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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13AAB8 it is the complementary color #EC5547. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13AAB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13AAB8 shade: #18AAB3, #29BCC6, #3ACED9, #4BE0EC and #5CF2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13AAB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13AAB8 shade: #13AAB8, #0298A5, #008692, #00747F and #00626C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13AAB8 shade: #13AAB8, #137EB8, #1351B8, #1324B8 and #2E13B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13AAB8 shade: #13AAB8, #137EB8, #1351B8, #1324B8 and #1313B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13AAB8 shade matches the following richer shades: #13AAB8 and #02B8C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13AAB8 shade: #13AAB8, #239CA8, #348F97, #448187 and #557376

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13AAB8 shade: #13B86E, #13B89A, #13AAB8, #137EB8 and #1352B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13AAB8 shade: #0B656D, #0F8893, #13AAB8, #17CDDD and #34DAE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13AAB8 shade: #13AAB8, #4213B8 and #B88413

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13AAB8 shade: #13AAB8, #B813AA and #AAB813

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13AAB8 shade: #13AAB8, #4213B8, #B82113 and #89B813

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13AAB8 shade: #13AAB8, #7313B8, #B82113 and #58B813

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 8 / 0 / 28

HEX #13AAB8

RGB 19 170 184

HSL 185.09, 0.81%, 0.4%

LAB 63.63, -30.33, -17.38

 

Complementary color

CMYK 0 / 64 / 70 / 7

HEX #EC5547

RGB 236 85 71

HSL 5.09, 0.81%, 0.6%

LAB 56.87, 57.4, 39.52

 

CMYK 87 / 5 / 0 / 30

HEX #18AAB3

RGB 24 170 179

HSL 183.48, 0.76%, 0.4%

LAB 63.51, -31.63, -14.77

 

CMYK 79 / 5 / 0 / 22

HEX #29BCC6

RGB 41 188 198

HSL 183.82, 0.66%, 0.47%

LAB 69.83, -33.02, -15.72

 

CMYK 73 / 5 / 0 / 15

HEX #3ACED9

RGB 58 206 217

HSL 184.15, 0.68%, 0.54%

LAB 76.1, -34.09, -16.56

 

CMYK 68 / 5 / 0 / 7

HEX #4BE0EC

RGB 75 224 236

HSL 184.47, 0.81%, 0.61%

LAB 82.31, -34.91, -17.33

 

CMYK 64 / 5 / 0 / 0

HEX #5CF2FF

RGB 92 242 255

HSL 184.79, 1%, 0.68%

LAB 88.45, -35.54, -18.04

 

CMYK 90 / 8 / 0 / 28

HEX #13AAB8

RGB 19 170 184

HSL 185.09, 0.81%, 0.4%

LAB 63.63, -30.33, -17.38

 

CMYK 99 / 8 / 0 / 35

HEX #0298A5

RGB 2 152 165

HSL 184.79, 0.98%, 0.33%

LAB 57.26, -28.39, -16.35

 

CMYK 100 / 8 / 0 / 43

HEX #008692

RGB 0 134 146

HSL 184.93, 1%, 0.29%

LAB 50.83, -25.83, -15.15

 

CMYK 100 / 9 / 0 / 50

HEX #00747F

RGB 0 116 127

HSL 185.2, 1%, 0.25%

LAB 44.27, -23.13, -13.9

 

CMYK 100 / 9 / 0 / 58

HEX #00626C

RGB 0 98 108

HSL 185.56, 1%, 0.21%

LAB 37.51, -20.34, -12.63

 

CMYK 90 / 8 / 0 / 28

HEX #13AAB8

RGB 19 170 184

HSL 185.09, 0.81%, 0.4%

LAB 63.63, -30.33, -17.38

 

CMYK 90 / 32 / 0 / 28

HEX #137EB8

RGB 19 126 184

HSL 201.09, 0.81%, 0.4%

LAB 50.12, -6.76, -38.27

 

