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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F71D0 it is the complementary color #F08E2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F71D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F71D0 shade: #1471CB, #2583DE, #3695F1, #47A7FF and #58B9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F71D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F71D0 shade: #0F71D0, #005FBD, #004DAA, #003B97 and #002984

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F71D0 shade: #0E71D1, #0E3DD1, #140ED1, #490ED1 and #7E0ED1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F71D0 shade: #0E71D1, #0E3DD1 and #0E0ED1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F71D0 shade matches the following richer shades: #0E71D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F71D0 shade: #0E71D1, #2071BF, #3271AD, #45709B and #577089

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F71D0 shade: #0ED1C8, #0EA7D1, #0E73D1, #0E3FD1 and #110ED1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F71D0 shade: #094784, #0B5CAB, #0E71D1, #1A86EF and #419AF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F71D0 shade: #0F71D0, #930ED1 and #C1D10E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F71D0 shade: #0F71D0, #D10E73 and #73D10E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F71D0 shade: #0F71D0, #930ED1, #D16C0E and #4CD10E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F71D0 shade: #0F71D0, #CE0ED1, #D16C0E and #11D10E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 46 / 0 / 18

HEX #0F71D0

RGB 15 113 208

HSL 209.53, 0.87%, 0.44%

LAB 47.58, 10.33, -56.09

 

Complementary color

CMYK 0 / 41 / 80 / 6

HEX #F08E2F

RGB 240 142 47

HSL 29.53, 0.87%, 0.56%

LAB 68.08, 30.51, 62.58

 

CMYK 90 / 44 / 0 / 20

HEX #1471CB

RGB 20 113 203

HSL 209.51, 0.82%, 0.44%

LAB 47.33, 8.6, -53.63

 

CMYK 83 / 41 / 0 / 13

HEX #2583DE

RGB 37 131 222

HSL 209.51, 0.74%, 0.51%

LAB 53.92, 5.91, -53.83

 

CMYK 78 / 38 / 0 / 5

HEX #3695F1

RGB 54 149 241

HSL 209.52, 0.87%, 0.58%

LAB 60.45, 3.73, -53.96

 

CMYK 72 / 35 / 0 / 0

HEX #47A7FF

RGB 71 167 255

HSL 208.7, 1%, 0.64%

LAB 66.67, 0.22, -51.73

 

CMYK 65 / 27 / 0 / 0

HEX #58B9FF

RGB 88 185 255

HSL 205.15, 1%, 0.67%

LAB 72.22, -7.39, -42.96

 

CMYK 93 / 46 / 0 / 18

HEX #0F71D0

RGB 15 113 208

HSL 209.53, 0.87%, 0.44%

LAB 47.58, 10.33, -56.09

 

CMYK 100 / 50 / 0 / 26

HEX #005FBD

RGB 0 95 189

HSL 209.84, 1%, 0.37%

LAB 40.99, 13.79, -55.77

 

CMYK 100 / 55 / 0 / 33

HEX #004DAA

RGB 0 77 170

HSL 212.82, 1%, 0.33%

LAB 34.42, 18.02, -55.22

 

CMYK 100 / 61 / 0 / 41

HEX #003B97

RGB 0 59 151

HSL 216.56, 1%, 0.3%

LAB 27.74, 22.52, -54.63

 

CMYK 100 / 69 / 0 / 48

HEX #002984

RGB 0 41 132

HSL 221.36, 1%, 0.26%

LAB 21.03, 27.23, -53.87

 

CMYK 93 / 46 / 0 / 18

HEX #0E71D1

RGB 14 113 209

HSL 209.54, 0.87%, 0.44%

LAB 47.63, 10.68, -56.57

 

CMYK 93 / 71 / 0 / 18

HEX #0E3DD1

RGB 14 61 209

HSL 225.54, 0.87%, 0.44%

LAB 34.05, 44.21, -78.73

 

CMYK 90 / 93 / 0 / 18

HEX #140ED1

RGB 20 14 209

HSL 241.85, 0.87%, 0.44%

LAB 26.92, 65.5, -90.57

 

CMYK 65 / 93 / 0 / 18

HEX #490ED1

RGB 73 14 209

HSL 258.15, 0.87%, 0.44%

LAB 30.24, 67.32, -84.96

 

CMYK 40 / 93 / 0 / 18

HEX #7E0ED1

RGB 126 14 209

HSL 274.46, 0.87%, 0.44%

LAB 36.66, 71.76, -74.14

 

CMYK 93 / 46 / 0 / 18

HEX #0E71D1

RGB 14 113 209

HSL 209.54, 0.87%, 0.44%

LAB 47.63, 10.68, -56.57

 

CMYK 93 / 71 / 0 / 18

HEX #0E3DD1

RGB 14 61 209

HSL 225.54, 0.87%, 0.44%

LAB 34.05, 44.21, -78.73

 

CMYK 93 / 93 / 0 / 18

HEX #0E0ED1

RGB 14 14 209

HSL 240, 0.87%, 0.44%

LAB 26.77, 65.43, -90.84

 

CMYK 93 / 46 / 0 / 18

HEX #0E71D1

RGB 14 113 209

HSL 209.54, 0.87%, 0.44%

LAB 47.63, 10.68, -56.57

 

CMYK 93 / 46 / 0 / 18

HEX #0E71D1

RGB 14 113 209

HSL 209.54, 0.87%, 0.44%

LAB 47.63, 10.68, -56.57

 

CMYK 83 / 41 / 0 / 25

HEX #2071BF

RGB 32 113 191

HSL 209.43, 0.71%, 0.44%

LAB 46.82, 4.77, -47.54

 

