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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13A467 it is the complementary color #EC5B98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13A467. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13A467 shade: #18A462, #29B675, #3AC888, #4BDA9B and #5CECAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13A467. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13A467 shade: #13A467, #029254, #008041, #006E2E and #005C1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13A467 shade: #13A467, #13A440, #13A419, #34A413 and #5BA413

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13A467 shade: #13A467, #13A48E, #1393A4, #136BA4 and #1344A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13A467 shade matches the following richer shades: #13A467 and #04B369

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13A467 shade: #13A467, #229564, #308662, #3F7760 and #4E685D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13A467 shade: #13A418, #13A43E, #13A465, #13A48C and #1395A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13A467 shade: #0A5A38, #0E7F50, #13A467, #17C97E and #24E594

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13A467 shade: #13A467, #1335A4 and #A42B13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13A467 shade: #13A467, #6513A4 and #A46513

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13A467 shade: #13A467, #1335A4, #A41352 and #A48213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13A467 shade: #13A467, #1C13A4, #A41352 and #9AA413

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 37 / 36

HEX #13A467

RGB 19 164 103

HSL 154.76, 0.79%, 0.36%

LAB 59.59, -49.78, 21.94

 

Complementary color

CMYK 0 / 61 / 36 / 7

HEX #EC5B98

RGB 236 91 152

HSL 334.76, 0.79%, 0.64%

LAB 59.51, 61.32, -3.76

 

CMYK 85 / 0 / 40 / 36

HEX #18A462

RGB 24 164 98

HSL 151.71, 0.74%, 0.37%

LAB 59.55, -50.4, 24.6

 

CMYK 77 / 0 / 36 / 29

HEX #29B675

RGB 41 182 117

HSL 152.34, 0.63%, 0.44%

LAB 65.91, -51.51, 22.94

 

CMYK 71 / 0 / 32 / 22

HEX #3AC888

RGB 58 200 136

HSL 152.96, 0.56%, 0.51%

LAB 72.22, -52.21, 21.43

 

CMYK 66 / 0 / 29 / 15

HEX #4BDA9B

RGB 75 218 155

HSL 153.57, 0.66%, 0.57%

LAB 78.46, -52.62, 20.05

 

CMYK 61 / 0 / 26 / 7

HEX #5CECAE

RGB 92 236 174

HSL 154.17, 0.79%, 0.64%

LAB 84.65, -52.85, 18.79

 

CMYK 88 / 0 / 37 / 36

HEX #13A467

RGB 19 164 103

HSL 154.76, 0.79%, 0.36%

LAB 59.59, -49.78, 21.94

 

CMYK 99 / 0 / 42 / 43

HEX #029254

RGB 2 146 84

HSL 154.17, 0.97%, 0.29%

LAB 53.18, -48.02, 23.78

 

CMYK 100 / 0 / 49 / 50

HEX #008041

RGB 0 128 65

HSL 150.47, 1%, 0.25%

LAB 46.74, -45.31, 25.83

 

CMYK 100 / 0 / 58 / 57

HEX #006E2E

RGB 0 110 46

HSL 145.09, 1%, 0.22%

LAB 40.16, -42.23, 27.91

 

CMYK 100 / 0 / 71 / 64

HEX #005C1B

RGB 0 92 27

HSL 137.61, 1%, 0.18%

LAB 33.42, -38.74, 29.78

 

CMYK 88 / 0 / 37 / 36

HEX #13A467

RGB 19 164 103

HSL 154.76, 0.79%, 0.36%

LAB 59.59, -49.78, 21.94

 

CMYK 88 / 0 / 61 / 36

HEX #13A440

RGB 19 164 64

HSL 138.62, 0.79%, 0.36%

LAB 59.03, -56.43, 41.25

 

CMYK 88 / 0 / 85 / 36

HEX #13A419

RGB 19 164 25

HSL 122.48, 0.79%, 0.36%

LAB 58.75, -59.92, 55.57

 

CMYK 68 / 0 / 88 / 36

HEX #34A413

RGB 52 164 19

HSL 106.34, 0.79%, 0.36%

LAB 59.28, -55.42, 57.64

 

CMYK 45 / 0 / 88 / 36

HEX #5BA413

RGB 91 164 19

HSL 90.21, 0.79%, 0.36%

LAB 60.62, -44.71, 59.34

 

CMYK 88 / 0 / 37 / 36

HEX #13A467

RGB 19 164 103

HSL 154.76, 0.79%, 0.36%

LAB 59.59, -49.78, 21.94

 

CMYK 88 / 0 / 13 / 36

HEX #13A48E

RGB 19 164 142

HSL 170.9, 0.79%, 0.36%

LAB 60.46, -40.21, 1.48

 

CMYK 88 / 10 / 0 / 36

HEX #1393A4

RGB 19 147 164

HSL 187.03, 0.79%, 0.36%

LAB 55.77, -25.44, -18.02

 

CMYK 88 / 35 / 0 / 36

HEX #136BA4

RGB 19 107 164

HSL 203.59, 0.79%, 0.36%

LAB 43.26, -3.04, -37.45

 

CMYK 88 / 59 / 0 / 36

HEX #1344A4

RGB 19 68 164

HSL 219.72, 0.79%, 0.36%

LAB 31.7, 22.6, -56.04

 

CMYK 88 / 0 / 37 / 36

HEX #13A467

RGB 19 164 103

HSL 154.76, 0.79%, 0.36%

LAB 59.59, -49.78, 21.94

 

CMYK 98 / 0 / 41 / 30

HEX #04B369

RGB 4 179 105

HSL 154.63, 0.96%, 0.36%

LAB 64.39, -55.61, 27.23

 

