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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #107887 it is the complementary color #EF8778. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #107887. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #107887 shade: #157882, #268A95, #379CA8, #48AEBB and #59C0CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #107887. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #107887 shade: #107887, #006674, #005461, #00424E and #00303B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #107887 shade: #107988, #105988, #103888, #101788 and #281088

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #107887 shade: #107988, #105988, #103888, #101788 and #101088

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #107887 shade matches the following richer shades: #107988 and #038295

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #107887 shade: #107988, #1C707C, #286770, #355D63 and #415457

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #107887 shade: #108856, #108876, #107A88, #105A88 and #103A88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #107887 shade: #07383F, #0B5864, #107988, #149AAD and #18BBD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #107887 shade: #107887, #361088 and #886610

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #107887 shade: #107887, #88107A and #7A8810

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #107887 shade: #107887, #361088, #881E10 and #628810

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #107887 shade: #107887, #5A1088, #881E10 and #3E8810

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 11 / 0 / 47

HEX #107887

RGB 16 120 135

HSL 187.56, 0.79%, 0.3%

LAB 46.03, -21.5, -15.97

 

Complementary color

CMYK 0 / 44 / 50 / 6

HEX #EF8778

RGB 239 135 120

HSL 7.56, 0.79%, 0.7%

LAB 67.3, 38.14, 25.55

 

CMYK 84 / 8 / 0 / 49

HEX #157882

RGB 21 120 130

HSL 185.5, 0.72%, 0.3%

LAB 45.91, -22.8, -13.17

 

CMYK 74 / 7 / 0 / 42

HEX #268A95

RGB 38 138 149

HSL 185.95, 0.59%, 0.37%

LAB 52.68, -23.99, -14.04

 

CMYK 67 / 7 / 0 / 34

HEX #379CA8

RGB 55 156 168

HSL 186.37, 0.51%, 0.44%

LAB 59.36, -24.81, -14.8

 

CMYK 61 / 7 / 0 / 27

HEX #48AEBB

RGB 72 174 187

HSL 186.78, 0.46%, 0.51%

LAB 65.93, -25.38, -15.47

 

CMYK 57 / 7 / 0 / 19

HEX #59C0CE

RGB 89 192 206

HSL 187.18, 0.54%, 0.58%

LAB 72.41, -25.78, -16.08

 

CMYK 88 / 11 / 0 / 47

HEX #107887

RGB 16 120 135

HSL 187.56, 0.79%, 0.3%

LAB 46.03, -21.5, -15.97

 

CMYK 100 / 12 / 0 / 55

HEX #006674

RGB 0 102 116

HSL 187.24, 1%, 0.23%

LAB 39.18, -19.6, -15

 

CMYK 100 / 13 / 0 / 62

HEX #005461

RGB 0 84 97

HSL 188.04, 1%, 0.19%

LAB 32.27, -16.69, -13.77

 

CMYK 100 / 15 / 0 / 69

HEX #00424E

RGB 0 66 78

HSL 189.23, 1%, 0.15%

LAB 25.1, -13.64, -12.53

 

CMYK 100 / 19 / 0 / 77

HEX #00303B

RGB 0 48 59

HSL 191.19, 1%, 0.12%

LAB 17.6, -10.41, -11.27

 

CMYK 88 / 11 / 0 / 47

HEX #107988

RGB 16 121 136

HSL 187.5, 0.79%, 0.3%

LAB 46.4, -21.68, -16.01

 

CMYK 88 / 35 / 0 / 47

HEX #105988

RGB 16 89 136

HSL 203.5, 0.79%, 0.3%

LAB 36.05, -3.14, -32.08

 

CMYK 88 / 59 / 0 / 47

HEX #103888

RGB 16 56 136

HSL 220, 0.79%, 0.3%

LAB 25.91, 19.23, -48.36

 

CMYK 88 / 83 / 0 / 47

HEX #101788

RGB 16 23 136

HSL 236.5, 0.79%, 0.3%

LAB 17.92, 40.69, -61.51

 

CMYK 71 / 88 / 0 / 47

HEX #281088

RGB 40 16 136

HSL 252, 0.79%, 0.3%

LAB 18.36, 45.33, -60.73

 

CMYK 88 / 11 / 0 / 47

HEX #107988

RGB 16 121 136

HSL 187.5, 0.79%, 0.3%

LAB 46.4, -21.68, -16.01

 

CMYK 88 / 35 / 0 / 47

HEX #105988

RGB 16 89 136

HSL 203.5, 0.79%, 0.3%

LAB 36.05, -3.14, -32.08

 

CMYK 88 / 59 / 0 / 47

HEX #103888

RGB 16 56 136

HSL 220, 0.79%, 0.3%

LAB 25.91, 19.23, -48.36

 

CMYK 88 / 83 / 0 / 47

HEX #101788

RGB 16 23 136

HSL 236.5, 0.79%, 0.3%

LAB 17.92, 40.69, -61.51

 

CMYK 88 / 88 / 0 / 47

HEX #101088

RGB 16 16 136

HSL 240, 0.79%, 0.3%

LAB 16.79, 44.04, -63.39

 

CMYK 88 / 11 / 0 / 47

HEX #107988

RGB 16 121 136

HSL 187.5, 0.79%, 0.3%

LAB 46.4, -21.68, -16.01

 

CMYK 98 / 13 / 0 / 42

HEX #038295

RGB 3 130 149

HSL 187.81, 0.96%, 0.3%

LAB 49.68, -22.59, -18.65

 

