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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FBC19 it is the complementary color #F043E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FBC19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FBC19 shade: #14BC14, #25CE27, #36E03A, #47F24D and #58FF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FBC19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FBC19 shade: #0FBC19, #00AA06, #009800, #008600 and #007400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FBC19 shade: #0FBC19, #34BC0F, #62BC0F, #91BC0F and #BCB90F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FBC19 shade: #0FBC19, #0FBC48, #0FBC76, #0FBCA5 and #0FA5BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FBC19 shade matches the following richer shades: #0FBC19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FBC19 shade: #0FBC19, #1FAC27, #309B36, #408B45 and #517A53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FBC19 shade: #63BC0F, #34BC0F, #0FBC17, #0FBC46 and #0FBC74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FBC19 shade: #09700F, #0C9614, #0FBC19, #12E21E and #30EE3B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FBC19 shade: #0FBC19, #0F91BC and #BC0F4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FBC19 shade: #0FBC19, #170FBC and #BC170F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FBC19 shade: #0FBC19, #0F91BC, #BC0FB4 and #BC3A0F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FBC19 shade: #0FBC19, #0F5DBC, #BC0FB4 and #BC6E0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 87 / 26

HEX #0FBC19

RGB 15 188 25

HSL 123.47, 0.85%, 0.4%

LAB 66.63, -67.13, 62.61

 

Complementary color

CMYK 0 / 72 / 4 / 6

HEX #F043E6

RGB 240 67 230

HSL 303.47, 0.85%, 0.6%

LAB 60.12, 81.44, -47.38

 

CMYK 89 / 0 / 89 / 26

HEX #14BC14

RGB 20 188 20

HSL 120, 0.81%, 0.41%

LAB 66.65, -67, 63.64

 

CMYK 82 / 0 / 81 / 19

HEX #25CE27

RGB 37 206 39

HSL 120.71, 0.7%, 0.48%

LAB 72.68, -69.77, 64.75

 

CMYK 76 / 0 / 74 / 12

HEX #36E03A

RGB 54 224 58

HSL 121.41, 0.73%, 0.55%

LAB 78.7, -71.79, 64.84

 

CMYK 71 / 0 / 68 / 5

HEX #47F24D

RGB 71 242 77

HSL 122.11, 0.87%, 0.61%

LAB 84.68, -73.24, 64.31

 

CMYK 65 / 0 / 62 / 0

HEX #58FF60

RGB 88 255 96

HSL 122.87, 1%, 0.67%

LAB 89.13, -72.62, 61.76

 

CMYK 92 / 0 / 87 / 26

HEX #0FBC19

RGB 15 188 25

HSL 123.47, 0.85%, 0.4%

LAB 66.63, -67.13, 62.61

 

CMYK 100 / 0 / 96 / 33

HEX #00AA06

RGB 0 170 6

HSL 122.12, 1%, 0.33%

LAB 60.57, -63.45, 60.57

 

CMYK 100 / 0 / 100 / 40

HEX #009800

RGB 0 152 0

HSL 120, 1%, 0.3%

LAB 54.51, -58.58, 56.54

 

CMYK 100 / 0 / 100 / 47

HEX #008600

RGB 0 134 0

HSL 120, 1%, 0.26%

LAB 48.32, -53.44, 51.58

 

CMYK 100 / 0 / 100 / 55

HEX #007400

RGB 0 116 0

HSL 120, 1%, 0.23%

LAB 41.99, -48.17, 46.5

 

CMYK 92 / 0 / 87 / 26

HEX #0FBC19

RGB 15 188 25

HSL 123.47, 0.85%, 0.4%

LAB 66.63, -67.13, 62.61

 

CMYK 72 / 0 / 92 / 26

HEX #34BC0F

RGB 52 188 15

HSL 107.17, 0.85%, 0.4%

LAB 67.07, -63.26, 65.01

 

CMYK 48 / 0 / 92 / 26

HEX #62BC0F

RGB 98 188 15

HSL 91.21, 0.85%, 0.4%

LAB 68.46, -51.99, 66.72

 

CMYK 23 / 0 / 92 / 26

HEX #91BC0F

RGB 145 188 15

HSL 74.91, 0.85%, 0.4%

LAB 70.89, -35.03, 69.7

 

CMYK 0 / 2 / 92 / 26

HEX #BCB90F

RGB 188 185 15

HSL 58.96, 0.85%, 0.4%

LAB 73.17, -15.45, 72.84

 

CMYK 92 / 0 / 87 / 26

HEX #0FBC19

RGB 15 188 25

HSL 123.47, 0.85%, 0.4%

LAB 66.63, -67.13, 62.61

 

CMYK 92 / 0 / 62 / 26

HEX #0FBC48

RGB 15 188 72

HSL 139.77, 0.85%, 0.4%

LAB 66.93, -63.31, 46.66

 

CMYK 92 / 0 / 37 / 26

HEX #0FBC76

RGB 15 188 118

HSL 155.72, 0.85%, 0.4%

LAB 67.56, -55.75, 24.57

 

CMYK 92 / 0 / 12 / 26

HEX #0FBCA5

RGB 15 188 165

HSL 172.02, 0.85%, 0.4%

LAB 68.59, -44.39, 0.53

 

CMYK 92 / 12 / 0 / 26

HEX #0FA5BC

RGB 15 165 188

HSL 187.98, 0.85%, 0.4%

LAB 62.2, -26.74, -21.79

 

CMYK 92 / 0 / 87 / 26

HEX #0FBC19

RGB 15 188 25

HSL 123.47, 0.85%, 0.4%

LAB 66.63, -67.13, 62.61

 

CMYK 92 / 0 / 87 / 26

HEX #0FBC19

RGB 15 188 25

HSL 123.47, 0.85%, 0.4%

LAB 66.63, -67.13, 62.61

 

