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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FF819 it is the complementary color #F007E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FF819. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FF819 shade: #14F814, #25FF27, #36FF3A, #47FF4D and #58FF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FF819. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FF819 shade: #0FF819, #00E606, #00D400, #00C200 and #00B000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FF819 shade: #11F71B, #45F711, #83F711, #C1F711 and #F7EF11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FF819 shade: #11F71B, #11F759, #11F797, #11F7D5 and #11DBF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FF819 shade matches the following richer shades: #11F71B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FF819 shade: #11F71B, #25E32D, #39D03F, #4CBC51 and #60A863

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FF819 shade: #84F711, #47F711, #11F719, #11F756 and #11F793

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FF819 shade: #05B10C, #06D90F, #11F71B, #39F841 and #61FA68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FF819 shade: #0FF819, #11C1F7 and #F71165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FF819 shade: #0FF819, #1911F7 and #F71911

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FF819 shade: #0FF819, #11C1F7, #F711EF and #F74711

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FF819 shade: #0FF819, #117CF7, #F711EF and #F78C11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 90 / 3

HEX #0FF819

RGB 15 248 25

HSL 122.58, 0.94%, 0.52%

LAB 85.66, -83.46, 79.06

 

Complementary color

CMYK 0 / 97 / 4 / 6

HEX #F007E6

RGB 240 7 230

HSL 302.58, 0.94%, 0.48%

LAB 56.48, 92.02, -53.16

 

CMYK 92 / 0 / 92 / 3

HEX #14F814

RGB 20 248 20

HSL 120, 0.94%, 0.53%

LAB 85.67, -83.37, 79.76

 

CMYK 85 / 0 / 85 / 0

HEX #25FF27

RGB 37 255 39

HSL 120.55, 1%, 0.57%

LAB 88, -83.55, 78.64

 

CMYK 79 / 0 / 77 / 0

HEX #36FF3A

RGB 54 255 58

HSL 121.19, 1%, 0.61%

LAB 88.26, -80.91, 74.19

 

CMYK 72 / 0 / 70 / 0

HEX #47FF4D

RGB 71 255 77

HSL 121.96, 1%, 0.64%

LAB 88.64, -77.27, 68.46

 

CMYK 65 / 0 / 62 / 0

HEX #58FF60

RGB 88 255 96

HSL 122.87, 1%, 0.67%

LAB 89.13, -72.62, 61.76

 

CMYK 94 / 0 / 90 / 3

HEX #0FF819

RGB 15 248 25

HSL 122.58, 0.94%, 0.52%

LAB 85.66, -83.46, 79.06

 

CMYK 100 / 0 / 97 / 10

HEX #00E606

RGB 0 230 6

HSL 121.57, 1%, 0.45%

LAB 79.96, -79.62, 76.41

 

CMYK 100 / 0 / 100 / 17

HEX #00D400

RGB 0 212 0

HSL 120, 1%, 0.42%

LAB 74.25, -74.98, 72.36

 

CMYK 100 / 0 / 100 / 24

HEX #00C200

RGB 0 194 0

HSL 120, 1%, 0.38%

LAB 68.45, -70.16, 67.71

 

CMYK 100 / 0 / 100 / 31

HEX #00B000

RGB 0 176 0

HSL 120, 1%, 0.35%

LAB 62.55, -65.26, 62.99

 

CMYK 93 / 0 / 89 / 3

HEX #11F71B

RGB 17 247 27

HSL 122.61, 0.93%, 0.52%

LAB 85.36, -83.05, 78.5

 

CMYK 72 / 0 / 93 / 3

HEX #45F711

RGB 69 247 17

HSL 106.43, 0.93%, 0.52%

LAB 85.92, -78.16, 80.55

 

CMYK 47 / 0 / 93 / 3

HEX #83F711

RGB 131 247 17

HSL 90.26, 0.93%, 0.52%

LAB 87.67, -63.86, 82.7

 

CMYK 22 / 0 / 93 / 3

HEX #C1F711

RGB 193 247 17

HSL 74.09, 0.93%, 0.52%

LAB 90.73, -42.51, 86.44

 

CMYK 0 / 3 / 93 / 3

HEX #F7EF11

RGB 247 239 17

HSL 57.91, 0.93%, 0.52%

LAB 92.37, -17.05, 89.35

 

CMYK 93 / 0 / 89 / 3

HEX #11F71B

RGB 17 247 27

HSL 122.61, 0.93%, 0.52%

LAB 85.36, -83.05, 78.5

 

CMYK 93 / 0 / 64 / 3

HEX #11F759

RGB 17 247 89

HSL 138.78, 0.93%, 0.52%

LAB 85.69, -78.92, 60.52

 

CMYK 93 / 0 / 39 / 3

HEX #11F797

RGB 17 247 151

HSL 154.96, 0.93%, 0.52%

LAB 86.44, -69.77, 32.78

 

CMYK 93 / 0 / 14 / 3

HEX #11F7D5

RGB 17 247 213

HSL 171.13, 0.93%, 0.52%

LAB 87.7, -55.84, 2.68

 

CMYK 93 / 11 / 0 / 3

HEX #11DBF7

RGB 17 219 247

HSL 187.3, 0.93%, 0.52%

LAB 80.46, -33.87, -26.04

 

CMYK 93 / 0 / 89 / 3

HEX #11F71B

RGB 17 247 27

HSL 122.61, 0.93%, 0.52%

LAB 85.36, -83.05, 78.5

 

CMYK 93 / 0 / 89 / 3

HEX #11F71B

RGB 17 247 27

HSL 122.61, 0.93%, 0.52%

LAB 85.36, -83.05, 78.5

 

