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Color name
HEX #13AE5A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13AE5A it is the complementary color #EC51A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13AE5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13AE5A shade: #18AE55, #29C068, #3AD27B, #4BE48E and #5CF6A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13AE5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13AE5A shade: #13AE5A, #029C47, #008A34, #007821 and #00660E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13AE5A shade: #13AE5A, #13AE30, #1FAE13, #49AE13 and #73AE13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13AE5A shade: #13AE5A, #13AE84, #13AEAE, #1385AE and #135BAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13AE5A shade matches the following richer shades: #13AE5A and #03BE59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13AE5A shade: #13AE5A, #239E5B, #328F5D, #427F5E and #526F5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13AE5A shade: #20AE13, #13AE2F, #13AE59, #13AE82 and #13AEAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13AE5A shade: #0B6433, #0F8947, #13AE5A, #17D36D and #2CE782

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13AE5A shade: #13AE5A, #1349AE and #AE1B13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13AE5A shade: #13AE5A, #5913AE and #AE5913

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13AE5A shade: #13AE5A, #1349AE, #AE1368 and #AE7813

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13AE5A shade: #13AE5A, #131BAE, #AE1368 and #AEA613

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 48 / 32

HEX #13AE5A

RGB 19 174 90

HSL 147.48, 0.8%, 0.38%

LAB 62.63, -55.85, 32.8

 

Complementary color

CMYK 0 / 66 / 30 / 7

HEX #EC51A5

RGB 236 81 165

HSL 327.48, 0.8%, 0.62%

LAB 58.45, 66.85, -12.9

 

CMYK 86 / 0 / 51 / 32

HEX #18AE55

RGB 24 174 85

HSL 144.4, 0.76%, 0.39%

LAB 62.61, -56.29, 35.32

 

CMYK 79 / 0 / 46 / 25

HEX #29C068

RGB 41 192 104

HSL 145.03, 0.65%, 0.46%

LAB 68.87, -57.63, 33.63

 

CMYK 72 / 0 / 41 / 18

HEX #3AD27B

RGB 58 210 123

HSL 145.66, 0.63%, 0.53%

LAB 75.09, -58.49, 32.04

 

CMYK 67 / 0 / 38 / 11

HEX #4BE48E

RGB 75 228 142

HSL 146.27, 0.74%, 0.59%

LAB 81.26, -59.03, 30.56

 

CMYK 63 / 0 / 35 / 4

HEX #5CF6A1

RGB 92 246 161

HSL 146.88, 0.9%, 0.66%

LAB 87.37, -59.34, 29.17

 

CMYK 89 / 0 / 48 / 32

HEX #13AE5A

RGB 19 174 90

HSL 147.48, 0.8%, 0.38%

LAB 62.63, -55.85, 32.8

 

CMYK 99 / 0 / 54 / 39

HEX #029C47

RGB 2 156 71

HSL 146.88, 0.97%, 0.31%

LAB 56.33, -53.83, 34.62

 

CMYK 100 / 0 / 62 / 46

HEX #008A34

RGB 0 138 52

HSL 142.61, 1%, 0.27%

LAB 50.01, -50.79, 36.48

 

CMYK 100 / 0 / 73 / 53

HEX #007821

RGB 0 120 33

HSL 136.5, 1%, 0.24%

LAB 43.57, -47.27, 38.02

 

CMYK 100 / 0 / 86 / 60

HEX #00660E

RGB 0 102 14

HSL 128.24, 1%, 0.2%

LAB 36.99, -43.21, 38.59

 

CMYK 89 / 0 / 48 / 32

HEX #13AE5A

RGB 19 174 90

HSL 147.48, 0.8%, 0.38%

LAB 62.63, -55.85, 32.8

 

CMYK 89 / 0 / 72 / 32

HEX #13AE30

RGB 19 174 48

HSL 131.23, 0.8%, 0.38%

LAB 62.19, -61.3, 51.51

 

