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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #108367 it is the complementary color #EF7C98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #108367. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #108367 shade: #158362, #269575, #37A788, #48B99B and #59CBAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #108367. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #108367 shade: #108367, #007154, #005F41, #004D2E and #003B1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #108367 shade: #108367, #108348, #108329, #168310 and #358310

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #108367 shade: #108367, #108083, #106183, #104283 and #102383

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #108367 shade matches the following richer shades: #108367 and #048F6D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #108367 shade: #108367, #1C7761, #286B5B, #345F55 and #40534E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #108367 shade: #108329, #108348, #108366, #108183 and #106283

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #108367 shade: #073A2D, #0B5E4A, #108367, #14A884 and #19CDA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #108367 shade: #108367, #101683 and #833810

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #108367 shade: #108367, #661083 and #836610

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #108367 shade: #108367, #101683, #83102D and #837D10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #108367 shade: #108367, #2D1083, #83102D and #668310

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 21 / 49

HEX #108367

RGB 16 131 103

HSL 165.39, 0.78%, 0.29%

LAB 48.66, -36.71, 6.82

 

Complementary color

CMYK 0 / 48 / 36 / 6

HEX #EF7C98

RGB 239 124 152

HSL 345.39, 0.78%, 0.71%

LAB 65.77, 47, 5.42

 

CMYK 84 / 0 / 25 / 49

HEX #158362

RGB 21 131 98

HSL 162, 0.72%, 0.3%

LAB 48.6, -37.56, 9.65

 

CMYK 74 / 0 / 21 / 42

HEX #269575

RGB 38 149 117

HSL 162.7, 0.59%, 0.37%

LAB 55.27, -38.45, 8.2

 

CMYK 67 / 0 / 19 / 35

HEX #37A788

RGB 55 167 136

HSL 163.39, 0.5%, 0.44%

LAB 61.85, -38.97, 6.92

 

CMYK 61 / 0 / 16 / 27

HEX #48B99B

RGB 72 185 155

HSL 164.07, 0.45%, 0.5%

LAB 68.35, -39.24, 5.78

 

CMYK 56 / 0 / 14 / 20

HEX #59CBAE

RGB 89 203 174

HSL 164.74, 0.52%, 0.57%

LAB 74.76, -39.36, 4.75

 

CMYK 88 / 0 / 21 / 49

HEX #108367

RGB 16 131 103

HSL 165.39, 0.78%, 0.29%

LAB 48.66, -36.71, 6.82

 

CMYK 100 / 0 / 26 / 56

HEX #007154

RGB 0 113 84

HSL 164.6, 1%, 0.22%

LAB 41.92, -35.16, 8.46

 

CMYK 100 / 0 / 32 / 63

HEX #005F41

RGB 0 95 65

HSL 161.05, 1%, 0.19%

LAB 35.14, -32.49, 10.45

 

CMYK 100 / 0 / 40 / 70

HEX #004D2E

RGB 0 77 46

HSL 155.84, 1%, 0.15%

LAB 28.13, -29.65, 12.6

 

CMYK 100 / 0 / 54 / 77

HEX #003B1B

RGB 0 59 27

HSL 147.46, 1%, 0.12%

LAB 20.85, -26.53, 14.94

 

CMYK 88 / 0 / 21 / 49

HEX #108367

RGB 16 131 103

HSL 165.39, 0.78%, 0.29%

LAB 48.66, -36.71, 6.82

 

CMYK 88 / 0 / 45 / 49

HEX #108348

RGB 16 131 72

HSL 149.22, 0.78%, 0.29%

LAB 48.02, -43.91, 23.66

 

CMYK 88 / 0 / 69 / 49

HEX #108329

RGB 16 131 41

HSL 133.04, 0.78%, 0.29%

LAB 47.63, -48.66, 38.94

 

CMYK 83 / 0 / 88 / 49

HEX #168310

RGB 22 131 16

HSL 116.87, 0.78%, 0.29%

LAB 47.55, -49.96, 47.76

 

CMYK 60 / 0 / 88 / 49

HEX #358310

RGB 53 131 16

HSL 100.7, 0.78%, 0.29%

LAB 48.29, -43.65, 48.71

 

CMYK 88 / 0 / 21 / 49

HEX #108367

RGB 16 131 103

HSL 165.39, 0.78%, 0.29%

LAB 48.66, -36.71, 6.82

 

CMYK 88 / 2 / 0 / 49

HEX #108083

RGB 16 128 131

HSL 181.57, 0.78%, 0.29%

LAB 48.5, -26.96, -9.88

 

CMYK 88 / 26 / 0 / 49

HEX #106183

RGB 16 97 131

HSL 197.74, 0.78%, 0.29%

LAB 38.37, -10.02, -25.38

 

CMYK 88 / 50 / 0 / 49

HEX #104283

RGB 16 66 131

HSL 213.91, 0.78%, 0.29%

LAB 28.5, 10.1, -41.05

 

CMYK 88 / 73 / 0 / 49

HEX #102383

RGB 16 35 131

HSL 230.09, 0.78%, 0.29%

LAB 19.85, 31.72, -55.17

 

CMYK 88 / 0 / 21 / 49

HEX #108367

RGB 16 131 103

HSL 165.39, 0.78%, 0.29%

LAB 48.66, -36.71, 6.82

 

CMYK 97 / 0 / 24 / 44

HEX #048F6D

RGB 4 143 109

HSL 165.32, 0.95%, 0.29%

LAB 52.7, -40.96, 9.07

 

CMYK 88 / 0 / 21 / 49

HEX #108367

RGB 16 131 103

HSL 165.39, 0.78%, 0.29%

LAB 48.66, -36.71, 6.82

 

