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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10553C it is the complementary color #EFAAC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10553C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10553C shade: #155537, #26674A, #37795D, #488B70 and #599D83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10553C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10553C shade: #10553C, #004329, #003116, #001F03 and #000D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10553C shade: #10553C, #105529, #105517, #1C5510 and #2E5510

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10553C shade: #10553C, #10554F, #104955, #103655 and #102355

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10553C shade matches the following richer shades: #10553C and #085D3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10553C shade: #10553C, #184D3A, #204538, #293C35 and #313433

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10553C shade: #105517, #105529, #10553C, #10554E and #104A55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10553C shade: #03100B, #093324, #10553C, #167855 and #1D9A6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10553C shade: #10553C, #101B55 and #552010

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10553C shade: #10553C, #3C1055 and #553C10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10553C shade: #10553C, #101B55, #551029 and #554A10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10553C shade: #10553C, #191055, #551029 and #4C5510

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 29 / 67

HEX #10553C

RGB 16 85 60

HSL 158.26, 0.68%, 0.2%

LAB 31.65, -27.55, 8.74

 

Complementary color

CMYK 0 / 29 / 18 / 6

HEX #EFAAC3

RGB 239 170 195

HSL 338.26, 0.68%, 0.8%

LAB 76.7, 28.91, -2.6

 

CMYK 75 / 0 / 35 / 67

HEX #155537

RGB 21 85 55

HSL 151.88, 0.6%, 0.21%

LAB 31.65, -27.97, 11.86

 

CMYK 63 / 0 / 28 / 60

HEX #26674A

RGB 38 103 74

HSL 153.23, 0.46%, 0.28%

LAB 38.91, -28.25, 10.34

 

CMYK 55 / 0 / 23 / 53

HEX #37795D

RGB 55 121 93

HSL 154.55, 0.38%, 0.35%

LAB 46.01, -28.23, 9.05

 

CMYK 48 / 0 / 19 / 45

HEX #488B70

RGB 72 139 112

HSL 155.82, 0.32%, 0.41%

LAB 52.96, -28.08, 7.92

 

CMYK 43 / 0 / 17 / 38

HEX #599D83

RGB 89 157 131

HSL 157.06, 0.28%, 0.48%

LAB 59.78, -27.88, 6.91

 

CMYK 81 / 0 / 29 / 67

HEX #10553C

RGB 16 85 60

HSL 158.26, 0.68%, 0.2%

LAB 31.65, -27.55, 8.74

 

CMYK 100 / 0 / 39 / 74

HEX #004329

RGB 0 67 41

HSL 156.72, 1%, 0.13%

LAB 24.24, -26.61, 10.51

 

CMYK 100 / 0 / 55 / 81

HEX #003116

RGB 0 49 22

HSL 146.94, 1%, 0.1%

LAB 16.77, -23.45, 12.89

 

CMYK 100 / 0 / 90 / 88

HEX #001F03

RGB 0 31 3

HSL 125.81, 1%, 0.06%

LAB 8.88, -17.53, 11.73

 

CMYK 100 / 0 / 100 / 95

HEX #000D00

RGB 0 13 0

HSL 120, 1%, 0.03%

LAB 2.6, -5.31, 3.8

 

CMYK 81 / 0 / 29 / 67

HEX #10553C

RGB 16 85 60

HSL 158.26, 0.68%, 0.2%

LAB 31.65, -27.55, 8.74

 

CMYK 81 / 0 / 52 / 67

HEX #105529

RGB 16 85 41

HSL 141.74, 0.68%, 0.2%

LAB 31.27, -31.85, 19.78

 

CMYK 81 / 0 / 73 / 67

HEX #105517

RGB 16 85 23

HSL 126.09, 0.68%, 0.2%

LAB 31.04, -34.59, 29.16

 

CMYK 67 / 0 / 81 / 67

HEX #1C5510

RGB 28 85 16

HSL 109.57, 0.68%, 0.2%

LAB 31.3, -32.61, 32.59

 

CMYK 46 / 0 / 81 / 67

HEX #2E5510

RGB 46 85 16

HSL 93.91, 0.68%, 0.2%

LAB 32.07, -26.73, 33.6

 

CMYK 81 / 0 / 29 / 67

HEX #10553C

RGB 16 85 60

HSL 158.26, 0.68%, 0.2%

LAB 31.65, -27.55, 8.74

 

CMYK 81 / 0 / 7 / 67

HEX #10554F

RGB 16 85 79

HSL 174.78, 0.68%, 0.2%

LAB 32.19, -21.98, -2.47

 

CMYK 81 / 14 / 0 / 67

HEX #104955

RGB 16 73 85

HSL 190.43, 0.68%, 0.2%

LAB 28.2, -13.23, -12.31

 

CMYK 81 / 36 / 0 / 67

HEX #103655

RGB 16 54 85

HSL 206.96, 0.68%, 0.2%

LAB 21.6, -1.06, -22.57

 

CMYK 81 / 59 / 0 / 67

HEX #102355

RGB 16 35 85

HSL 223.48, 0.68%, 0.2%

LAB 15.32, 12.79, -32.62

 

CMYK 81 / 0 / 29 / 67

HEX #10553C

RGB 16 85 60

HSL 158.26, 0.68%, 0.2%

LAB 31.65, -27.55, 8.74

 

CMYK 91 / 0 / 33 / 64

HEX #085D3E

RGB 8 93 62

HSL 158.12, 0.84%, 0.2%

LAB 34.45, -31.59, 11.36

 

CMYK 81 / 0 / 29 / 67

HEX #10553C

RGB 16 85 60

HSL 158.26, 0.68%, 0.2%

LAB 31.65, -27.55, 8.74

 

