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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13BD38 it is the complementary color #EC42C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13BD38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13BD38 shade: #18BD33, #29CF46, #3AE159, #4BF36C and #5CFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13BD38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13BD38 shade: #13BD38, #02AB25, #009912, #008700 and #007500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13BD38 shade: #12BE38, #1BBE12, #49BE12, #78BE12 and #A6BE12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13BD38 shade: #12BE38, #12BE66, #12BE94, #12B9BE and #128BBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13BD38 shade matches the following richer shades: #12BE38 and #01CF2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13BD38 shade: #12BE38, #23AD41, #349C4B, #458B54 and #567A5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13BD38 shade: #49BE12, #1BBE12, #12BE37, #12BE65 and #12BE93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13BD38 shade: #0B7321, #0F982D, #12BE38, #16E343 and #38EB5F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13BD38 shade: #13BD38, #1276BE and #BE1232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13BD38 shade: #13BD38, #3712BE and #BE3712

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13BD38 shade: #13BD38, #1276BE, #BE1299 and #BE5A12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13BD38 shade: #13BD38, #1243BE, #BE1299 and #BE8D12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 70 / 26

HEX #13BD38

RGB 19 189 56

HSL 133.06, 0.82%, 0.41%

LAB 67.14, -65.09, 53.6

 

Complementary color

CMYK 0 / 72 / 16 / 7

HEX #EC42C7

RGB 236 66 199

HSL 313.06, 0.82%, 0.59%

LAB 57.9, 76.44, -33.36

 

CMYK 87 / 0 / 73 / 26

HEX #18BD33

RGB 24 189 51

HSL 129.82, 0.77%, 0.42%

LAB 67.15, -65.16, 55.5

 

CMYK 80 / 0 / 66 / 19

HEX #29CF46

RGB 41 207 70

HSL 130.48, 0.67%, 0.49%

LAB 73.25, -67.2, 54.63

 

CMYK 74 / 0 / 60 / 12

HEX #3AE159

RGB 58 225 89

HSL 131.14, 0.74%, 0.55%

LAB 79.31, -68.61, 53.45

 

CMYK 69 / 0 / 56 / 5

HEX #4BF36C

RGB 75 243 108

HSL 131.79, 0.88%, 0.62%

LAB 85.34, -69.58, 52.14

 

CMYK 64 / 0 / 50 / 0

HEX #5CFF7F

RGB 92 255 127

HSL 132.88, 1%, 0.68%

LAB 89.55, -68.14, 48.59

 

CMYK 90 / 0 / 70 / 26

HEX #13BD38

RGB 19 189 56

HSL 133.06, 0.82%, 0.41%

LAB 67.14, -65.09, 53.6

 

CMYK 99 / 0 / 78 / 33

HEX #02AB25

RGB 2 171 37

HSL 132.43, 0.98%, 0.34%

LAB 61.02, -62.26, 54.18

 

CMYK 100 / 0 / 88 / 40

HEX #009912

RGB 0 153 18

HSL 127.06, 1%, 0.3%

LAB 54.89, -58.27, 53.74

 

CMYK 100 / 0 / 100 / 47

HEX #008700

RGB 0 135 0

HSL 120, 1%, 0.26%

LAB 48.67, -53.73, 51.86

 

CMYK 100 / 0 / 100 / 54

HEX #007500

RGB 0 117 0

HSL 120, 1%, 0.23%

LAB 42.34, -48.47, 46.78

 

CMYK 91 / 0 / 71 / 25

HEX #12BE38

RGB 18 190 56

HSL 133.26, 0.83%, 0.41%

LAB 67.46, -65.46, 53.93

 

CMYK 86 / 0 / 91 / 25

HEX #1BBE12

RGB 27 190 18

HSL 116.86, 0.83%, 0.41%

LAB 67.35, -67.06, 64.62

 

