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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13B855 it is the complementary color #EC47AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13B855. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13B855 shade: #18B850, #29CA63, #3ADC76, #4BEE89 and #5CFF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13B855. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13B855 shade: #13B855, #02A642, #00942F, #00821C and #007009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13B855 shade: #13B855, #13B828, #2AB813, #56B813 and #83B813

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13B855 shade: #13B855, #13B882, #13B8AE, #1396B8 and #1369B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13B855 shade matches the following richer shades: #13B855 and #02C952

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13B855 shade: #13B855, #23A858, #34975C, #44875F and #557662

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13B855 shade: #29B813, #13B829, #13B855, #13B881 and #13B8AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13B855 shade: #0B6D32, #0F9344, #13B855, #17DD66 and #34E97D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13B855 shade: #13B855, #1355B8 and #B81313

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13B855 shade: #13B855, #5513B8 and #B85513

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13B855 shade: #13B855, #1355B8, #B81376 and #B87613

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13B855 shade: #13B855, #1323B8, #B81376 and #B8A813

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 54 / 28

HEX #13B855

RGB 19 184 85

HSL 144, 0.81%, 0.4%

LAB 65.81, -60.01, 39.24

 

Complementary color

CMYK 0 / 70 / 28 / 7

HEX #EC47AA

RGB 236 71 170

HSL 324, 0.81%, 0.6%

LAB 57.31, 71.09, -17.53

 

CMYK 87 / 0 / 57 / 28

HEX #18B850

RGB 24 184 80

HSL 141, 0.77%, 0.41%

LAB 65.79, -60.37, 41.65

 

CMYK 80 / 0 / 51 / 21

HEX #29CA63

RGB 41 202 99

HSL 141.61, 0.66%, 0.48%

LAB 71.97, -61.89, 40.02

 

CMYK 74 / 0 / 46 / 14

HEX #3ADC76

RGB 58 220 118

HSL 142.22, 0.7%, 0.55%

LAB 78.11, -62.92, 38.44

 

CMYK 68 / 0 / 42 / 7

HEX #4BEE89

RGB 75 238 137

HSL 142.82, 0.83%, 0.61%

LAB 84.2, -63.58, 36.93

 

CMYK 64 / 0 / 39 / 0

HEX #5CFF9C

RGB 92 255 156

HSL 143.56, 1%, 0.68%

LAB 89.95, -63.62, 35.12

 

CMYK 90 / 0 / 54 / 28

HEX #13B855

RGB 19 184 85

HSL 144, 0.81%, 0.4%

LAB 65.81, -60.01, 39.24

 

CMYK 99 / 0 / 60 / 35

HEX #02A642

RGB 2 166 66

HSL 143.41, 0.98%, 0.33%

LAB 59.6, -57.8, 40.94

 

CMYK 100 / 0 / 68 / 42

HEX #00942F

RGB 0 148 47

HSL 139.05, 1%, 0.29%

LAB 53.37, -54.58, 42.53

 

CMYK 100 / 0 / 78 / 49

HEX #00821C

RGB 0 130 28

HSL 132.92, 1%, 0.25%

LAB 47.04, -50.86, 43.53

 

CMYK 100 / 0 / 92 / 56

HEX #007009

RGB 0 112 9

HSL 124.82, 1%, 0.22%

LAB 40.59, -46.57, 43.16

 

CMYK 90 / 0 / 54 / 28

HEX #13B855

RGB 19 184 85

HSL 144, 0.81%, 0.4%

LAB 65.81, -60.01, 39.24

 

CMYK 90 / 0 / 78 / 28

HEX #13B828

RGB 19 184 40

HSL 127.64, 0.81%, 0.4%

LAB 65.41, -64.9, 57.51

 

CMYK 77 / 0 / 90 / 28

HEX #2AB813

RGB 42 184 19

HSL 111.64, 0.81%, 0.4%

LAB 65.61, -63.5, 63.03

 

CMYK 53 / 0 / 90 / 28

HEX #56B813

RGB 86 184 19

HSL 95.64, 0.81%, 0.4%

LAB 66.75, -53.97, 64.46

 

CMYK 29 / 0 / 90 / 28

HEX #83B813

RGB 131 184 19

HSL 79.27, 0.81%, 0.4%

LAB 68.86, -38.66, 67.08

 

CMYK 90 / 0 / 54 / 28

HEX #13B855

RGB 19 184 85

HSL 144, 0.81%, 0.4%

LAB 65.81, -60.01, 39.24

 

CMYK 90 / 0 / 29 / 28

HEX #13B882

RGB 19 184 130

HSL 160.36, 0.81%, 0.4%

LAB 66.54, -51.43, 16.75

 

CMYK 90 / 0 / 5 / 28

HEX #13B8AE

RGB 19 184 174

HSL 176.36, 0.81%, 0.4%

LAB 67.63, -39.92, -5.83

 

CMYK 90 / 18 / 0 / 28

HEX #1396B8

RGB 19 150 184

HSL 192.36, 0.81%, 0.4%

LAB 57.47, -20.17, -26.8

 

CMYK 90 / 43 / 0 / 28

HEX #1369B8

RGB 19 105 184

HSL 208.73, 0.81%, 0.4%

LAB 43.8, 6.11, -48.32

 

CMYK 90 / 0 / 54 / 28

HEX #13B855

RGB 19 184 85

HSL 144, 0.81%, 0.4%

LAB 65.81, -60.01, 39.24

 

CMYK 99 / 0 / 59 / 21

HEX #02C952

RGB 2 201 82

HSL 144.12, 0.98%, 0.4%

LAB 71.14, -66.61, 46.99

 

