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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #108D36 it is the complementary color #EF72C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #108D36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #108D36 shade: #158D31, #269F44, #37B157, #48C36A and #59D57D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #108D36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #108D36 shade: #108D36, #007B23, #006910, #005700 and #004500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #108D36 shade: #0F8E36, #0F8E14, #2D8E0F, #4F8E0F and #718E0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #108D36 shade: #0F8E36, #0F8E58, #0F8E7A, #0F7F8E and #0F5D8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #108D36 shade matches the following richer shades: #0F8E36 and #039B31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #108D36 shade: #0F8E36, #1C813B, #297440, #366745 and #425B4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #108D36 shade: #2D8E0F, #0F8E14, #0F8E35, #0F8E57 and #0F8E79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #108D36 shade: #074419, #0B6928, #0F8E36, #13B344 and #18D852

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #108D36 shade: #108D36, #0F4F8E and #8E0F1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #108D36 shade: #108D36, #350F8E and #8E350F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #108D36 shade: #108D36, #0F4F8E, #8E0F68 and #8E4F0F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #108D36 shade: #108D36, #0F298E, #8E0F68 and #8E740F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 62 / 45

HEX #108D36

RGB 16 141 54

HSL 138.24, 0.8%, 0.31%

LAB 51.18, -50.4, 36.91

 

Complementary color

CMYK 0 / 52 / 16 / 6

HEX #EF72C9

RGB 239 114 201

HSL 318.24, 0.8%, 0.69%

LAB 65.44, 58.32, -22.82

 

CMYK 85 / 0 / 65 / 45

HEX #158D31

RGB 21 141 49

HSL 134, 0.74%, 0.32%

LAB 51.19, -50.54, 39.28

 

CMYK 76 / 0 / 57 / 38

HEX #269F44

RGB 38 159 68

HSL 134.88, 0.61%, 0.39%

LAB 57.68, -52.02, 37.82

 

CMYK 69 / 0 / 51 / 31

HEX #37B157

RGB 55 177 87

HSL 135.74, 0.53%, 0.45%

LAB 64.12, -52.88, 36.3

 

CMYK 63 / 0 / 46 / 24

HEX #48C36A

RGB 72 195 106

HSL 136.59, 0.51%, 0.52%

LAB 70.49, -53.34, 34.81

 

CMYK 58 / 0 / 41 / 16

HEX #59D57D

RGB 89 213 125

HSL 137.42, 0.6%, 0.59%

LAB 76.8, -53.54, 33.39

 

CMYK 89 / 0 / 62 / 45

HEX #108D36

RGB 16 141 54

HSL 138.24, 0.8%, 0.31%

LAB 51.18, -50.4, 36.91

 

CMYK 100 / 0 / 72 / 52

HEX #007B23

RGB 0 123 35

HSL 137.07, 1%, 0.24%

LAB 44.64, -48.02, 38.3

 

CMYK 100 / 0 / 85 / 59

HEX #006910

RGB 0 105 16

HSL 129.14, 1%, 0.21%

LAB 38.09, -44.02, 38.99

 

CMYK 100 / 0 / 100 / 66

HEX #005700

RGB 0 87 0

HSL 120, 1%, 0.17%

LAB 31.39, -39.37, 38

 

CMYK 100 / 0 / 100 / 73

HEX #004500

RGB 0 69 0

HSL 120, 1%, 0.14%

LAB 24.5, -33.65, 32.1

 

CMYK 89 / 0 / 62 / 44

HEX #0F8E36

RGB 15 142 54

HSL 138.43, 0.81%, 0.31%

LAB 51.51, -50.82, 37.28

 

CMYK 89 / 0 / 86 / 44

HEX #0F8E14

RGB 15 142 20

HSL 122.36, 0.81%, 0.31%

LAB 51.26, -53.92, 50.06

 

