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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13BD80 it is the complementary color #EC427F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13BD80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13BD80 shade: #18BD7B, #29CF8E, #3AE1A1, #4BF3B4 and #5CFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13BD80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13BD80 shade: #13BD80, #02AB6D, #00995A, #008747 and #007534

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13BD80 shade: #12BE80, #12BE52, #12BE24, #2FBE12 and #5DBE12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13BD80 shade: #12BE80, #12BEAE, #129FBE, #1271BE and #1242BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13BD80 shade matches the following richer shades: #12BE80 and #01CF85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13BD80 shade: #12BE80, #23AD7B, #349C77, #458B72 and #567A6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13BD80 shade: #12BE23, #12BE51, #12BE7F, #12BEAD and #12A1BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13BD80 shade: #0B734D, #0F9867, #12BE80, #16E39A and #38EBAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13BD80 shade: #13BD80, #122FBE and #BE3A12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13BD80 shade: #13BD80, #7F12BE and #BE7F12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13BD80 shade: #13BD80, #122FBE, #BE1251 and #BEA112

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13BD80 shade: #13BD80, #2912BE, #BE1251 and #A7BE12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 32 / 26

HEX #13BD80

RGB 19 189 128

HSL 158.47, 0.82%, 0.41%

LAB 68.09, -53.78, 19.96

 

Complementary color

CMYK 0 / 72 / 46 / 7

HEX #EC427F

RGB 236 66 127

HSL 338.47, 0.82%, 0.59%

LAB 55.34, 68.35, 4.86

 

CMYK 87 / 0 / 35 / 26

HEX #18BD7B

RGB 24 189 123

HSL 156, 0.77%, 0.42%

LAB 68.03, -54.53, 22.57

 

CMYK 80 / 0 / 31 / 19

HEX #29CF8E

RGB 41 207 142

HSL 156.51, 0.67%, 0.49%

LAB 74.22, -55.76, 20.95

 

CMYK 74 / 0 / 28 / 12

HEX #3AE1A1

RGB 58 225 161

HSL 157.01, 0.74%, 0.55%

LAB 80.36, -56.62, 19.48

 

CMYK 69 / 0 / 26 / 5

HEX #4BF3B4

RGB 75 243 180

HSL 157.5, 0.88%, 0.62%

LAB 86.45, -57.2, 18.13

 

CMYK 64 / 0 / 22 / 0

HEX #5CFFC7

RGB 92 255 199

HSL 159.39, 1%, 0.68%

LAB 90.74, -55.18, 14.43

 

CMYK 90 / 0 / 32 / 26

HEX #13BD80

RGB 19 189 128

HSL 158.47, 0.82%, 0.41%

LAB 68.09, -53.78, 19.96

 

CMYK 99 / 0 / 36 / 33

HEX #02AB6D

RGB 2 171 109

HSL 157.99, 0.98%, 0.34%

LAB 61.86, -51.99, 21.72

 

CMYK 100 / 0 / 41 / 40

HEX #00995A

RGB 0 153 90

HSL 155.29, 1%, 0.3%

LAB 55.6, -49.47, 23.69

 

CMYK 100 / 0 / 47 / 47

HEX #008747

RGB 0 135 71

HSL 151.56, 1%, 0.26%

LAB 49.23, -46.7, 25.75

 

CMYK 100 / 0 / 56 / 54

HEX #007534

RGB 0 117 52

HSL 146.67, 1%, 0.23%

LAB 42.72, -43.7, 27.83

 

CMYK 91 / 0 / 33 / 25

HEX #12BE80

RGB 18 190 128

HSL 158.37, 0.83%, 0.41%

LAB 68.4, -54.21, 20.38

 

CMYK 91 / 0 / 57 / 25

HEX #12BE52

RGB 18 190 82

HSL 142.33, 0.83%, 0.41%

LAB 67.7, -62.46, 42.96

 

