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Color name
HEX #1094AC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1094AC it is the complementary color #EF6B53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1094AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1094AC shade: #1594A7, #26A6BA, #37B8CD, #48CAE0 and #59DCF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1094AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1094AC shade: #1094AC, #008299, #007086, #005E73 and #004C60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1094AC shade: #1094AC, #106AAC, #1040AC, #1015AC and #3410AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1094AC shade: #1094AC, #106AAC, #1040AC, #1015AC and #1010AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1094AC shade matches the following richer shades: #1094AC and #009FBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1094AC shade: #1094AC, #1F899D, #2E7F8E, #3D747E and #4D6A6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1094AC shade: #10AC70, #10AC9A, #1095AC, #106BAC and #1041AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1094AC shade: #095361, #0C7486, #1094AC, #13B5D2 and #24CCEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1094AC shade: #1094AC, #4610AC and #AC8510

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1094AC shade: #1094AC, #AC1095 and #95AC10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1094AC shade: #1094AC, #4610AC, #AC2710 and #75AC10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1094AC shade: #1094AC, #7510AC, #AC2710 and #46AC10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 14 / 0 / 33

HEX #1094AC

RGB 16 148 172

HSL 189.23, 0.83%, 0.37%

LAB 56.36, -23.42, -21.7

 

Complementary color

CMYK 0 / 55 / 65 / 6

HEX #EF6B53

RGB 239 107 83

HSL 9.23, 0.83%, 0.63%

LAB 61.21, 49.28, 38.2

 

CMYK 87 / 11 / 0 / 35

HEX #1594A7

RGB 21 148 167

HSL 187.81, 0.78%, 0.37%

LAB 56.22, -24.82, -19.05

 

CMYK 80 / 11 / 0 / 27

HEX #26A6BA

RGB 38 166 186

HSL 188.11, 0.66%, 0.44%

LAB 62.7, -26.31, -19.89

 

CMYK 73 / 10 / 0 / 20

HEX #37B8CD

RGB 55 184 205

HSL 188.4, 0.6%, 0.51%

LAB 69.11, -27.44, -20.63

 

CMYK 68 / 10 / 0 / 12

HEX #48CAE0

RGB 72 202 224

HSL 188.68, 0.71%, 0.58%

LAB 75.45, -28.29, -21.29

 

CMYK 63 / 9 / 0 / 5

HEX #59DCF3

RGB 89 220 243

HSL 188.96, 0.87%, 0.65%

LAB 81.72, -28.95, -21.9

 

CMYK 91 / 14 / 0 / 33

HEX #1094AC

RGB 16 148 172

HSL 189.23, 0.83%, 0.37%

LAB 56.36, -23.42, -21.7

 

CMYK 100 / 15 / 0 / 40

HEX #008299

RGB 0 130 153

HSL 189.02, 1%, 0.3%

LAB 49.82, -21.33, -20.78

 

CMYK 100 / 16 / 0 / 47

HEX #007086

RGB 0 112 134

HSL 189.85, 1%, 0.26%

LAB 43.23, -18.48, -19.68

 

CMYK 100 / 18 / 0 / 55

HEX #005E73

RGB 0 94 115

HSL 190.96, 1%, 0.23%

LAB 36.45, -15.52, -18.58

 

CMYK 100 / 21 / 0 / 62

HEX #004C60

RGB 0 76 96

HSL 192.5, 1%, 0.19%

LAB 29.45, -12.42, -17.48

 

CMYK 91 / 14 / 0 / 33

HEX #1094AC

RGB 16 148 172

HSL 189.23, 0.83%, 0.37%

LAB 56.36, -23.42, -21.7

 

CMYK 91 / 38 / 0 / 33

HEX #106AAC

RGB 16 106 172

HSL 205.38, 0.83%, 0.37%

LAB 43.36, 0.54, -42.02

 

