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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FD5C7 it is the complementary color #F02A38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FD5C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FD5C7 shade: #14D5C2, #25E7D5, #36F9E8, #47FFFB and #58FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FD5C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FD5C7 shade: #0FD5C7, #00C3B4, #00B1A1, #009F8E and #008D7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FD5C7 shade: #0ED6C8, #0ED692, #0ED65C, #0ED626 and #2CD60E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FD5C7 shade: #0ED6C8, #0EAED6, #0E79D6, #0E43D6 and #0E0ED6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FD5C7 shade matches the following richer shades: #0ED6C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FD5C7 shade: #0ED6C8, #21C4B8, #34B1A8, #469E98 and #598C88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FD5C7 shade: #0ED65B, #0ED690, #0ED6C5, #0EB1D6 and #0E7CD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FD5C7 shade: #098980, #0CB0A4, #0ED6C8, #1FEFE0 and #45F2E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FD5C7 shade: #0FD5C7, #260ED6 and #D6760E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FD5C7 shade: #0FD5C7, #C50ED6 and #D6C50E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FD5C7 shade: #0FD5C7, #260ED6, #D60E1F and #BFD60E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FD5C7 shade: #0FD5C7, #620ED6, #D60E1F and #83D60E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 7 / 16

HEX #0FD5C7

RGB 15 213 199

HSL 175.76, 0.87%, 0.45%

LAB 77.17, -45.61, -5.34

 

Complementary color

CMYK 0 / 83 / 77 / 6

HEX #F02A38

RGB 240 42 56

HSL 355.76, 0.87%, 0.55%

LAB 52.36, 71.99, 42.97

 

CMYK 91 / 0 / 9 / 16

HEX #14D5C2

RGB 20 213 194

HSL 174.09, 0.83%, 0.46%

LAB 77.06, -46.81, -2.81

 

CMYK 84 / 0 / 8 / 9

HEX #25E7D5

RGB 37 231 213

HSL 174.43, 0.8%, 0.53%

LAB 83.1, -48.29, -4.03

 

CMYK 78 / 0 / 7 / 2

HEX #36F9E8

RGB 54 249 232

HSL 174.77, 0.94%, 0.59%

LAB 89.09, -49.46, -5.15

 

CMYK 72 / 0 / 2 / 0

HEX #47FFFB

RGB 71 255 251

HSL 178.7, 1%, 0.64%

LAB 91.61, -45.22, -11.27

 

CMYK 65 / 0 / 0 / 0

HEX #58FFFF

RGB 88 255 255

HSL 180, 1%, 0.67%

LAB 92.05, -42.03, -12.65

 

CMYK 93 / 0 / 7 / 16

HEX #0FD5C7

RGB 15 213 199

HSL 175.76, 0.87%, 0.45%

LAB 77.17, -45.61, -5.34

 

CMYK 100 / 0 / 8 / 24

HEX #00C3B4

RGB 0 195 180

HSL 175.38, 1%, 0.38%

LAB 71.09, -43.7, -4.02

 

CMYK 100 / 0 / 9 / 31

HEX #00B1A1

RGB 0 177 161

HSL 174.58, 1%, 0.35%

LAB 64.98, -41.32, -2.56

 

CMYK 100 / 0 / 11 / 38

HEX #009F8E

RGB 0 159 142

HSL 173.58, 1%, 0.31%

LAB 58.74, -38.91, -1.05

 

CMYK 100 / 0 / 13 / 45

HEX #008D7B

RGB 0 141 123

HSL 172.34, 1%, 0.28%

LAB 52.38, -36.45, 0.53

 

CMYK 93 / 0 / 7 / 16

HEX #0ED6C8

RGB 14 214 200

HSL 175.8, 0.88%, 0.45%

LAB 77.49, -45.8, -5.39

 

CMYK 93 / 0 / 32 / 16

HEX #0ED692

RGB 14 214 146

HSL 159.6, 0.88%, 0.45%

LAB 76.23, -59.33, 21.56

 