CMYK 91 / 0 / 81 / 25

HEX #12BE24

RGB 18 190 36

HSL 126.28, 0.83%, 0.41%

LAB 67.34, -66.96, 60.53

 

CMYK 75 / 0 / 91 / 25

HEX #2FBE12

RGB 47 190 18

HSL 109.88, 0.83%, 0.41%

LAB 67.63, -64.61, 64.97

 

CMYK 51 / 0 / 91 / 25

HEX #5DBE12

RGB 93 190 18

HSL 93.84, 0.83%, 0.41%

LAB 68.89, -54.18, 66.54

 

CMYK 91 / 0 / 33 / 25

HEX #12BE80

RGB 18 190 128

HSL 158.37, 0.83%, 0.41%

LAB 68.4, -54.21, 20.38

 

CMYK 91 / 0 / 8 / 25

HEX #12BEAE

RGB 18 190 174

HSL 174.42, 0.83%, 0.41%

LAB 69.48, -42.61, -3.11

 

CMYK 91 / 16 / 0 / 25

HEX #129FBE

RGB 18 159 190

HSL 190.81, 0.83%, 0.41%

LAB 60.46, -22.87, -25.58

 

CMYK 91 / 41 / 0 / 25

HEX #1271BE

RGB 18 113 190

HSL 206.86, 0.83%, 0.41%

LAB 46.52, 3.38, -47.45

 

CMYK 91 / 65 / 0 / 25

HEX #1242BE

RGB 18 66 190

HSL 223.26, 0.83%, 0.41%

LAB 33.44, 34.13, -68.65

 

CMYK 91 / 0 / 33 / 25

HEX #12BE80

RGB 18 190 128

HSL 158.37, 0.83%, 0.41%

LAB 68.4, -54.21, 20.38

 

CMYK 100 / 0 / 36 / 19

HEX #01CF85

RGB 1 207 133

HSL 158.45, 0.99%, 0.41%

LAB 73.76, -60, 25

 

CMYK 91 / 0 / 33 / 25

HEX #12BE80

RGB 18 190 128

HSL 158.37, 0.83%, 0.41%

LAB 68.4, -54.21, 20.38

 

CMYK 80 / 0 / 29 / 32

HEX #23AD7B

RGB 35 173 123

HSL 158.26, 0.66%, 0.41%

LAB 63.07, -47.4, 15.79

 

CMYK 67 / 0 / 24 / 39

HEX #349C77

RGB 52 156 119

HSL 158.65, 0.5%, 0.41%

LAB 57.88, -38.79, 10.81

 

CMYK 50 / 0 / 18 / 45

HEX #458B72

RGB 69 139 114

HSL 158.57, 0.34%, 0.41%

LAB 52.89, -28.4, 6.65

 

CMYK 30 / 0 / 11 / 52

HEX #567A6D

RGB 86 122 109

HSL 158.33, 0.17%, 0.41%

LAB 48.26, -15.74, 3.03

 

CMYK 91 / 0 / 82 / 25

HEX #12BE23

RGB 18 190 35

HSL 125.93, 0.83%, 0.41%

LAB 67.33, -67.02, 60.81

 

CMYK 91 / 0 / 57 / 25

HEX #12BE51

RGB 18 190 81

HSL 141.98, 0.83%, 0.41%

LAB 67.69, -62.59, 43.41

 

CMYK 91 / 0 / 33 / 25

HEX #12BE7F

RGB 18 190 127

HSL 158.02, 0.83%, 0.41%

LAB 68.38, -54.43, 20.89

 

CMYK 91 / 0 / 9 / 25

HEX #12BEAD

RGB 18 190 173

HSL 174.07, 0.83%, 0.41%

LAB 69.45, -42.89, -2.6

 

CMYK 91 / 15 / 0 / 25

HEX #12A1BE

RGB 18 161 190

HSL 190.12, 0.83%, 0.41%

LAB 61.08, -23.9, -24.64

 