CMYK 68 / 0 / 89 / 44

HEX #2D8E0F

RGB 45 142 15

HSL 105.83, 0.81%, 0.31%

LAB 51.77, -49.62, 51.89

 

CMYK 44 / 0 / 89 / 44

HEX #4F8E0F

RGB 79 142 15

HSL 89.76, 0.81%, 0.31%

LAB 53, -39.89, 53.43

 

CMYK 20 / 0 / 89 / 44

HEX #718E0F

RGB 113 142 15

HSL 73.7, 0.81%, 0.31%

LAB 54.96, -26.55, 55.88

 

CMYK 89 / 0 / 62 / 44

HEX #0F8E36

RGB 15 142 54

HSL 138.43, 0.81%, 0.31%

LAB 51.51, -50.82, 37.28

 

CMYK 89 / 0 / 38 / 44

HEX #0F8E58

RGB 15 142 88

HSL 154.49, 0.81%, 0.31%

LAB 52.01, -44.9, 20.03

 

CMYK 89 / 0 / 14 / 44

HEX #0F8E7A

RGB 15 142 122

HSL 170.55, 0.81%, 0.31%

LAB 52.79, -36.38, 1.72

 

CMYK 89 / 11 / 0 / 44

HEX #0F7F8E

RGB 15 127 142

HSL 187.09, 0.81%, 0.31%

LAB 48.55, -22.84, -16.26

 

CMYK 89 / 35 / 0 / 44

HEX #0F5D8E

RGB 15 93 142

HSL 203.15, 0.81%, 0.31%

LAB 37.63, -3.33, -33.22

 

CMYK 89 / 0 / 62 / 44

HEX #0F8E36

RGB 15 142 54

HSL 138.43, 0.81%, 0.31%

LAB 51.51, -50.82, 37.28

 

CMYK 98 / 0 / 68 / 39

HEX #039B31

RGB 3 155 49

HSL 138.16, 0.96%, 0.31%

LAB 55.77, -56.36, 44.28

 

CMYK 89 / 0 / 62 / 44

HEX #0F8E36

RGB 15 142 54

HSL 138.43, 0.81%, 0.31%

LAB 51.51, -50.82, 37.28

 

CMYK 78 / 0 / 54 / 49

HEX #1C813B

RGB 28 129 59

HSL 138.42, 0.64%, 0.31%

LAB 47.32, -44.03, 29.83

 

CMYK 65 / 0 / 45 / 55

HEX #297440

RGB 41 116 64

HSL 138.4, 0.48%, 0.31%

LAB 43.26, -35.53, 22.06

 

CMYK 48 / 0 / 33 / 60

HEX #366745

RGB 54 103 69

HSL 138.37, 0.31%, 0.31%

LAB 39.44, -25.01, 14.17

 

CMYK 27 / 0 / 19 / 64

HEX #425B4A

RGB 66 91 74

HSL 139.2, 0.16%, 0.31%

LAB 36.24, -13.39, 6.79

 

CMYK 68 / 0 / 89 / 44

HEX #2D8E0F

RGB 45 142 15

HSL 105.83, 0.81%, 0.31%

LAB 51.77, -49.62, 51.89

 

CMYK 89 / 0 / 86 / 44

HEX #0F8E14

RGB 15 142 20

HSL 122.36, 0.81%, 0.31%

LAB 51.26, -53.92, 50.06

 

CMYK 89 / 0 / 63 / 44

HEX #0F8E35

RGB 15 142 53

HSL 137.95, 0.81%, 0.31%

LAB 51.5, -50.95, 37.75

 

CMYK 89 / 0 / 39 / 44

HEX #0F8E57

RGB 15 142 87

HSL 154.02, 0.81%, 0.31%

LAB 51.99, -45.12, 20.56

 

CMYK 89 / 0 / 15 / 44

HEX #0F8E79

RGB 15 142 121

HSL 170.08, 0.81%, 0.31%

LAB 52.76, -36.66, 2.26

 