CMYK 62 / 0 / 91 / 25

HEX #49BE12

RGB 73 190 18

HSL 100.81, 0.83%, 0.41%

LAB 68.23, -59.5, 65.72

 

CMYK 37 / 0 / 91 / 25

HEX #78BE12

RGB 120 190 18

HSL 84.42, 0.83%, 0.41%

LAB 70.08, -45.35, 68.01

 

CMYK 13 / 0 / 91 / 25

HEX #A6BE12

RGB 166 190 18

HSL 68.37, 0.83%, 0.41%

LAB 72.88, -27.29, 71.44

 

CMYK 91 / 0 / 71 / 25

HEX #12BE38

RGB 18 190 56

HSL 133.26, 0.83%, 0.41%

LAB 67.46, -65.46, 53.93

 

CMYK 91 / 0 / 46 / 25

HEX #12BE66

RGB 18 190 102

HSL 149.3, 0.83%, 0.41%

LAB 67.96, -59.32, 33.43

 

CMYK 91 / 0 / 22 / 25

HEX #12BE94

RGB 18 190 148

HSL 165.35, 0.83%, 0.41%

LAB 68.82, -49.53, 10.16

 

CMYK 91 / 3 / 0 / 25

HEX #12B9BE

RGB 18 185 190

HSL 181.74, 0.83%, 0.41%

LAB 68.42, -35.63, -13.48

 

CMYK 91 / 27 / 0 / 25

HEX #128BBE

RGB 18 139 190

HSL 197.79, 0.83%, 0.41%

LAB 54.36, -12.06, -35.06

 

CMYK 91 / 0 / 71 / 25

HEX #12BE38

RGB 18 190 56

HSL 133.26, 0.83%, 0.41%

LAB 67.46, -65.46, 53.93

 

CMYK 100 / 0 / 78 / 19

HEX #01CF2E

RGB 1 207 46

HSL 133.11, 0.99%, 0.41%

LAB 72.78, -71.91, 62.73

 

CMYK 91 / 0 / 71 / 25

HEX #12BE38

RGB 18 190 56

HSL 133.26, 0.83%, 0.41%

LAB 67.46, -65.46, 53.93

 

CMYK 80 / 0 / 62 / 32

HEX #23AD41

RGB 35 173 65

HSL 133.04, 0.66%, 0.41%

LAB 62.19, -57.59, 44.46

 

CMYK 67 / 0 / 52 / 39

HEX #349C4B

RGB 52 156 75

HSL 133.27, 0.5%, 0.41%

LAB 57.09, -47.42, 33.68

 

CMYK 50 / 0 / 40 / 45

HEX #458B54

RGB 69 139 84

HSL 132.86, 0.34%, 0.41%

LAB 52.25, -34.7, 22.81

 

CMYK 30 / 0 / 23 / 52

HEX #567A5E

RGB 86 122 94

HSL 133.33, 0.17%, 0.41%

LAB 47.89, -18.97, 11.32

 

CMYK 62 / 0 / 91 / 25

HEX #49BE12

RGB 73 190 18

HSL 100.81, 0.83%, 0.41%

LAB 68.23, -59.5, 65.72

 

CMYK 86 / 0 / 91 / 25

HEX #1BBE12

RGB 27 190 18

HSL 116.86, 0.83%, 0.41%

LAB 67.35, -67.06, 64.62

 

CMYK 91 / 0 / 71 / 25

HEX #12BE37

RGB 18 190 55

HSL 132.91, 0.83%, 0.41%

LAB 67.45, -65.55, 54.31

 

CMYK 91 / 0 / 47 / 25

HEX #12BE65

RGB 18 190 101

HSL 148.95, 0.83%, 0.41%

LAB 67.94, -59.5, 33.92

 

CMYK 91 / 0 / 23 / 25

HEX #12BE93

RGB 18 190 147

HSL 165, 0.83%, 0.41%

LAB 68.8, -49.78, 10.67

 

