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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13A5A4 it is the complementary color #EC5A5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13A5A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13A5A4 shade: #18A59F, #29B7B2, #3AC9C5, #4BDBD8 and #5CEDEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13A5A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13A5A4 shade: #13A5A4, #029391, #00817E, #006F6B and #005D58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13A5A4 shade: #13A4A3, #13A47C, #13A455, #13A42D and #1FA413

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13A5A4 shade: #13A4A3, #137EA4, #1357A4, #132FA4 and #1313A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13A5A4 shade matches the following richer shades: #13A4A3 and #04B3B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13A5A4 shade: #13A4A3, #229594, #308686, #3F7777 and #4E6868

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13A5A4 shade: #13A454, #13A47B, #13A4A1, #1380A4 and #1359A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13A5A4 shade: #0A5A59, #0E7F7E, #13A4A3, #17C9C8 and #24E5E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13A5A4 shade: #13A5A4, #2D13A4 and #A46713

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13A5A4 shade: #13A5A4, #A113A4 and #A4A113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13A5A4 shade: #13A5A4, #2D13A4, #A41315 and #89A413

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13A5A4 shade: #13A5A4, #5913A4, #A41315 and #5EA413

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 1 / 35

HEX #13A5A4

RGB 19 165 164

HSL 179.59, 0.79%, 0.36%

LAB 61.42, -34.22, -9.5

 

Complementary color

CMYK 0 / 62 / 61 / 7

HEX #EC5A5B

RGB 236 90 91

HSL 359.59, 0.79%, 0.64%

LAB 57.94, 56.4, 29.56

 

CMYK 85 / 0 / 4 / 35

HEX #18A59F

RGB 24 165 159

HSL 177.45, 0.75%, 0.37%

LAB 61.31, -35.41, -6.84

 

CMYK 78 / 0 / 3 / 28

HEX #29B7B2

RGB 41 183 178

HSL 177.89, 0.63%, 0.44%

LAB 67.69, -36.64, -7.93

 

CMYK 71 / 0 / 2 / 21

HEX #3AC9C5

RGB 58 201 197

HSL 178.32, 0.57%, 0.51%

LAB 74, -37.54, -8.9

 

CMYK 66 / 0 / 1 / 14

HEX #4BDBD8

RGB 75 219 216

HSL 178.75, 0.67%, 0.58%

LAB 80.25, -38.21, -9.78

 

CMYK 61 / 0 / 1 / 7

HEX #5CEDEB

RGB 92 237 235

HSL 179.17, 0.8%, 0.65%

LAB 86.43, -38.69, -10.59

 

CMYK 88 / 0 / 1 / 35

HEX #13A5A4

RGB 19 165 164

HSL 179.59, 0.79%, 0.36%

LAB 61.42, -34.22, -9.5

 

CMYK 99 / 0 / 1 / 42

HEX #029391

RGB 2 147 145

HSL 179.17, 0.97%, 0.29%

LAB 54.99, -32.43, -8.3

 

CMYK 100 / 0 / 2 / 49

HEX #00817E

RGB 0 129 126

HSL 178.6, 1%, 0.25%

LAB 48.52, -29.97, -6.91

 

CMYK 100 / 0 / 4 / 56

HEX #006F6B

RGB 0 111 107

HSL 177.84, 1%, 0.22%

LAB 41.89, -27.37, -5.44

 

CMYK 100 / 0 / 5 / 64

HEX #005D58

RGB 0 93 88

HSL 176.77, 1%, 0.18%

LAB 35.07, -24.69, -3.9

HEX #005D58

CMYK 88 / 0 / 1 / 36

HEX #13A4A3

RGB 19 164 163

HSL 179.59, 0.79%, 0.36%

LAB 61.08, -34.06, -9.45

 

CMYK 88 / 0 / 24 / 36

HEX #13A47C

RGB 19 164 124

HSL 163.45, 0.79%, 0.36%

LAB 60.02, -44.95, 10.94

 