CMYK 91 / 63 / 0 / 33

HEX #1040AC

RGB 16 64 172

HSL 221.54, 0.83%, 0.37%

LAB 31.24, 28.35, -61.59

 

CMYK 91 / 88 / 0 / 33

HEX #1015AC

RGB 16 21 172

HSL 238.08, 0.83%, 0.37%

LAB 22.39, 52.99, -76.22

 

CMYK 70 / 91 / 0 / 33

HEX #3410AC

RGB 52 16 172

HSL 253.85, 0.83%, 0.37%

LAB 23.93, 56.18, -73.6

 

CMYK 91 / 14 / 0 / 33

HEX #1094AC

RGB 16 148 172

HSL 189.23, 0.83%, 0.37%

LAB 56.36, -23.42, -21.7

 

CMYK 91 / 38 / 0 / 33

HEX #106AAC

RGB 16 106 172

HSL 205.38, 0.83%, 0.37%

LAB 43.36, 0.54, -42.02

 

CMYK 91 / 63 / 0 / 33

HEX #1040AC

RGB 16 64 172

HSL 221.54, 0.83%, 0.37%

LAB 31.24, 28.35, -61.59

 

CMYK 91 / 88 / 0 / 33

HEX #1015AC

RGB 16 21 172

HSL 238.08, 0.83%, 0.37%

LAB 22.39, 52.99, -76.22

 

CMYK 91 / 91 / 0 / 33

HEX #1010AC

RGB 16 16 172

HSL 240, 0.83%, 0.37%

LAB 21.8, 54.78, -77.21

 

CMYK 91 / 14 / 0 / 33

HEX #1094AC

RGB 16 148 172

HSL 189.23, 0.83%, 0.37%

LAB 56.36, -23.42, -21.7

 

CMYK 100 / 15 / 0 / 27

HEX #009FBB

RGB 0 159 187

HSL 188.98, 1%, 0.37%

LAB 60.23, -24.57, -24.25

 

CMYK 91 / 14 / 0 / 33

HEX #1094AC

RGB 16 148 172

HSL 189.23, 0.83%, 0.37%

LAB 56.36, -23.42, -21.7

 

CMYK 80 / 13 / 0 / 38

HEX #1F899D

RGB 31 137 157

HSL 189.52, 0.67%, 0.37%

LAB 52.53, -21.64, -18.93

 

CMYK 68 / 11 / 0 / 44

HEX #2E7F8E

RGB 46 127 142

HSL 189.38, 0.51%, 0.37%

LAB 49.15, -19.29, -15.31

 

CMYK 52 / 8 / 0 / 51

HEX #3D747E

RGB 61 116 126

HSL 189.23, 0.35%, 0.37%

LAB 45.62, -15.22, -11.12

 

CMYK 31 / 5 / 0 / 56

HEX #4D6A6F

RGB 77 106 111

HSL 188.82, 0.18%, 0.37%

LAB 42.81, -9.23, -6.23

 

CMYK 91 / 0 / 35 / 33

HEX #10AC70

RGB 16 172 112

HSL 156.92, 0.83%, 0.37%

LAB 62.33, -51.06, 20.74

 

CMYK 91 / 0 / 10 / 33

HEX #10AC9A

RGB 16 172 154

HSL 173.08, 0.83%, 0.37%

LAB 63.3, -40.51, -1.11

 

CMYK 91 / 13 / 0 / 33

HEX #1095AC

RGB 16 149 172

HSL 188.85, 0.83%, 0.37%

LAB 56.67, -23.94, -21.22

 

CMYK 91 / 38 / 0 / 33

HEX #106BAC

RGB 16 107 172

HSL 205, 0.83%, 0.37%

LAB 43.66, -0.08, -41.53

 

CMYK 91 / 62 / 0 / 33

HEX #1041AC

RGB 16 65 172

HSL 221.15, 0.83%, 0.37%

LAB 31.51, 27.68, -61.15

 