CMYK 90 / 0 / 71 / 55

HEX #0B7321

RGB 11 115 33

HSL 132.69, 0.83%, 0.25%

LAB 41.91, -44.69, 36.28

 

CMYK 90 / 0 / 70 / 40

HEX #0F982D

RGB 15 152 45

HSL 133.14, 0.82%, 0.33%

LAB 54.81, -55.09, 44.95

 

CMYK 91 / 0 / 71 / 25

HEX #12BE38

RGB 18 190 56

HSL 133.26, 0.83%, 0.41%

LAB 67.46, -65.46, 53.93

 

CMYK 90 / 0 / 70 / 11

HEX #16E343

RGB 22 227 67

HSL 133.17, 0.82%, 0.49%

LAB 79.34, -75.05, 62.22

 

CMYK 76 / 0 / 60 / 8

HEX #38EB5F

RGB 56 235 95

HSL 133.07, 0.82%, 0.57%

LAB 82.42, -71.39, 54.41

 

CMYK 90 / 0 / 70 / 26

HEX #13BD38

RGB 19 189 56

HSL 133.06, 0.82%, 0.41%

LAB 67.14, -65.09, 53.6

 

CMYK 91 / 38 / 0 / 25

HEX #1276BE

RGB 18 118 190

HSL 205.12, 0.83%, 0.41%

LAB 48.01, 0.29, -45.07

 

CMYK 0 / 91 / 74 / 25

HEX #BE1232

RGB 190 18 50

HSL 348.84, 0.83%, 0.41%

LAB 40.59, 63.2, 30.55

 

CMYK 90 / 0 / 70 / 26

HEX #13BD38

RGB 19 189 56

HSL 133.06, 0.82%, 0.41%

LAB 67.14, -65.09, 53.6

 

CMYK 71 / 91 / 0 / 25

HEX #3712BE

RGB 55 18 190

HSL 252.91, 0.83%, 0.41%

LAB 26.63, 60.56, -79.86

 

CMYK 0 / 71 / 91 / 25

HEX #BE3712

RGB 190 55 18

HSL 12.91, 0.83%, 0.41%

LAB 43.83, 52.36, 50.18

 

CMYK 90 / 0 / 70 / 26

HEX #13BD38

RGB 19 189 56

HSL 133.06, 0.82%, 0.41%

LAB 67.14, -65.09, 53.6

 

CMYK 91 / 38 / 0 / 25

HEX #1276BE

RGB 18 118 190

HSL 205.12, 0.83%, 0.41%

LAB 48.01, 0.29, -45.07

 

CMYK 0 / 91 / 19 / 25

HEX #BE1299

RGB 190 18 153

HSL 312.91, 0.83%, 0.41%

LAB 43.77, 71.87, -29

 

CMYK 0 / 53 / 91 / 25

HEX #BE5A12

RGB 190 90 18

HSL 25.12, 0.83%, 0.41%

LAB 49.86, 36.47, 54.61

 

CMYK 90 / 0 / 70 / 26

HEX #13BD38

RGB 19 189 56

HSL 133.06, 0.82%, 0.41%

LAB 67.14, -65.09, 53.6

 

CMYK 91 / 65 / 0 / 25

HEX #1243BE

RGB 18 67 190

HSL 222.91, 0.83%, 0.41%

LAB 33.69, 33.48, -68.24

 

CMYK 0 / 91 / 19 / 25

HEX #BE1299

RGB 190 18 153

HSL 312.91, 0.83%, 0.41%

LAB 43.77, 71.87, -29

 

CMYK 0 / 26 / 91 / 25

HEX #BE8D12

RGB 190 141 18

HSL 42.91, 0.83%, 0.41%

LAB 61.69, 8.82, 63.57

 

Description

Color code: HEX #13BD38 | qconv.com Color code: HEX #13BD38 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 189 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 189 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 70 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 70% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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