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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13CD95 it is the complementary color #EC326A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13CD95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13CD95 shade: #18CD90, #29DFA3, #3AF1B6, #4BFFC9 and #5CFFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13CD95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13CD95 shade: #13CD95, #02BB82, #00A96F, #00975C and #008549

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13CD95 shade: #13CD95, #13CD63, #13CD30, #27CD13 and #59CD13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13CD95 shade: #13CD95, #13CDC7, #13A0CD, #136ECD and #133CCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13CD95 shade matches the following richer shades: #13CD95 and #00DF9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13CD95 shade: #13CD95, #25BB8E, #37A986, #49967F and #5B8478

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13CD95 shade: #13CD2F, #13CD60, #13CD92, #13CDC4 and #13A4CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13CD95 shade: #0C815E, #0FA779, #13CD95, #1FEAAD and #45EDBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13CD95 shade: #13CD95, #1328CD and #CD4713

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13CD95 shade: #13CD95, #9213CD and #CD9213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13CD95 shade: #13CD95, #1328CD, #CD134E and #CDB713

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13CD95 shade: #13CD95, #3513CD, #CD134E and #ABCD13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 27 / 20

HEX #13CD95

RGB 19 205 149

HSL 161.94, 0.83%, 0.44%

LAB 73.53, -55.09, 16.24

 

Complementary color

CMYK 0 / 79 / 55 / 7

HEX #EC326A

RGB 236 50 106

HSL 341.94, 0.83%, 0.56%

LAB 53.12, 71.5, 14.3

 

CMYK 88 / 0 / 30 / 20

HEX #18CD90

RGB 24 205 144

HSL 159.78, 0.79%, 0.45%

LAB 73.46, -55.95, 18.82

 

CMYK 82 / 0 / 27 / 13

HEX #29DFA3

RGB 41 223 163

HSL 160.22, 0.74%, 0.52%

LAB 79.55, -57.23, 17.27

 

CMYK 76 / 0 / 24 / 5

HEX #3AF1B6

RGB 58 241 182

HSL 160.66, 0.87%, 0.59%

LAB 85.6, -58.17, 15.86

 

CMYK 71 / 0 / 21 / 0

HEX #4BFFC9

RGB 75 255 201

HSL 162, 1%, 0.65%

LAB 90.43, -57.27, 12.9

 

CMYK 64 / 0 / 14 / 0

HEX #5CFFDC

RGB 92 255 220

HSL 167.12, 1%, 0.68%

LAB 91.22, -50.36, 4.27

 

CMYK 91 / 0 / 27 / 20

HEX #13CD95

RGB 19 205 149

HSL 161.94, 0.83%, 0.44%

LAB 73.53, -55.09, 16.24

 

CMYK 99 / 0 / 30 / 27

HEX #02BB82

RGB 2 187 130

HSL 161.51, 0.98%, 0.37%

LAB 67.4, -53.31, 17.92

 

CMYK 100 / 0 / 34 / 34

HEX #00A96F

RGB 0 169 111

HSL 159.41, 1%, 0.33%

LAB 61.24, -50.91, 19.79

 

CMYK 100 / 0 / 39 / 41

HEX #00975C

RGB 0 151 92

HSL 156.56, 1%, 0.3%

LAB 54.98, -48.32, 21.76

 

CMYK 100 / 0 / 45 / 48

HEX #008549

RGB 0 133 73

HSL 152.93, 1%, 0.26%

LAB 48.58, -45.59, 23.81

 

CMYK 91 / 0 / 27 / 20

HEX #13CD95

RGB 19 205 149

HSL 161.94, 0.83%, 0.44%

LAB 73.53, -55.09, 16.24

 

CMYK 91 / 0 / 52 / 20

HEX #13CD63

RGB 19 205 99

HSL 145.81, 0.83%, 0.44%

LAB 72.7, -64.74, 40.87

 

