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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F9D76 it is the complementary color #F06289. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F9D76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F9D76 shade: #149D71, #25AF84, #36C197, #47D3AA and #58E5BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F9D76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F9D76 shade: #0F9D76, #008B63, #007950, #00673D and #00552A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F9D76 shade: #0E9E77, #0E9E50, #0E9E29, #1A9E0E and #419E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F9D76 shade: #0E9E77, #0E9E9D, #0E789E, #0E519E and #0E2A9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F9D76 shade matches the following richer shades: #0E9E77 and #00AC7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F9D76 shade: #0E9E77, #1C9070, #2A826A, #387464 and #46665D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F9D76 shade: #0E9E29, #0E9E4F, #0E9E75, #0E9E9C and #0E7A9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F9D76 shade: #07533E, #0B785A, #0E9E77, #12C493 and #16E9AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F9D76 shade: #0F9D76, #0E1A9E and #9E3C0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F9D76 shade: #0F9D76, #750E9E and #9E750E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F9D76 shade: #0F9D76, #0E1A9E, #9E0E37 and #9E920E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F9D76 shade: #0F9D76, #2D0E9E, #9E0E37 and #7F9E0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 25 / 38

HEX #0F9D76

RGB 15 157 118

HSL 163.52, 0.83%, 0.34%

LAB 57.58, -43.85, 10.86

 

Complementary color

CMYK 0 / 59 / 43 / 6

HEX #F06289

RGB 240 98 137

HSL 343.52, 0.83%, 0.66%

LAB 60.84, 57.96, 6.96

 

CMYK 87 / 0 / 28 / 38

HEX #149D71

RGB 20 157 113

HSL 160.73, 0.77%, 0.35%

LAB 57.52, -44.73, 13.58

 

CMYK 79 / 0 / 25 / 31

HEX #25AF84

RGB 37 175 132

HSL 161.3, 0.65%, 0.42%

LAB 63.93, -45.87, 12.04

 

CMYK 72 / 0 / 22 / 24

HEX #36C197

RGB 54 193 151

HSL 161.87, 0.56%, 0.48%

LAB 70.29, -46.62, 10.68

 

CMYK 66 / 0 / 19 / 17

HEX #47D3AA

RGB 71 211 170

HSL 162.43, 0.61%, 0.55%

LAB 76.58, -47.09, 9.44

 

CMYK 62 / 0 / 17 / 10

HEX #58E5BD

RGB 88 229 189

HSL 162.98, 0.73%, 0.62%

LAB 82.8, -47.37, 8.32

 

CMYK 90 / 0 / 25 / 38

HEX #0F9D76

RGB 15 157 118

HSL 163.52, 0.83%, 0.34%

LAB 57.58, -43.85, 10.86

 

CMYK 100 / 0 / 29 / 45

HEX #008B63

RGB 0 139 99

HSL 162.73, 1%, 0.27%

LAB 51.11, -42.09, 12.56

 

CMYK 100 / 0 / 34 / 53

HEX #007950

RGB 0 121 80

HSL 159.67, 1%, 0.24%

LAB 44.59, -39.49, 14.53

 

CMYK 100 / 0 / 41 / 60

HEX #00673D

RGB 0 103 61

HSL 155.53, 1%, 0.2%

LAB 37.91, -36.74, 16.62

 

CMYK 100 / 0 / 51 / 67

HEX #00552A

RGB 0 85 42

HSL 149.65, 1%, 0.17%

LAB 31.03, -33.77, 18.83

 

CMYK 91 / 0 / 25 / 38

HEX #0E9E77

RGB 14 158 119

HSL 163.75, 0.84%, 0.34%

LAB 57.92, -44.07, 10.77

 

CMYK 91 / 0 / 49 / 38

HEX #0E9E50

RGB 14 158 80

HSL 147.5, 0.84%, 0.34%

LAB 57.2, -52.36, 31.1

 

