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Color name
HEX #0FB469

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FB469 it is the complementary color #F04B96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FB469. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FB469 shade: #14B464, #25C677, #36D88A, #47EA9D and #58FCB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FB469. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FB469 shade: #0FB469, #00A256, #009043, #007E30 and #006C1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FB469 shade: #0EB368, #0EB33B, #0EB30F, #39B30E and #66B30E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FB469 shade: #0EB368, #0EB394, #0EA5B3, #0E78B3 and #0E4CB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FB469 shade matches the following richer shades: #0EB368

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FB469 shade: #0EB368, #1EA366, #2D9365, #3D8464 and #4D7462

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FB469 shade: #0EB30E, #0EB33A, #0EB366, #0EB392 and #0EA8B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FB469 shade: #08663B, #0B8D52, #0EB368, #11D97E and #26ED93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FB469 shade: #0FB469, #0E3AB3 and #B3240E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FB469 shade: #0FB469, #660EB3 and #B3660E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FB469 shade: #0FB469, #0E3AB3, #B30E5B and #B3870E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FB469 shade: #0FB469, #140EB3, #B30E5B and #ADB30E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 42 / 29

HEX #0FB469

RGB 15 180 105

HSL 152.73, 0.85%, 0.38%

LAB 64.77, -55.47, 27.75

 

Complementary color

CMYK 0 / 69 / 38 / 6

HEX #F04B96

RGB 240 75 150

HSL 332.73, 0.85%, 0.62%

LAB 57.81, 68.52, -5.03

 

CMYK 89 / 0 / 44 / 29

HEX #14B464

RGB 20 180 100

HSL 150, 0.8%, 0.39%

LAB 64.73, -56.09, 30.32

 

CMYK 81 / 0 / 40 / 22

HEX #25C677

RGB 37 198 119

HSL 150.56, 0.69%, 0.46%

LAB 70.95, -57.5, 28.6

 

CMYK 75 / 0 / 36 / 15

HEX #36D88A

RGB 54 216 138

HSL 151.11, 0.68%, 0.53%

LAB 77.12, -58.45, 27.01

 

CMYK 70 / 0 / 33 / 8

HEX #47EA9D

RGB 71 234 157

HSL 151.66, 0.8%, 0.6%

LAB 83.24, -59.08, 25.55

 

CMYK 65 / 0 / 30 / 1

HEX #58FCB0

RGB 88 252 176

HSL 152.2, 0.96%, 0.67%

LAB 89.31, -59.47, 24.19

 

CMYK 92 / 0 / 42 / 29

HEX #0FB469

RGB 15 180 105

HSL 152.73, 0.85%, 0.38%

LAB 64.77, -55.47, 27.75

 

CMYK 100 / 0 / 47 / 36

HEX #00A256

RGB 0 162 86

HSL 151.85, 1%, 0.32%

LAB 58.52, -53.43, 29.62

 

CMYK 100 / 0 / 53 / 44

HEX #009043

RGB 0 144 67

HSL 147.92, 1%, 0.28%

LAB 52.23, -50.54, 31.63

 

CMYK 100 / 0 / 62 / 51

HEX #007E30

RGB 0 126 48

HSL 142.86, 1%, 0.25%

LAB 45.82, -47.39, 33.58

 

CMYK 100 / 0 / 73 / 58

HEX #006C1D

RGB 0 108 29

HSL 136.11, 1%, 0.21%

LAB 39.27, -43.83, 35.18

 

CMYK 92 / 0 / 42 / 30

HEX #0EB368

RGB 14 179 104

HSL 152.73, 0.85%, 0.38%

LAB 64.43, -55.36, 27.82

 

CMYK 92 / 0 / 67 / 30

HEX #0EB33B

RGB 14 179 59

HSL 136.36, 0.85%, 0.38%

LAB 63.88, -62.08, 48.89

 

CMYK 92 / 0 / 92 / 30

HEX #0EB30F

RGB 14 179 15

HSL 120.36, 0.85%, 0.38%

LAB 63.65, -65.01, 61.91

 

CMYK 68 / 0 / 92 / 30

HEX #39B30E

RGB 57 179 14

HSL 104.36, 0.85%, 0.38%

LAB 64.28, -59.49, 62.85

 

CMYK 43 / 0 / 92 / 30

HEX #66B30E

RGB 102 179 14

HSL 88, 0.85%, 0.38%

LAB 65.82, -47.2, 64.77

 

CMYK 92 / 0 / 42 / 30

HEX #0EB368

RGB 14 179 104

HSL 152.73, 0.85%, 0.38%

LAB 64.43, -55.36, 27.82

 

CMYK 92 / 0 / 17 / 30

HEX #0EB394

RGB 14 179 148

HSL 168.73, 0.85%, 0.38%

LAB 65.34, -45.24, 5.18

 

CMYK 92 / 8 / 0 / 30

HEX #0EA5B3

RGB 14 165 179

HSL 185.09, 0.85%, 0.38%

LAB 61.88, -29.74, -17.24

 

CMYK 92 / 33 / 0 / 30

HEX #0E78B3

RGB 14 120 179

HSL 201.45, 0.85%, 0.38%

LAB 47.98, -5.38, -38.76

 

CMYK 92 / 58 / 0 / 30

HEX #0E4CB3

RGB 14 76 179

HSL 217.45, 0.85%, 0.38%

LAB 35.04, 22.95, -59.55

 

CMYK 92 / 0 / 42 / 30

HEX #0EB368

RGB 14 179 104

HSL 152.73, 0.85%, 0.38%

LAB 64.43, -55.36, 27.82

 