CMYK 91 / 0 / 77 / 20

HEX #13CD30

RGB 19 205 48

HSL 129.35, 0.83%, 0.44%

LAB 72.24, -70.42, 61.6

 

CMYK 81 / 0 / 91 / 20

HEX #27CD13

RGB 39 205 19

HSL 113.55, 0.83%, 0.44%

LAB 72.32, -70.09, 68.74

 

CMYK 57 / 0 / 91 / 20

HEX #59CD13

RGB 89 205 19

HSL 97.42, 0.83%, 0.44%

LAB 73.44, -60.65, 70.13

 

CMYK 91 / 0 / 27 / 20

HEX #13CD95

RGB 19 205 149

HSL 161.94, 0.83%, 0.44%

LAB 73.53, -55.09, 16.24

 

CMYK 91 / 0 / 3 / 20

HEX #13CDC7

RGB 19 205 199

HSL 178.06, 0.83%, 0.44%

LAB 74.78, -41.97, -8.88

 

CMYK 91 / 22 / 0 / 20

HEX #13A0CD

RGB 19 160 205

HSL 194.52, 0.83%, 0.44%

LAB 61.38, -18.14, -32.56

 

CMYK 91 / 46 / 0 / 20

HEX #136ECD

RGB 19 110 205

HSL 210.65, 0.83%, 0.44%

LAB 46.58, 11.24, -55.99

 

CMYK 91 / 71 / 0 / 20

HEX #133CCD

RGB 19 60 205

HSL 226.77, 0.83%, 0.44%

LAB 33.52, 43.55, -77.29

 

CMYK 91 / 0 / 27 / 20

HEX #13CD95

RGB 19 205 149

HSL 161.94, 0.83%, 0.44%

LAB 73.53, -55.09, 16.24

 

CMYK 100 / 0 / 30 / 13

HEX #00DF9C

RGB 0 223 156

HSL 161.97, 1%, 0.44%

LAB 79.14, -60.86, 20.33

 

CMYK 91 / 0 / 27 / 20

HEX #13CD95

RGB 19 205 149

HSL 161.94, 0.83%, 0.44%

LAB 73.53, -55.09, 16.24

 

CMYK 80 / 0 / 24 / 27

HEX #25BB8E

RGB 37 187 142

HSL 162, 0.67%, 0.44%

LAB 67.94, -48.35, 12.21

 

CMYK 67 / 0 / 21 / 34

HEX #37A986

RGB 55 169 134

HSL 161.58, 0.51%, 0.44%

LAB 62.43, -40.34, 8.86

 

CMYK 51 / 0 / 15 / 41

HEX #49967F

RGB 73 150 127

HSL 162.08, 0.35%, 0.44%

LAB 56.84, -29.61, 4.88

 

CMYK 31 / 0 / 9 / 48

HEX #5B8478

RGB 91 132 120

HSL 162.44, 0.18%, 0.44%

LAB 51.93, -16.98, 1.93

 

CMYK 91 / 0 / 77 / 20

HEX #13CD2F

RGB 19 205 47

HSL 129.03, 0.83%, 0.44%

LAB 72.23, -70.49, 61.92

 

CMYK 91 / 0 / 53 / 20

HEX #13CD60

RGB 19 205 96

HSL 144.84, 0.83%, 0.44%

LAB 72.66, -65.19, 42.27

 

CMYK 91 / 0 / 29 / 20

HEX #13CD92

RGB 19 205 146

HSL 160.97, 0.83%, 0.44%

LAB 73.47, -55.78, 17.76

 

CMYK 91 / 0 / 4 / 20

HEX #13CDC4

RGB 19 205 196

HSL 177.1, 0.83%, 0.44%

LAB 74.69, -42.84, -7.39

 

CMYK 91 / 20 / 0 / 20

HEX #13A4CD

RGB 19 164 205

HSL 193.23, 0.83%, 0.44%

LAB 62.59, -20.26, -30.68

 