CMYK 88 / 0 / 37 / 36

HEX #13A467

RGB 19 164 103

HSL 154.76, 0.79%, 0.36%

LAB 59.59, -49.78, 21.94

 

CMYK 77 / 0 / 33 / 42

HEX #229564

RGB 34 149 100

HSL 154.43, 0.63%, 0.36%

LAB 54.82, -43.05, 17.17

 

CMYK 64 / 0 / 27 / 47

HEX #308662

RGB 48 134 98

HSL 154.88, 0.47%, 0.36%

LAB 50.17, -34.74, 11.93

 

CMYK 47 / 0 / 19 / 53

HEX #3F7760

RGB 63 119 96

HSL 155.36, 0.31%, 0.36%

LAB 45.76, -24.36, 6.98

 

CMYK 25 / 0 / 11 / 59

HEX #4E685D

RGB 78 104 93

HSL 154.62, 0.14%, 0.36%

LAB 41.71, -12.15, 3.07

 

CMYK 88 / 0 / 85 / 36

HEX #13A418

RGB 19 164 24

HSL 122.07, 0.79%, 0.36%

LAB 58.75, -59.97, 55.82

 

CMYK 88 / 0 / 62 / 36

HEX #13A43E

RGB 19 164 62

HSL 137.79, 0.79%, 0.36%

LAB 59.01, -56.68, 42.15

 

CMYK 88 / 0 / 38 / 36

HEX #13A465

RGB 19 164 101

HSL 153.93, 0.79%, 0.36%

LAB 59.55, -50.2, 22.98

 

CMYK 88 / 0 / 15 / 36

HEX #13A48C

RGB 19 164 140

HSL 170.07, 0.79%, 0.36%

LAB 60.41, -40.76, 2.53

 

CMYK 88 / 9 / 0 / 36

HEX #1395A4

RGB 19 149 164

HSL 186.21, 0.79%, 0.36%

LAB 56.4, -26.45, -17.06

 

CMYK 89 / 0 / 38 / 65

HEX #0A5A38

RGB 10 90 56

HSL 154.5, 0.8%, 0.2%

LAB 33.27, -31.55, 13.41

 

CMYK 89 / 0 / 37 / 50

HEX #0E7F50

RGB 14 127 80

HSL 155.04, 0.8%, 0.28%

LAB 46.78, -40.87, 17.52

 

CMYK 88 / 0 / 37 / 36

HEX #13A467

RGB 19 164 103

HSL 154.76, 0.79%, 0.36%

LAB 59.59, -49.78, 21.94

 

CMYK 89 / 0 / 37 / 21

HEX #17C97E

RGB 23 201 126

HSL 154.72, 0.79%, 0.44%

LAB 71.87, -58.35, 26.14

 

CMYK 84 / 0 / 35 / 10

HEX #24E594

RGB 36 229 148

HSL 154.82, 0.79%, 0.52%

LAB 81.04, -63.04, 27.1

 

CMYK 88 / 0 / 37 / 36

HEX #13A467

RGB 19 164 103

HSL 154.76, 0.79%, 0.36%

LAB 59.59, -49.78, 21.94

 

CMYK 88 / 68 / 0 / 36

HEX #1335A4

RGB 19 53 164

HSL 225.93, 0.79%, 0.36%

LAB 27.75, 32.74, -62.51

 

CMYK 0 / 74 / 88 / 36

HEX #A42B13

RGB 164 43 19

HSL 9.93, 0.79%, 0.36%

LAB 37.24, 48.27, 42.57

 

CMYK 88 / 0 / 37 / 36

HEX #13A467

RGB 19 164 103

HSL 154.76, 0.79%, 0.36%

LAB 59.59, -49.78, 21.94

 

CMYK 38 / 88 / 0 / 36

HEX #6513A4

RGB 101 19 164

HSL 273.93, 0.79%, 0.36%

LAB 29.19, 58.12, -59.89

 

CMYK 0 / 38 / 88 / 36

HEX #A46513

RGB 164 101 19

HSL 33.93, 0.79%, 0.36%

LAB 48.57, 19.48, 51.69

 

CMYK 88 / 0 / 37 / 36

HEX #13A467

RGB 19 164 103

HSL 154.76, 0.79%, 0.36%

LAB 59.59, -49.78, 21.94

 

CMYK 88 / 68 / 0 / 36

HEX #1335A4

RGB 19 53 164

HSL 225.93, 0.79%, 0.36%

LAB 27.75, 32.74, -62.51

 

CMYK 0 / 88 / 50 / 36

HEX #A41352

RGB 164 19 82

HSL 333.93, 0.79%, 0.36%

LAB 35.92, 58.28, 3

 

CMYK 0 / 21 / 88 / 36

HEX #A48213

RGB 164 130 19

HSL 45.93, 0.79%, 0.36%

LAB 55.99, 3.11, 57.66

 

CMYK 88 / 0 / 37 / 36

HEX #13A467

RGB 19 164 103

HSL 154.76, 0.79%, 0.36%

LAB 59.59, -49.78, 21.94

 

CMYK 83 / 88 / 0 / 36

HEX #1C13A4

RGB 28 19 164

HSL 243.72, 0.79%, 0.36%

LAB 21.55, 51.75, -72.76

 

CMYK 0 / 88 / 50 / 36

HEX #A41352

RGB 164 19 82

HSL 333.93, 0.79%, 0.36%

LAB 35.92, 58.28, 3

 

CMYK 6 / 0 / 88 / 36

HEX #9AA413

RGB 154 164 19

HSL 64.14, 0.79%, 0.36%

LAB 64.54, -19.61, 64.18

 

Description

Color code: HEX #13A467 | qconv.com Color code: HEX #13A467 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 164 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 164 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 37 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 37% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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