CMYK 93 / 0 / 57 / 16

HEX #0ED65C

RGB 14 214 92

HSL 143.4, 0.88%, 0.45%

LAB 75.43, -68.84, 47.47

 

CMYK 93 / 0 / 82 / 16

HEX #0ED626

RGB 14 214 38

HSL 127.2, 0.88%, 0.45%

LAB 75.03, -73.83, 67.12

 

CMYK 79 / 0 / 93 / 16

HEX #2CD60E

RGB 44 214 14

HSL 111, 0.88%, 0.45%

LAB 75.24, -72.21, 71.89

 

CMYK 93 / 0 / 7 / 16

HEX #0ED6C8

RGB 14 214 200

HSL 175.8, 0.88%, 0.45%

LAB 77.49, -45.8, -5.39

 

CMYK 93 / 19 / 0 / 16

HEX #0EAED6

RGB 14 174 214

HSL 192, 0.88%, 0.45%

LAB 65.92, -22.58, -30.52

 

CMYK 93 / 43 / 0 / 16

HEX #0E79D6

RGB 14 121 214

HSL 207.9, 0.88%, 0.45%

LAB 50.24, 7.62, -55.22

 

CMYK 93 / 69 / 0 / 16

HEX #0E43D6

RGB 14 67 214

HSL 224.1, 0.88%, 0.45%

LAB 35.91, 42.33, -78.55

 

CMYK 93 / 93 / 0 / 16

HEX #0E0ED6

RGB 14 14 214

HSL 240, 0.88%, 0.45%

LAB 27.47, 66.73, -92.57

 

CMYK 93 / 0 / 7 / 16

HEX #0ED6C8

RGB 14 214 200

HSL 175.8, 0.88%, 0.45%

LAB 77.49, -45.8, -5.39

 

CMYK 93 / 0 / 7 / 16

HEX #0ED6C8

RGB 14 214 200

HSL 175.8, 0.88%, 0.45%

LAB 77.49, -45.8, -5.39

 

CMYK 83 / 0 / 6 / 23

HEX #21C4B8

RGB 33 196 184

HSL 175.58, 0.71%, 0.45%

LAB 71.73, -41.48, -5.23

 

CMYK 71 / 0 / 5 / 31

HEX #34B1A8

RGB 52 177 168

HSL 175.68, 0.55%, 0.45%

LAB 65.75, -35.44, -5.25

 

CMYK 56 / 0 / 4 / 38

HEX #469E98

RGB 70 158 152

HSL 175.91, 0.39%, 0.45%

LAB 59.91, -27.73, -4.86

 

CMYK 36 / 0 / 3 / 45

HEX #598C88

RGB 89 140 136

HSL 175.29, 0.22%, 0.45%

LAB 54.72, -18, -3.29

 

CMYK 93 / 0 / 57 / 16

HEX #0ED65B

RGB 14 214 91

HSL 143.1, 0.88%, 0.45%

LAB 75.42, -68.97, 47.91

 

CMYK 93 / 0 / 33 / 16

HEX #0ED690

RGB 14 214 144

HSL 159, 0.88%, 0.45%

LAB 76.19, -59.76, 22.56

 

CMYK 93 / 0 / 8 / 16

HEX #0ED6C5

RGB 14 214 197

HSL 174.9, 0.88%, 0.45%

LAB 77.41, -46.64, -3.91

 

CMYK 93 / 17 / 0 / 16

HEX #0EB1D6

RGB 14 177 214

HSL 191.1, 0.88%, 0.45%

LAB 66.82, -24.12, -29.13

 

CMYK 93 / 42 / 0 / 16

HEX #0E7CD6

RGB 14 124 214

HSL 207, 0.88%, 0.45%

LAB 51.11, 5.76, -53.83

 

