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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13C74C it is the complementary color #EC38B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13C74C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13C74C shade: #18C747, #29D95A, #3AEB6D, #4BFD80 and #5CFF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13C74C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13C74C shade: #13C74C, #02B539, #00A326, #009113 and #007F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13C74C shade: #12C84C, #12C81B, #3BC812, #6CC812 and #9DC812

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13C74C shade: #12C84C, #12C87D, #12C8AE, #12B1C8 and #1280C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13C74C shade matches the following richer shades: #12C84C and #00DA45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13C74C shade: #12C84C, #24B652, #36A559, #47935F and #598166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13C74C shade: #3AC812, #12C81B, #12C84C, #12C87C and #12C8AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13C74C shade: #0B7D2F, #0FA23D, #12C84C, #1AE95C and #40ED77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13C74C shade: #13C74C, #126AC8 and #C81221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13C74C shade: #13C74C, #4C12C8 and #C84C12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13C74C shade: #13C74C, #126AC8, #C8128F and #C87012

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13C74C shade: #13C74C, #1234C8, #C8128F and #C8A712

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 62 / 22

HEX #13C74C

RGB 19 199 76

HSL 139, 0.83%, 0.43%

LAB 70.53, -65.99, 49

 

Complementary color

CMYK 0 / 76 / 24 / 7

HEX #EC38B3

RGB 236 56 179

HSL 319, 0.83%, 0.57%

LAB 56, 76.85, -24.76

 

CMYK 88 / 0 / 64 / 22

HEX #18C747

RGB 24 199 71

HSL 136.11, 0.78%, 0.44%

LAB 70.52, -66.24, 51.16

 

CMYK 81 / 0 / 59 / 15

HEX #29D95A

RGB 41 217 90

HSL 136.7, 0.7%, 0.51%

LAB 76.58, -68.06, 49.79

 

CMYK 75 / 0 / 54 / 8

HEX #3AEB6D

RGB 58 235 109

HSL 137.29, 0.82%, 0.57%

LAB 82.6, -69.34, 48.33

 

CMYK 70 / 0 / 49 / 1

HEX #4BFD80

RGB 75 253 128

HSL 137.87, 0.98%, 0.64%

LAB 88.59, -70.23, 46.86

 

CMYK 64 / 0 / 42 / 0

HEX #5CFF93

RGB 92 255 147

HSL 140.25, 1%, 0.68%

LAB 89.81, -65.13, 39.37

 

CMYK 90 / 0 / 62 / 22

HEX #13C74C

RGB 19 199 76

HSL 139, 0.83%, 0.43%

LAB 70.53, -65.99, 49

 

CMYK 99 / 0 / 69 / 29

HEX #02B539

RGB 2 181 57

HSL 138.44, 0.98%, 0.36%

LAB 64.45, -63.47, 50.32

 

CMYK 100 / 0 / 77 / 36

HEX #00A326

RGB 0 163 38

HSL 133.99, 1%, 0.32%

LAB 58.35, -59.95, 51.22

 

CMYK 100 / 0 / 87 / 43

HEX #009113

RGB 0 145 19

HSL 127.86, 1%, 0.28%

LAB 52.17, -55.91, 51.09

 

CMYK 100 / 0 / 100 / 50

HEX #007F00

RGB 0 127 0

HSL 120, 1%, 0.25%

LAB 45.88, -51.41, 49.62

 

CMYK 91 / 0 / 62 / 22

HEX #12C84C

RGB 18 200 76

HSL 139.12, 0.83%, 0.43%

LAB 70.84, -66.36, 49.35

 

CMYK 91 / 0 / 87 / 22

HEX #12C81B

RGB 18 200 27

HSL 122.97, 0.83%, 0.43%

LAB 70.54, -70.24, 65.65

 

CMYK 71 / 0 / 91 / 22

HEX #3BC812

RGB 59 200 18

HSL 106.48, 0.83%, 0.43%

LAB 71.06, -65.67, 67.97

 

CMYK 46 / 0 / 91 / 22

HEX #6CC812

RGB 108 200 18

HSL 90.33, 0.83%, 0.43%

LAB 72.59, -53.37, 69.86

 

CMYK 22 / 0 / 91 / 22

HEX #9DC812

RGB 157 200 18

HSL 74.18, 0.83%, 0.43%

LAB 75.15, -35.65, 73.01

 

CMYK 91 / 0 / 62 / 22

HEX #12C84C

RGB 18 200 76

HSL 139.12, 0.83%, 0.43%

LAB 70.84, -66.36, 49.35

 

CMYK 91 / 0 / 38 / 22

HEX #12C87D

RGB 18 200 125

HSL 155.27, 0.83%, 0.43%

LAB 71.5, -58.49, 26.16

 

CMYK 91 / 0 / 13 / 22

HEX #12C8AE

RGB 18 200 174

HSL 171.43, 0.83%, 0.43%

LAB 72.56, -46.88, 1.4

 

CMYK 91 / 12 / 0 / 22

HEX #12B1C8

RGB 18 177 200

HSL 187.58, 0.83%, 0.43%

LAB 66.32, -28.62, -22.17

 

CMYK 91 / 36 / 0 / 22

HEX #1280C8

RGB 18 128 200

HSL 203.74, 0.83%, 0.43%

LAB 51.54, -1.9, -45.2

 

CMYK 91 / 0 / 62 / 22

HEX #12C84C

RGB 18 200 76

HSL 139.12, 0.83%, 0.43%

LAB 70.84, -66.36, 49.35

 

CMYK 100 / 0 / 68 / 15

HEX #00DA45

RGB 0 218 69

HSL 138.99, 1%, 0.43%

LAB 76.42, -73.18, 58.37

 