CMYK 88 / 11 / 0 / 47

HEX #107988

RGB 16 121 136

HSL 187.5, 0.79%, 0.3%

LAB 46.4, -21.68, -16.01

 

CMYK 77 / 10 / 0 / 51

HEX #1C707C

RGB 28 112 124

HSL 187.5, 0.63%, 0.3%

LAB 43.2, -19.82, -13.69

 

CMYK 64 / 8 / 0 / 56

HEX #286770

RGB 40 103 112

HSL 187.5, 0.47%, 0.3%

LAB 40.12, -16.98, -11.06

 

CMYK 46 / 6 / 0 / 61

HEX #355D63

RGB 53 93 99

HSL 187.83, 0.3%, 0.3%

LAB 36.9, -12.3, -7.85

 

CMYK 25 / 3 / 0 / 66

HEX #415457

RGB 65 84 87

HSL 188.18, 0.14%, 0.3%

LAB 34.3, -6.52, -4.16

 

CMYK 88 / 0 / 37 / 47

HEX #108856

RGB 16 136 86

HSL 155, 0.79%, 0.3%

LAB 49.97, -42.93, 18.41

 

CMYK 88 / 0 / 13 / 47

HEX #108876

RGB 16 136 118

HSL 171, 0.79%, 0.3%

LAB 50.72, -34.76, 1.03

 

CMYK 88 / 10 / 0 / 47

HEX #107A88

RGB 16 122 136

HSL 187, 0.79%, 0.3%

LAB 46.72, -22.21, -15.51

 

CMYK 88 / 34 / 0 / 47

HEX #105A88

RGB 16 90 136

HSL 203, 0.79%, 0.3%

LAB 36.37, -3.77, -31.57

 

CMYK 88 / 57 / 0 / 47

HEX #103A88

RGB 16 58 136

HSL 219, 0.79%, 0.3%

LAB 26.49, 17.82, -47.42

 

CMYK 89 / 11 / 0 / 75

HEX #07383F

RGB 7 56 63

HSL 187.5, 0.8%, 0.14%

LAB 20.95, -12.61, -8.85

 

CMYK 89 / 12 / 0 / 61

HEX #0B5864

RGB 11 88 100

HSL 188.09, 0.8%, 0.22%

LAB 33.92, -16.89, -13.12

 

CMYK 88 / 11 / 0 / 47

HEX #107988

RGB 16 121 136

HSL 187.5, 0.79%, 0.3%

LAB 46.4, -21.68, -16.01

 

CMYK 88 / 11 / 0 / 32

HEX #149AAD

RGB 20 154 173

HSL 187.45, 0.79%, 0.38%

LAB 58.3, -25.93, -19.3

 

CMYK 89 / 11 / 0 / 18

HEX #18BBD2

RGB 24 187 210

HSL 187.42, 0.79%, 0.46%

LAB 69.74, -29.99, -22.44

 

CMYK 88 / 11 / 0 / 47

HEX #107887

RGB 16 120 135

HSL 187.56, 0.79%, 0.3%

LAB 46.03, -21.5, -15.97

 

CMYK 60 / 88 / 0 / 47

HEX #361088

RGB 54 16 136

HSL 259, 0.79%, 0.3%

LAB 19.77, 46.55, -58.35

 

CMYK 0 / 25 / 88 / 47

HEX #886610

RGB 136 102 16

HSL 43, 0.79%, 0.3%

LAB 45.32, 5.86, 48.5

 

CMYK 88 / 11 / 0 / 47

HEX #107887

RGB 16 120 135

HSL 187.56, 0.79%, 0.3%

LAB 46.03, -21.5, -15.97

 

CMYK 0 / 88 / 10 / 47

HEX #88107A

RGB 136 16 122

HSL 307, 0.79%, 0.3%

LAB 31.83, 56.96, -29.37

 

CMYK 10 / 0 / 88 / 47

HEX #7A8810

RGB 122 136 16

HSL 67, 0.79%, 0.3%

LAB 53.8, -19.56, 54.96

 

CMYK 88 / 11 / 0 / 47

HEX #107887

RGB 16 120 135

HSL 187.56, 0.79%, 0.3%

LAB 46.03, -21.5, -15.97

 

CMYK 60 / 88 / 0 / 47

HEX #361088

RGB 54 16 136

HSL 259, 0.79%, 0.3%

LAB 19.77, 46.55, -58.35

 

CMYK 0 / 78 / 88 / 47

HEX #881E10

RGB 136 30 16

HSL 7, 0.79%, 0.3%

LAB 29.91, 43.61, 35.63

 

CMYK 28 / 0 / 88 / 47

HEX #628810

RGB 98 136 16

HSL 79, 0.79%, 0.3%

LAB 52.11, -29.93, 52.87

 

CMYK 88 / 11 / 0 / 47

HEX #107887

RGB 16 120 135

HSL 187.56, 0.79%, 0.3%

LAB 46.03, -21.5, -15.97

 

CMYK 34 / 88 / 0 / 47

HEX #5A1088

RGB 90 16 136

HSL 277, 0.79%, 0.3%

LAB 24.71, 51.12, -50.05

 

CMYK 0 / 78 / 88 / 47

HEX #881E10

RGB 136 30 16

HSL 7, 0.79%, 0.3%

LAB 29.91, 43.61, 35.63

 

CMYK 54 / 0 / 88 / 47

HEX #3E8810

RGB 62 136 16

HSL 97, 0.79%, 0.3%

LAB 50.3, -42.97, 50.59

 

Description

Color code: HEX #107887 | qconv.com Color code: HEX #107887 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 120 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 120 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 11 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 11% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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