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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FE49A it is the complementary color #F01B65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FE49A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FE49A shade: #14E495, #25F6A8, #36FFBB, #47FFCE and #58FFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FE49A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FE49A shade: #0FE49A, #00D287, #00C074, #00AE61 and #009C4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FE49A shade: #0EE69B, #0EE661, #0EE627, #30E60E and #6AE60E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FE49A shade: #0EE69B, #0EE6D5, #0EBCE6, #0E82E6 and #0E48E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FE49A shade matches the following richer shades: #0EE69B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FE49A shade: #0EE69B, #22D295, #36BE8F, #4AAA89 and #5D9683

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FE49A shade: #0EE627, #0EE661, #0EE69A, #0EE6D4 and #0EBEE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FE49A shade: #099866, #0CBF81, #0EE69B, #2CF1AD and #53F4BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FE49A shade: #0FE49A, #0E2FE6 and #E6440E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FE49A shade: #0FE49A, #9A0EE6 and #E69A0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FE49A shade: #0FE49A, #0E2FE6, #E60E5A and #E6C50E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FE49A shade: #0FE49A, #2F0EE6, #E60E5A and #C5E60E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 32 / 11

HEX #0FE49A

RGB 15 228 154

HSL 159.15, 0.88%, 0.48%

LAB 80.7, -62.64, 23.51

 

Complementary color

CMYK 0 / 89 / 58 / 6

HEX #F01B65

RGB 240 27 101

HSL 339.15, 0.88%, 0.52%

LAB 52.12, 76.91, 16.06

 

CMYK 91 / 0 / 35 / 11

HEX #14E495

RGB 20 228 149

HSL 157.21, 0.84%, 0.49%

LAB 80.63, -63.48, 26.01

 

CMYK 85 / 0 / 32 / 4

HEX #25F6A8

RGB 37 246 168

HSL 157.61, 0.92%, 0.55%

LAB 86.57, -64.97, 24.38

 

CMYK 79 / 0 / 27 / 0

HEX #36FFBB

RGB 54 255 187

HSL 159.7, 1%, 0.61%

LAB 89.81, -62.8, 19.17

 

CMYK 72 / 0 / 19 / 0

HEX #47FFCE

RGB 71 255 206

HSL 164.02, 1%, 0.64%

LAB 90.47, -56.63, 10.37

 

CMYK 65 / 0 / 12 / 0

HEX #58FFE1

RGB 88 255 225

HSL 169.22, 1%, 0.67%

LAB 91.25, -49.76, 1.72

 

CMYK 93 / 0 / 32 / 11

HEX #0FE49A

RGB 15 228 154

HSL 159.15, 0.88%, 0.48%

LAB 80.7, -62.64, 23.51

 

CMYK 100 / 0 / 36 / 18

HEX #00D287

RGB 0 210 135

HSL 158.57, 1%, 0.41%

LAB 74.73, -60.68, 25.26

 

CMYK 100 / 0 / 40 / 25

HEX #00C074

RGB 0 192 116

HSL 156.25, 1%, 0.38%

LAB 68.72, -58.18, 27.16

 

CMYK 100 / 0 / 44 / 32

HEX #00AE61

RGB 0 174 97

HSL 153.45, 1%, 0.34%

LAB 62.62, -55.56, 29.13

 

CMYK 100 / 0 / 50 / 39

HEX #009C4E

RGB 0 156 78

HSL 150, 1%, 0.31%

LAB 56.41, -52.78, 31.13

 

CMYK 94 / 0 / 33 / 10

HEX #0EE69B

RGB 14 230 155

HSL 159.17, 0.89%, 0.48%

LAB 81.32, -63.18, 23.85

 

CMYK 94 / 0 / 58 / 10

HEX #0EE661

RGB 14 230 97

HSL 143.06, 0.89%, 0.48%

LAB 80.49, -73.08, 51.17

 

CMYK 94 / 0 / 83 / 10

HEX #0EE627

RGB 14 230 39

HSL 126.94, 0.89%, 0.48%

LAB 80.09, -78.16, 71.49

 

CMYK 79 / 0 / 94 / 10

HEX #30E60E

RGB 48 230 14

HSL 110.56, 0.89%, 0.48%

LAB 80.32, -76.29, 76.12

 

CMYK 54 / 0 / 94 / 10

HEX #6AE60E

RGB 106 230 14

HSL 94.44, 0.89%, 0.48%

LAB 81.67, -64.94, 77.78

 

CMYK 94 / 0 / 33 / 10

HEX #0EE69B

RGB 14 230 155

HSL 159.17, 0.89%, 0.48%

LAB 81.32, -63.18, 23.85

 

CMYK 94 / 0 / 7 / 10

HEX #0EE6D5

RGB 14 230 213

HSL 175.28, 0.89%, 0.48%

LAB 82.64, -48.97, -4.72

 

CMYK 94 / 18 / 0 / 10

HEX #0EBCE6

RGB 14 188 230

HSL 191.67, 0.89%, 0.48%

LAB 70.71, -24.32, -31.87

 

CMYK 94 / 43 / 0 / 10

HEX #0E82E6

RGB 14 130 230

HSL 207.78, 0.89%, 0.48%

LAB 53.78, 8.27, -58.55

 

CMYK 94 / 69 / 0 / 10

HEX #0E48E6

RGB 14 72 230

HSL 223.89, 0.89%, 0.48%

LAB 38.62, 45.06, -83.23

 

CMYK 94 / 0 / 33 / 10

HEX #0EE69B

RGB 14 230 155

HSL 159.17, 0.89%, 0.48%

LAB 81.32, -63.18, 23.85

 

CMYK 94 / 0 / 33 / 10

HEX #0EE69B

RGB 14 230 155

HSL 159.17, 0.89%, 0.48%

LAB 81.32, -63.18, 23.85

 