CMYK 69 / 0 / 25 / 70

HEX #184D3A

RGB 24 77 58

HSL 158.49, 0.52%, 0.2%

LAB 28.92, -22.74, 6.2

 

CMYK 54 / 0 / 19 / 73

HEX #204538

RGB 32 69 56

HSL 158.92, 0.37%, 0.2%

LAB 26.3, -16.97, 3.8

 

CMYK 32 / 0 / 12 / 76

HEX #293C35

RGB 41 60 53

HSL 157.89, 0.19%, 0.2%

LAB 23.54, -9.43, 1.88

 

CMYK 6 / 0 / 2 / 80

HEX #313433

RGB 49 52 51

HSL 160, 0.03%, 0.2%

LAB 21.39, -1.53, 0.18

 

CMYK 81 / 0 / 73 / 67

HEX #105517

RGB 16 85 23

HSL 126.09, 0.68%, 0.2%

LAB 31.04, -34.59, 29.16

 

CMYK 81 / 0 / 52 / 67

HEX #105529

RGB 16 85 41

HSL 141.74, 0.68%, 0.2%

LAB 31.27, -31.85, 19.78

 

CMYK 81 / 0 / 29 / 67

HEX #10553C

RGB 16 85 60

HSL 158.26, 0.68%, 0.2%

LAB 31.65, -27.55, 8.74

 

CMYK 81 / 0 / 8 / 67

HEX #10554E

RGB 16 85 78

HSL 173.91, 0.68%, 0.2%

LAB 32.16, -22.3, -1.88

 

CMYK 81 / 13 / 0 / 67

HEX #104A55

RGB 16 74 85

HSL 189.57, 0.68%, 0.2%

LAB 28.55, -13.82, -11.78

 

CMYK 81 / 0 / 31 / 94

HEX #03100B

RGB 3 16 11

HSL 156.92, 0.68%, 0.04%

LAB 3.74, -4.52, 0.99

 

CMYK 82 / 0 / 29 / 80

HEX #093324

RGB 9 51 36

HSL 158.57, 0.7%, 0.12%

LAB 18.16, -18.69, 5.46

 

CMYK 81 / 0 / 29 / 67

HEX #10553C

RGB 16 85 60

HSL 158.26, 0.68%, 0.2%

LAB 31.65, -27.55, 8.74

 

CMYK 82 / 0 / 29 / 53

HEX #167855

RGB 22 120 85

HSL 158.57, 0.69%, 0.28%

LAB 44.6, -35.99, 11.65

 

CMYK 81 / 0 / 29 / 40

HEX #1D9A6D

RGB 29 154 109

HSL 158.4, 0.68%, 0.36%

LAB 56.56, -43.63, 14.51

 

CMYK 81 / 0 / 29 / 67

HEX #10553C

RGB 16 85 60

HSL 158.26, 0.68%, 0.2%

LAB 31.65, -27.55, 8.74

 

CMYK 81 / 68 / 0 / 67

HEX #101B55

RGB 16 27 85

HSL 230.43, 0.68%, 0.2%

LAB 12.92, 18.8, -36.52

 

CMYK 0 / 62 / 81 / 67

HEX #552010

RGB 85 32 16

HSL 13.91, 0.68%, 0.2%

LAB 20.05, 23.54, 22.56

 

CMYK 81 / 0 / 29 / 67

HEX #10553C

RGB 16 85 60

HSL 158.26, 0.68%, 0.2%

LAB 31.65, -27.55, 8.74

 

CMYK 29 / 81 / 0 / 67

HEX #3C1055

RGB 60 16 85

HSL 278.26, 0.68%, 0.2%

LAB 15.42, 33.85, -32.25

 

CMYK 0 / 29 / 81 / 67

HEX #553C10

RGB 85 60 16

HSL 38.26, 0.68%, 0.2%

LAB 27.3, 6.24, 30.06

 

CMYK 81 / 0 / 29 / 67

HEX #10553C

RGB 16 85 60

HSL 158.26, 0.68%, 0.2%

LAB 31.65, -27.55, 8.74

 

CMYK 81 / 68 / 0 / 67

HEX #101B55

RGB 16 27 85

HSL 230.43, 0.68%, 0.2%

LAB 12.92, 18.8, -36.52

 

CMYK 0 / 81 / 52 / 67

HEX #551029

RGB 85 16 41

HSL 338.26, 0.68%, 0.2%

LAB 17.75, 33.14, 2.54

 

CMYK 0 / 13 / 81 / 67

HEX #554A10

RGB 85 74 16

HSL 50.43, 0.68%, 0.2%

LAB 31.5, -2.52, 34.12

 

CMYK 81 / 0 / 29 / 67

HEX #10553C

RGB 16 85 60

HSL 158.26, 0.68%, 0.2%

LAB 31.65, -27.55, 8.74

 

CMYK 71 / 81 / 0 / 67

HEX #191055

RGB 25 16 85

HSL 247.83, 0.68%, 0.2%

LAB 10.8, 27.54, -39.99

 

CMYK 0 / 81 / 52 / 67

HEX #551029

RGB 85 16 41

HSL 338.26, 0.68%, 0.2%

LAB 17.75, 33.14, 2.54

 

CMYK 11 / 0 / 81 / 67

HEX #4C5510

RGB 76 85 16

HSL 67.83, 0.68%, 0.2%

LAB 34.13, -13.49, 36.3

 

Description

Color code: HEX #10553C | qconv.com Color code: HEX #10553C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 85 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 85 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 29 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 29% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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