CMYK 90 / 56 / 0 / 28

HEX #1351B8

RGB 19 81 184

HSL 217.45, 0.81%, 0.4%

LAB 36.9, 21.86, -59.46

 

CMYK 90 / 80 / 0 / 28

HEX #1324B8

RGB 19 36 184

HSL 233.82, 0.81%, 0.4%

LAB 26.33, 49.98, -76.84

 

CMYK 75 / 90 / 0 / 28

HEX #2E13B8

RGB 46 19 184

HSL 249.82, 0.81%, 0.4%

LAB 25.28, 58.19, -78.56

 

CMYK 90 / 8 / 0 / 28

HEX #13AAB8

RGB 19 170 184

HSL 185.09, 0.81%, 0.4%

LAB 63.63, -30.33, -17.38

 

CMYK 90 / 32 / 0 / 28

HEX #137EB8

RGB 19 126 184

HSL 201.09, 0.81%, 0.4%

LAB 50.12, -6.76, -38.27

 

CMYK 90 / 56 / 0 / 28

HEX #1351B8

RGB 19 81 184

HSL 217.45, 0.81%, 0.4%

LAB 36.9, 21.86, -59.46

 

CMYK 90 / 80 / 0 / 28

HEX #1324B8

RGB 19 36 184

HSL 233.82, 0.81%, 0.4%

LAB 26.33, 49.98, -76.84

 

CMYK 90 / 90 / 0 / 28

HEX #1313B8

RGB 19 19 184

HSL 240, 0.81%, 0.4%

LAB 23.88, 57.26, -80.92

 

CMYK 90 / 8 / 0 / 28

HEX #13AAB8

RGB 19 170 184

HSL 185.09, 0.81%, 0.4%

LAB 63.63, -30.33, -17.38

 

CMYK 99 / 8 / 0 / 21

HEX #02B8C9

RGB 2 184 201

HSL 185.13, 0.98%, 0.4%

LAB 68.4, -32.24, -19.57

 

CMYK 90 / 8 / 0 / 28

HEX #13AAB8

RGB 19 170 184

HSL 185.09, 0.81%, 0.4%

LAB 63.63, -30.33, -17.38

 

CMYK 79 / 7 / 0 / 34

HEX #239CA8

RGB 35 156 168

HSL 185.41, 0.66%, 0.4%

LAB 58.94, -27.36, -15.47

 

CMYK 66 / 5 / 0 / 41

HEX #348F97

RGB 52 143 151

HSL 184.85, 0.49%, 0.4%

LAB 54.67, -23.86, -12.17

 

CMYK 50 / 4 / 0 / 47

HEX #448187

RGB 68 129 135

HSL 185.37, 0.33%, 0.4%

LAB 50.31, -17.99, -9.37

 

CMYK 28 / 3 / 0 / 54

HEX #557376

RGB 85 115 118

HSL 185.45, 0.16%, 0.4%

LAB 46.31, -10.01, -5.18

 

CMYK 90 / 0 / 40 / 28

HEX #13B86E

RGB 19 184 110

HSL 153.09, 0.81%, 0.4%

LAB 66.17, -55.69, 26.96

 

CMYK 90 / 0 / 16 / 28

HEX #13B89A

RGB 19 184 154

HSL 169.09, 0.81%, 0.4%

LAB 67.09, -45.48, 4.4

 

CMYK 90 / 8 / 0 / 28

HEX #13AAB8

RGB 19 170 184

HSL 185.09, 0.81%, 0.4%

LAB 63.63, -30.33, -17.38

 

CMYK 90 / 32 / 0 / 28

HEX #137EB8

RGB 19 126 184

HSL 201.09, 0.81%, 0.4%

LAB 50.12, -6.76, -38.27

 

CMYK 90 / 55 / 0 / 28

HEX #1352B8

RGB 19 82 184

HSL 217.09, 0.81%, 0.4%

LAB 37.18, 21.19, -59.01

 