CMYK 82 / 0 / 89 / 32

HEX #1FAE13

RGB 31 174 19

HSL 115.35, 0.8%, 0.38%

LAB 62.18, -61.94, 60.01

 

CMYK 58 / 0 / 89 / 32

HEX #49AE13

RGB 73 174 19

HSL 99.1, 0.8%, 0.38%

LAB 63.12, -53.91, 61.2

 

CMYK 34 / 0 / 89 / 32

HEX #73AE13

RGB 115 174 19

HSL 82.84, 0.8%, 0.38%

LAB 64.93, -40.36, 63.45

 

CMYK 89 / 0 / 48 / 32

HEX #13AE5A

RGB 19 174 90

HSL 147.48, 0.8%, 0.38%

LAB 62.63, -55.85, 32.8

 

CMYK 89 / 0 / 24 / 32

HEX #13AE84

RGB 19 174 132

HSL 163.74, 0.8%, 0.38%

LAB 63.41, -47.02, 11.27

 

CMYK 89 / 0 / 0 / 32

HEX #13AEAE

RGB 19 174 174

HSL 180, 0.8%, 0.38%

LAB 64.54, -35.36, -10.44

 

CMYK 89 / 24 / 0 / 32

HEX #1385AE

RGB 19 133 174

HSL 195.87, 0.8%, 0.38%

LAB 51.8, -14.48, -29.88

 

CMYK 89 / 48 / 0 / 32

HEX #135BAE

RGB 19 91 174

HSL 212.13, 0.8%, 0.38%

LAB 39.03, 11.17, -50.12

 

CMYK 89 / 0 / 48 / 32

HEX #13AE5A

RGB 19 174 90

HSL 147.48, 0.8%, 0.38%

LAB 62.63, -55.85, 32.8

 

CMYK 98 / 0 / 53 / 25

HEX #03BE59

RGB 3 190 89

HSL 147.59, 0.97%, 0.38%

LAB 67.7, -62.13, 39.58

 

CMYK 89 / 0 / 48 / 32

HEX #13AE5A

RGB 19 174 90

HSL 147.48, 0.8%, 0.38%

LAB 62.63, -55.85, 32.8

 

CMYK 78 / 0 / 42 / 38

HEX #239E5B

RGB 35 158 91

HSL 147.32, 0.64%, 0.38%

LAB 57.62, -48.3, 25.87

 

CMYK 65 / 0 / 35 / 44

HEX #328F5D

RGB 50 143 93

HSL 147.74, 0.48%, 0.38%

LAB 53.07, -39.37, 18.78

 

CMYK 48 / 0 / 26 / 50

HEX #427F5E

RGB 66 127 94

HSL 147.54, 0.32%, 0.38%

LAB 48.44, -27.94, 11.94

 

CMYK 26 / 0 / 14 / 56

HEX #526F5F

RGB 82 111 95

HSL 146.9, 0.15%, 0.38%

LAB 44.22, -14.21, 5.51

 

CMYK 82 / 0 / 89 / 32

HEX #20AE13

RGB 32 174 19

HSL 114.97, 0.8%, 0.38%

LAB 62.19, -61.82, 60.03

 

CMYK 89 / 0 / 73 / 32

HEX #13AE2F

RGB 19 174 47

HSL 130.84, 0.8%, 0.38%

LAB 62.18, -61.39, 51.88

 

CMYK 89 / 0 / 49 / 32

HEX #13AE59

RGB 19 174 89

HSL 147.1, 0.8%, 0.38%

LAB 62.62, -56.02, 33.29

 

CMYK 89 / 0 / 25 / 32

HEX #13AE82

RGB 19 174 130

HSL 162.97, 0.8%, 0.38%

LAB 63.36, -47.51, 12.31

 

CMYK 89 / 0 / 2 / 32

HEX #13AEAB

RGB 19 174 171

HSL 178.84, 0.8%, 0.38%

LAB 64.44, -36.27, -8.9

 