CMYK 91 / 0 / 27 / 49

HEX #0C815E

RGB 12 129 94

HSL 162.05, 0.83%, 0.28%

LAB 47.74, -38.5, 10.75

 

CMYK 91 / 0 / 28 / 35

HEX #0FA779

RGB 15 167 121

HSL 161.84, 0.84%, 0.36%

LAB 60.89, -47.14, 13.82

 

CMYK 91 / 0 / 27 / 20

HEX #13CD95

RGB 19 205 149

HSL 161.94, 0.83%, 0.44%

LAB 73.53, -55.09, 16.24

 

CMYK 87 / 0 / 26 / 8

HEX #1FEAAD

RGB 31 234 173

HSL 161.97, 0.83%, 0.52%

LAB 83, -59.88, 16.84

 

CMYK 71 / 0 / 21 / 7

HEX #45EDBB

RGB 69 237 187

HSL 162.14, 0.82%, 0.6%

LAB 84.7, -54.1, 12.02

 

CMYK 91 / 0 / 27 / 20

HEX #13CD95

RGB 19 205 149

HSL 161.94, 0.83%, 0.44%

LAB 73.53, -55.09, 16.24

 

CMYK 91 / 80 / 0 / 20

HEX #1328CD

RGB 19 40 205

HSL 233.23, 0.83%, 0.44%

LAB 29.57, 54.72, -83.82

 

CMYK 0 / 65 / 91 / 20

HEX #CD4713

RGB 205 71 19

HSL 16.77, 0.83%, 0.44%

LAB 48.92, 51.05, 54.73

 

CMYK 91 / 0 / 27 / 20

HEX #13CD95

RGB 19 205 149

HSL 161.94, 0.83%, 0.44%

LAB 73.53, -55.09, 16.24

 

CMYK 29 / 91 / 0 / 20

HEX #9213CD

RGB 146 19 205

HSL 280.97, 0.83%, 0.44%

LAB 39.55, 72.6, -66.96

 

CMYK 0 / 29 / 91 / 20

HEX #CD9213

RGB 205 146 19

HSL 40.97, 0.83%, 0.44%

LAB 64.63, 12.78, 66.35

 

CMYK 91 / 0 / 27 / 20

HEX #13CD95

RGB 19 205 149

HSL 161.94, 0.83%, 0.44%

LAB 73.53, -55.09, 16.24

 

CMYK 91 / 80 / 0 / 20

HEX #1328CD

RGB 19 40 205

HSL 233.23, 0.83%, 0.44%

LAB 29.57, 54.72, -83.82

 

CMYK 0 / 91 / 62 / 20

HEX #CD134E

RGB 205 19 78

HSL 340.97, 0.83%, 0.44%

LAB 44.23, 68.22, 18.37

 

CMYK 0 / 11 / 91 / 20

HEX #CDB713

RGB 205 183 19

HSL 52.9, 0.83%, 0.44%

LAB 74.12, -6.93, 73.61

 

CMYK 91 / 0 / 27 / 20

HEX #13CD95

RGB 19 205 149

HSL 161.94, 0.83%, 0.44%

LAB 73.53, -55.09, 16.24

 

CMYK 74 / 91 / 0 / 20

HEX #3513CD

RGB 53 19 205

HSL 250.97, 0.83%, 0.44%

LAB 28.46, 64.12, -85.63

 

CMYK 0 / 91 / 62 / 20

HEX #CD134E

RGB 205 19 78

HSL 340.97, 0.83%, 0.44%

LAB 44.23, 68.22, 18.37

 

CMYK 17 / 0 / 91 / 20

HEX #ABCD13

RGB 171 205 19

HSL 70.97, 0.83%, 0.44%

LAB 77.5, -32.29, 75.12

 

Description

Color code: HEX #13CD95 | qconv.com Color code: HEX #13CD95 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 205 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 205 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 27 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 27% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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