CMYK 84 / 0 / 80 / 11

HEX #25E32D

RGB 37 227 45

HSL 122.53, 0.77%, 0.52%

LAB 79.34, -75.49, 69.33

 

CMYK 73 / 0 / 70 / 18

HEX #39D03F

RGB 57 208 63

HSL 122.38, 0.62%, 0.52%

LAB 73.77, -65.96, 58.03

 

CMYK 60 / 0 / 57 / 26

HEX #4CBC51

RGB 76 188 81

HSL 122.68, 0.46%, 0.52%

LAB 68.09, -53.4, 44.15

 

CMYK 43 / 0 / 41 / 34

HEX #60A863

RGB 96 168 99

HSL 122.5, 0.29%, 0.52%

LAB 62.84, -37.17, 28.76

 

CMYK 47 / 0 / 93 / 3

HEX #84F711

RGB 132 247 17

HSL 90, 0.93%, 0.52%

LAB 87.71, -63.56, 82.75

 

CMYK 71 / 0 / 93 / 3

HEX #47F711

RGB 71 247 17

HSL 105.91, 0.93%, 0.52%

LAB 85.96, -77.84, 80.59

 

CMYK 93 / 0 / 90 / 3

HEX #11F719

RGB 17 247 25

HSL 122.09, 0.93%, 0.52%

LAB 85.36, -83.11, 78.81

 

CMYK 93 / 0 / 65 / 3

HEX #11F756

RGB 17 247 86

HSL 138, 0.93%, 0.52%

LAB 85.66, -79.23, 61.7

 

CMYK 93 / 0 / 40 / 3

HEX #11F793

RGB 17 247 147

HSL 153.91, 0.93%, 0.52%

LAB 86.38, -70.51, 34.69

 

CMYK 97 / 0 / 93 / 31

HEX #05B10C

RGB 5 177 12

HSL 122.44, 0.95%, 0.36%

LAB 62.93, -65, 61.74

 

CMYK 97 / 0 / 93 / 15

HEX #06D90F

RGB 6 217 15

HSL 122.56, 0.95%, 0.44%

LAB 75.88, -75.8, 72.18

 

CMYK 93 / 0 / 89 / 3

HEX #11F71B

RGB 17 247 27

HSL 122.61, 0.93%, 0.52%

LAB 85.36, -83.05, 78.5

 

CMYK 77 / 0 / 74 / 3

HEX #39F841

RGB 57 248 65

HSL 122.51, 0.93%, 0.6%

LAB 86.2, -78.05, 70.03

 

CMYK 61 / 0 / 58 / 2

HEX #61FA68

RGB 97 250 104

HSL 122.75, 0.94%, 0.68%

LAB 87.93, -68.29, 57.07

 

CMYK 94 / 0 / 90 / 3

HEX #0FF819

RGB 15 248 25

HSL 122.58, 0.94%, 0.52%

LAB 85.66, -83.46, 79.06

 

CMYK 93 / 22 / 0 / 3

HEX #11C1F7

RGB 17 193 247

HSL 194.09, 0.93%, 0.52%

LAB 72.88, -21.02, -37.73

 

CMYK 0 / 93 / 59 / 3

HEX #F71165

RGB 247 17 101

HSL 338.09, 0.93%, 0.52%

LAB 53.07, 79.77, 17.6

 

CMYK 94 / 0 / 90 / 3

HEX #0FF819

RGB 15 248 25

HSL 122.58, 0.94%, 0.52%

LAB 85.66, -83.46, 79.06

 

CMYK 90 / 93 / 0 / 3

HEX #1911F7

RGB 25 17 247

HSL 242.09, 0.93%, 0.52%

LAB 32.53, 74.66, -102.97

 

CMYK 0 / 90 / 93 / 3

HEX #F71911

RGB 247 25 17

HSL 2.09, 0.93%, 0.52%

LAB 52.41, 76.06, 61.53

 

CMYK 94 / 0 / 90 / 3

HEX #0FF819

RGB 15 248 25

HSL 122.58, 0.94%, 0.52%

LAB 85.66, -83.46, 79.06

 

CMYK 93 / 22 / 0 / 3

HEX #11C1F7

RGB 17 193 247

HSL 194.09, 0.93%, 0.52%

LAB 72.88, -21.02, -37.73

 

CMYK 0 / 93 / 3 / 3

HEX #F711EF

RGB 247 17 239

HSL 302.09, 0.93%, 0.52%

LAB 58.42, 93.69, -55.05

 

CMYK 0 / 71 / 93 / 3

HEX #F74711

RGB 247 71 17

HSL 14.09, 0.93%, 0.52%

LAB 56.41, 64.8, 63.91

 

CMYK 94 / 0 / 90 / 3

HEX #0FF819

RGB 15 248 25

HSL 122.58, 0.94%, 0.52%

LAB 85.66, -83.46, 79.06

 

CMYK 93 / 50 / 0 / 3

HEX #117CF7

RGB 17 124 247

HSL 212.09, 0.93%, 0.52%

LAB 53.22, 18.65, -68.92

 

CMYK 0 / 93 / 3 / 3

HEX #F711EF

RGB 247 17 239

HSL 302.09, 0.93%, 0.52%

LAB 58.42, 93.69, -55.05

 

CMYK 0 / 43 / 93 / 3

HEX #F78C11

RGB 247 140 17

HSL 32.09, 0.93%, 0.52%

LAB 68.44, 33.76, 71.86

 

Description

Color code: HEX #0FF819 | qconv.com Color code: HEX #0FF819 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 248 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 248 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 90 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 90% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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