CMYK 88 / 0 / 48 / 36

HEX #13A455

RGB 19 164 85

HSL 147.31, 0.79%, 0.36%

LAB 59.29, -53.24, 31.15

 

CMYK 88 / 0 / 73 / 36

HEX #13A42D

RGB 19 164 45

HSL 130.76, 0.79%, 0.36%

LAB 58.86, -58.51, 49.21

 

CMYK 81 / 0 / 88 / 36

HEX #1FA413

RGB 31 164 19

HSL 115.03, 0.79%, 0.36%

LAB 58.87, -58.93, 57.13

 

CMYK 88 / 0 / 1 / 36

HEX #13A4A3

RGB 19 164 163

HSL 179.59, 0.79%, 0.36%

LAB 61.08, -34.06, -9.45

 

CMYK 88 / 23 / 0 / 36

HEX #137EA4

RGB 19 126 164

HSL 195.72, 0.79%, 0.36%

LAB 49.18, -14.21, -28.17

 

CMYK 88 / 47 / 0 / 36

HEX #1357A4

RGB 19 87 164

HSL 211.86, 0.79%, 0.36%

LAB 37.18, 9.75, -47.16

 

CMYK 88 / 71 / 0 / 36

HEX #132FA4

RGB 19 47 164

HSL 228.41, 0.79%, 0.36%

LAB 26.31, 36.63, -64.89

 

CMYK 88 / 88 / 0 / 36

HEX #1313A4

RGB 19 19 164

HSL 240, 0.79%, 0.36%

LAB 21.15, 51.46, -73.44

 

CMYK 88 / 0 / 1 / 36

HEX #13A4A3

RGB 19 164 163

HSL 179.59, 0.79%, 0.36%

LAB 61.08, -34.06, -9.45

 

CMYK 98 / 0 / 1 / 30

HEX #04B3B1

RGB 4 179 177

HSL 179.31, 0.96%, 0.36%

LAB 66.09, -37.34, -9.79

 

CMYK 88 / 0 / 1 / 36

HEX #13A4A3

RGB 19 164 163

HSL 179.59, 0.79%, 0.36%

LAB 61.08, -34.06, -9.45

 

CMYK 77 / 0 / 1 / 42

HEX #229594

RGB 34 149 148

HSL 179.48, 0.63%, 0.36%

LAB 56.06, -30.27, -8.4

 

CMYK 64 / 0 / 0 / 47

HEX #308686

RGB 48 134 134

HSL 180, 0.47%, 0.36%

LAB 51.15, -25.09, -7.59

 

CMYK 47 / 0 / 0 / 53

HEX #3F7777

RGB 63 119 119

HSL 180, 0.31%, 0.36%

LAB 46.42, -18.39, -5.74

 

CMYK 25 / 0 / 0 / 59

HEX #4E6868

RGB 78 104 104

HSL 180, 0.14%, 0.36%

LAB 42.03, -9.53, -3.14

 

CMYK 88 / 0 / 49 / 36

HEX #13A454

RGB 19 164 84

HSL 146.9, 0.79%, 0.36%

LAB 59.28, -53.41, 31.65

 

CMYK 88 / 0 / 25 / 36

HEX #13A47B

RGB 19 164 123

HSL 163.03, 0.79%, 0.36%

LAB 60, -45.2, 11.46

 

CMYK 88 / 0 / 2 / 36

HEX #13A4A1

RGB 19 164 161

HSL 178.76, 0.79%, 0.36%

LAB 61.01, -34.67, -8.42

 

CMYK 88 / 22 / 0 / 36

HEX #1380A4

RGB 19 128 164

HSL 194.9, 0.79%, 0.36%

LAB 49.81, -15.33, -27.19

 

CMYK 88 / 46 / 0 / 36

HEX #1359A4

RGB 19 89 164

HSL 211.03, 0.79%, 0.36%

LAB 37.78, 8.43, -46.2

 