CMYK 90 / 7 / 0 / 57

HEX #0B656D

RGB 11 101 109

HSL 184.9, 0.82%, 0.24%

LAB 38.7, -20.8, -11.44

 

CMYK 90 / 7 / 0 / 42

HEX #0F8893

RGB 15 136 147

HSL 185, 0.81%, 0.32%

LAB 51.63, -25.77, -14.51

 

CMYK 90 / 8 / 0 / 28

HEX #13AAB8

RGB 19 170 184

HSL 185.09, 0.81%, 0.4%

LAB 63.63, -30.33, -17.38

 

CMYK 90 / 7 / 0 / 13

HEX #17CDDD

RGB 23 205 221

HSL 184.85, 0.81%, 0.48%

LAB 75.49, -35.18, -19.68

 

CMYK 78 / 6 / 0 / 9

HEX #34DAE9

RGB 52 218 233

HSL 184.97, 0.8%, 0.56%

LAB 80.04, -35.58, -19.19

 

CMYK 90 / 8 / 0 / 28

HEX #13AAB8

RGB 19 170 184

HSL 185.09, 0.81%, 0.4%

LAB 63.63, -30.33, -17.38

 

CMYK 64 / 90 / 0 / 28

HEX #4213B8

RGB 66 19 184

HSL 257.09, 0.81%, 0.4%

LAB 26.97, 59.39, -75.7

 

CMYK 0 / 28 / 90 / 28

HEX #B88413

RGB 184 132 19

HSL 41.09, 0.81%, 0.4%

LAB 58.73, 11.11, 60.77

 

CMYK 90 / 8 / 0 / 28

HEX #13AAB8

RGB 19 170 184

HSL 185.09, 0.81%, 0.4%

LAB 63.63, -30.33, -17.38

 

CMYK 0 / 90 / 8 / 28

HEX #B813AA

RGB 184 19 170

HSL 305.09, 0.81%, 0.4%

LAB 43.59, 72.85, -39.55

 

CMYK 8 / 0 / 90 / 28

HEX #AAB813

RGB 170 184 19

HSL 65.09, 0.81%, 0.4%

LAB 71.47, -22.66, 70.28

 

CMYK 90 / 8 / 0 / 28

HEX #13AAB8

RGB 19 170 184

HSL 185.09, 0.81%, 0.4%

LAB 63.63, -30.33, -17.38

 

CMYK 64 / 90 / 0 / 28

HEX #4213B8

RGB 66 19 184

HSL 257.09, 0.81%, 0.4%

LAB 26.97, 59.39, -75.7

 

CMYK 0 / 82 / 90 / 28

HEX #B82113

RGB 184 33 19

HSL 5.09, 0.81%, 0.4%

LAB 40.12, 57.6, 46.53

 

CMYK 26 / 0 / 90 / 28

HEX #89B813

RGB 137 184 19

HSL 77.09, 0.81%, 0.4%

LAB 69.22, -36.32, 67.52

 

CMYK 90 / 8 / 0 / 28

HEX #13AAB8

RGB 19 170 184

HSL 185.09, 0.81%, 0.4%

LAB 63.63, -30.33, -17.38

 

CMYK 38 / 90 / 0 / 28

HEX #7313B8

RGB 115 19 184

HSL 274.91, 0.81%, 0.4%

LAB 33.07, 64.29, -65.43

 

CMYK 0 / 82 / 90 / 28

HEX #B82113

RGB 184 33 19

HSL 5.09, 0.81%, 0.4%

LAB 40.12, 57.6, 46.53

 

CMYK 52 / 0 / 90 / 28

HEX #58B813

RGB 88 184 19

HSL 94.91, 0.81%, 0.4%

LAB 66.83, -53.39, 64.56

 

Description

Color code: HEX #13AAB8 | qconv.com Color code: HEX #13AAB8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 170 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 170 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 8 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 8% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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