CMYK 93 / 0 / 7 / 46

HEX #098980

RGB 9 137 128

HSL 175.78, 0.88%, 0.29%

LAB 51.28, -32.67, -3.98

 

CMYK 93 / 0 / 7 / 31

HEX #0CB0A4

RGB 12 176 164

HSL 175.61, 0.87%, 0.37%

LAB 64.81, -39.58, -4.47

 

CMYK 93 / 0 / 7 / 16

HEX #0ED6C8

RGB 14 214 200

HSL 175.8, 0.88%, 0.45%

LAB 77.49, -45.8, -5.39

 

CMYK 87 / 0 / 6 / 6

HEX #1FEFE0

RGB 31 239 224

HSL 175.67, 0.87%, 0.53%

LAB 85.71, -49.03, -5.98

 

CMYK 71 / 0 / 5 / 5

HEX #45F2E5

RGB 69 242 229

HSL 175.49, 0.87%, 0.61%

LAB 87.21, -45.72, -6.34

 

CMYK 93 / 0 / 7 / 16

HEX #0FD5C7

RGB 15 213 199

HSL 175.76, 0.87%, 0.45%

LAB 77.17, -45.61, -5.34

 

CMYK 82 / 93 / 0 / 16

HEX #260ED6

RGB 38 14 214

HSL 247.2, 0.88%, 0.45%

LAB 28.33, 67.16, -91.11

 

CMYK 0 / 45 / 93 / 16

HEX #D6760E

RGB 214 118 14

HSL 31.2, 0.88%, 0.45%

LAB 59.24, 31.64, 63.93

 

CMYK 93 / 0 / 7 / 16

HEX #0FD5C7

RGB 15 213 199

HSL 175.76, 0.87%, 0.45%

LAB 77.17, -45.61, -5.34

 

CMYK 8 / 93 / 0 / 16

HEX #C50ED6

RGB 197 14 214

HSL 294.9, 0.88%, 0.45%

LAB 48.31, 82.28, -57.56

 

CMYK 0 / 8 / 93 / 16

HEX #D6C50E

RGB 214 197 14

HSL 54.9, 0.88%, 0.45%

LAB 78.61, -10.26, 78.09

 

CMYK 93 / 0 / 7 / 16

HEX #0FD5C7

RGB 15 213 199

HSL 175.76, 0.87%, 0.45%

LAB 77.17, -45.61, -5.34

 

CMYK 82 / 93 / 0 / 16

HEX #260ED6

RGB 38 14 214

HSL 247.2, 0.88%, 0.45%

LAB 28.33, 67.16, -91.11

 

CMYK 0 / 93 / 86 / 16

HEX #D60E1F

RGB 214 14 31

HSL 354.9, 0.88%, 0.45%

LAB 45.23, 69.29, 47.6

 

CMYK 11 / 0 / 93 / 16

HEX #BFD60E

RGB 191 214 14

HSL 66.9, 0.88%, 0.45%

LAB 81.4, -28.38, 79.42

 

CMYK 93 / 0 / 7 / 16

HEX #0FD5C7

RGB 15 213 199

HSL 175.76, 0.87%, 0.45%

LAB 77.17, -45.61, -5.34

 

CMYK 54 / 93 / 0 / 16

HEX #620ED6

RGB 98 14 214

HSL 265.2, 0.88%, 0.45%

LAB 33.49, 70.21, -82.38

 

CMYK 0 / 93 / 86 / 16

HEX #D60E1F

RGB 214 14 31

HSL 354.9, 0.88%, 0.45%

LAB 45.23, 69.29, 47.6

 

CMYK 39 / 0 / 93 / 16

HEX #83D60E

RGB 131 214 14

HSL 84.9, 0.88%, 0.45%

LAB 77.85, -51.37, 75.1

 

Description

Color code: HEX #0FD5C7 | qconv.com Color code: HEX #0FD5C7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 213 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 213 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 7 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 7% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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