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Color name
HEX #0F836C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F836C it is the complementary color #F07C93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F836C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F836C shade: #148367, #25957A, #36A78D, #47B9A0 and #58CBB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F836C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F836C shade: #0F836C, #007159, #005F46, #004D33 and #003B20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F836C shade: #0F846D, #0F844D, #0F842E, #10840F and #2F840F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F836C shade: #0F846D, #0F7C84, #0F5C84, #0F3D84 and #0F1D84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F836C shade matches the following richer shades: #0F846D and #039074

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F836C shade: #0F846D, #1B7865, #276C5E, #336057 and #3F5450

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F836C shade: #0F842E, #0F844D, #0F846D, #0F7C84 and #0F5D84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F836C shade: #063A30, #0B5F4E, #0F846D, #13A98B and #18CEAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F836C shade: #0F836C, #0F0F84 and #843E0F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F836C shade: #0F836C, #6D0F84 and #846D0F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F836C shade: #0F836C, #0F0F84, #840F26 and #84840F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F836C shade: #0F836C, #320F84, #840F26 and #61840F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 18 / 49

HEX #0F836C

RGB 15 131 108

HSL 168.1, 0.79%, 0.29%

LAB 48.78, -35.42, 4.06

 

Complementary color

CMYK 0 / 48 / 39 / 6

HEX #F07C93

RGB 240 124 147

HSL 348.1, 0.79%, 0.71%

LAB 65.79, 46.78, 8.29

 

CMYK 85 / 0 / 21 / 49

HEX #148367

RGB 20 131 103

HSL 164.86, 0.74%, 0.3%

LAB 48.71, -36.36, 6.89

 

CMYK 75 / 0 / 18 / 42

HEX #25957A

RGB 37 149 122

HSL 165.54, 0.6%, 0.36%

LAB 55.37, -37.3, 5.49

 

CMYK 68 / 0 / 16 / 35

HEX #36A78D

RGB 54 167 141

HSL 166.19, 0.51%, 0.43%

LAB 61.95, -37.87, 4.26

 

CMYK 62 / 0 / 14 / 27

HEX #47B9A0

RGB 71 185 160

HSL 166.84, 0.45%, 0.5%

LAB 68.44, -38.19, 3.17

 

CMYK 57 / 0 / 12 / 20

HEX #58CBB3

RGB 88 203 179

HSL 167.48, 0.53%, 0.57%

LAB 74.85, -38.35, 2.18

 

CMYK 89 / 0 / 18 / 49

HEX #0F836C

RGB 15 131 108

HSL 168.1, 0.79%, 0.29%

LAB 48.78, -35.42, 4.06

 

CMYK 100 / 0 / 21 / 56

HEX #007159

RGB 0 113 89

HSL 167.26, 1%, 0.22%

LAB 42.05, -33.78, 5.64

 

CMYK 100 / 0 / 26 / 63

HEX #005F46

RGB 0 95 70

HSL 164.21, 1%, 0.19%

LAB 35.26, -31.14, 7.55

 

CMYK 100 / 0 / 34 / 70

HEX #004D33

RGB 0 77 51

HSL 159.74, 1%, 0.15%

LAB 28.24, -28.37, 9.62

 

CMYK 100 / 0 / 46 / 77

HEX #003B20

RGB 0 59 32

HSL 152.54, 1%, 0.12%

LAB 20.95, -25.39, 11.89

 

CMYK 89 / 0 / 17 / 48

HEX #0F846D

RGB 15 132 109

HSL 168.21, 0.8%, 0.29%

LAB 49.14, -35.58, 4

 

CMYK 89 / 0 / 42 / 48

HEX #0F844D

RGB 15 132 77

HSL 151.79, 0.8%, 0.29%

LAB 48.44, -43.38, 21.42

 

CMYK 89 / 0 / 65 / 48

HEX #0F842E

RGB 15 132 46

HSL 135.9, 0.8%, 0.29%

LAB 48.01, -48.5, 37.08

 

CMYK 88 / 0 / 89 / 48

HEX #10840F

RGB 16 132 15

HSL 119.49, 0.8%, 0.29%

LAB 47.81, -51.01, 48.21

 

CMYK 64 / 0 / 89 / 48

HEX #2F840F

RGB 47 132 15

HSL 103.59, 0.8%, 0.29%

LAB 48.44, -45.63, 49

 

CMYK 89 / 0 / 17 / 48

HEX #0F846D

RGB 15 132 109

HSL 168.21, 0.8%, 0.29%

LAB 49.14, -35.58, 4

 

CMYK 89 / 6 / 0 / 48

HEX #0F7C84

RGB 15 124 132

HSL 184.1, 0.8%, 0.29%

LAB 47.21, -24.67, -12.4

 

CMYK 89 / 30 / 0 / 48

HEX #0F5C84

RGB 15 92 132

HSL 200.51, 0.8%, 0.29%

LAB 36.78, -6.68, -28.48

 

CMYK 89 / 54 / 0 / 48

HEX #0F3D84

RGB 15 61 132

HSL 216.41, 0.8%, 0.29%

LAB 27.03, 13.94, -44.04

 

CMYK 89 / 78 / 0 / 48

HEX #0F1D84

RGB 15 29 132

HSL 232.82, 0.8%, 0.29%

LAB 18.57, 35.83, -57.92

 

CMYK 89 / 0 / 17 / 48

HEX #0F846D

RGB 15 132 109

HSL 168.21, 0.8%, 0.29%

LAB 49.14, -35.58, 4

 

CMYK 98 / 0 / 19 / 44

HEX #039074

RGB 3 144 116

HSL 168.09, 0.96%, 0.29%

LAB 53.2, -39.57, 5.76

 