CMYK 91 / 0 / 74 / 38

HEX #0E9E29

RGB 14 158 41

HSL 131.25, 0.84%, 0.34%

LAB 56.79, -57.4, 48.59

 

CMYK 84 / 0 / 91 / 38

HEX #1A9E0E

RGB 26 158 14

HSL 115, 0.84%, 0.34%

LAB 56.79, -57.9, 56.28

 

CMYK 59 / 0 / 91 / 38

HEX #419E0E

RGB 65 158 14

HSL 98.75, 0.84%, 0.34%

LAB 57.66, -50.44, 57.38

 

CMYK 91 / 0 / 25 / 38

HEX #0E9E77

RGB 14 158 119

HSL 163.75, 0.84%, 0.34%

LAB 57.92, -44.07, 10.77

 

CMYK 91 / 0 / 1 / 38

HEX #0E9E9D

RGB 14 158 157

HSL 179.58, 0.84%, 0.34%

LAB 58.96, -33.36, -9.23

 

CMYK 91 / 24 / 0 / 38

HEX #0E789E

RGB 14 120 158

HSL 195.83, 0.84%, 0.34%

LAB 46.97, -13.34, -28.11

 

CMYK 91 / 49 / 0 / 38

HEX #0E519E

RGB 14 81 158

HSL 212.08, 0.84%, 0.34%

LAB 34.9, 10.98, -47.25

 

CMYK 91 / 73 / 0 / 38

HEX #0E2A9E

RGB 14 42 158

HSL 228.33, 0.84%, 0.34%

LAB 24.38, 37.32, -64.43

 

CMYK 91 / 0 / 25 / 38

HEX #0E9E77

RGB 14 158 119

HSL 163.75, 0.84%, 0.34%

LAB 57.92, -44.07, 10.77

 

CMYK 100 / 0 / 27 / 33

HEX #00AC7D

RGB 0 172 125

HSL 163.6, 1%, 0.34%

LAB 62.5, -48.82, 13.84

 

CMYK 91 / 0 / 25 / 38

HEX #0E9E77

RGB 14 158 119

HSL 163.75, 0.84%, 0.34%

LAB 57.92, -44.07, 10.77

 

CMYK 81 / 0 / 22 / 44

HEX #1C9070

RGB 28 144 112

HSL 163.45, 0.67%, 0.34%

LAB 53.34, -38.82, 8.29

 

CMYK 68 / 0 / 18 / 49

HEX #2A826A

RGB 42 130 106

HSL 163.64, 0.51%, 0.34%

LAB 48.88, -32.08, 5.44

 

CMYK 52 / 0 / 14 / 55

HEX #387464

RGB 56 116 100

HSL 164, 0.35%, 0.34%

LAB 44.59, -23.75, 2.88

 

CMYK 31 / 0 / 9 / 60

HEX #46665D

RGB 70 102 93

HSL 163.13, 0.19%, 0.34%

LAB 40.57, -13.8, 1.35

 

CMYK 91 / 0 / 74 / 38

HEX #0E9E29

RGB 14 158 41

HSL 131.25, 0.84%, 0.34%

LAB 56.79, -57.4, 48.59

 

CMYK 91 / 0 / 50 / 38

HEX #0E9E4F

RGB 14 158 79

HSL 147.08, 0.84%, 0.34%

LAB 57.18, -52.53, 31.6

 

CMYK 91 / 0 / 26 / 38

HEX #0E9E75

RGB 14 158 117

HSL 162.92, 0.84%, 0.34%

LAB 57.88, -44.57, 11.83

 

CMYK 91 / 0 / 1 / 38

HEX #0E9E9C

RGB 14 158 156

HSL 179.17, 0.84%, 0.34%

LAB 58.93, -33.67, -8.71

 

CMYK 91 / 23 / 0 / 38

HEX #0E7A9E

RGB 14 122 158

HSL 195, 0.84%, 0.34%

LAB 47.6, -14.47, -27.12

 