CMYK 89 / 0 / 1 / 65

HEX #0A5A59

RGB 10 90 89

HSL 179.25, 0.8%, 0.2%

LAB 34.19, -21.94, -5.82

 

CMYK 89 / 0 / 1 / 50

HEX #0E7F7E

RGB 14 127 126

HSL 179.47, 0.8%, 0.28%

LAB 47.98, -28.21, -7.7

 

CMYK 88 / 0 / 1 / 36

HEX #13A4A3

RGB 19 164 163

HSL 179.59, 0.79%, 0.36%

LAB 61.08, -34.06, -9.45

 

CMYK 89 / 0 / 0 / 21

HEX #17C9C8

RGB 23 201 200

HSL 179.66, 0.79%, 0.44%

LAB 73.63, -39.7, -11.13

 

CMYK 84 / 0 / 0 / 10

HEX #24E5E4

RGB 36 229 228

HSL 179.69, 0.79%, 0.52%

LAB 82.92, -43.29, -12.23

 

CMYK 88 / 0 / 1 / 35

HEX #13A5A4

RGB 19 165 164

HSL 179.59, 0.79%, 0.36%

LAB 61.42, -34.22, -9.5

 

CMYK 73 / 88 / 0 / 36

HEX #2D13A4

RGB 45 19 164

HSL 250.76, 0.79%, 0.36%

LAB 22.67, 52.6, -70.87

 

CMYK 0 / 37 / 88 / 36

HEX #A46713

RGB 164 103 19

HSL 34.76, 0.79%, 0.36%

LAB 49.06, 18.35, 52.08

 

CMYK 88 / 0 / 1 / 35

HEX #13A5A4

RGB 19 165 164

HSL 179.59, 0.79%, 0.36%

LAB 61.42, -34.22, -9.5

 

CMYK 2 / 88 / 0 / 36

HEX #A113A4

RGB 161 19 164

HSL 298.76, 0.79%, 0.36%

LAB 39.11, 67.73, -43.34

 

CMYK 0 / 2 / 88 / 36

HEX #A4A113

RGB 164 161 19

HSL 58.76, 0.79%, 0.36%

LAB 64.51, -13.64, 64.5

 

CMYK 88 / 0 / 1 / 35

HEX #13A5A4

RGB 19 165 164

HSL 179.59, 0.79%, 0.36%

LAB 61.42, -34.22, -9.5

 

CMYK 73 / 88 / 0 / 36

HEX #2D13A4

RGB 45 19 164

HSL 250.76, 0.79%, 0.36%

LAB 22.67, 52.6, -70.87

 

CMYK 0 / 88 / 87 / 36

HEX #A41315

RGB 164 19 21

HSL 359.17, 0.79%, 0.36%

LAB 34.83, 55.13, 39.62

 

CMYK 16 / 0 / 88 / 36

HEX #89A413

RGB 137 164 19

HSL 71.17, 0.79%, 0.36%

LAB 63.27, -26.95, 62.63

 

CMYK 88 / 0 / 1 / 35

HEX #13A5A4

RGB 19 165 164

HSL 179.59, 0.79%, 0.36%

LAB 61.42, -34.22, -9.5

 

CMYK 46 / 88 / 0 / 36

HEX #5913A4

RGB 89 19 164

HSL 268.97, 0.79%, 0.36%

LAB 27.49, 56.6, -62.74

 

CMYK 0 / 88 / 87 / 36

HEX #A41315

RGB 164 19 21

HSL 359.17, 0.79%, 0.36%

LAB 34.83, 55.13, 39.62

 

CMYK 43 / 0 / 88 / 36

HEX #5EA413

RGB 94 164 19

HSL 88.97, 0.79%, 0.36%

LAB 60.76, -43.69, 59.51

 

Description

Color code: HEX #13A5A4 | qconv.com Color code: HEX #13A5A4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 165 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 165 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 1 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 1% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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