CMYK 89 / 0 / 49 / 61

HEX #0B6433

RGB 11 100 51

HSL 146.97, 0.8%, 0.22%

LAB 36.79, -36.61, 21

 

CMYK 89 / 0 / 48 / 46

HEX #0F8947

RGB 15 137 71

HSL 147.54, 0.8%, 0.3%

LAB 50.03, -46.41, 26.8

 

CMYK 89 / 0 / 48 / 32

HEX #13AE5A

RGB 19 174 90

HSL 147.48, 0.8%, 0.38%

LAB 62.63, -55.85, 32.8

 

CMYK 89 / 0 / 48 / 17

HEX #17D36D

RGB 23 211 109

HSL 147.45, 0.8%, 0.46%

LAB 74.75, -64.88, 38.54

 

CMYK 81 / 0 / 44 / 9

HEX #2CE782

RGB 44 231 130

HSL 147.59, 0.8%, 0.54%

LAB 81.46, -66.38, 36.75

 

CMYK 89 / 0 / 48 / 32

HEX #13AE5A

RGB 19 174 90

HSL 147.48, 0.8%, 0.38%

LAB 62.63, -55.85, 32.8

 

CMYK 89 / 58 / 0 / 32

HEX #1349AE

RGB 19 73 174

HSL 219.1, 0.8%, 0.38%

LAB 33.9, 23.23, -58.44

 

CMYK 0 / 84 / 89 / 32

HEX #AE1B13

RGB 174 27 19

HSL 3.1, 0.8%, 0.38%

LAB 37.53, 56.19, 43.66

 

CMYK 89 / 0 / 48 / 32

HEX #13AE5A

RGB 19 174 90

HSL 147.48, 0.8%, 0.38%

LAB 62.63, -55.85, 32.8

 

CMYK 49 / 89 / 0 / 32

HEX #5913AE

RGB 89 19 174

HSL 267.1, 0.8%, 0.38%

LAB 28.5, 58.97, -67.11

 

CMYK 0 / 49 / 89 / 32

HEX #AE5913

RGB 174 89 19

HSL 27.1, 0.8%, 0.38%

LAB 47.22, 30.45, 51.22

 

CMYK 89 / 0 / 48 / 32

HEX #13AE5A

RGB 19 174 90

HSL 147.48, 0.8%, 0.38%

LAB 62.63, -55.85, 32.8

 

CMYK 89 / 58 / 0 / 32

HEX #1349AE

RGB 19 73 174

HSL 219.1, 0.8%, 0.38%

LAB 33.9, 23.23, -58.44

 

CMYK 0 / 89 / 40 / 32

HEX #AE1368

RGB 174 19 104

HSL 327.1, 0.8%, 0.38%

LAB 38.66, 62.71, -6.83

 

CMYK 0 / 31 / 89 / 32

HEX #AE7813

RGB 174 120 19

HSL 39.1, 0.8%, 0.38%

LAB 54.53, 13.28, 56.97

 

CMYK 89 / 0 / 48 / 32

HEX #13AE5A

RGB 19 174 90

HSL 147.48, 0.8%, 0.38%

LAB 62.63, -55.85, 32.8

 

CMYK 89 / 84 / 0 / 32

HEX #131BAE

RGB 19 27 174

HSL 236.9, 0.8%, 0.38%

LAB 23.6, 51.14, -75.41

 

CMYK 0 / 89 / 40 / 32

HEX #AE1368

RGB 174 19 104

HSL 327.1, 0.8%, 0.38%

LAB 38.66, 62.71, -6.83

 

CMYK 0 / 5 / 89 / 32

HEX #AEA613

RGB 174 166 19

HSL 56.9, 0.8%, 0.38%

LAB 66.76, -11.79, 66.67

 

Description

Color code: HEX #13AE5A | qconv.com Color code: HEX #13AE5A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 174 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 174 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 48 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 48% 32% C M Y K

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Provide designers and agencies with accurate color values.

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