CMYK 92 / 0 / 25 / 67

HEX #07533E

RGB 7 83 62

HSL 163.42, 0.84%, 0.18%

LAB 30.83, -27.21, 6.3

 

CMYK 91 / 0 / 25 / 53

HEX #0B785A

RGB 11 120 90

HSL 163.49, 0.83%, 0.26%

LAB 44.58, -35.78, 8.65

 

CMYK 91 / 0 / 25 / 38

HEX #0E9E77

RGB 14 158 119

HSL 163.75, 0.84%, 0.34%

LAB 57.92, -44.07, 10.77

 

CMYK 91 / 0 / 25 / 23

HEX #12C493

RGB 18 196 147

HSL 163.48, 0.83%, 0.42%

LAB 70.67, -52.15, 13.32

 

CMYK 91 / 0 / 25 / 9

HEX #16E9AF

RGB 22 233 175

HSL 163.51, 0.83%, 0.5%

LAB 82.67, -59.54, 15.33

 

CMYK 90 / 0 / 25 / 38

HEX #0F9D76

RGB 15 157 118

HSL 163.52, 0.83%, 0.34%

LAB 57.58, -43.85, 10.86

 

CMYK 91 / 84 / 0 / 38

HEX #0E1A9E

RGB 14 26 158

HSL 235, 0.84%, 0.34%

LAB 21.21, 46.38, -69.68

 

CMYK 0 / 62 / 91 / 38

HEX #9E3C0E

RGB 158 60 14

HSL 19.17, 0.84%, 0.34%

LAB 38.78, 38.77, 45.3

 

CMYK 90 / 0 / 25 / 38

HEX #0F9D76

RGB 15 157 118

HSL 163.52, 0.83%, 0.34%

LAB 57.58, -43.85, 10.86

 

CMYK 26 / 91 / 0 / 38

HEX #750E9E

RGB 117 14 158

HSL 282.92, 0.84%, 0.34%

LAB 30.79, 60.23, -53.52

 

CMYK 0 / 26 / 91 / 38

HEX #9E750E

RGB 158 117 14

HSL 42.92, 0.84%, 0.34%

LAB 51.86, 7.54, 55.3

 

CMYK 90 / 0 / 25 / 38

HEX #0F9D76

RGB 15 157 118

HSL 163.52, 0.83%, 0.34%

LAB 57.58, -43.85, 10.86

 

CMYK 91 / 84 / 0 / 38

HEX #0E1A9E

RGB 14 26 158

HSL 235, 0.84%, 0.34%

LAB 21.21, 46.38, -69.68

 

CMYK 0 / 91 / 65 / 38

HEX #9E0E37

RGB 158 14 55

HSL 342.92, 0.84%, 0.34%

LAB 33.69, 55.71, 17.33

 

CMYK 0 / 8 / 91 / 38

HEX #9E920E

RGB 158 146 14

HSL 55, 0.84%, 0.34%

LAB 59.76, -8.52, 61.46

 

CMYK 90 / 0 / 25 / 38

HEX #0F9D76

RGB 15 157 118

HSL 163.52, 0.83%, 0.34%

LAB 57.58, -43.85, 10.86

 

CMYK 72 / 91 / 0 / 38

HEX #2D0E9E

RGB 45 14 158

HSL 252.92, 0.84%, 0.34%

LAB 21.36, 52.57, -69.39

 

CMYK 0 / 91 / 65 / 38

HEX #9E0E37

RGB 158 14 55

HSL 342.92, 0.84%, 0.34%

LAB 33.69, 55.71, 17.33

 

CMYK 20 / 0 / 91 / 38

HEX #7F9E0E

RGB 127 158 14

HSL 72.92, 0.84%, 0.34%

LAB 60.78, -28.39, 61.23

 

Description

Color code: HEX #0F9D76 | qconv.com Color code: HEX #0F9D76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 157 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 157 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 25 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 25% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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