CMYK 90 / 0 / 33 / 55

HEX #0B734D

RGB 11 115 77

HSL 158.08, 0.83%, 0.25%

LAB 42.56, -36.95, 13.52

 

CMYK 90 / 0 / 32 / 40

HEX #0F9867

RGB 15 152 103

HSL 158.54, 0.82%, 0.33%

LAB 55.62, -45.45, 16.55

 

CMYK 91 / 0 / 33 / 25

HEX #12BE80

RGB 18 190 128

HSL 158.37, 0.83%, 0.41%

LAB 68.4, -54.21, 20.38

 

CMYK 90 / 0 / 32 / 11

HEX #16E39A

RGB 22 227 154

HSL 158.63, 0.82%, 0.49%

LAB 80.43, -61.98, 23.15

 

CMYK 76 / 0 / 27 / 8

HEX #38EBAB

RGB 56 235 171

HSL 158.55, 0.82%, 0.57%

LAB 83.55, -58.52, 18.69

 

CMYK 90 / 0 / 32 / 26

HEX #13BD80

RGB 19 189 128

HSL 158.47, 0.82%, 0.41%

LAB 68.09, -53.78, 19.96

 

CMYK 91 / 75 / 0 / 25

HEX #122FBE

RGB 18 47 190

HSL 229.88, 0.83%, 0.41%

LAB 29.11, 45.95, -75.8

 

CMYK 0 / 69 / 91 / 25

HEX #BE3A12

RGB 190 58 18

HSL 13.95, 0.83%, 0.41%

LAB 44.26, 51.2, 50.49

 

CMYK 90 / 0 / 32 / 26

HEX #13BD80

RGB 19 189 128

HSL 158.47, 0.82%, 0.41%

LAB 68.09, -53.78, 19.96

 

CMYK 33 / 91 / 0 / 25

HEX #7F12BE

RGB 127 18 190

HSL 278.02, 0.83%, 0.41%

LAB 35.33, 67.29, -65.21

 

CMYK 0 / 33 / 91 / 25

HEX #BE7F12

RGB 190 127 18

HSL 38.02, 0.83%, 0.41%

LAB 58.2, 16.53, 60.9

 

CMYK 90 / 0 / 32 / 26

HEX #13BD80

RGB 19 189 128

HSL 158.47, 0.82%, 0.41%

LAB 68.09, -53.78, 19.96

 

CMYK 91 / 75 / 0 / 25

HEX #122FBE

RGB 18 47 190

HSL 229.88, 0.83%, 0.41%

LAB 29.11, 45.95, -75.8

 

CMYK 0 / 91 / 57 / 25

HEX #BE1251

RGB 190 18 81

HSL 338.02, 0.83%, 0.41%

LAB 41.17, 64.85, 11.82

 

CMYK 0 / 15 / 91 / 25

HEX #BEA112

RGB 190 161 18

HSL 49.88, 0.83%, 0.41%

LAB 66.89, -2.02, 67.58

 

CMYK 90 / 0 / 32 / 26

HEX #13BD80

RGB 19 189 128

HSL 158.47, 0.82%, 0.41%

LAB 68.09, -53.78, 19.96

 

CMYK 78 / 91 / 0 / 25

HEX #2912BE

RGB 41 18 190

HSL 248.02, 0.83%, 0.41%

LAB 25.63, 59.91, -81.55

 

CMYK 0 / 91 / 57 / 25

HEX #BE1251

RGB 190 18 81

HSL 338.02, 0.83%, 0.41%

LAB 41.17, 64.85, 11.82

 

CMYK 12 / 0 / 91 / 25

HEX #A7BE12

RGB 167 190 18

HSL 68.02, 0.83%, 0.41%

LAB 72.95, -26.87, 71.53

 

Description

Color code: HEX #13BD80 | qconv.com Color code: HEX #13BD80 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 189 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 189 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 32 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 32% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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