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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13B33C it is the complementary color #EC4CC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13B33C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13B33C shade: #18B337, #29C54A, #3AD75D, #4BE970 and #5CFB83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13B33C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13B33C shade: #13B33C, #02A129, #008F16, #007D03 and #006B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13B33C shade: #12B43C, #15B412, #40B412, #6BB412 and #97B412

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13B33C shade: #12B43C, #12B467, #12B493, #12A9B4 and #127EB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13B33C shade matches the following richer shades: #12B43C and #02C434

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13B33C shade: #12B43C, #22A344, #33934B, #438353 and #53735B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13B33C shade: #40B412, #15B412, #12B43B, #12B466 and #12B491

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13B33C shade: #0B6923, #0E8E2F, #12B43C, #16D948 and #30E95F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13B33C shade: #13B33C, #126BB4 and #B4122B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13B33C shade: #13B33C, #3B12B4 and #B43B12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13B33C shade: #13B33C, #126BB4, #B4128B and #B45B12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13B33C shade: #13B33C, #123BB4, #B4128B and #B48B12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 66 / 30

HEX #13B33C

RGB 19 179 60

HSL 135.38, 0.81%, 0.39%

LAB 63.92, -61.65, 48.53

 

Complementary color

CMYK 0 / 68 / 17 / 7

HEX #EC4CC3

RGB 236 76 195

HSL 315.38, 0.81%, 0.61%

LAB 58.92, 72.53, -29.48

 

CMYK 87 / 0 / 69 / 30

HEX #18B337

RGB 24 179 55

HSL 132, 0.76%, 0.4%

LAB 63.93, -61.77, 50.61

 

CMYK 79 / 0 / 62 / 23

HEX #29C54A

RGB 41 197 74

HSL 132.69, 0.66%, 0.47%

LAB 70.1, -63.6, 49.45

 

CMYK 73 / 0 / 57 / 16

HEX #3AD75D

RGB 58 215 93

HSL 133.38, 0.66%, 0.54%

LAB 76.25, -64.84, 48.1

 

CMYK 68 / 0 / 52 / 9

HEX #4BE970

RGB 75 233 112

HSL 134.05, 0.78%, 0.6%

LAB 82.35, -65.65, 46.69

 

CMYK 63 / 0 / 48 / 2

HEX #5CFB83

RGB 92 251 131

HSL 134.72, 0.95%, 0.67%

LAB 88.4, -66.16, 45.29

 

CMYK 89 / 0 / 66 / 30

HEX #13B33C

RGB 19 179 60

HSL 135.38, 0.81%, 0.39%

LAB 63.92, -61.65, 48.53

 

CMYK 99 / 0 / 75 / 37

HEX #02A129

RGB 2 161 41

HSL 134.72, 0.98%, 0.32%

LAB 57.72, -59.01, 49.51

 

CMYK 100 / 0 / 85 / 44

HEX #008F16

RGB 0 143 22

HSL 129.23, 1%, 0.28%

LAB 51.5, -55.16, 49.69

 

CMYK 100 / 0 / 98 / 51

HEX #007D03

RGB 0 125 3

HSL 121.44, 1%, 0.25%

LAB 45.18, -50.7, 48.41

 

CMYK 100 / 0 / 100 / 58

HEX #006B00

RGB 0 107 0

HSL 120, 1%, 0.21%

LAB 38.75, -45.49, 43.9

 

CMYK 90 / 0 / 67 / 29

HEX #12B43C

RGB 18 180 60

HSL 135.56, 0.82%, 0.39%

LAB 64.24, -62.03, 48.88

 

CMYK 88 / 0 / 90 / 29

HEX #15B412

RGB 21 180 18

HSL 118.89, 0.82%, 0.39%

LAB 64.04, -64.71, 61.76

 

CMYK 64 / 0 / 90 / 29

HEX #40B412

RGB 64 180 18

HSL 102.96, 0.82%, 0.39%

LAB 64.78, -58.21, 62.7

 

CMYK 41 / 0 / 90 / 29

HEX #6BB412

RGB 107 180 18

HSL 87.04, 0.82%, 0.39%

LAB 66.38, -45.79, 64.68

 

CMYK 16 / 0 / 90 / 29

HEX #97B412

RGB 151 180 18

HSL 70.74, 0.82%, 0.39%

LAB 68.94, -28.78, 67.84

 

CMYK 90 / 0 / 67 / 29

HEX #12B43C

RGB 18 180 60

HSL 135.56, 0.82%, 0.39%

LAB 64.24, -62.03, 48.88

 

CMYK 90 / 0 / 43 / 29

HEX #12B467

RGB 18 180 103

HSL 151.48, 0.82%, 0.39%

LAB 64.76, -55.67, 28.79

 

CMYK 90 / 0 / 18 / 29

HEX #12B493

RGB 18 180 147

HSL 167.78, 0.82%, 0.39%

LAB 65.65, -45.72, 6.19

 

CMYK 90 / 6 / 0 / 29

HEX #12A9B4

RGB 18 169 180

HSL 184.07, 0.82%, 0.39%

LAB 63.18, -31.17, -15.83

 

CMYK 90 / 30 / 0 / 29

HEX #127EB4

RGB 18 126 180

HSL 200, 0.82%, 0.39%

LAB 49.91, -8.33, -36.3

 

CMYK 90 / 0 / 67 / 29

HEX #12B43C

RGB 18 180 60

HSL 135.56, 0.82%, 0.39%

LAB 64.24, -62.03, 48.88

 

CMYK 99 / 0 / 73 / 23

HEX #02C434

RGB 2 196 52

HSL 135.46, 0.98%, 0.39%

LAB 69.28, -68.32, 57.28

 