CMYK 92 / 0 / 42 / 30

HEX #0EB368

RGB 14 179 104

HSL 152.73, 0.85%, 0.38%

LAB 64.43, -55.36, 27.82

 

CMYK 82 / 0 / 37 / 36

HEX #1EA366

RGB 30 163 102

HSL 152.48, 0.69%, 0.38%

LAB 59.37, -48.62, 22.21

 

CMYK 69 / 0 / 31 / 42

HEX #2D9365

RGB 45 147 101

HSL 152.94, 0.53%, 0.38%

LAB 54.41, -40.29, 16.08

 

CMYK 54 / 0 / 24 / 48

HEX #3D8464

RGB 61 132 100

HSL 152.96, 0.37%, 0.38%

LAB 50, -30.36, 10.6

 

CMYK 34 / 0 / 16 / 55

HEX #4D7462

RGB 77 116 98

HSL 152.31, 0.2%, 0.38%

LAB 45.57, -18, 5.6

 

CMYK 92 / 0 / 92 / 30

HEX #0EB30E

RGB 14 179 14

HSL 120, 0.85%, 0.38%

LAB 63.64, -65.04, 62.07

 

CMYK 92 / 0 / 68 / 30

HEX #0EB33A

RGB 14 179 58

HSL 136, 0.85%, 0.38%

LAB 63.87, -62.19, 49.3

 

CMYK 92 / 0 / 43 / 30

HEX #0EB366

RGB 14 179 102

HSL 152, 0.85%, 0.38%

LAB 64.4, -55.74, 28.83

 

CMYK 92 / 0 / 18 / 30

HEX #0EB392

RGB 14 179 146

HSL 168, 0.85%, 0.38%

LAB 65.29, -45.77, 6.21

 

CMYK 92 / 6 / 0 / 30

HEX #0EA8B3

RGB 14 168 179

HSL 184, 0.85%, 0.38%

LAB 62.8, -31.2, -15.84

 

CMYK 92 / 0 / 42 / 60

HEX #08663B

RGB 8 102 59

HSL 152.55, 0.85%, 0.22%

LAB 37.61, -36.04, 17.41

 

CMYK 92 / 0 / 42 / 45

HEX #0B8D52

RGB 11 141 82

HSL 152.77, 0.86%, 0.3%

LAB 51.53, -46.05, 22.72

 

CMYK 92 / 0 / 42 / 30

HEX #0EB368

RGB 14 179 104

HSL 152.73, 0.85%, 0.38%

LAB 64.43, -55.36, 27.82

 

CMYK 92 / 0 / 42 / 15

HEX #11D97E

RGB 17 217 126

HSL 152.7, 0.85%, 0.46%

LAB 76.83, -64.26, 32.7

 

CMYK 84 / 0 / 38 / 7

HEX #26ED93

RGB 38 237 147

HSL 152.86, 0.85%, 0.54%

LAB 83.49, -65.9, 30.89

 

CMYK 92 / 0 / 42 / 29

HEX #0FB469

RGB 15 180 105

HSL 152.73, 0.85%, 0.38%

LAB 64.77, -55.47, 27.75

 

CMYK 92 / 68 / 0 / 30

HEX #0E3AB3

RGB 14 58 179

HSL 224, 0.85%, 0.38%

LAB 30.34, 34.97, -67.25

 

CMYK 0 / 80 / 92 / 30

HEX #B3240E

RGB 179 36 14

HSL 8, 0.85%, 0.38%

LAB 39.37, 55.21, 47.55

 

CMYK 92 / 0 / 42 / 29

HEX #0FB469

RGB 15 180 105

HSL 152.73, 0.85%, 0.38%

LAB 64.77, -55.47, 27.75

 

CMYK 43 / 92 / 0 / 30

HEX #660EB3

RGB 102 14 179

HSL 272, 0.85%, 0.38%

LAB 30.38, 62.69, -66.94

 

CMYK 0 / 43 / 92 / 30

HEX #B3660E

RGB 179 102 14

HSL 32, 0.85%, 0.38%

LAB 50.83, 25.43, 55.69

 

CMYK 92 / 0 / 42 / 29

HEX #0FB469

RGB 15 180 105

HSL 152.73, 0.85%, 0.38%

LAB 64.77, -55.47, 27.75

 

CMYK 92 / 68 / 0 / 30

HEX #0E3AB3

RGB 14 58 179

HSL 224, 0.85%, 0.38%

LAB 30.34, 34.97, -67.25

 

CMYK 0 / 92 / 49 / 30

HEX #B30E5B

RGB 179 14 91

HSL 332, 0.85%, 0.38%

LAB 38.99, 63.49, 2.04

 

CMYK 0 / 25 / 92 / 30

HEX #B3870E

RGB 179 135 14

HSL 44, 0.85%, 0.38%

LAB 58.92, 7.09, 61.73

 

CMYK 92 / 0 / 42 / 29

HEX #0FB469

RGB 15 180 105

HSL 152.73, 0.85%, 0.38%

LAB 64.77, -55.47, 27.75

 

CMYK 89 / 92 / 0 / 30

HEX #140EB3

RGB 20 14 179

HSL 242.18, 0.85%, 0.38%

LAB 22.71, 57.44, -79.89

 

CMYK 0 / 92 / 49 / 30

HEX #B30E5B

RGB 179 14 91

HSL 332, 0.85%, 0.38%

LAB 38.99, 63.49, 2.04

 

CMYK 3 / 0 / 92 / 30

HEX #ADB30E

RGB 173 179 14

HSL 62.18, 0.85%, 0.38%

LAB 70.29, -18.97, 70.21

 

Description

Color code: HEX #0FB469 | qconv.com Color code: HEX #0FB469 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 180 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 180 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 42 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 42% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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