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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F9631 it is the complementary color #F069CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F9631. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F9631 shade: #14962C, #25A83F, #36BA52, #47CC65 and #58DE78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F9631. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F9631 shade: #0F9631, #00841E, #00720B, #006000 and #004E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F9631 shade: #0E9430, #11940E, #35940E, #59940E and #7D940E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F9631 shade: #0E9430, #0E9454, #0E9478, #0E8C94 and #0E6894

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F9631 shade matches the following richer shades: #0E9430 and #01A129

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F9631 shade: #0E9430, #1B8736, #297A3D, #366C44 and #435F4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F9631 shade: #34940E, #10940E, #0E9430, #0E9453 and #0E9477

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F9631 shade: #074917, #0A6E24, #0E9430, #12BA3C and #16DF48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F9631 shade: #0F9631, #0E5894 and #940E22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F9631 shade: #0F9631, #300E94 and #94300E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F9631 shade: #0F9631, #0E5894, #940E73 and #944A0E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F9631 shade: #0F9631, #0E3094, #940E73 and #94730E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 67 / 41

HEX #0F9631

RGB 15 150 49

HSL 135.11, 0.82%, 0.32%

LAB 54.17, -54.04, 42.56

 

Complementary color

CMYK 0 / 56 / 14 / 6

HEX #F069CE

RGB 240 105 206

HSL 315.11, 0.82%, 0.68%

LAB 64.23, 63.46, -27.47

 

CMYK 87 / 0 / 71 / 41

HEX #14962C

RGB 20 150 44

HSL 131.08, 0.76%, 0.33%

LAB 54.18, -54.13, 44.71

 

CMYK 78 / 0 / 63 / 34

HEX #25A83F

RGB 37 168 63

HSL 131.91, 0.64%, 0.4%

LAB 60.57, -55.91, 43.53

 

CMYK 71 / 0 / 56 / 27

HEX #36BA52

RGB 54 186 82

HSL 132.73, 0.55%, 0.47%

LAB 66.91, -57.01, 42.14

 

CMYK 65 / 0 / 50 / 20

HEX #47CC65

RGB 71 204 101

HSL 133.53, 0.57%, 0.54%

LAB 73.2, -57.66, 40.69

 

CMYK 60 / 0 / 46 / 13

HEX #58DE78

RGB 88 222 120

HSL 134.33, 0.67%, 0.61%

LAB 79.43, -58.01, 39.27

 

CMYK 90 / 0 / 67 / 41

HEX #0F9631

RGB 15 150 49

HSL 135.11, 0.82%, 0.32%

LAB 54.17, -54.04, 42.56

 

CMYK 100 / 0 / 77 / 48

HEX #00841E

RGB 0 132 30

HSL 133.64, 1%, 0.26%

LAB 47.75, -51.3, 43.51

 

CMYK 100 / 0 / 90 / 55

HEX #00720B

RGB 0 114 11

HSL 125.79, 1%, 0.22%

LAB 41.31, -47.08, 43.33

 

CMYK 100 / 0 / 100 / 62

HEX #006000

RGB 0 96 0

HSL 120, 1%, 0.19%

LAB 34.73, -42.15, 40.68

 

CMYK 100 / 0 / 100 / 69

HEX #004E00

RGB 0 78 0

HSL 120, 1%, 0.15%

LAB 27.98, -36.54, 35.25

 

CMYK 91 / 0 / 68 / 42

HEX #0E9430

RGB 14 148 48

HSL 135.22, 0.83%, 0.32%

LAB 53.48, -53.58, 42.24

 

CMYK 89 / 0 / 91 / 42

HEX #11940E

RGB 17 148 14

HSL 118.66, 0.83%, 0.32%

LAB 53.31, -55.82, 53.25

 

CMYK 64 / 0 / 91 / 42

HEX #35940E

RGB 53 148 14

HSL 102.54, 0.83%, 0.32%

LAB 53.99, -49.91, 54.1

 

CMYK 40 / 0 / 91 / 42

HEX #59940E

RGB 89 148 14

HSL 86.42, 0.83%, 0.32%

LAB 55.42, -38.9, 55.88

 

CMYK 16 / 0 / 91 / 42

HEX #7D940E

RGB 125 148 14

HSL 70.3, 0.83%, 0.32%

LAB 57.63, -24.36, 58.61

 

CMYK 91 / 0 / 68 / 42

HEX #0E9430

RGB 14 148 48

HSL 135.22, 0.83%, 0.32%

LAB 53.48, -53.58, 42.24

 

CMYK 91 / 0 / 43 / 42

HEX #0E9454

RGB 14 148 84

HSL 151.34, 0.83%, 0.32%

LAB 53.93, -48.05, 24.78

 

CMYK 91 / 0 / 19 / 42

HEX #0E9478

RGB 14 148 120

HSL 167.46, 0.83%, 0.32%

LAB 54.69, -39.62, 5.61

 

CMYK 91 / 5 / 0 / 42

HEX #0E8C94

RGB 14 140 148

HSL 183.58, 0.83%, 0.32%

LAB 52.94, -27.51, -13.12

 

CMYK 91 / 30 / 0 / 42

HEX #0E6894

RGB 14 104 148

HSL 199.7, 0.83%, 0.32%

LAB 41.43, -7.79, -30.85

 

CMYK 91 / 0 / 68 / 42

HEX #0E9430

RGB 14 148 48

HSL 135.22, 0.83%, 0.32%

LAB 53.48, -53.58, 42.24

 

CMYK 99 / 0 / 75 / 37

HEX #01A129

RGB 1 161 41

HSL 135, 0.99%, 0.32%

LAB 57.71, -59.06, 49.5

 