CMYK 91 / 0 / 62 / 22

HEX #12C84C

RGB 18 200 76

HSL 139.12, 0.83%, 0.43%

LAB 70.84, -66.36, 49.35

 

CMYK 80 / 0 / 55 / 29

HEX #24B652

RGB 36 182 82

HSL 138.9, 0.67%, 0.43%

LAB 65.31, -58.23, 40.14

 

CMYK 67 / 0 / 46 / 35

HEX #36A559

RGB 54 165 89

HSL 138.92, 0.51%, 0.43%

LAB 60.26, -48.23, 30.42

 

CMYK 52 / 0 / 35 / 42

HEX #47935F

RGB 71 147 95

HSL 138.95, 0.35%, 0.43%

LAB 55.11, -35.71, 20.52

 

CMYK 31 / 0 / 21 / 49

HEX #598166

RGB 89 129 102

HSL 139.5, 0.18%, 0.43%

LAB 50.43, -20, 10.25

 

CMYK 71 / 0 / 91 / 22

HEX #3AC812

RGB 58 200 18

HSL 106.81, 0.83%, 0.43%

LAB 71.04, -65.85, 67.94

 

CMYK 91 / 0 / 87 / 22

HEX #12C81B

RGB 18 200 27

HSL 122.97, 0.83%, 0.43%

LAB 70.54, -70.24, 65.65

 

CMYK 91 / 0 / 62 / 22

HEX #12C84C

RGB 18 200 76

HSL 139.12, 0.83%, 0.43%

LAB 70.84, -66.36, 49.35

 

CMYK 91 / 0 / 38 / 22

HEX #12C87C

RGB 18 200 124

HSL 154.95, 0.83%, 0.43%

LAB 71.48, -58.69, 26.66

 

CMYK 91 / 0 / 14 / 22

HEX #12C8AD

RGB 18 200 173

HSL 171.1, 0.83%, 0.43%

LAB 72.53, -47.15, 1.9

 

CMYK 91 / 0 / 62 / 51

HEX #0B7D2F

RGB 11 125 47

HSL 138.95, 0.84%, 0.27%

LAB 45.56, -46.35, 33.79

 

CMYK 91 / 0 / 62 / 36

HEX #0FA23D

RGB 15 162 61

HSL 138.78, 0.83%, 0.35%

LAB 58.3, -56.46, 41.79

 

CMYK 91 / 0 / 62 / 22

HEX #12C84C

RGB 18 200 76

HSL 139.12, 0.83%, 0.43%

LAB 70.84, -66.36, 49.35

 

CMYK 89 / 0 / 61 / 9

HEX #1AE95C

RGB 26 233 92

HSL 139.13, 0.82%, 0.51%

LAB 81.44, -74, 54.49

 

CMYK 73 / 0 / 50 / 7

HEX #40ED77

RGB 64 237 119

HSL 139.08, 0.83%, 0.59%

LAB 83.44, -67.76, 44.67

 

CMYK 90 / 0 / 62 / 22

HEX #13C74C

RGB 19 199 76

HSL 139, 0.83%, 0.43%

LAB 70.53, -65.99, 49

 

CMYK 91 / 47 / 0 / 22

HEX #126AC8

RGB 18 106 200

HSL 210.99, 0.83%, 0.43%

LAB 45.09, 11.77, -55.51

 

CMYK 0 / 91 / 84 / 22

HEX #C81221

RGB 200 18 33

HSL 355.05, 0.83%, 0.43%

LAB 42.49, 65.26, 43.02

 

CMYK 90 / 0 / 62 / 22

HEX #13C74C

RGB 19 199 76

HSL 139, 0.83%, 0.43%

LAB 70.53, -65.99, 49

 

CMYK 62 / 91 / 0 / 22

HEX #4C12C8

RGB 76 18 200

HSL 259.12, 0.83%, 0.43%

LAB 29.76, 64.41, -80.49

 

CMYK 0 / 62 / 91 / 22

HEX #C84C12

RGB 200 76 18

HSL 19.12, 0.83%, 0.43%

LAB 48.87, 47.07, 54.62

 

CMYK 90 / 0 / 62 / 22

HEX #13C74C

RGB 19 199 76

HSL 139, 0.83%, 0.43%

LAB 70.53, -65.99, 49

 

CMYK 91 / 47 / 0 / 22

HEX #126AC8

RGB 18 106 200

HSL 210.99, 0.83%, 0.43%

LAB 45.09, 11.77, -55.51

 

CMYK 0 / 91 / 29 / 22

HEX #C8128F

RGB 200 18 143

HSL 318.79, 0.83%, 0.43%

LAB 45.21, 72.73, -20.57

 

CMYK 0 / 44 / 91 / 22

HEX #C87012

RGB 200 112 18

HSL 30.99, 0.83%, 0.43%

LAB 56, 29.04, 59.82

 

CMYK 90 / 0 / 62 / 22

HEX #13C74C

RGB 19 199 76

HSL 139, 0.83%, 0.43%

LAB 70.53, -65.99, 49

 

CMYK 91 / 74 / 0 / 22

HEX #1234C8

RGB 18 52 200

HSL 228.79, 0.83%, 0.43%

LAB 31.24, 46.52, -78.14

 

CMYK 0 / 91 / 29 / 22

HEX #C8128F

RGB 200 18 143

HSL 318.79, 0.83%, 0.43%

LAB 45.21, 72.73, -20.57

 

CMYK 0 / 17 / 91 / 22

HEX #C8A712

RGB 200 167 18

HSL 49.12, 0.83%, 0.43%

LAB 69.44, -0.76, 69.97

 

Description

Color code: HEX #13C74C | qconv.com Color code: HEX #13C74C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 199 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 199 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 62 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 62% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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