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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10503B it is the complementary color #EFAFC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10503B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10503B shade: #155036, #266249, #37745C, #48866F and #599882

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10503B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10503B shade: #10503B, #003E28, #002C15, #001A02 and #000800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10503B shade: #0F503B, #0F502A, #0F5018, #18500F and #2A500F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10503B shade: #0F503B, #0F504D, #0F4350, #0F3150 and #0F2050

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10503B shade matches the following richer shades: #0F503B, #08583E and #006040

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10503B shade: #0F503B, #174938, #1F4136, #273933 and #2F3130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10503B shade: #0F5018, #0F5029, #0F503B, #0F504C and #0F4350

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10503B shade: #020C08, #092E22, #0F503B, #167354 and #1D956E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10503B shade: #10503B, #0F1850 and #50210F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10503B shade: #10503B, #3B0F50 and #503B0F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10503B shade: #10503B, #0F1850, #500F25 and #50480F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10503B shade: #10503B, #1A0F50, #500F25 and #46500F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 26 / 69

HEX #10503B

RGB 16 80 59

HSL 160.31, 0.67%, 0.19%

LAB 29.82, -25.46, 6.8

 

Complementary color

CMYK 0 / 27 / 18 / 6

HEX #EFAFC4

RGB 239 175 196

HSL 340.31, 0.67%, 0.81%

LAB 77.87, 26.41, -1.43

 

CMYK 74 / 0 / 33 / 69

HEX #155036

RGB 21 80 54

HSL 153.56, 0.58%, 0.2%

LAB 29.82, -25.88, 9.97

 

CMYK 61 / 0 / 26 / 62

HEX #266249

RGB 38 98 73

HSL 155, 0.44%, 0.27%

LAB 37.17, -26.08, 8.51

 

CMYK 53 / 0 / 21 / 55

HEX #37745C

RGB 55 116 92

HSL 156.39, 0.36%, 0.34%

LAB 44.34, -26.01, 7.28

 

CMYK 46 / 0 / 17 / 47

HEX #48866F

RGB 72 134 111

HSL 157.74, 0.3%, 0.4%

LAB 51.35, -25.84, 6.21

 

CMYK 41 / 0 / 14 / 40

HEX #599882

RGB 89 152 130

HSL 159.05, 0.26%, 0.47%

LAB 58.22, -25.63, 5.25

 

CMYK 80 / 0 / 26 / 69

HEX #10503B

RGB 16 80 59

HSL 160.31, 0.67%, 0.19%

LAB 29.82, -25.46, 6.8

 

CMYK 100 / 0 / 35 / 76

HEX #003E28

RGB 0 62 40

HSL 158.71, 1%, 0.12%

LAB 22.3, -24.65, 8.5

 

CMYK 100 / 0 / 52 / 83

HEX #002C15

RGB 0 44 21

HSL 148.64, 1%, 0.09%

LAB 14.71, -21.51, 10.88

 

CMYK 100 / 0 / 92 / 90

HEX #001A02

RGB 0 26 2

HSL 124.62, 1%, 0.05%

LAB 6.71, -13.35, 8.99

 

CMYK 100 / 0 / 100 / 97

HEX #000800

RGB 0 8 0

HSL 120, 1%, 0.02%

LAB 1.57, -3.2, 2.29

 

CMYK 81 / 0 / 26 / 69

HEX #0F503B

RGB 15 80 59

HSL 160.62, 0.68%, 0.19%

LAB 29.8, -25.62, 6.76

 

CMYK 81 / 0 / 48 / 69

HEX #0F502A

RGB 15 80 42

HSL 144.92, 0.68%, 0.19%

LAB 29.43, -29.72, 16.82

 

CMYK 81 / 0 / 70 / 69

HEX #0F5018

RGB 15 80 24

HSL 128.31, 0.68%, 0.19%

LAB 29.17, -32.74, 26.62

 

CMYK 70 / 0 / 81 / 69

HEX #18500F

RGB 24 80 15

HSL 111.69, 0.68%, 0.19%

LAB 29.33, -31.74, 30.99

 

CMYK 48 / 0 / 81 / 69

HEX #2A500F

RGB 42 80 15

HSL 95.08, 0.68%, 0.19%

LAB 30.07, -25.97, 31.97

 

CMYK 81 / 0 / 26 / 69

HEX #0F503B

RGB 15 80 59

HSL 160.62, 0.68%, 0.19%

LAB 29.8, -25.62, 6.76

 

CMYK 81 / 0 / 4 / 69

HEX #0F504D

RGB 15 80 77

HSL 177.23, 0.68%, 0.19%

LAB 30.34, -20.13, -3.94

 

CMYK 81 / 16 / 0 / 69

HEX #0F4350

RGB 15 67 80

HSL 192, 0.68%, 0.19%

LAB 25.85, -11.66, -12.66

 

CMYK 81 / 39 / 0 / 69

HEX #0F3150

RGB 15 49 80

HSL 208.62, 0.68%, 0.19%

LAB 19.55, 0.16, -22.48

 

CMYK 81 / 60 / 0 / 69

HEX #0F2050

RGB 15 32 80

HSL 224.31, 0.68%, 0.19%

LAB 13.91, 12.75, -31.52

 

CMYK 81 / 0 / 26 / 69

HEX #0F503B

RGB 15 80 59

HSL 160.62, 0.68%, 0.19%

LAB 29.8, -25.62, 6.76

 

CMYK 91 / 0 / 30 / 65

HEX #08583E

RGB 8 88 62

HSL 160.5, 0.83%, 0.19%

LAB 32.65, -29.38, 8.87

 

CMYK 100 / 0 / 33 / 62

HEX #006040

RGB 0 96 64

HSL 160, 1%, 0.19%

LAB 35.47, -33.17, 11.52

 