CMYK 91 / 0 / 68 / 42

HEX #0E9430

RGB 14 148 48

HSL 135.22, 0.83%, 0.32%

LAB 53.48, -53.58, 42.24

 

CMYK 80 / 0 / 60 / 47

HEX #1B8736

RGB 27 135 54

HSL 135, 0.67%, 0.32%

LAB 49.29, -47.09, 34.74

 

CMYK 66 / 0 / 50 / 52

HEX #297A3D

RGB 41 122 61

HSL 134.81, 0.5%, 0.32%

LAB 45.26, -38.57, 26.28

 

CMYK 50 / 0 / 37 / 58

HEX #366C44

RGB 54 108 68

HSL 135.56, 0.33%, 0.32%

LAB 41.1, -27.66, 17

 

CMYK 29 / 0 / 22 / 63

HEX #435F4A

RGB 67 95 74

HSL 135, 0.17%, 0.32%

LAB 37.61, -15.27, 8.73

 

CMYK 65 / 0 / 91 / 42

HEX #34940E

RGB 52 148 14

HSL 102.99, 0.83%, 0.32%

LAB 53.96, -50.15, 54.07

 

CMYK 89 / 0 / 91 / 42

HEX #10940E

RGB 16 148 14

HSL 119.1, 0.83%, 0.32%

LAB 53.3, -55.91, 53.23

 

CMYK 91 / 0 / 68 / 42

HEX #0E9430

RGB 14 148 48

HSL 135.22, 0.83%, 0.32%

LAB 53.48, -53.58, 42.24

 

CMYK 91 / 0 / 44 / 42

HEX #0E9453

RGB 14 148 83

HSL 150.9, 0.83%, 0.32%

LAB 53.92, -48.24, 25.3

 

CMYK 91 / 0 / 20 / 42

HEX #0E9477

RGB 14 148 119

HSL 167.01, 0.83%, 0.32%

LAB 54.66, -39.89, 6.15

 

CMYK 90 / 0 / 68 / 71

HEX #074917

RGB 7 73 23

HSL 134.55, 0.83%, 0.16%

LAB 26.37, -31.49, 23.93

 

CMYK 91 / 0 / 67 / 57

HEX #0A6E24

RGB 10 110 36

HSL 135.6, 0.83%, 0.24%

LAB 40.15, -42.74, 32.98

 

CMYK 91 / 0 / 68 / 42

HEX #0E9430

RGB 14 148 48

HSL 135.22, 0.83%, 0.32%

LAB 53.48, -53.58, 42.24

 

CMYK 90 / 0 / 68 / 27

HEX #12BA3C

RGB 18 186 60

HSL 135, 0.82%, 0.4%

LAB 66.19, -63.86, 51

 

CMYK 90 / 0 / 68 / 13

HEX #16DF48

RGB 22 223 72

HSL 134.93, 0.82%, 0.48%

LAB 78.12, -73.43, 59.05

 

CMYK 90 / 0 / 67 / 41

HEX #0F9631

RGB 15 150 49

HSL 135.11, 0.82%, 0.32%

LAB 54.17, -54.04, 42.56

 

CMYK 91 / 41 / 0 / 42

HEX #0E5894

RGB 14 88 148

HSL 206.87, 0.83%, 0.32%

LAB 36.39, 2.23, -38.83

 

CMYK 0 / 91 / 77 / 42

HEX #940E22

RGB 148 14 34

HSL 351.04, 0.83%, 0.32%

LAB 31.17, 52.01, 27.32

 

CMYK 90 / 0 / 67 / 41

HEX #0F9631

RGB 15 150 49

HSL 135.11, 0.82%, 0.32%

LAB 54.17, -54.04, 42.56

 

CMYK 68 / 91 / 0 / 42

HEX #300E94

RGB 48 14 148

HSL 255.22, 0.83%, 0.32%

LAB 20.36, 50.02, -64.88

 

CMYK 0 / 68 / 91 / 42

HEX #94300E

RGB 148 48 14

HSL 15.22, 0.83%, 0.32%

LAB 34.89, 40.56, 41.54

 

CMYK 90 / 0 / 67 / 41

HEX #0F9631

RGB 15 150 49

HSL 135.11, 0.82%, 0.32%

LAB 54.17, -54.04, 42.56

 

CMYK 91 / 41 / 0 / 42

HEX #0E5894

RGB 14 88 148

HSL 206.87, 0.83%, 0.32%

LAB 36.39, 2.23, -38.83

 

CMYK 0 / 91 / 22 / 42

HEX #940E73

RGB 148 14 115

HSL 314.78, 0.83%, 0.32%

LAB 33.66, 58.89, -21.9

 

CMYK 0 / 50 / 91 / 42

HEX #944A0E

RGB 148 74 14

HSL 26.87, 0.83%, 0.32%

LAB 39.96, 27.44, 45.48

 

CMYK 90 / 0 / 67 / 41

HEX #0F9631

RGB 15 150 49

HSL 135.11, 0.82%, 0.32%

LAB 54.17, -54.04, 42.56

 

CMYK 91 / 68 / 0 / 42

HEX #0E3094

RGB 14 48 148

HSL 224.78, 0.83%, 0.32%

LAB 24.78, 29.56, -57.64

 

CMYK 0 / 91 / 22 / 42

HEX #940E73

RGB 148 14 115

HSL 314.78, 0.83%, 0.32%

LAB 33.66, 58.89, -21.9

 

CMYK 0 / 22 / 91 / 42

HEX #94730E

RGB 148 115 14

HSL 45.22, 0.83%, 0.32%

LAB 50.2, 4, 53.52

 

Description

Color code: HEX #0F9631 | qconv.com Color code: HEX #0F9631 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 150 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 150 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 67 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 67% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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