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Color name
HEX #103AAF

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #103AAF it is the complementary color #EFC550. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #103AAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #103AAF shade: #153AAA, #264CBD, #375ED0, #4870E3 and #5982F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #103AAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #103AAF shade: #103AAF, #00289C, #001689, #000476 and #000063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #103AAF shade: #1039AC, #1010AC, #3B10AC, #6510AC and #8F10AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #103AAF shade: #1039AC and #1010AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #103AAF shade matches the following richer shades: #1039AC and #0032BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #103AAF shade: #1039AC, #1F409D, #2E478E, #3D4F7E and #4D566F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #103AAF shade: #108DAC, #1063AC, #1039AC, #1010AC and #3910AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #103AAF shade: #092061, #0C2C86, #1039AC, #1345D2 and #2458EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #103AAF shade: #103AAF, #A210AC and #78AC10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #103AAF shade: #103AAF, #AC1039 and #39AC10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #103AAF shade: #103AAF, #A210AC, #AC8210 and #1AAC10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #103AAF shade: #103AAF, #AC1088, #AC8210 and #10AC34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 67 / 0 / 31

HEX #103AAF

RGB 16 58 175

HSL 224.15, 0.83%, 0.37%

LAB 29.99, 33.52, -65.44

 

Complementary color

CMYK 0 / 18 / 67 / 6

HEX #EFC550

RGB 239 197 80

HSL 44.15, 0.83%, 0.63%

LAB 81.22, 2.64, 62.19

 

CMYK 88 / 66 / 0 / 33

HEX #153AAA

RGB 21 58 170

HSL 225.1, 0.78%, 0.37%

LAB 29.63, 31.86, -63.03

 

CMYK 80 / 60 / 0 / 26

HEX #264CBD

RGB 38 76 189

HSL 224.9, 0.67%, 0.45%

LAB 36.47, 28.57, -63.08

 

CMYK 74 / 55 / 0 / 18

HEX #375ED0

RGB 55 94 208

HSL 224.71, 0.62%, 0.52%

LAB 43.32, 25.83, -62.93

 

CMYK 68 / 51 / 0 / 11

HEX #4870E3

RGB 72 112 227

HSL 224.52, 0.73%, 0.59%

LAB 50.11, 23.57, -62.7

 

CMYK 64 / 47 / 0 / 4

HEX #5982F6

RGB 89 130 246

HSL 224.33, 0.9%, 0.66%

LAB 56.82, 21.69, -62.45

 

CMYK 91 / 67 / 0 / 31

HEX #103AAF

RGB 16 58 175

HSL 224.15, 0.83%, 0.37%

LAB 29.99, 33.52, -65.44

 

CMYK 100 / 74 / 0 / 39

HEX #00289C

RGB 0 40 156

HSL 224.62, 1%, 0.31%

LAB 23.4, 37.34, -64.84

 

CMYK 100 / 84 / 0 / 46

HEX #001689

RGB 0 22 137

HSL 230.36, 1%, 0.27%

LAB 17.37, 41.02, -63.07

 

CMYK 100 / 97 / 0 / 54

HEX #000476

RGB 0 4 118

HSL 237.97, 1%, 0.23%

LAB 11.92, 42.98, -60.04

 

CMYK 100 / 100 / 0 / 61

HEX #000063

RGB 0 0 99

HSL 240, 1%, 0.19%

LAB 8.14, 39.57, -53.9

 

CMYK 91 / 67 / 0 / 33

HEX #1039AC

RGB 16 57 172

HSL 224.23, 0.83%, 0.37%

LAB 29.45, 33.03, -64.53

 

CMYK 91 / 91 / 0 / 33

HEX #1010AC

RGB 16 16 172

HSL 240, 0.83%, 0.37%

LAB 21.8, 54.78, -77.21

 

CMYK 66 / 91 / 0 / 33

HEX #3B10AC

RGB 59 16 172

HSL 256.54, 0.83%, 0.37%

LAB 24.57, 56.63, -72.52

 

CMYK 41 / 91 / 0 / 33

HEX #6510AC

RGB 101 16 172

HSL 272.69, 0.83%, 0.37%

LAB 29.7, 60.61, -63.87

 

CMYK 17 / 91 / 0 / 33

HEX #8F10AC

RGB 143 16 172

HSL 288.85, 0.83%, 0.37%

LAB 36.35, 66.52, -52.75

 

CMYK 91 / 67 / 0 / 33

HEX #1039AC

RGB 16 57 172

HSL 224.23, 0.83%, 0.37%

LAB 29.45, 33.03, -64.53

 

CMYK 91 / 91 / 0 / 33

HEX #1010AC

RGB 16 16 172

HSL 240, 0.83%, 0.37%

LAB 21.8, 54.78, -77.21

 

CMYK 91 / 67 / 0 / 33

HEX #1039AC

RGB 16 57 172

HSL 224.23, 0.83%, 0.37%

LAB 29.45, 33.03, -64.53

 

CMYK 100 / 73 / 0 / 27

HEX #0032BB

RGB 0 50 187

HSL 223.96, 1%, 0.37%

LAB 29.08, 42.6, -74.08

 

CMYK 91 / 67 / 0 / 33

HEX #1039AC

RGB 16 57 172

HSL 224.23, 0.83%, 0.37%

LAB 29.45, 33.03, -64.53

 

CMYK 80 / 59 / 0 / 38

HEX #1F409D

RGB 31 64 157

HSL 224.29, 0.67%, 0.37%

LAB 30.38, 23.54, -53.95

 