CMYK 76 / 0 / 18 / 53

HEX #1C7761

RGB 28 119 97

HSL 165.49, 0.62%, 0.29%

LAB 44.67, -31.64, 4.66

 

CMYK 63 / 0 / 15 / 58

HEX #286B5B

RGB 40 107 91

HSL 165.67, 0.46%, 0.29%

LAB 40.77, -25.39, 2.7

 

CMYK 45 / 0 / 11 / 63

HEX #345F55

RGB 52 95 85

HSL 166.05, 0.29%, 0.29%

LAB 37.06, -17.66, 1.05

 

CMYK 23 / 0 / 6 / 67

HEX #40534E

RGB 64 83 78

HSL 164.21, 0.13%, 0.29%

LAB 33.62, -8.54, 0.51

 

CMYK 88 / 0 / 69 / 49

HEX #108329

RGB 16 131 41

HSL 133.04, 0.78%, 0.29%

LAB 47.63, -48.66, 38.94

 

CMYK 88 / 0 / 45 / 49

HEX #108348

RGB 16 131 72

HSL 149.22, 0.78%, 0.29%

LAB 48.02, -43.91, 23.66

 

CMYK 88 / 0 / 22 / 49

HEX #108366

RGB 16 131 102

HSL 164.87, 0.78%, 0.29%

LAB 48.64, -36.97, 7.37

 

CMYK 88 / 2 / 0 / 49

HEX #108183

RGB 16 129 131

HSL 181.04, 0.78%, 0.29%

LAB 48.82, -27.45, -9.39

 

CMYK 88 / 25 / 0 / 49

HEX #106283

RGB 16 98 131

HSL 197.22, 0.78%, 0.29%

LAB 38.7, -10.62, -24.87

 

CMYK 88 / 0 / 22 / 77

HEX #073A2D

RGB 7 58 45

HSL 164.71, 0.78%, 0.13%

LAB 21.06, -20.01, 3.47

 

CMYK 88 / 0 / 21 / 63

HEX #0B5E4A

RGB 11 94 74

HSL 165.54, 0.79%, 0.21%

LAB 35.14, -28.51, 4.94

 

CMYK 88 / 0 / 21 / 49

HEX #108367

RGB 16 131 103

HSL 165.39, 0.78%, 0.29%

LAB 48.66, -36.71, 6.82

 

CMYK 88 / 0 / 21 / 34

HEX #14A884

RGB 20 168 132

HSL 165.41, 0.79%, 0.37%

LAB 61.5, -44.51, 8.57

 

CMYK 88 / 0 / 21 / 20

HEX #19CDA1

RGB 25 205 161

HSL 165.33, 0.78%, 0.45%

LAB 73.83, -51.9, 10.26

 

CMYK 88 / 0 / 21 / 49

HEX #108367

RGB 16 131 103

HSL 165.39, 0.78%, 0.29%

LAB 48.66, -36.71, 6.82

 

CMYK 88 / 83 / 0 / 49

HEX #101683

RGB 16 22 131

HSL 236.87, 0.78%, 0.29%

LAB 17.1, 39.52, -59.72

 

CMYK 0 / 57 / 88 / 49

HEX #833810

RGB 131 56 16

HSL 20.87, 0.78%, 0.29%

LAB 33.33, 30.05, 38.18

 

CMYK 88 / 0 / 21 / 49

HEX #108367

RGB 16 131 103

HSL 165.39, 0.78%, 0.29%

LAB 48.66, -36.71, 6.82

 

CMYK 22 / 88 / 0 / 49

HEX #661083

RGB 102 16 131

HSL 284.87, 0.78%, 0.29%

LAB 26.26, 52.01, -44.31

 

CMYK 0 / 22 / 88 / 49

HEX #836610

RGB 131 102 16

HSL 44.87, 0.78%, 0.29%

LAB 44.75, 3.48, 47.79

 

CMYK 88 / 0 / 21 / 49

HEX #108367

RGB 16 131 103

HSL 165.39, 0.78%, 0.29%

LAB 48.66, -36.71, 6.82

 

CMYK 88 / 83 / 0 / 49

HEX #101683

RGB 16 22 131

HSL 236.87, 0.78%, 0.29%

LAB 17.1, 39.52, -59.72

 

CMYK 0 / 88 / 66 / 49

HEX #83102D

RGB 131 16 45

HSL 344.87, 0.78%, 0.29%

LAB 27.81, 47.38, 15.16

 

CMYK 0 / 5 / 88 / 49

HEX #837D10

RGB 131 125 16

HSL 56.87, 0.78%, 0.29%

LAB 51.3, -9.56, 53.21

 

CMYK 88 / 0 / 21 / 49

HEX #108367

RGB 16 131 103

HSL 165.39, 0.78%, 0.29%

LAB 48.66, -36.71, 6.82

 

CMYK 66 / 88 / 0 / 49

HEX #2D1083

RGB 45 16 131

HSL 255.13, 0.78%, 0.29%

LAB 18.22, 44.29, -57.8

 

CMYK 0 / 88 / 66 / 49

HEX #83102D

RGB 131 16 45

HSL 344.87, 0.78%, 0.29%

LAB 27.81, 47.38, 15.16

 

CMYK 22 / 0 / 88 / 49

HEX #668310

RGB 102 131 16

HSL 75.13, 0.78%, 0.29%

LAB 50.8, -25.83, 51.85

 

Description

Color code: HEX #108367 | qconv.com Color code: HEX #108367 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 131 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 131 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 21 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 21% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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