CMYK 71 / 35 / 0 / 32

HEX #3271AD

RGB 50 113 173

HSL 209.27, 0.55%, 0.44%

LAB 46.32, 0.16, -37.85

 

CMYK 55 / 28 / 0 / 39

HEX #45709B

RGB 69 112 155

HSL 210, 0.38%, 0.44%

LAB 45.93, -1.87, -27.83

 

CMYK 36 / 18 / 0 / 46

HEX #577089

RGB 87 112 137

HSL 210, 0.22%, 0.44%

LAB 46.21, -2.57, -16.66

 

CMYK 93 / 0 / 4 / 18

HEX #0ED1C8

RGB 14 209 200

HSL 177.23, 0.87%, 0.44%

LAB 75.99, -43.63, -7.63

 

CMYK 93 / 20 / 0 / 18

HEX #0EA7D1

RGB 14 167 209

HSL 192.92, 0.87%, 0.44%

LAB 63.62, -20.67, -31.32

 

CMYK 93 / 45 / 0 / 18

HEX #0E73D1

RGB 14 115 209

HSL 208.92, 0.87%, 0.44%

LAB 48.21, 9.42, -55.65

 

CMYK 93 / 70 / 0 / 18

HEX #0E3FD1

RGB 14 63 209

HSL 224.92, 0.87%, 0.44%

LAB 34.5, 42.98, -77.99

 

CMYK 92 / 93 / 0 / 18

HEX #110ED1

RGB 17 14 209

HSL 240.92, 0.87%, 0.44%

LAB 26.84, 65.46, -90.71

 

CMYK 93 / 46 / 0 / 48

HEX #094784

RGB 9 71 132

HSL 209.76, 0.87%, 0.28%

LAB 29.99, 6.57, -39.28

 

CMYK 94 / 46 / 0 / 33

HEX #0B5CAB

RGB 11 92 171

HSL 209.63, 0.88%, 0.36%

LAB 39.01, 8.85, -48.38

 

CMYK 93 / 46 / 0 / 18

HEX #0E71D1

RGB 14 113 209

HSL 209.54, 0.87%, 0.44%

LAB 47.63, 10.68, -56.57

 

CMYK 89 / 44 / 0 / 6

HEX #1A86EF

RGB 26 134 239

HSL 209.58, 0.87%, 0.52%

LAB 55.59, 9.79, -60.66

 

CMYK 73 / 36 / 0 / 5

HEX #419AF1

RGB 65 154 241

HSL 209.66, 0.86%, 0.6%

LAB 62.16, 2.08, -51.23

 

CMYK 93 / 46 / 0 / 18

HEX #0F71D0

RGB 15 113 208

HSL 209.53, 0.87%, 0.44%

LAB 47.58, 10.33, -56.09

 

CMYK 30 / 93 / 0 / 18

HEX #930ED1

RGB 147 14 209

HSL 280.92, 0.87%, 0.44%

LAB 39.78, 74.26, -68.89

 

CMYK 8 / 0 / 93 / 18

HEX #C1D10E

RGB 193 209 14

HSL 64.92, 0.87%, 0.44%

LAB 80.16, -25.17, 78.53

 

CMYK 93 / 46 / 0 / 18

HEX #0F71D0

RGB 15 113 208

HSL 209.53, 0.87%, 0.44%

LAB 47.58, 10.33, -56.09

 

CMYK 0 / 93 / 45 / 18

HEX #D10E73

RGB 209 14 115

HSL 328.92, 0.87%, 0.44%

LAB 45.78, 72.41, -2.38

 

CMYK 45 / 0 / 93 / 18

HEX #73D10E

RGB 115 209 14

HSL 88.92, 0.87%, 0.44%

LAB 75.62, -54.69, 73.01

 

CMYK 93 / 46 / 0 / 18

HEX #0F71D0

RGB 15 113 208

HSL 209.53, 0.87%, 0.44%

LAB 47.58, 10.33, -56.09

 

CMYK 30 / 93 / 0 / 18

HEX #930ED1

RGB 147 14 209

HSL 280.92, 0.87%, 0.44%

LAB 39.78, 74.26, -68.89

 

CMYK 0 / 48 / 93 / 18

HEX #D16C0E

RGB 209 108 14

HSL 28.92, 0.87%, 0.44%

LAB 56.4, 34.81, 61.63

 

CMYK 64 / 0 / 93 / 18

HEX #4CD10E

RGB 76 209 14

HSL 100.92, 0.87%, 0.44%

LAB 74.3, -65.22, 71.37

 

CMYK 93 / 46 / 0 / 18

HEX #0F71D0

RGB 15 113 208

HSL 209.53, 0.87%, 0.44%

LAB 47.58, 10.33, -56.09

 

CMYK 1 / 93 / 0 / 18

HEX #CE0ED1

RGB 206 14 209

HSL 299.08, 0.87%, 0.44%

LAB 49.54, 82.96, -52.63

 

CMYK 0 / 48 / 93 / 18

HEX #D16C0E

RGB 209 108 14

HSL 28.92, 0.87%, 0.44%

LAB 56.4, 34.81, 61.63

 

CMYK 92 / 0 / 93 / 18

HEX #11D10E

RGB 17 209 14

HSL 119.08, 0.87%, 0.44%

LAB 73.38, -73.2, 70.24

 

Description

Color code: HEX #0F71D0 | qconv.com Color code: HEX #0F71D0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 113 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 113 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 46 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 46% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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