CMYK 82 / 0 / 77 / 33

HEX #1FAC27

RGB 31 172 39

HSL 123.4, 0.69%, 0.4%

LAB 61.6, -60.26, 54.17

 

CMYK 69 / 0 / 65 / 39

HEX #309B36

RGB 48 155 54

HSL 123.36, 0.53%, 0.4%

LAB 56.42, -50.61, 42.99

 

CMYK 54 / 0 / 50 / 45

HEX #408B45

RGB 64 139 69

HSL 124, 0.37%, 0.4%

LAB 51.82, -38.59, 30.35

 

CMYK 34 / 0 / 32 / 52

HEX #517A53

RGB 81 122 83

HSL 122.93, 0.2%, 0.4%

LAB 47.36, -22.85, 16.94

 

CMYK 47 / 0 / 92 / 26

HEX #63BC0F

RGB 99 188 15

HSL 90.87, 0.85%, 0.4%

LAB 68.5, -51.68, 66.77

 

CMYK 72 / 0 / 92 / 26

HEX #34BC0F

RGB 52 188 15

HSL 107.17, 0.85%, 0.4%

LAB 67.07, -63.26, 65.01

 

CMYK 92 / 0 / 88 / 26

HEX #0FBC17

RGB 15 188 23

HSL 122.77, 0.85%, 0.4%

LAB 66.62, -67.21, 63.03

 

CMYK 92 / 0 / 63 / 26

HEX #0FBC46

RGB 15 188 70

HSL 139.08, 0.85%, 0.4%

LAB 66.91, -63.55, 47.52

 

CMYK 92 / 0 / 38 / 26

HEX #0FBC74

RGB 15 188 116

HSL 155.03, 0.85%, 0.4%

LAB 67.52, -56.15, 25.58

 

CMYK 92 / 0 / 87 / 56

HEX #09700F

RGB 9 112 15

HSL 123.5, 0.85%, 0.24%

LAB 40.7, -45.41, 41.76

 

CMYK 92 / 0 / 87 / 41

HEX #0C9614

RGB 12 150 20

HSL 123.48, 0.85%, 0.32%

LAB 53.96, -56.56, 52.48

 

CMYK 92 / 0 / 87 / 26

HEX #0FBC19

RGB 15 188 25

HSL 123.47, 0.85%, 0.4%

LAB 66.63, -67.13, 62.61

 

CMYK 92 / 0 / 87 / 11

HEX #12E21E

RGB 18 226 30

HSL 123.46, 0.85%, 0.48%

LAB 78.82, -77.28, 72.32

 

CMYK 80 / 0 / 75 / 7

HEX #30EE3B

RGB 48 238 59

HSL 123.47, 0.85%, 0.56%

LAB 82.96, -76.63, 68.72

 

CMYK 92 / 0 / 87 / 26

HEX #0FBC19

RGB 15 188 25

HSL 123.47, 0.85%, 0.4%

LAB 66.63, -67.13, 62.61

 

CMYK 92 / 23 / 0 / 26

HEX #0F91BC

RGB 15 145 188

HSL 194.91, 0.85%, 0.4%

LAB 56.07, -16.26, -31.25

 

CMYK 0 / 92 / 60 / 26

HEX #BC0F4B

RGB 188 15 75

HSL 339.19, 0.85%, 0.4%

LAB 40.48, 64.39, 14.61

 

CMYK 92 / 0 / 87 / 26

HEX #0FBC19

RGB 15 188 25

HSL 123.47, 0.85%, 0.4%

LAB 66.63, -67.13, 62.61

 

CMYK 88 / 92 / 0 / 26

HEX #170FBC

RGB 23 15 188

HSL 242.77, 0.85%, 0.4%

LAB 24.18, 59.69, -82.81

 

CMYK 0 / 88 / 92 / 26

HEX #BC170F

RGB 188 23 15

HSL 2.77, 0.85%, 0.4%

LAB 40.15, 60.9, 48.57

 

CMYK 92 / 0 / 87 / 26

HEX #0FBC19

RGB 15 188 25

HSL 123.47, 0.85%, 0.4%

LAB 66.63, -67.13, 62.61

 

CMYK 92 / 23 / 0 / 26

HEX #0F91BC

RGB 15 145 188

HSL 194.91, 0.85%, 0.4%

LAB 56.07, -16.26, -31.25

 

CMYK 0 / 92 / 4 / 26

HEX #BC0FB4

RGB 188 15 180

HSL 302.77, 0.85%, 0.4%

LAB 44.7, 75.54, -43.67

 

CMYK 0 / 69 / 92 / 26

HEX #BC3A0F

RGB 188 58 15

HSL 14.91, 0.85%, 0.4%

LAB 43.88, 50.48, 51.1

 

CMYK 92 / 0 / 87 / 26

HEX #0FBC19

RGB 15 188 25

HSL 123.47, 0.85%, 0.4%

LAB 66.63, -67.13, 62.61

 

CMYK 92 / 51 / 0 / 26

HEX #0F5DBC

RGB 15 93 188

HSL 212.95, 0.85%, 0.4%

LAB 40.51, 15.28, -55.95

 

CMYK 0 / 92 / 4 / 26

HEX #BC0FB4

RGB 188 15 180

HSL 302.77, 0.85%, 0.4%

LAB 44.7, 75.54, -43.67

 

CMYK 0 / 41 / 92 / 26

HEX #BC6E0F

RGB 188 110 15

HSL 32.95, 0.85%, 0.4%

LAB 53.9, 24.96, 58.26

 

Description

Color code: HEX #0FBC19 | qconv.com Color code: HEX #0FBC19 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 188 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 188 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 87 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 87% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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