CMYK 84 / 0 / 29 / 18

HEX #22D295

RGB 34 210 149

HSL 159.2, 0.72%, 0.48%

LAB 75.2, -56.01, 18.59

 

CMYK 72 / 0 / 25 / 25

HEX #36BE8F

RGB 54 190 143

HSL 159.26, 0.56%, 0.48%

LAB 69.18, -47.25, 13.45

 

CMYK 56 / 0 / 19 / 33

HEX #4AAA89

RGB 74 170 137

HSL 159.38, 0.39%, 0.48%

LAB 63.35, -36.38, 8.58

 

CMYK 38 / 0 / 13 / 41

HEX #5D9683

RGB 93 150 131

HSL 160, 0.23%, 0.48%

LAB 57.83, -23.23, 4.14

 

CMYK 94 / 0 / 83 / 10

HEX #0EE627

RGB 14 230 39

HSL 126.94, 0.89%, 0.48%

LAB 80.09, -78.16, 71.49

 

CMYK 94 / 0 / 58 / 10

HEX #0EE661

RGB 14 230 97

HSL 143.06, 0.89%, 0.48%

LAB 80.49, -73.08, 51.17

 

CMYK 94 / 0 / 33 / 10

HEX #0EE69A

RGB 14 230 154

HSL 158.89, 0.89%, 0.48%

LAB 81.3, -63.39, 24.34

 

CMYK 94 / 0 / 8 / 10

HEX #0EE6D4

RGB 14 230 212

HSL 175, 0.89%, 0.48%

LAB 82.61, -49.24, -4.23

 

CMYK 94 / 17 / 0 / 10

HEX #0EBEE6

RGB 14 190 230

HSL 191.11, 0.89%, 0.48%

LAB 71.31, -25.33, -30.96

 

CMYK 94 / 0 / 33 / 40

HEX #099866

RGB 9 152 102

HSL 159.02, 0.89%, 0.32%

LAB 55.56, -46.03, 17.01

 

CMYK 94 / 0 / 32 / 25

HEX #0CBF81

RGB 12 191 129

HSL 159.22, 0.88%, 0.4%

LAB 68.7, -54.65, 20.25

 

CMYK 94 / 0 / 33 / 10

HEX #0EE69B

RGB 14 230 155

HSL 159.17, 0.89%, 0.48%

LAB 81.32, -63.18, 23.85

 

CMYK 82 / 0 / 28 / 5

HEX #2CF1AD

RGB 44 241 173

HSL 159.29, 0.88%, 0.56%

LAB 85.23, -61.54, 19.98

 

CMYK 66 / 0 / 23 / 4

HEX #53F4BC

RGB 83 244 188

HSL 159.13, 0.88%, 0.64%

LAB 87.08, -54.63, 14.9

 

CMYK 93 / 0 / 32 / 11

HEX #0FE49A

RGB 15 228 154

HSL 159.15, 0.88%, 0.48%

LAB 80.7, -62.64, 23.51

 

CMYK 94 / 80 / 0 / 10

HEX #0E2FE6

RGB 14 47 230

HSL 230.83, 0.89%, 0.48%

LAB 33.65, 59.06, -91.47

 

CMYK 0 / 70 / 94 / 10

HEX #E6440E

RGB 230 68 14

HSL 15, 0.89%, 0.48%

LAB 52.94, 60.48, 61.02

 

CMYK 93 / 0 / 32 / 11

HEX #0FE49A

RGB 15 228 154

HSL 159.15, 0.88%, 0.48%

LAB 80.7, -62.64, 23.51

 

CMYK 33 / 94 / 0 / 10

HEX #9A0EE6

RGB 154 14 230

HSL 278.89, 0.89%, 0.48%

LAB 42.61, 79.14, -76.28

 

CMYK 0 / 33 / 94 / 10

HEX #E69A0E

RGB 230 154 14

HSL 38.89, 0.89%, 0.48%

LAB 69.45, 19.27, 72.08

 

CMYK 93 / 0 / 32 / 11

HEX #0FE49A

RGB 15 228 154

HSL 159.15, 0.88%, 0.48%

LAB 80.7, -62.64, 23.51

 

CMYK 94 / 80 / 0 / 10

HEX #0E2FE6

RGB 14 47 230

HSL 230.83, 0.89%, 0.48%

LAB 33.65, 59.06, -91.47

 

CMYK 0 / 94 / 61 / 10

HEX #E60E5A

RGB 230 14 90

HSL 338.89, 0.89%, 0.48%

LAB 49.34, 75.48, 18.68

 

CMYK 0 / 14 / 94 / 10

HEX #E6C50E

RGB 230 197 14

HSL 50.83, 0.89%, 0.48%

LAB 80.06, -3.34, 79.81

 

CMYK 93 / 0 / 32 / 11

HEX #0FE49A

RGB 15 228 154

HSL 159.15, 0.88%, 0.48%

LAB 80.7, -62.64, 23.51

 

CMYK 80 / 94 / 0 / 10

HEX #2F0EE6

RGB 47 14 230

HSL 249.17, 0.89%, 0.48%

LAB 30.95, 71.44, -95.93

 

CMYK 0 / 94 / 61 / 10

HEX #E60E5A

RGB 230 14 90

HSL 338.89, 0.89%, 0.48%

LAB 49.34, 75.48, 18.68

 

CMYK 14 / 0 / 94 / 10

HEX #C5E60E

RGB 197 230 14

HSL 69.17, 0.89%, 0.48%

LAB 86.25, -33.38, 83.36

 

Description

Color code: HEX #0FE49A | qconv.com Color code: HEX #0FE49A | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 228 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 228 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 32 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 32% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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