CMYK 90 / 0 / 63 / 73

HEX #074419

RGB 7 68 25

HSL 137.7, 0.81%, 0.15%

LAB 24.48, -29.23, 20.63

 

CMYK 90 / 0 / 62 / 59

HEX #0B6928

RGB 11 105 40

HSL 138.51, 0.81%, 0.23%

LAB 38.42, -40.34, 29.01

 

CMYK 89 / 0 / 62 / 44

HEX #0F8E36

RGB 15 142 54

HSL 138.43, 0.81%, 0.31%

LAB 51.51, -50.82, 37.28

 

CMYK 89 / 0 / 62 / 30

HEX #13B344

RGB 19 179 68

HSL 138.38, 0.81%, 0.39%

LAB 64, -60.73, 45.11

 

CMYK 89 / 0 / 62 / 15

HEX #18D852

RGB 24 216 82

HSL 138.13, 0.8%, 0.47%

LAB 76.02, -70.17, 52.62

 

CMYK 89 / 0 / 62 / 45

HEX #108D36

RGB 16 141 54

HSL 138.24, 0.8%, 0.31%

LAB 51.18, -50.4, 36.91

 

CMYK 89 / 44 / 0 / 44

HEX #0F4F8E

RGB 15 79 142

HSL 209.76, 0.81%, 0.31%

LAB 33.24, 5.76, -40.22

 

CMYK 0 / 89 / 80 / 44

HEX #8E0F1C

RGB 142 15 28

HSL 353.86, 0.81%, 0.31%

LAB 29.85, 49.91, 29.24

 

CMYK 89 / 0 / 62 / 45

HEX #108D36

RGB 16 141 54

HSL 138.24, 0.8%, 0.31%

LAB 51.18, -50.4, 36.91

 

CMYK 63 / 89 / 0 / 44

HEX #350F8E

RGB 53 15 142

HSL 257.95, 0.81%, 0.31%

LAB 20.25, 48.45, -61.32

 

CMYK 0 / 63 / 89 / 44

HEX #8E350F

RGB 142 53 15

HSL 17.95, 0.81%, 0.31%

LAB 34.66, 35.99, 40.49

 

CMYK 89 / 0 / 62 / 45

HEX #108D36

RGB 16 141 54

HSL 138.24, 0.8%, 0.31%

LAB 51.18, -50.4, 36.91

 

CMYK 89 / 44 / 0 / 44

HEX #0F4F8E

RGB 15 79 142

HSL 209.76, 0.81%, 0.31%

LAB 33.24, 5.76, -40.22

 

CMYK 0 / 89 / 27 / 44

HEX #8E0F68

RGB 142 15 104

HSL 317.95, 0.81%, 0.31%

LAB 32.02, 55.99, -17.52

 

CMYK 0 / 44 / 89 / 44

HEX #8E4F0F

RGB 142 79 15

HSL 30.24, 0.81%, 0.31%

LAB 40.21, 22.02, 44.96

 

CMYK 89 / 0 / 62 / 45

HEX #108D36

RGB 16 141 54

HSL 138.24, 0.8%, 0.31%

LAB 51.18, -50.4, 36.91

 

CMYK 89 / 71 / 0 / 44

HEX #0F298E

RGB 15 41 142

HSL 227.72, 0.81%, 0.31%

LAB 22.45, 31.95, -57.77

 

CMYK 0 / 89 / 27 / 44

HEX #8E0F68

RGB 142 15 104

HSL 317.95, 0.81%, 0.31%

LAB 32.02, 55.99, -17.52

 

CMYK 0 / 18 / 89 / 44

HEX #8E740F

RGB 142 116 15

HSL 47.72, 0.81%, 0.31%

LAB 49.83, 0.63, 52.71

 

Description

Color code: HEX #108D36 | qconv.com Color code: HEX #108D36 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 141 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 141 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 62 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 62% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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