CMYK 90 / 0 / 54 / 28

HEX #13B855

RGB 19 184 85

HSL 144, 0.81%, 0.4%

LAB 65.81, -60.01, 39.24

 

CMYK 79 / 0 / 48 / 34

HEX #23A858

RGB 35 168 88

HSL 143.91, 0.66%, 0.4%

LAB 60.84, -52.53, 31.6

 

CMYK 66 / 0 / 39 / 41

HEX #34975C

RGB 52 151 92

HSL 144.24, 0.49%, 0.4%

LAB 55.72, -42.5, 22.89

 

CMYK 50 / 0 / 30 / 47

HEX #44875F

RGB 68 135 95

HSL 144.18, 0.33%, 0.4%

LAB 51.13, -31, 15.1

 

CMYK 28 / 0 / 17 / 54

HEX #557662

RGB 85 118 98

HSL 143.64, 0.16%, 0.4%

LAB 46.67, -16.35, 7.24

 

CMYK 78 / 0 / 90 / 28

HEX #29B813

RGB 41 184 19

HSL 112, 0.81%, 0.4%

LAB 65.59, -63.64, 63.01

 

CMYK 90 / 0 / 78 / 28

HEX #13B829

RGB 19 184 41

HSL 128, 0.81%, 0.4%

LAB 65.42, -64.83, 57.2

 

CMYK 90 / 0 / 54 / 28

HEX #13B855

RGB 19 184 85

HSL 144, 0.81%, 0.4%

LAB 65.81, -60.01, 39.24

 

CMYK 90 / 0 / 30 / 28

HEX #13B881

RGB 19 184 129

HSL 160, 0.81%, 0.4%

LAB 66.52, -51.66, 17.27

 

CMYK 90 / 0 / 6 / 28

HEX #13B8AD

RGB 19 184 173

HSL 176, 0.81%, 0.4%

LAB 67.6, -40.21, -5.32

 

CMYK 90 / 0 / 54 / 57

HEX #0B6D32

RGB 11 109 50

HSL 143.88, 0.82%, 0.24%

LAB 39.98, -40.21, 25.57

 

CMYK 90 / 0 / 54 / 42

HEX #0F9344

RGB 15 147 68

HSL 144.09, 0.81%, 0.32%

LAB 53.37, -50.47, 32.54

 

CMYK 90 / 0 / 54 / 28

HEX #13B855

RGB 19 184 85

HSL 144, 0.81%, 0.4%

LAB 65.81, -60.01, 39.24

 

CMYK 90 / 0 / 54 / 13

HEX #17DD66

RGB 23 221 102

HSL 143.94, 0.81%, 0.48%

LAB 77.79, -69.18, 45.67

 

CMYK 78 / 0 / 46 / 9

HEX #34E97D

RGB 52 233 125

HSL 144.2, 0.8%, 0.56%

LAB 82.1, -67.03, 40.06

 

CMYK 90 / 0 / 54 / 28

HEX #13B855

RGB 19 184 85

HSL 144, 0.81%, 0.4%

LAB 65.81, -60.01, 39.24

 

CMYK 90 / 54 / 0 / 28

HEX #1355B8

RGB 19 85 184

HSL 216, 0.81%, 0.4%

LAB 38.01, 19.18, -57.65

 

CMYK 0 / 90 / 90 / 28

HEX #B81313

RGB 184 19 19

HSL 0, 0.81%, 0.4%

LAB 39.08, 60.58, 45.75

 

CMYK 90 / 0 / 54 / 28

HEX #13B855

RGB 19 184 85

HSL 144, 0.81%, 0.4%

LAB 65.81, -60.01, 39.24

 

CMYK 54 / 90 / 0 / 28

HEX #5513B8

RGB 85 19 184

HSL 264, 0.81%, 0.4%

LAB 29.05, 60.97, -72.19

 

CMYK 0 / 54 / 90 / 28

HEX #B85513

RGB 184 85 19

HSL 24, 0.81%, 0.4%

LAB 47.92, 36.65, 52.42

 

CMYK 90 / 0 / 54 / 28

HEX #13B855

RGB 19 184 85

HSL 144, 0.81%, 0.4%

LAB 65.81, -60.01, 39.24

 

CMYK 90 / 54 / 0 / 28

HEX #1355B8

RGB 19 85 184

HSL 216, 0.81%, 0.4%

LAB 38.01, 19.18, -57.65

 

CMYK 0 / 90 / 36 / 28

HEX #B81376

RGB 184 19 118

HSL 324, 0.81%, 0.4%

LAB 41.16, 66.42, -11.67

 

CMYK 0 / 36 / 90 / 28

HEX #B87613

RGB 184 118 19

HSL 36, 0.81%, 0.4%

LAB 55.27, 18.87, 58.08

 

CMYK 90 / 0 / 54 / 28

HEX #13B855

RGB 19 184 85

HSL 144, 0.81%, 0.4%

LAB 65.81, -60.01, 39.24

 

CMYK 90 / 81 / 0 / 28

HEX #1323B8

RGB 19 35 184

HSL 234.18, 0.81%, 0.4%

LAB 26.16, 50.49, -77.13

 

CMYK 0 / 90 / 36 / 28

HEX #B81376

RGB 184 19 118

HSL 324, 0.81%, 0.4%

LAB 41.16, 66.42, -11.67

 

CMYK 0 / 9 / 90 / 28

HEX #B8A813

RGB 184 168 19

HSL 54.18, 0.81%, 0.4%

LAB 68.2, -8.38, 68.18

 

Description

Color code: HEX #13B855 | qconv.com Color code: HEX #13B855 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 184 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 184 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 54 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 54% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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