CMYK 90 / 0 / 67 / 29

HEX #12B43C

RGB 18 180 60

HSL 135.56, 0.82%, 0.39%

LAB 64.24, -62.03, 48.88

 

CMYK 79 / 0 / 58 / 36

HEX #22A344

RGB 34 163 68

HSL 135.81, 0.65%, 0.39%

LAB 58.93, -53.98, 39.28

 

CMYK 65 / 0 / 49 / 42

HEX #33934B

RGB 51 147 75

HSL 135, 0.48%, 0.39%

LAB 54.11, -44.13, 29.96

 

CMYK 49 / 0 / 37 / 49

HEX #438353

RGB 67 131 83

HSL 135, 0.32%, 0.39%

LAB 49.56, -31.79, 19.78

 

CMYK 28 / 0 / 21 / 55

HEX #53735B

RGB 83 115 91

HSL 135, 0.16%, 0.39%

LAB 45.44, -16.89, 9.63

 

CMYK 64 / 0 / 90 / 29

HEX #40B412

RGB 64 180 18

HSL 102.96, 0.82%, 0.39%

LAB 64.78, -58.21, 62.7

 

CMYK 88 / 0 / 90 / 29

HEX #15B412

RGB 21 180 18

HSL 118.89, 0.82%, 0.39%

LAB 64.04, -64.71, 61.76

 

CMYK 90 / 0 / 67 / 29

HEX #12B43B

RGB 18 180 59

HSL 135.19, 0.82%, 0.39%

LAB 64.23, -62.14, 49.29

 

CMYK 90 / 0 / 43 / 29

HEX #12B466

RGB 18 180 102

HSL 151.11, 0.82%, 0.39%

LAB 64.75, -55.86, 29.29

 

CMYK 90 / 0 / 19 / 29

HEX #12B491

RGB 18 180 145

HSL 167.04, 0.82%, 0.39%

LAB 65.6, -46.24, 7.22

 

CMYK 90 / 0 / 67 / 59

HEX #0B6923

RGB 11 105 35

HSL 135.32, 0.81%, 0.23%

LAB 38.37, -41.03, 31.46

 

CMYK 90 / 0 / 67 / 44

HEX #0E8E2F

RGB 14 142 47

HSL 135.47, 0.82%, 0.31%

LAB 51.43, -51.76, 40.43

 

CMYK 90 / 0 / 67 / 29

HEX #12B43C

RGB 18 180 60

HSL 135.56, 0.82%, 0.39%

LAB 64.24, -62.03, 48.88

 

CMYK 90 / 0 / 67 / 15

HEX #16D948

RGB 22 217 72

HSL 135.38, 0.82%, 0.47%

LAB 76.23, -71.67, 57.01

 

CMYK 79 / 0 / 59 / 9

HEX #30E95F

RGB 48 233 95

HSL 135.24, 0.81%, 0.55%

LAB 81.69, -71.73, 53.53

 

CMYK 89 / 0 / 66 / 30

HEX #13B33C

RGB 19 179 60

HSL 135.38, 0.81%, 0.39%

LAB 63.92, -61.65, 48.53

 

CMYK 90 / 41 / 0 / 29

HEX #126BB4

RGB 18 107 180

HSL 207.04, 0.82%, 0.39%

LAB 44.15, 3.2, -45.44

 

CMYK 0 / 90 / 76 / 29

HEX #B4122B

RGB 180 18 43

HSL 350.74, 0.82%, 0.39%

LAB 38.39, 60.31, 31.75

 

CMYK 89 / 0 / 66 / 30

HEX #13B33C

RGB 19 179 60

HSL 135.38, 0.81%, 0.39%

LAB 63.92, -61.65, 48.53

 

CMYK 67 / 90 / 0 / 29

HEX #3B12B4

RGB 59 18 180

HSL 255.19, 0.82%, 0.39%

LAB 25.74, 58.16, -75.39

 

CMYK 0 / 67 / 90 / 29

HEX #B43B12

RGB 180 59 18

HSL 15.19, 0.82%, 0.39%

LAB 42.57, 47.36, 48.42

 

CMYK 89 / 0 / 66 / 30

HEX #13B33C

RGB 19 179 60

HSL 135.38, 0.81%, 0.39%

LAB 63.92, -61.65, 48.53

 

CMYK 90 / 41 / 0 / 29

HEX #126BB4

RGB 18 107 180

HSL 207.04, 0.82%, 0.39%

LAB 44.15, 3.2, -45.44

 

CMYK 0 / 90 / 23 / 29

HEX #B4128B

RGB 180 18 139

HSL 315.19, 0.82%, 0.39%

LAB 41.22, 68.08, -24.62

 

CMYK 0 / 49 / 90 / 29

HEX #B45B12

RGB 180 91 18

HSL 27.04, 0.82%, 0.39%

LAB 48.55, 31.87, 52.95

 

CMYK 89 / 0 / 66 / 30

HEX #13B33C

RGB 19 179 60

HSL 135.38, 0.81%, 0.39%

LAB 63.92, -61.65, 48.53

 

CMYK 90 / 67 / 0 / 29

HEX #123BB4

RGB 18 59 180

HSL 224.81, 0.82%, 0.39%

LAB 30.76, 34.88, -67.14

 

CMYK 0 / 90 / 23 / 29

HEX #B4128B

RGB 180 18 139

HSL 315.19, 0.82%, 0.39%

LAB 41.22, 68.08, -24.62

 

CMYK 0 / 23 / 90 / 29

HEX #B48B12

RGB 180 139 18

HSL 44.81, 0.82%, 0.39%

LAB 60.08, 5.41, 61.85

 

Description

Color code: HEX #13B33C | qconv.com Color code: HEX #13B33C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 179 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 179 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 66 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 66% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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