CMYK 68 / 50 / 0 / 44

HEX #2E478E

RGB 46 71 142

HSL 224.38, 0.51%, 0.37%

LAB 31.9, 15.03, -42.31

 

CMYK 52 / 37 / 0 / 51

HEX #3D4F7E

RGB 61 79 126

HSL 223.38, 0.35%, 0.37%

LAB 34.17, 7.22, -28.78

 

CMYK 31 / 23 / 0 / 56

HEX #4D566F

RGB 77 86 111

HSL 224.12, 0.18%, 0.37%

LAB 36.71, 2.86, -15.45

 

CMYK 91 / 18 / 0 / 33

HEX #108DAC

RGB 16 141 172

HSL 191.92, 0.83%, 0.37%

LAB 54.17, -19.74, -25.06

 

CMYK 91 / 42 / 0 / 33

HEX #1063AC

RGB 16 99 172

HSL 208.08, 0.83%, 0.37%

LAB 41.24, 4.97, -45.4

 

CMYK 91 / 67 / 0 / 33

HEX #1039AC

RGB 16 57 172

HSL 224.23, 0.83%, 0.37%

LAB 29.45, 33.03, -64.53

 

CMYK 91 / 91 / 0 / 33

HEX #1010AC

RGB 16 16 172

HSL 240, 0.83%, 0.37%

LAB 21.8, 54.78, -77.21

 

CMYK 67 / 91 / 0 / 33

HEX #3910AC

RGB 57 16 172

HSL 255.77, 0.83%, 0.37%

LAB 24.38, 56.5, -72.84

 

CMYK 91 / 67 / 0 / 62

HEX #092061

RGB 9 32 97

HSL 224.32, 0.83%, 0.21%

LAB 15.24, 19.5, -40.78

 

CMYK 91 / 67 / 0 / 47

HEX #0C2C86

RGB 12 44 134

HSL 224.26, 0.84%, 0.29%

LAB 22.31, 26.58, -53.01

 

CMYK 91 / 67 / 0 / 33

HEX #1039AC

RGB 16 57 172

HSL 224.23, 0.83%, 0.37%

LAB 29.45, 33.03, -64.53

 

CMYK 91 / 67 / 0 / 18

HEX #1345D2

RGB 19 69 210

HSL 224.29, 0.83%, 0.45%

LAB 36.08, 39.78, -75.97

 

CMYK 85 / 62 / 0 / 8

HEX #2458EA

RGB 36 88 234

HSL 224.24, 0.83%, 0.53%

LAB 43.2, 37.51, -77.94

 

CMYK 91 / 67 / 0 / 31

HEX #103AAF

RGB 16 58 175

HSL 224.15, 0.83%, 0.37%

LAB 29.99, 33.52, -65.44

 

CMYK 6 / 91 / 0 / 33

HEX #A210AC

RGB 162 16 172

HSL 296.15, 0.83%, 0.37%

LAB 39.63, 69.66, -47.29

 

CMYK 30 / 0 / 91 / 33

HEX #78AC10

RGB 120 172 16

HSL 80, 0.83%, 0.37%

LAB 64.59, -37.66, 63.82

 

CMYK 91 / 67 / 0 / 31

HEX #103AAF

RGB 16 58 175

HSL 224.15, 0.83%, 0.37%

LAB 29.99, 33.52, -65.44

 

CMYK 0 / 91 / 67 / 33

HEX #AC1039

RGB 172 16 57

HSL 344.23, 0.83%, 0.37%

LAB 36.81, 59.16, 20.66

 

CMYK 67 / 0 / 91 / 33

HEX #39AC10

RGB 57 172 16

HSL 104.23, 0.83%, 0.37%

LAB 62.01, -57.13, 60.61

 

CMYK 91 / 67 / 0 / 31

HEX #103AAF

RGB 16 58 175

HSL 224.15, 0.83%, 0.37%

LAB 29.99, 33.52, -65.44

 

CMYK 6 / 91 / 0 / 33

HEX #A210AC

RGB 162 16 172

HSL 296.15, 0.83%, 0.37%

LAB 39.63, 69.66, -47.29

 

CMYK 0 / 24 / 91 / 33

HEX #AC8210

RGB 172 130 16

HSL 43.85, 0.83%, 0.37%

LAB 56.85, 6.72, 59.4

 

CMYK 85 / 0 / 91 / 33

HEX #1AAC10

RGB 26 172 16

HSL 116.15, 0.83%, 0.37%

LAB 61.45, -62, 59.92

 

CMYK 91 / 67 / 0 / 31

HEX #103AAF

RGB 16 58 175

HSL 224.15, 0.83%, 0.37%

LAB 29.99, 33.52, -65.44

 

CMYK 0 / 91 / 21 / 33

HEX #AC1088

RGB 172 16 136

HSL 313.85, 0.83%, 0.37%

LAB 39.44, 66.34, -25.65

 

CMYK 0 / 24 / 91 / 33

HEX #AC8210

RGB 172 130 16

HSL 43.85, 0.83%, 0.37%

LAB 56.85, 6.72, 59.4

 

CMYK 91 / 0 / 70 / 33

HEX #10AC34

RGB 16 172 52

HSL 133.85, 0.83%, 0.37%

LAB 61.54, -60.53, 49.25

 

Description

Color code: HEX #103AAF | qconv.com Color code: HEX #103AAF | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 58 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 58 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 67 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 67% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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