, 0.25%

LAB 40.88, -43.48, 36.07

 

CMYK 87 / 0 / 49 / 56

HEX #0F7039

RGB 15 112 57

HSL 145.98, 0.76%, 0.25%

LAB 41.19, -39.67, 23.23

 

CMYK 87 / 0 / 26 / 56

HEX #0F7053

RGB 15 112 83

HSL 162.06, 0.76%, 0.25%

LAB 41.71, -33.8, 8.78

 

CMYK 87 / 0 / 4 / 56

HEX #0F706C

RGB 15 112 108

HSL 177.53, 0.76%, 0.25%

LAB 42.42, -26.49, -5.24

 

CMYK 87 / 0 / 49 / 85

HEX #052714

RGB 5 39 20

HSL 146.47, 0.77%, 0.09%

LAB 12.82, -17.89, 9.09

 

CMYK 87 / 0 / 48 / 71

HEX #0A4B27

RGB 10 75 39

HSL 146.77, 0.76%, 0.17%

LAB 27.42, -28.99, 16.01

 

CMYK 87 / 0 / 48 / 56

HEX #0F703A

RGB 15 112 58

HSL 146.6, 0.76%, 0.25%

LAB 41.21, -39.48, 22.69

 

CMYK 86 / 0 / 48 / 42

HEX #14944D

RGB 20 148 77

HSL 146.72, 0.76%, 0.33%

LAB 53.88, -48.88, 28.49

 

CMYK 86 / 0 / 48 / 28

HEX #19B85F

RGB 25 184 95

HSL 146.42, 0.76%, 0.41%

LAB 65.99, -57.98, 34.5

 

CMYK 87 / 0 / 48 / 56

HEX #0F703A

RGB 15 112 58

HSL 146.6, 0.76%, 0.25%

LAB 41.21, -39.48, 22.69

 

CMYK 87 / 55 / 0 / 56

HEX #0F3270

RGB 15 50 112

HSL 218.35, 0.76%, 0.25%

LAB 22.13, 13.27, -39.33

 

CMYK 0 / 84 / 87 / 56

HEX #70120F

RGB 112 18 15

HSL 1.86, 0.76%, 0.25%

LAB 23.38, 39.7, 28.31

 

CMYK 87 / 0 / 48 / 56

HEX #0F703A

RGB 15 112 58

HSL 146.6, 0.76%, 0.25%

LAB 41.21, -39.48, 22.69

 

CMYK 49 / 87 / 0 / 56

HEX #390F70

RGB 57 15 112

HSL 265.98, 0.76%, 0.25%

LAB 17.37, 40.74, -46.97

 

CMYK 0 / 49 / 87 / 56

HEX #70390F

RGB 112 57 15

HSL 25.98, 0.76%, 0.25%

LAB 30.41, 21.16, 34.85

 

CMYK 87 / 0 / 48 / 56

HEX #0F703A

RGB 15 112 58

HSL 146.6, 0.76%, 0.25%

LAB 41.21, -39.48, 22.69

 

CMYK 87 / 55 / 0 / 56

HEX #0F3270

RGB 15 50 112

HSL 218.35, 0.76%, 0.25%

LAB 22.13, 13.27, -39.33

 

CMYK 0 / 87 / 38 / 56

HEX #700F46

RGB 112 15 70

HSL 325.98, 0.76%, 0.25%

LAB 24.41, 44.55, -7.23

 

CMYK 0 / 32 / 87 / 56

HEX #704C0F

RGB 112 76 15

HSL 37.73, 0.76%, 0.25%

LAB 35.3, 9.73, 39.17

 

CMYK 87 / 0 / 48 / 56

HEX #0F703A

RGB 15 112 58

HSL 146.6, 0.76%, 0.25%

LAB 41.21, -39.48, 22.69

 

CMYK 87 / 81 / 0 / 56

HEX #0F1570

RGB 15 21 112

HSL 236.29, 0.76%, 0.25%

LAB 14.44, 33.36, -51.94

 

CMYK 0 / 87 / 38 / 56

HEX #700F46

RGB 112 15 70

HSL 325.98, 0.76%, 0.25%

LAB 24.41, 44.55, -7.23

 

CMYK 0 / 6 / 87 / 56

HEX #70690F

RGB 112 105 15

HSL 55.67, 0.76%, 0.25%

LAB 43.63, -7.45, 46.34

 

Description

Color code: HEX #0F703A | qconv.com Color code: HEX #0F703A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 112 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 112 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 48 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 48% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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