CMYK 89 / 0 / 17 / 48

HEX #0F846D

RGB 15 132 109

HSL 168.21, 0.8%, 0.29%

LAB 49.14, -35.58, 4

 

CMYK 78 / 0 / 16 / 53

HEX #1B7865

RGB 27 120 101

HSL 167.74, 0.63%, 0.29%

LAB 45.09, -31.13, 2.89

 

CMYK 64 / 0 / 13 / 58

HEX #276C5E

RGB 39 108 94

HSL 167.83, 0.47%, 0.29%

LAB 41.16, -25.27, 1.44

 

CMYK 47 / 0 / 9 / 62

HEX #336057

RGB 51 96 87

HSL 168, 0.31%, 0.29%

LAB 37.4, -17.96, 0.31

 

CMYK 25 / 0 / 5 / 67

HEX #3F5450

RGB 63 84 80

HSL 168.57, 0.14%, 0.29%

LAB 33.93, -9.02, -0.3

 

CMYK 89 / 0 / 65 / 48

HEX #0F842E

RGB 15 132 46

HSL 135.9, 0.8%, 0.29%

LAB 48.01, -48.5, 37.08

 

CMYK 89 / 0 / 42 / 48

HEX #0F844D

RGB 15 132 77

HSL 151.79, 0.8%, 0.29%

LAB 48.44, -43.38, 21.42

 

CMYK 89 / 0 / 17 / 48

HEX #0F846D

RGB 15 132 109

HSL 168.21, 0.8%, 0.29%

LAB 49.14, -35.58, 4

 

CMYK 89 / 6 / 0 / 48

HEX #0F7C84

RGB 15 124 132

HSL 184.1, 0.8%, 0.29%

LAB 47.21, -24.67, -12.4

 

CMYK 89 / 30 / 0 / 48

HEX #0F5D84

RGB 15 93 132

HSL 200, 0.8%, 0.29%

LAB 37.11, -7.3, -27.97

 

CMYK 90 / 0 / 17 / 77

HEX #063A30

RGB 6 58 48

HSL 168.46, 0.81%, 0.13%

LAB 21.13, -19.24, 1.54

 

CMYK 88 / 0 / 18 / 63

HEX #0B5F4E

RGB 11 95 78

HSL 167.86, 0.79%, 0.21%

LAB 35.61, -27.82, 3.13

 

CMYK 89 / 0 / 17 / 48

HEX #0F846D

RGB 15 132 109

HSL 168.21, 0.8%, 0.29%

LAB 49.14, -35.58, 4

 

CMYK 89 / 0 / 18 / 34

HEX #13A98B

RGB 19 169 139

HSL 168, 0.8%, 0.37%

LAB 61.98, -43.17, 5.35

 

CMYK 88 / 0 / 17 / 19

HEX #18CEAA

RGB 24 206 170

HSL 168.13, 0.79%, 0.45%

LAB 74.34, -50.1, 6.15

 

CMYK 89 / 0 / 18 / 49

HEX #0F836C

RGB 15 131 108

HSL 168.1, 0.79%, 0.29%

LAB 48.78, -35.42, 4.06

 

CMYK 89 / 89 / 0 / 48

HEX #0F0F84

RGB 15 15 132

HSL 240, 0.8%, 0.29%

LAB 16.05, 43.17, -62.1

 

CMYK 0 / 53 / 89 / 48

HEX #843E0F

RGB 132 62 15

HSL 24.1, 0.8%, 0.29%

LAB 34.77, 27.19, 39.88

 

CMYK 89 / 0 / 18 / 49

HEX #0F836C

RGB 15 131 108

HSL 168.1, 0.79%, 0.29%

LAB 48.78, -35.42, 4.06

 

CMYK 17 / 89 / 0 / 48

HEX #6D0F84

RGB 109 15 132

HSL 288.21, 0.8%, 0.29%

LAB 27.46, 53.67, -42.93

 

CMYK 0 / 17 / 89 / 48

HEX #846D0F

RGB 132 109 15

HSL 48.21, 0.8%, 0.29%

LAB 46.81, -0.12, 49.82

 

CMYK 89 / 0 / 18 / 49

HEX #0F836C

RGB 15 131 108

HSL 168.1, 0.79%, 0.29%

LAB 48.78, -35.42, 4.06

 

CMYK 89 / 89 / 0 / 48

HEX #0F0F84

RGB 15 15 132

HSL 240, 0.8%, 0.29%

LAB 16.05, 43.17, -62.1

 

CMYK 0 / 89 / 71 / 48

HEX #840F26

RGB 132 15 38

HSL 348.21, 0.8%, 0.29%

LAB 27.81, 47.49, 19.89

 

CMYK 0 / 0 / 89 / 48

HEX #84840F

RGB 132 132 15

HSL 60, 0.8%, 0.29%

LAB 53.43, -12.92, 55.22

 

CMYK 89 / 0 / 18 / 49

HEX #0F836C

RGB 15 131 108

HSL 168.1, 0.79%, 0.29%

LAB 48.78, -35.42, 4.06

 

CMYK 62 / 89 / 0 / 48

HEX #320F84

RGB 50 15 132

HSL 257.95, 0.8%, 0.29%

LAB 18.74, 45.41, -57.55

 

CMYK 0 / 89 / 71 / 48

HEX #840F26

RGB 132 15 38

HSL 348.21, 0.8%, 0.29%

LAB 27.81, 47.49, 19.89

 

CMYK 27 / 0 / 89 / 48

HEX #61840F

RGB 97 132 15

HSL 77.95, 0.8%, 0.29%

LAB 50.78, -28.47, 51.94

 

Description

Color code: HEX #0F836C | qconv.com Color code: HEX #0F836C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 131 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 131 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 18 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 18% 49% C M Y K

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Provide designers and agencies with accurate color values.

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