CMYK 91 / 14 / 0 / 62

HEX #095361

RGB 9 83 97

HSL 189.55, 0.83%, 0.21%

LAB 32.05, -15.33, -14.09

 

CMYK 91 / 13 / 0 / 47

HEX #0C7486

RGB 12 116 134

HSL 188.85, 0.84%, 0.29%

LAB 44.65, -19.98, -17.49

 

CMYK 91 / 14 / 0 / 33

HEX #1094AC

RGB 16 148 172

HSL 189.23, 0.83%, 0.37%

LAB 56.36, -23.42, -21.7

 

CMYK 91 / 14 / 0 / 18

HEX #13B5D2

RGB 19 181 210

HSL 189.11, 0.83%, 0.45%

LAB 67.9, -27.28, -25.27

 

CMYK 85 / 13 / 0 / 8

HEX #24CCEA

RGB 36 204 234

HSL 189.09, 0.83%, 0.53%

LAB 75.76, -29.88, -26.26

 

CMYK 91 / 14 / 0 / 33

HEX #1094AC

RGB 16 148 172

HSL 189.23, 0.83%, 0.37%

LAB 56.36, -23.42, -21.7

 

CMYK 59 / 91 / 0 / 33

HEX #4610AC

RGB 70 16 172

HSL 260.77, 0.83%, 0.37%

LAB 25.72, 57.46, -70.58

 

CMYK 0 / 23 / 91 / 33

HEX #AC8510

RGB 172 133 16

HSL 45, 0.83%, 0.37%

LAB 57.64, 5.05, 60.01

 

CMYK 91 / 14 / 0 / 33

HEX #1094AC

RGB 16 148 172

HSL 189.23, 0.83%, 0.37%

LAB 56.36, -23.42, -21.7

 

CMYK 0 / 91 / 13 / 33

HEX #AC1095

RGB 172 16 149

HSL 308.85, 0.83%, 0.37%

LAB 40.1, 68.06, -32.58

 

CMYK 13 / 0 / 91 / 33

HEX #95AC10

RGB 149 172 16

HSL 68.85, 0.83%, 0.37%

LAB 66.47, -25.81, 66.12

 

CMYK 91 / 14 / 0 / 33

HEX #1094AC

RGB 16 148 172

HSL 189.23, 0.83%, 0.37%

LAB 56.36, -23.42, -21.7

 

CMYK 59 / 91 / 0 / 33

HEX #4610AC

RGB 70 16 172

HSL 260.77, 0.83%, 0.37%

LAB 25.72, 57.46, -70.58

 

CMYK 0 / 77 / 91 / 33

HEX #AC2710

RGB 172 39 16

HSL 8.85, 0.83%, 0.37%

LAB 38.3, 52.17, 45.36

 

CMYK 32 / 0 / 91 / 33

HEX #75AC10

RGB 117 172 16

HSL 81.15, 0.83%, 0.37%

LAB 64.42, -38.81, 63.61

 

CMYK 91 / 14 / 0 / 33

HEX #1094AC

RGB 16 148 172

HSL 189.23, 0.83%, 0.37%

LAB 56.36, -23.42, -21.7

 

CMYK 32 / 91 / 0 / 33

HEX #7510AC

RGB 117 16 172

HSL 278.85, 0.83%, 0.37%

LAB 32.1, 62.67, -59.84

 

CMYK 0 / 77 / 91 / 33

HEX #AC2710

RGB 172 39 16

HSL 8.85, 0.83%, 0.37%

LAB 38.3, 52.17, 45.36

 

CMYK 59 / 0 / 91 / 33

HEX #46AC10

RGB 70 172 16

HSL 99.23, 0.83%, 0.37%

LAB 62.38, -54.08, 61.07

 

Description

Color code: HEX #1094AC | qconv.com Color code: HEX #1094AC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 148 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 148 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 14 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 14% 0% 33% C M Y K

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Provide designers and agencies with accurate color values.

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