CMYK 81 / 0 / 26 / 69

HEX #0F503B

RGB 15 80 59

HSL 160.62, 0.68%, 0.19%

LAB 29.8, -25.62, 6.76

 

CMYK 68 / 0 / 23 / 71

HEX #174938

RGB 23 73 56

HSL 159.6, 0.52%, 0.19%

LAB 27.39, -21.47, 5.3

 

CMYK 52 / 0 / 17 / 75

HEX #1F4136

RGB 31 65 54

HSL 160.59, 0.35%, 0.19%

LAB 24.76, -15.57, 2.9

 

CMYK 32 / 0 / 11 / 78

HEX #273933

RGB 39 57 51

HSL 160, 0.19%, 0.19%

LAB 22.29, -8.85, 1.39

 

CMYK 4 / 0 / 2 / 81

HEX #2F3130

RGB 47 49 48

HSL 150, 0.02%, 0.19%

LAB 20.1, -1.11, 0.33

 

CMYK 81 / 0 / 70 / 69

HEX #0F5018

RGB 15 80 24

HSL 128.31, 0.68%, 0.19%

LAB 29.17, -32.74, 26.62

 

CMYK 81 / 0 / 49 / 69

HEX #0F5029

RGB 15 80 41

HSL 144, 0.68%, 0.19%

LAB 29.41, -29.93, 17.4

 

CMYK 81 / 0 / 26 / 69

HEX #0F503B

RGB 15 80 59

HSL 160.62, 0.68%, 0.19%

LAB 29.8, -25.62, 6.76

 

CMYK 81 / 0 / 5 / 69

HEX #0F504C

RGB 15 80 76

HSL 176.31, 0.68%, 0.19%

LAB 30.3, -20.46, -3.35

 

CMYK 81 / 16 / 0 / 69

HEX #0F4350

RGB 15 67 80

HSL 192, 0.68%, 0.19%

LAB 25.85, -11.66, -12.66

 

CMYK 83 / 0 / 33 / 95

HEX #020C08

RGB 2 12 8

HSL 156, 0.71%, 0.03%

LAB 2.65, -3.22, 0.62

 

CMYK 80 / 0 / 26 / 82

HEX #092E22

RGB 9 46 34

HSL 160.54, 0.67%, 0.11%

LAB 16.14, -16.62, 3.99

 

CMYK 81 / 0 / 26 / 69

HEX #0F503B

RGB 15 80 59

HSL 160.62, 0.68%, 0.19%

LAB 29.8, -25.62, 6.76

 

CMYK 81 / 0 / 27 / 55

HEX #167354

RGB 22 115 84

HSL 160, 0.68%, 0.27%

LAB 42.87, -34.07, 9.83

 

CMYK 81 / 0 / 26 / 42

HEX #1D956E

RGB 29 149 110

HSL 160.5, 0.67%, 0.35%

LAB 54.95, -41.33, 11.7

 

CMYK 80 / 0 / 26 / 69

HEX #10503B

RGB 16 80 59

HSL 160.31, 0.67%, 0.19%

LAB 29.82, -25.46, 6.8

 

CMYK 81 / 70 / 0 / 69

HEX #0F1850

RGB 15 24 80

HSL 231.69, 0.68%, 0.19%

LAB 11.51, 18.8, -35.43

 

CMYK 0 / 59 / 81 / 69

HEX #50210F

RGB 80 33 15

HSL 16.62, 0.68%, 0.19%

LAB 19.34, 20.69, 22.04

 

CMYK 80 / 0 / 26 / 69

HEX #10503B

RGB 16 80 59

HSL 160.31, 0.67%, 0.19%

LAB 29.82, -25.46, 6.8

 

CMYK 26 / 81 / 0 / 69

HEX #3B0F50

RGB 59 15 80

HSL 280.62, 0.68%, 0.19%

LAB 14.68, 32.85, -30.04

 

CMYK 0 / 26 / 81 / 69

HEX #503B0F

RGB 80 59 15

HSL 40.62, 0.68%, 0.19%

LAB 26.36, 4.26, 29.4

 

CMYK 80 / 0 / 26 / 69

HEX #10503B

RGB 16 80 59

HSL 160.31, 0.67%, 0.19%

LAB 29.82, -25.46, 6.8

 

CMYK 81 / 70 / 0 / 69

HEX #0F1850

RGB 15 24 80

HSL 231.69, 0.68%, 0.19%

LAB 11.51, 18.8, -35.43

 

CMYK 0 / 81 / 54 / 69

HEX #500F25

RGB 80 15 37

HSL 339.69, 0.68%, 0.19%

LAB 16.41, 31.47, 3.37

 

CMYK 0 / 10 / 81 / 69

HEX #50480F

RGB 80 72 15

HSL 52.62, 0.68%, 0.19%

LAB 30.34, -3.89, 33.25

 

CMYK 80 / 0 / 26 / 69

HEX #10503B

RGB 16 80 59

HSL 160.31, 0.67%, 0.19%

LAB 29.82, -25.46, 6.8

 

CMYK 68 / 81 / 0 / 69

HEX #1A0F50

RGB 26 15 80

HSL 250.15, 0.68%, 0.19%

LAB 10.11, 26.52, -37.69

 

CMYK 0 / 81 / 54 / 69

HEX #500F25

RGB 80 15 37

HSL 339.69, 0.68%, 0.19%

LAB 16.41, 31.47, 3.37

 

CMYK 13 / 0 / 81 / 69

HEX #46500F

RGB 70 80 15

HSL 69.23, 0.68%, 0.19%

LAB 31.97, -13.62, 34.47

 

Description

Color code: HEX #10503B | qconv.com Color code: HEX #10503B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 80 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 80 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 26 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 26% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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